Mythological Narratives

Prints depicting mythical stories and characters, often involving dramatic events or transformations, rendered in detailed engravings with symbolic elements.

Nuremberg, Dürer, Albrecht, The Little Passion, Christ before Caiaphas, verso lower right - stamped, Christ is led before Caiaphas by armed men. This print is part of the print series 'The Little Passion', consisting of a title print and 36 biblical scenes (mainly from the Passion)., print, prints, height 128 mm, width 98 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1508 - 1509, first quarter 16th century, paper, woodcut

The revenge of the wizard Vergilius, Bartholomeus Willemsz. Dolendo, After Lucas van Leyden, 1589 - 1626 print People with lanterns and candles gather on a marketplace. Due to the revenge of the wizard Vergilius, the fire has been out of the whole. To get new fire, the residents must go to fire at Lucretias naked buttocks. She had humiliated Vergilius by hanging him in a basket in front of her window for a night. Now he humiliates her for the people. print maker: Leidenpublisher: Amsterdam paper engraving square, place, circus, etc.. Virgil's revenge: men lighting candles at Phyllis' behind

PRENT Left and at the top right labeled: first part - pag: 55.

Christ before Annas. Dated: c. 1480. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Judith with the head of Holofernes, monogrammist RR, 1500 - 1520 print Judith with sword gives Head Holofernis to servant. Pretected body holoferis in bed. Low Countries paper engraving Judith and Holofernes (Judith 8-16)

Nuremberg, Dürer, Albrecht, The Little Passion, Christ before Caiaphas, verso lower right - stamped, Christ is led before Caiaphas by armed men. This print is part of the print series 'The Little Passion', consisting of a title print and 36 biblical scenes (mainly from the Passion)., print, prints, height 128 mm, width 98 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1508 - 1509, first quarter 16th century, paper, woodcut

Ammon Begs the King to Summon his Sister Thamar, Martin Van Heemskerk, Netherlandish, 1498 - 1574, Philips Galle, Flemish, 1537 - 1612, Engraving on off-white laid paper, Ammon, in bed, begs the King to summon his sister Thamar., Illustration to the following passage in the Book of Samuel: Thamar, Samuel, I, Chap. 13, Netherlands, 1559, graphic design, Print, Print

Veturia at the feet of Coriolanus, Theodoor Galle, After Jan van der Straet, 1593 - 1597 print Gaius Marcius Coriolanus stands with a huge force for the walls of Rome. His mother Veturia and his wife Virgilia (volume) and his children beg him not to attack him on their knees. Coriolanus is convinced by their supplications. The print has a Latin caption and is part of a six -part series about famous Roman women. Antwerp paper engraving Coriolanus (C. or Cn. Marcius) is met by his wife Volumnia (alternatively called Vergilia) with their two small sons, and his mother Veturia (alternatively called Volumnia); they entreat him not to fight any more

Achior tells Holofernes about the Israelites, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, c. 1547 - c. 1559 print Achior, the leader of the Ammonites, says Holofernes, the supreme commander of the Assyrian army about the people of the Israelites. He warns him that God supports the Israelites. The print is part of an eight -part series that tells the story of Judit and Holofernes. Haarlem paper etching Achior makes an address

This woodcut by Albrecht Dürer, Little Passion series (1508/09), depicts the mockery of Christ, showing figures, gestures, and clothing, with the sheet cut to the plate's edge.

Nuremberg, Dürer, Albrecht, The Little Passion, Christ Shown to the People (Ecce homo), verso lower right - stamped, Christ is shown, standing in an open window, to a cheering crowd of people. On the back Latin printed text. This print is part of the print series 'The Little Passion', consisting of a title print and 36 biblical scenes (mainly from the Passion)., print, prints, height 129 mm, width 98 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1509 - 1509, first quarter 16th century, paper, woodcut, letterpress printing, letterpress

Woodcut by Lucas Cranach the Elder depicting Pilate washing his hands during the Passion, created in 1509, showing figures, gestures, and narrative composition.

