Mythological Landscapes

Etchings depicting mythological scenes and characters set in lush landscapes, capturing dramatic narratives and artistic interpretations of legend.

Children in a landscape having fun with a dog walking on his hind legs, Design for a wallpaper painting with children and a little dog, draughtsman: Dirk van der Aa, c. 1741 - c. 1809, kaderlijn, :, brush, pen, h 275 mm × w 265 mm

Diana and Endymion. Diana visits the eternal sleeping clean young man Endymion. The scene is gaded by two putti. A dog watches the feet of Endymion.

Six nymphs and two putti, from "Bacchanals and Histories" 1744 Francesco Fontebasso. Six nymphs and two putti, from "Bacchanals and Histories". "Bacchanals and Histories". Francesco Fontebasso (Italian, Venice 1707-1769 Venice). 1744. Etching. Prints

Landscape with Saint Hieronymus, Jean Pesne, After Pietro Paolo Bonzi, 1666 - 1695 print paper etching landscapes. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

A drawing by Jan van der Straet illustrating Aeneas guided by the Sibyl to the Elysian Fields, with his father presenting the heroes of his lineage, using brown ink, wash, and white highlights on bluish-tinted paper.

The Merciful Samaritan; Theatrum Pictiors. The merciful Samaritane pours oil on the wounds of the man raid by scrollers and puts a connection. In the distance, the priest and the Levite are feet. On the right on a hill you can see how the traveler was robbed by the bushes. Print from the catalog of Italian paintings by Leopold Willem, Landvoogd der Southern Netherlands, Theatrum Pictorum compiled by David Terniers; The dimensions of the original painting are in the sub-margin.

Herman van Swanevelt, Hagar and the Angel Hagar and the Angel

Torture of a half -naked woman, Arnold Houbraken, 1699 print A half -naked woman is tortured in a landscape by attaching her to her wrists to a tree. Three soldiers around her. The same thing happens with other figures in the background. At the top left: Fol 150. Print used in a book by Lambert van den Bos with a total of twenty prints by Arnold Houbraken. publisher: Dordrechtpublisher: Rotterdam paper etching violent death ~ maltreatment, torture. corporal punishment in public

Children in a landscape having fun with a dog walking on his hind legs, Design for a wallpaper painting with children and a little dog, draughtsman: Dirk van der Aa, c. 1741 - c. 1809, kaderlijn, :, brush, pen, h 275 mm × w 265 mm

Two Riders Passing a Flock, plate five from The Six Large Views of Rome and the Campagna Made 1654 Italy. This etching by Stefano della Bella is from a series of landscapes of Rome and the Campagna. Unlike most etchers of the 17th century, who also made paintings, Della Bella devoted himself almost entirely to printmaking. His etchings are particularly admired for their intense textures and atmospheric effects. The contrast between the coarse tree bark and the plush bundles of foliage exemplify Della Bellaís style.. Etching on ivory laid paper . Stefano della Bella

Mary Magdalene in aLandscape. Artist: Giovanni Francesco Grimaldi, Italian, 1606-1680 After: Annibale Carracci, Italian, 1560-1609

Diana in Endymion, Anonymous, after Franciscus de Neve, 1655 - 1690 print Diana visits the eternally sleeping beautiful youth Endymion. The scene is watched by two putti. A dog watches at the feet of Endymion. Amsterdam paper etching / engraving Diana (Luna) visiting the sleeping Endymion

Party at a statue of the God terminus. A Sater, a man and a woman at the decorated statue of the God terminus, protector of the borders.

Narcisse. Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence); Designed by Jean Desmarets de Saint-Sorlin (French, 1595-1676). Dedicatee: Made for Louis XIV, King of France (French, Saint-Germain-en-Laye 1638-1715 Versailles). Patron: Commissioned by Cardinal Jules Mazarin (Italian, Piscina 1602-1661 Vincennes). Publisher: Published by Henri Le Gras (French). Series/Portfolio: Jeu de la Mythologie. Date: 1644. Museum: Metropolitan Museum of Art, New York, USA.