The Crowning with Thorns. Dated: c. 1440/1450. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Follower of Master of the Playing Cards.

Woodcut portrait of a queen by Hans Holbein the Younger, circa 1525-1540, depicting royal attire, crown, and detailed facial features.

The bridal couple and death; Dance dance. A wedding couple walks armed. Death stores the size of his drum. 21st print from a series of death dance expressions; With a picture frame with time and eternity.

Andrea Mantegna with Gian Marco Cavalli, Flagellation of Christ, with the Pavement, c 1475 Flagellation of Christ, with the Pavement

Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries 1650-70 Pietro Santi Bartoli Italian This series consists of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries. The series is dedicated to Niccolò Simonelli.. Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries 650197

Pilatus washes his hands, Marcantonio Raimondi, After Albrecht Dürer, 1511 - 1534 print Numbered in the bottom right: 20. print maker: Italyafter design by: Germany paper engraving Pilate washing his hands (in innocence)

Christ Before Annas. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 163 x 114 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Woodcut by Albrecht Dürer depicting Christ before Anna, showing figures, gestures, and composition, dated around 1508/09.

Print, Adoration of Magi, plate 7 from series "Life of the Virgin"; Israhel van Meckenem (German, ca. 1440 - 1503); After Hans Holbein the Younger (1497/98 - 1543); Germany; engraving on a white paper; 26.7 x 18.1 cm (10 1/2 x 7 1/8 in.); 1958-122-6

Marriage of Simson with the Philistine wife, Philips Galle, After Maarten van Heemskerck, 1596 - 1633 print Simson marries a Philistine girl from Timna. In the background he celebrates a party with his peers in her parental home. Simson who is left at the head of the table gives a mystery. print maker: Haarlempublisher: Antwerp paper engraving Samson's wedding and riddle (Judges 14:10-20)

Buschere, Joachim de, Antwerp, Wierix, Hieronymus, Passio Domini Nostri Iesv Christi, Passion of Christ, Crowning of Thorns of Christ, verso - stamped, Two soldiers use sticks to push the crown of thorns onto Christ's head. A third soldier is about to hit Christ in the face. In the margin a three-line Bible quotation from John 19 in Latin., print, prints, height 86 mm, width 54 mm, Zuid-Nederlands, 1553 - 1619-11-01, print maker, printmaker, 1563 - 1619, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Albrecht Dürer, The Little Passion: Christ before Herod, 1509, woodcut on paper.

Wittenberg, Cranach, Lucas (I), Christ driving the money changers from the temple, Christ driving the money changers from the temple with a whip, behind him stand the apostles. Book illustration in a rectangular frame with fine ornaments. The print is printed with multiple wood blocks. At the top of the page is half the title of the publication: Passional Christi, at the bottom of the page is the word Christus and a half-cut off first line of German text of the caption., print, prent, prints, prenten, height 120 mm, width 96 mm, height 187 mm, width 161 mm, German, 1472 - 1553-10-16, print maker, prentmaker, 1521 - 1522, first quarter 16th century, paper, woodcut

Artist: Hendrick Goltzius, Dutch, 1558-1617, Christ Before Pilate, from The Passion, #5 in a series of 12engravings, Engraving, 19.9 × 13.3 cm (7 13/16 × 5 1/4in.), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

Engraved copies of The Little Passion n.d. After Albrecht Dürer German. Engraved copies of The Little Passion 388860

The Death of the Virgin ca. 1435-1491 Martin Schongauer German. The Death of the Virgin 366988

The Cardinal, from The Dance of Death ca. 1526, published 1538 Designed by Hans Holbein the Younger German. The Cardinal, from The Dance of Death. Designed by Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). ca. 1526, published 1538. Woodcut. Prints

Title page with Pope Innocent X, Pieter de Jode (II), After Antoine Sallaert, 1645 print Allegorical representation with Pope Innocentus X under a canopy. For him, a crying, female personification with a heart -shaped coat of arms in her hands. Behind her a dog with a torch, playing with a rich apple. Cardinals are watching around them and are watching. Left in the foreground a putto with broken weapons. Above the canopy, various putti with flags and medallions with biblical representations, including the Lamb of God, the Ark of Noah, Madonna and King David. Antwerp paper engraving / etching cardinal. pope. canopy, baldachin

John from the Martyrdom of the Twelve Apostles. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 6 1/2 × 4 15/16 in. (16.5 × 12.6 cm). Series/Portfolio: The Martyrdom of the Twelve Apostles. Museum: Metropolitan Museum of Art, New York, USA.