Walkers come to the rescue of a drowning person, Remi Henry Joseph Delvaux, after Jean Michel Moreau, 1780 print France paper steel engraving saving a person from drowning

A satyr reclining at the foot of a staute of Priapus, goats at the right ca. 1645-48 Giovanni Benedetto Castiglione (Il Grechetto) Italian Although this work was etched in Castigliones native Genoa, the concentration on a mythological subject in a large lush landscape exposes the influence of the French painter Nicolas Poussin, whom the artist likely met while working in Rome in the 1630s.. A satyr reclining at the foot of a staute of Priapus, goats at the right 399816

Parijs, Mariette, Pierre (I), Rome, Swanevelt, Herman van, Oudtestamentische voorbeelden, Tobias schrikt van de vis, Paris, verso lower left - stamped, In a wooded, hilly landscape, Tobias, a dog and the angel Raphael are in the foreground with the river Tigris depicted. Tobias emerges from the water with raised arms and looks back in fright at the large fish that has risen to the surface., print, engraving, prints, engravings, KONING: BIBLIO:, height 142 mm, width 201 mm, Noord-Nederlands, 1604 - 1655, print maker, engraving maker, 1629 - 1641, paper, papier, etching, etchings, Publication (Event), Publicatie, Frans, 1596 - 1657, publisher, uitgever, 1643 - 1655

Three men in conversation, In an Arcadian landscape three men in conversation., Mountains (landscape with figures, staffage), conversation, dialogue, conversation piece, Abraham Genoels (mentioned on object), Rome, 1696, paper, etching, h 194 mm × w 151 mm

Silenus Voor Koning Midas brought, Anonymous, Johann Wilhelm Baur, 1639 - c. 1700 print paper etching Silenus amicably entertained by Midas

. A performance in a cartouche of palm branches. The merciful Samaritan supports the robbered and injured man and pour oil and wine over his injuries. In the background the priest and the Leviet in a landscape. Under the cartouche the Bible reference Luc. 10:35.

Venus gives Aeneas his armor, Pietro Testa, c. 1640 print Venus gives Aeneas the armor that Vulcanus has made for him. A harness hangs on the right in a tree and a shield, helmet and sword are presented to Aeneas by putti. On the left a river god. Italy paper etching / counterproof Venus hands over the armour to Aeneas. cupids: 'amores', 'amoretti', 'putti'. river personified, 'Fiumi' (Ripa)

Tobias is shocked by the fish, Moyses van Wtenbrouck, 1620 print Tobias is sitting on the side of the water and shines back when he sees the fish in the water. The angel is behind him. Numbered as II in the lower right corner. The Hague paper etching / engraving a large fish appears while Tobias is washing his feet; he is frightened

Farmer with basket in a landscape. In addition to a tree stump, a farmer is a basket and a stick in one hand in one hand. On the left a grazing goat on a cliff.

Two shepherds at a water feature, Jan Wandelaar, 1710 - 1759 print There are two shepherds and a dog with a tree. In front of them is a pan flute next to a staff on the floor. Different animals under the tree. A water feature can be seen behind them. On the right is a building with columns. North Netherlands paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. panpipes - CC - out of doors. cattle. lake. dog

In a wooded, hilly landscape, Tobias, a dog and the angel Raphael are shown in the foreground near the Tigris River. Tobias emerges from the water with his arms raised and looks back in terror at the large fish that has come to the surface., Tobias frightened by the fish Old Testament representations (series title), print maker: Herman van Swanevelt, (mentioned on object), publisher: Charles Audran, (mentioned on object), Rome, 1629 - 1641, paper, etching, h 143 mm × w 204 mm

The Penance of Saint John Chrisostom. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 10 1/8 × 7 13/16 in. (25.7 × 19.8 cm). Date: 1509. Museum: Metropolitan Museum of Art, New York, USA.

In a hilly landscape with tree features and a body of water, the dying Adonis lies with his left leg raised next to his spear. Two dogs are seen to his right and in front of him is the boar that attacked him. At the bottom, the episode in the story is explained in a four-line, French text., Death of Adonis Story of Adonis (series title), print maker: Herman van Swanevelt, (mentioned on object), publisher: Henri Bonnart (I), (mentioned on object), Lodewijk XIV (koning van Frankrijk), (mentioned on object), Paris, 1654, paper, etching, h 254 mm × w 332 mm

Table of Museum Temple: Echo (Dutuit 36, White 127) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Museum Temple: Echo (Dutuit 36, White 127). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Elia leaves the world in a fiery car and leaves his cloak behind for Elisa, Jan Saenredam, after Abraham Bloemaert, 1604 print The prophet Elisa in the foreground. He kneels and looks in disbelief at Elijah, who is led to heaven in a fiery car. Elia's cloak falls out of the car. The print has a Latin text in the lower margin. paper engraving a chariot, horses of fire and a whirlwind appear and Elijah is carried up into heaven; Elijah's cloak falls (or he hands it over to Elisha)