Alexander Cutting the Gordian Knot, Study for a Fresco in the Castel Sant'Angelo, Rome. Artist: Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Dimensions: 7 1/2 x 4 7/16in. (19 x 11.2cm). Date: 1501-47. Museum: Metropolitan Museum of Art, New York, USA.

Flagellation. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Story of Susanna: Daniel Cross-Examining the Elders. Heinrich Aldegrever (German, 1502-1555/61). Engraving;

Print, Christ Before Pilate, from series The Passion of Christ; Print Maker: Martin Schongauer (German, 1450-91); Germany; engraving on cream laid paper; 16.7 x 11.7 cm (6 9/16 x 4 5/8 in.)

The White King Receiving His Daughter Margaret and the Children of King Philip, from Der Weisskunig. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Author: Written by Marx Treitz-Sauerwein von Ehrentreitz (died 1527). Dimensions: Sheet: 8 3/4 × 7 13/16 in. (22.2 × 19.8 cm). Engraver: Jost de Negker (1480-1546). Series/Portfolio: Der Weisskunig. Date: 1514-16.Der Weisskunig (the white king) is a loosely biographical account of the life of Emperor Maximilian I. The text, composed by Maximilian's secretary Marx Treitz-Sauerwein, is accompanied by illustrations by Burgkmair, as well as Leonhard Beck, Hans Schäufelein, and Hans Springinklee, with proofs completed between 1514-16. However, they remained unpublished until the blocks were rediscovered in 1775, at which point they were published as a book in Vienna by Hoffstätter. The first edition was published again in 1799 by S. Edward in London with the French title, "Tableaux des principaux evénemens de la vie et du regne d

Woodcut by Albrecht Dürer depicting Christ presented to the people, part of the Small Passion series, sheet trimmed to plate edges, created around 1509.

King Louis XIV greeting Cardinal Mazarin, Caspar Luyken, 1699 print The young King Louis XIV welcomes and embraces Cardinal Mazarin. In the background a group of courtiers and the queen of France. Leiden paper etching embracing each other, kissing

Admiranda romananum antiquitatum ac veteris sculpturae vestigia 1693 Pietro Santi Bartoli Italian. Admiranda romananum antiquitatum ac veteris sculpturae vestigia. Pietro Santi Bartoli (Italian, Perugia 1615-1700 Rome). 1693. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Books

The Fall and Redemption of Man: Christ before Caiaphas, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Jacoba van Beieren valt flauw; Jacoba van Beieren.Jacoba van Bavaria faints with regard to a male guest. She is collected by a woman behind her. Links next door are two noblers in conversation. This print is made for the torment game "Jacoba van Bavaria, Countess of Holland and Zeeland" by Jan de Marre.

De Gewingheid cheats on wisdom, anonymous, 1520 - 1560 print One of eight moralizing spells. Giericheid carries silliness in a basket surrounded by three men. Text under print. paper Proverbs, Sayings, etc .. Wisdom; 'Sapienza', 'Humana Sapienza', 'True Sapienza' (Ripa). Innocence; 'Innocence', 'Innocence or Purité (Ripa). Saving, Frugality, Parsimony; 'Parsimonia' (Ripa)

Solomon Worshipping the Idol Moloch Made 1525-1535 Germany. Engraving in black on ivory laid paper . Georg Pencz

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Representatives of the University of Bologna and two drummers, plate HH, plate HH. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, news print, propaganda print, prints, engravings, Frederik Muller Historieplaten, height 360 mm, width 295 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, paper, papier, etching, etchings

Artist: Hendrick Goltzius, Dutch, 1558-1617, Christ BeforeCaiphas, Engraving, sheet: 20.32 × 10.8 cm (8 × 4 1/4in.), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

Abraham rejects Hagar and Ismaël, Lucas van Leyden, 1505 - 1510 print Abraham gives a jug to Hagar, who leaves with their son Ismael. Behind Abraham Sarah sits against a wall with Isaac. In the landscape in the background an angel appearing to Hagar. Low Countries paper engraving Abraham provides Hagar and Ishmael with bread and a jug of water

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Parable of the Workers in the Vineyard, Landlord speaking to workers. Two men working in a vineyard., print, engraving, book illustration, prints, engravings, height 98 mm, width 141 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlands

Eleven bound prints of hunts n.d. Francesco Valesio Italian. Eleven bound prints of hunts 358268

The light youth. Fourth block, part of a frieze of four blocks. Young man chained by "unloading", and "Quade fortune" is blown up. In addition to him a counselor as representative of earthly justice.

Lucas van Leyden, Ecce Homo, 1521 Ecce Homo

Copper engraving by Albrecht Altdorfer around 1519 depicting King Solomon engaged in idolatry, showing figures, architectural elements, and narrative composition.

Galileo in conversation with two old men, Stefano della Bella, 1632 print Three men in conversation. One of the men is probably Galileo Galilei. In the background ships at sea. Above the show a drapery and a crown carried by two putti. On the draperie the title and the coat of arms of the De'Medici family. Italy paper etching astronomical instruments. conversation, dialogue; conversation piece. old man. scientist renouncing the world, 'ivory tower' (+ portrait of scholar, scientist)

Illustration for Gotter's poetry Chodowiecki, Daniel Nikolaus (1726 1801)

Jacques Callot (1592-1635). "Notre-Dame de l'Annonciade de Florence miracles", "The four ladies". Forty-second number of a suite of 42 pieces (Lieure 119, Meaume 301). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99595-10 Burin, Gravure

Nuremberg, Dürer, Albrecht, The Little Passion, Descent from the Cross, verso lower left - stamped, The body of Christ is taken from the cross. On the back Latin printed text. This print is part of the print series 'The Little Passion', consisting of a title print and 36 biblical scenes (mainly from the Passion)., print, prints, height 128 mm, width 98 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1509 - 1510, first quarter 16th century, paper, woodcut, letterpress printing, letterpress

Title page for: Arend Fokke Simonsz., De graveur, behelzende eene beknopte handleiding tot de daktylioglyphia, of engraver's art, 1796, print maker: Jan Oortman (Sr.), (mentioned on object), publisher: Abraham Blussé & Zoon, print maker: Netherlands, publisher: Dordrecht, 1796, paper, h 210 mm × w 126 mm

Tuscany Grosseto Massa Marittima Museo Civico9. Hutzel, Max 1960-1990 Post-medieval: Panel painting (1), painting Antiquities: Sculpture, urns, arrowheads, tools German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woodcut by Lucas van Leyden around 1517 depicting Herod and Herodias, showing figures, gestures, and narrative composition.

Vatican City, Papal Court, Rome, Paoli, Giovanni Antonio de, Italy, Tempesta, Antonio, Varia tormentorum et supplicioru crudelium, Tortures suffered by Christian martyrs, Torture: burning and strangulation, verso - stamped, Numbered bottom center: 97., print, prints, height 194 mm, width 133 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Contempt of the jewelry, anonymous, after Johannes Wierix, 1614 - 1616 print Three women sit around a table, one of them browsing through a book. Two men come in the departure, one of them is wearing a box on his shoulder. The other has a chain and a cloak in the hands. Antwerp paper engraving / letterpress printing jewel-box

Christ before Herod, from the Passion Lucas Cranach the Elder German. Christ before Herod, from the Passion 434507

Charles Meryon, Présentation du Valère Maxime au Rois Louis XI (The Printer Valerius Maximus Being Presented to King Louis XI), 1860 Présentation du Valère Maxime au Rois Louis XI (The Printer Valerius Maximus Being Presented to King Louis XI)

This 1517 woodcut by Leonhard Beck depicts Ritter Ehrenreich announcing to council members that Theuerdank has been chosen as knight, showing figures in a formal setting.