Tobias is shocked by the fish, Herman van Swanevelt, 1629 - 1641 print In a wooded, hilly landscape, Tobias, a dog and the angel Rafaël are shown in the foreground at the Tigris River. Tobias comes out of the water with his arms held high and looks back at the large fish that has come to the surface. Rome paper etching a large fish appears while Tobias is washing his feet; he is frightened

. Telemachus kills the lion who has just devoured some sheep from his herd. In the background farmers who watch out. In the margin a two-person caption in French.

June: Mowing (Cancer), Antonio Tempesta, 1575 - 1613 print Landscape that depicts the month of June. Landscape with resting farmers and farmers who mow the grain. In the middle of the symbol for the constellation of lobster. print maker: Italyafter own design by: Italypublisher: Rome paper etching Cancer (zodiacal sign of June). landscape symbolizing June. farmers. reaping, picking, mowing ~ harvest

Landscape with the temptation of Christ, Willem van Nieulandt (II), 1606 - 1628 print In an Italian landscape for a tree, Christ is asked by the devil to change a stone in bread. In the background a river with two people in a rowing boat and someone on the bank. In the background a city on the right. Antwerp paper etching 'command these stones to become loaves of bread' ~ temptation of Christ in the wilderness. river. rowing-boat, canoe, etc.

The Daughters of Cecrops. Dated: 1590. Dimensions: plate: 17.8 x 25.5 cm (7 x 10 1/16 in.) sheet: 19 x 26.7 cm (7 1/2 x 10 1/2 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Dutch 16th Century, after Hendrik Goltzius.

Mars, Venus and Cupid ca. 1637-39 Simone Cantarini Italian. Mars, Venus and Cupid 341501

Sadeler, Johannes, Muziano, Girolamo, Cort, Cornelis, Landscapes with saints, Landscape with Mary Magdalene, verso - stamped, Mary Magdalene kneels in a landscape with a crucifix in one hand and an open book in the other. This print is part of an album., print, album sheet, prints, height 263 mm, width 185 mm, print maker, printmaker, 1573 - 1600, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1533 - 1578, after print by, 1528 - 1592-04-27, after design by, Publication (Event), Publication, publisher

Telemachus en Mentor komen aan op het eiland van Calypso; Les Ecueils de la Volupté sont plus à craindre que le Naufrage; Avonturen van Telemachus.Telemachus and mentor are received on the island of Calypso by three nymphs. In the background, their semi-sacked boat can be seen. Print at the top right labeled: Page 1.

Elijah in the Wilderness. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

Fleeing shepherd; Il Pastor Fido / Le Berger Fidele. A shepherd and a shepherd sitting under a tree. The shepherd wants to leave and the shepherd is trying to stop her loved one. Against her knee, the crying amor leans as a sign for the unfortunate love.

Koning valt uit een boom; La Bonne petite souris.Illustration from the fairy tale La Bonne Petite Souris van Mme d'Aulnoy. A king dangles to a tree branch above a tree stump with pointed ends. In the air, two figures are pulled on a carriage by two winged animals.

Pierre Alexandre Aveline after François Boucher, La Bonne Aventure, 1738 La Bonne Aventure

Saturn and the Nymph Philyra. Saturn in the form of a stallion that sucks the breast of Nymph Phalyra. On the left a second horse that is grazing. A landscape in the background.

Two men by a Wall, Hermanus Fock, 1781 - 1822 print A man points with a long stick to a wall in a forest and looks at a second man who sits against a tree. Amsterdam paper etching forest, wood (+ landscape with figures, staffage)

Picnic on the edge of the forest, Anonymous, 1661 - 1726 print Numbered below: 4. paper etching / engraving picnic, alfresco, 'déjeuner sur l'herbe'. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Mary, Helped by an Angel, and Joseph Carrying the Basket, Passing a Flock, plate 24 from The Flight into Egypt. Giovanni Domenico Tiepolo; Italian, 1727-1804. Date: 1752-1753. Dimensions: 188 x 242 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Tobias heals his father's blindness, Moyses van Wtenbrouck, Broer Jansz (Den Haag), 1621.

Nimfen rusten na de jacht; Quod caret alterna requie durabile non est: Haec reparat vires, fessaque membra levat.In a landscape a group of nymphs break after hunting. The hunting dogs are sent away, the arrows are stored or hung out. Left view of a ruin.

Rest on the Flight into Egypt. 1601 - 1700. Cantarini, Simone, 1612-1648. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Herman van Swanevelt, Mercury Silencing Battus Mercury Silencing Battus

Tobias catches the fish; Story of Tobias. The Archangel Rafaël recommends Tobias to get the fish from the Tigris River. At Rafaël state Tobias' dog. In the background, Tobias cuts the fish to remove the heart, liver and bile. At the bottom of the margin a single-line caption in Latin from Tobit 6.

Satyr family walking towards the left with two goats and a basket of grapes ca. 1657 Stefano della Bella Italian. Satyr family walking towards the left with two goats and a basket of grapes 375891

Diana and actaeon. Diana bathes with her nymphs. On the left is Actaeon, who gows bathing from an increase in the landscape.

Sleeping shepherdesses; Landscapes, series 1. Three scarcely dressed women at the foot of a column that is a standing man, a cow and some goats.

Fall. Eva offers Adam an apple, while she reaches the snake in the tree again with her other hand. The hose has the upper body of a woman. Different animals behind Eva, including a lion and an elephant. Around the show an ornamental picture frame with the expulsion of Adam and Eva from paradise and on the right the creation of Adam. Above and under a cartouche with a two-legged text in Latin.

The Peasant on Horseback. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Sheet: 4 1/16 × 5 7/8 in. (10.3 × 15 cm). Museum: Metropolitan Museum of Art, New York, USA.

Bagpipes. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: Sheet (trimmed): 7 1/2 × 9 7/8 in. (19 × 25.1 cm). Date: mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

A standing woman and a sitting man beside a waterfall, Man and woman by waterfall, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: F. Bosch, (mentioned on object), Vaassen, 1796 - 1856, paper, etching, h 120 mm × w 171 mm

Mercury accuses Battus, Moyses van Wtenbrouck, 1645 - 1660 print Mercury holds the arm of Battus and reminds his hand. Battus is shining back. In the background the herd. Scene from Ovidius metamorphoses (with. II, 704-705). print maker: The Haguepublisher: Antwerp (possibly) paper etching / engraving Battus changed into a touchstone: for violating the promise to keep Mercury's theft of Apollo's cattle a secret, Mercury turns Battus, the shepherd, into a touchstone (Ovid, Metamorphoses II 705)

The Hague, Wtenbrouck, Moyses van, Mercurius prepares to kill Argus, verso lower left - stamped, Mercurius walks, drawing his sword, towards the sleeping Argus. Scene from Ovid's Metamorphoses (Met. I, 715-719)., print, prints, height 136 mm, width 183 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, 1618 - 1628, paper, papier, etching, etchings, engraving, engraving (printing process)

A man points with a long stick to a wall in a forest, looking at a second man sitting against a tree, Two men by a wall Six landscapes (series title), print maker: Hermanus Fock, Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 107 mm × w 125 mm

Clump of Trees 1640 Laurent de La Hyre French. Clump of Trees 382615 Artist: Laurent de La Hyre, French, Paris 16061656 Paris, Publisher: Published by Herman Weyen, Flemish, died Paris, 1672, Clump of Trees, 1640, Etching; first state of two (Robert-Dumesnil), sheet: 4 1/2 x 6 3/4 in. (11.5 x 17.2 cm) plate: 4 1/16 x 6 5/16 in. (10.3 x 16 cm). The Metropolitan Museum of Art, New York. Purchase, Harris Brisbane Dick Fund, 1928 (28.91.4)

Amsterdam, Mortier, Pieter (I), Haarlem, Luyken, Jan, Gideon and the wet sheep's fleece, verso bottom center - stamped, print, prints, height 105 mm, width 153 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Publication (Event), Publication, French, 1661 - 1711, publisher

Artist: Guido Reni, Italian, Bologna, 1575-1642, The Infant Jesus and Saint John theBaptist, Etching, sheet: 12 × 16.5 cm (4 3/4 × 6 1/2in.), Italian, 17thcentury, Works on Paper -Prints

A Stag Hunt, from 'Der Weisskunig', Leonhard Beck, German, ca. 1480-1542, Woodcut on laid paper, Huntsmen, on horseback, accompanied by rtheir servants and hunting dogs, follow a stag running to the left. Hills and trees in the background, and a distant castle. 'No. 35,' in margin, lower right. Possibly an illustration for Maximilian I's 'Der Weisskunig' (written 1505-16; published ca. 1775). Illustrations created by Hans Burgkmair and Leonhard Beck between 1514-16., Germany, 1775, Print, Print

Saint Jerome. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Aaron merges the vessels to make the golden calf.