Elisa visits the Sunnemitian woman; The story of Elisa and the Sunnemy woman. The prophet Elisa comes to eat with a couple from the city of Sunem. Later in the evening the woman comes to him. As a reward for her hospitality, he bless her and evokes her that she will be pregnant from a son within a year. The print has a Latin caption and is part of a series about Elisa and the Sunnemy woman.

Clodwig I, King of Franconia.

Print marked at upper left and right: 2 Part - Pag. 335., Mirandor's brother at Rosamire's sickbed., print maker: Caspar Luyken, publisher: Pieter van Rijschooten, Amsterdam, 1695, paper, etching, h 139 mm × w 85 mm

Martin Schonguer (around 1450-1495). Passion: Christ in front of Pilate (Bartsch 14). Engraving (chisel), 1475-1480. Museum of Fine Arts of the City of Paris, Petit Palais. 74736-23 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

De Non and Death, Wenceslaus Hollar, After Abraham van Diepenbeeck, After Hans Holbein (II), 1651 print A non kneeling for an altar and a man next to her plays on the lute. Death ends a candle on the altar. Sixteenth print from a series of 30 death prints; With a frame with Democritus and Heraclitus. paper etching dance of Death; Death together with one or more human beings. nun(s). (story of) Democritus, the philosopher. (story of) Heraclitus, the philosopher

L'Adoration des Rois, 1516. Ludwig Krug (German, 1490-1532). Engraving;

The virtuous woman sells her goods, 1555 print The virtuous woman sells clothes that she has made to a trader. In the background a ship is unloaded on the quay. The print is based on Proverbs 31:14: 'Like a merchant ship sails to distant regions, so she gets from afar what she needs' and Proverbs 31:24: 'She manufactures clothing and belts, and delivers them to merchants'. Under the performance a paraphrase of these Bible verses in German. This print is part of an album. paper engraving the book of Proverbs (with BOOK CHAPTER:VERSE). the book of Proverbs (with BOOK CHAPTER:VERSE). selling. pedlar. pier, quay, wharf. ideal wife

Title page for "l'Amant indiscet, ou le Maistre Estourdi", in: P. Quinault, Le Theater, Part II, 1697, Caspar Luyken, 1697 print Amsterdam paper etching candle

EcceHomo. Artist: Johann König, German, 1586-1642 Artist, formerly attributed to: Hendrick de Clerck, Flemish, ca. 1570-1630

Visit of the Queen of Seba to Solomon, 1560 - 1595 print Solomon is on his throne. In front of him, the queen of Seba kneels with flowers in her hand. With her there is a jug with coins. Behind her some servants with even more gifts. At the bottom of the margin a single -line caption in Latin. paper engraving homage to Solomon: the queen of Sheba gives Solomon gold, precious stones and spices

Consequences of wealth; The misery of wealth. In the procession behind Queen's money will follow (honor), listen (Splendor) and fame (FAMA). Although positive, their attributes point to their transience. Honor has flowers and a whom closed pot, listen a sealed document and blows fame on a praise. Between them in four-poultryers (parasiti), which benefit from other people's wealth and success. The print has a Latin caption and a Dutch and French caption in letterpress. The print is part of a series with the subject of the misery that brings wealth.