Salvator Rosa, Diogenes Casting Away His Bowl, 1615 1673 Diogenes Casting Away His Bowl

Illustrations for Ehrenberg's 'Pocketbook for 1796' (Set of 5 etchings). Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1795. Prints; etchings. Etchings

I Too Was in Arcadia. Date/Period: 1801. Print. Etching. Height: 412.75 mm (16.25 in); Width: 530.35 mm (20.88 in). Author: Carl Wilhelm Kolbe.

Cain KillingAbel. Artist: Unknown

The Rest on the Return from Egypt. Artist: Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome); After Federico Barocci (Italian, Urbino ca. 1535-1612 Urbino). Publisher: Lorenzo Vaccari (Italian, active Rome, ca. 1575-1608). Date: 1575. Museum: Metropolitan Museum of Art, New York, USA.

Two Nymphs and a Satyr before a Large Vat. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

Brussels, Francq, Benoît le, Florian, Jean Pierre Claris de, Liège, Godin, Henri-Joseph, Numa and the dying Tatius, verso bottom center - stamped, The dying Tatius lies against a tree. Numa kneels next to him. In the background the dead assassins. With a French caption., print, engraving, book illustration, prints, engravings, width 136 mm, height, 75 mm, 1747 - 1834, print maker, printmaker, 1790 - 1790, paper, papier, engraving (printing process), letterpress printing, French, 1755 - 1794, writer, Publication (Event), Publication, Belgian, 1750 - 1850, publisher

Boerendans, Claude Lorrain, 1635 - 1639 print A company under a tree, two women and a man dancing. paper etching Group Dancing. Outdoor Gathering, 'dés in the countryside'

Rest on the Flight into Egypt ca. 1649 Stefano della Bella Italian. Rest on the Flight into Egypt 373932

Landscape with a traveler near a house. First print in a series of six with landscapes, Landscape with a traveler by a house Landscapes , print maker: Jean Vaillant, 1637 - 1674, paper, etching, h 93 mm × w 135 mm

Two soldiers at a classical ruin, Two soldiers resting at a classical ruin. In the background a city., The soldier, the soldier's life, gelding of a building, architecture (classical art), mountains, Abraham Genoels (mentioned on object), Rome, 1675, paper, etching, h 198 mm × w 146 mm

Allart van Everdingen, Swineherd, probably c 1645 1656 Swineherd

Lairesse, Gerard de, Amsterdam, Picart, Bernard, Nil Volentibus Arduum, A man climbing a mountain, verso - stamped, Vignette of the art society Nil Volentibus Arduum (NVA). A man climbing a mountain as an image of the NVA motto: Nothing is difficult for those who want to., print, prints, height 71 mm, width 55 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1717 - 1717, first quarter 18th century, paper, etching, engraving, engraving (printing process), Work conception, 1641 - 1711

Bacchanal on Andros, Giovanni Andrea Podestà, After Titian, 1618 - 1674 print Bacchus meets the residents of the island of Andros during a bacchanal. And group drunk men and women in a landscape. In the foreground a sleeping naked woman. print maker: Italyafter design by: ItalyVaticaanstadGenua paper etching sleeping; unconsciousness. bacchanal of the inhabitants of the island of Andros, with Bacchus arriving in his ship (Philostratus, Imagines I 25)

Landscape with Thetis and the young Achilles with bow and arrow, taught by Chiron. On the left a wild boar, hare and bird, referring to the lessons in hunting. In the background a man with bow and arrow is hunting a deer. Bottom center: 7. Seventh print from a series of fourteen with scenes from the life of Achilles, Achilles taught by Chiron Scenes from the life of Achilles (series title) Vitam et mortem achilli., print maker: J. Alexander Janssens, Victor Honoré Janssens, Zuid-Nederland, c. 1700, paper, engraving, etching, h 158 mm × w 132 mm

Les presents du berger. Dated: 1773. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Louis-Simon Lempereur after François Boucher.

Argus guarding his flock, Moyses van Wtenbrouck, 1618 - 1628

Mercury and Argus; Mercure et argus. In a hilly landscape, Argus is on a stone at the entrance to a temple. For him, Princess Io changed in a cow. Mercury stands next to Argus and plays on a wind instrument to appease him asleep.

The Village Festival (Fête de village dans la campagne romaine) ca. 1735-40 Jean-Baptiste Marie Pierre French. The Village Festival (Fête de village dans la campagne romaine) 360199

Rest on the Flight into Egypt. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Plate: 6 1/8 × 7 1/16 in. (15.6 × 18 cm)Sheet: 7 1/2 in. × 11 in. (19 × 28 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Date: ca. 1649. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with Herder and Herderin, Abraham Delfos, after Dirk Kuipers, 1741 - 1820 print paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Renard Falsely Accuses His Father of Conspiring Against the Lion from Hendrick van Alcmar's Renard The Fox. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 3 5/8 × 4 1/2 in. (9.2 × 11.4 cm)Sheet: 3 15/16 × 4 3/4 in. (10 × 12.1 cm). Date: 1650-75. Museum: Metropolitan Museum of Art, New York, USA.

August, Esaias van de Velde, 1629 - 1680, Mowers in the field., intermediary draughtsman: Esaias van de Velde, draughtsman: anonymous, 1629 - 1680, paper, h 176 mm × w 141 mm

Small thumb and giant with the seven-mile boots; Stories from mother's goose. Little Thumbs out the boot from the giant to sleep against a tree. This print is made by the story of Klein Duimpje from "Tells of Mother De Gans - Contes du Tem Passé de Ma Mere l'Oye" by Charles Perrault.

H. Giles (Gillis), Michel Lasne, after Simon Vouet, 1637 print paper engraving the king of the Visigoths, out hunting, finds St. Giles in his retreat in the woods; Giles protects a stag in his arms, and an arrow pierces his hand

Landscape with reading Hieronymus, Anonymous, After Cornelis Cort, After Titian, After 1565 - Before c. 1600 print The saint Hieronymus is sitting on a rock in a mountainous landscape. Next to him a book and an hourglass. The lion, his attribute, strolls between the rocks. paper engraving specific aspects ~ St. Jerome

Death and Cupid shoot each other's arrows and old man makes young wife the court. Death and Cupid have exchanged their arrows ignorant. An old man holds the hand of a young woman, they sit at an open grave. Behind them the death of his arrows of love on them. A monkey with glasses roam the man's exhibition. Cupid uses the deadly arrows of death. A young man who played on his lute has fallen through an arrow in his chest. A candle has almost burned up on a grave. A Latin fresh and the Nedeanland translation declare that death and cupid have exchanged their arrows with the necessary consequences.

Fabul of Aesopus and a Deugniet; Illustrations for fabber stories from Phaedrus. Aesopus keeps his hand to capture the stone that a young man throws to him. This illustration is made at the aesopic fables of the Latin poet phaedrus.

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Genoels, Abraham, Rome, Landscape with a Satyr and a Nymph, verso bottom center - stamped, Arcadian landscape with trees. In the foreground a nymph punishes a satyr with a rod., print, prints, diameter 118 mm, 1640 - 1723-05-10, print maker, printmaker, 1691 - 1691, paper, etching, etchings, Work conception

Europa, anonymous, after Johann Sadeler (I), after Dirck Barendsz., 1570 - 1650 drawing Women's form with Hoorn of Abundance in a landscape. paper. ink pen / brush Europe represented allegorically; 'Europa' (Ripa). 'Cornucopia', Horn of Plenty

Charles-Nicolas Cochin (1715-1790). "The villager looking for his calf, illustration for the tales of La Fontaine, around 1743". Drawing. Museum of Fine Arts of the City of Paris, Petit Palais. Search, drawing, gallant, tale illustration, perch tree, character, chest denude, seal seduction, seduce, calf, villagers, couple

Bavo, pl. 13 of 30 from the series Sylvae Sacrae (Hermits inLandscapes). Publisher: Rafael Sadeler I, Flemish, 1560-1628 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600

Artist: Jacob Salomons z. Ruysdael, Dutch, 1630-1681, TheTravelers, Etching, sheet: 18.2 × 26.4 cm (7 3/16 × 10 3/8in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

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