Albrecht Altdorfer, Christ before Caiaphas, c 1513 Christ before Caiaphas

The Passion: Christ Crowned with Thorns, 1521. Lucas van Leyden (Dutch, 1494-1533). Engraving;

Italy, Landini, Giovanni Battista, Bella, Stefano della, Title page for: Galileo Galilei, Dialogo. Dove ne i congressi di quattro giornate si discorre sopra i due massimi sistemi del mondo Tolemaico, e Copernicano, 1632., Galileo in conversation with two old men, verso - stamped, Three men in conversation. One of the men is probably Galileo Galilei. In the background ships at sea. Above the scene a drapery and a crown worn by two putti. On the drapery the title and the arms of the De'Medici family., print, engraving, title page, prints, engravings, height 200 mm, width 143 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1632 - 1632, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever

Woodcut by Hans Schäufelin from 1533 showing messengers from Athens and Corinth at King Archidamas courtyard in Sparta, depicting figures, gestures, and architectural details.

FEBRUARY - Poultry walk François Queverdo (1748-1897). February - the valley, poultry market. Engraving.

History of Ammon and Thamar n � 6: Absalon kills ammon (Hollstein 27) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). History of Ammon and Thamar N � 6: Absalon kills Ammon (Hollstein 27). Burin, 1540. Museum of Fine Arts in the city of Paris, small palace.

A family evicted from a rural vicarage, 18th century.. The family stands in a doorway as soldiers with drawn swords and muskets threaten them. Copperplate engraving drawn and engraved by Daniel Nikolaus Chodowiecki from Friedrich Nicolai's Das Leben und die Meinungen des Herrn Magister Sebaldus Nothanker, Friedrich Nicolai, Berlin, 1773.

Savery, Salomon, Amsterdam, History of the prodigal son, The prodigal son takes leave of his father, verso - stamped, In the margin a two-line text in Latin., print, prints, height 162 mm, width 200 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1610 - 1665, paper, papier, engraving, engraving (printing process), etching, etchings, Publication (Event), Publication, publisher

Plate 23: Conference on What Steps to Take Upon the Romans' New Troops Approaching Across the Alps, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 6 3/8 × 8 1/4 in. (16.2 × 21 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

Pen drawing by Tobias Stimmer showing Esther before Ahasver, executed in black on tinted paper with white highlights, dated 1566.

Amsterdam, Buys, Jacobus, Koning, Theodoor, Scenes from the life of Prince William I, 1568-1584, A Spanish-minded captain brought before Orange, 1577, recto right - written, A pro-Spanish captain is brought in chains before the Prince of Orange, 1577. This print is part of a series of 24 prints with scenes from the life of Prince William I, 1568-1584 and is an illustration for the eighteenth canto., print, history print, prints, verso - stamped, 18, height 276 mm, width 215 mm, 1748-02-03 - 1829-01-31, print maker, printmaker, 1785 - 1785, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1724-11-19 - 1801-04-07

Fifth phase of life of fifty years with older men with wife and children at the table, Assuerus van Londerseel, after Nicolaes de Bruyn, 1598 - 1602 print Fifth phase of life of fifty years depicts as an older man who is sitting at the table with wife and children. In the margin under texts in Latin, French and Dutch. Only the Dutch text relates to the performance. Netherlands paper engraving human life divided into stages, e.g. three, four, seven, twelve stages (5). (family) meal. family life at home

Count and Countess and Death, Rudolph Meyer, 1650 print Graaf and Countess in departure, both grabbed from behind by death as a skeleton. paper etching dance of Death; Death together with one or more human beings. personifications of Death; 'Morte' (Ripa)

Learned surrounded by emblems with heraldry and the personification of wisdom, Anonymous, Hans Weiditz (II), 1514 - 1532 print Ornamental edge at the bottom. Print is part of an album. paper letterpress printing the books of Wisdom. Abstract Ideas and Concepts (+ abstract concept represented by female figure). Wisdom; 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa). 'litterae', symbolic representations, allegories and emblems ~ literature; 'Lettere' (Ripa). armorial bearing, heraldry

Speaker surrounded by young men; Title page for: Iver Pedersen Adolph, Medulla Oratoria, 1662.A Man is holding a nomination, for Him is a book on a pedestal. Sitting Around Young Men With Books On Lap.

This 1503-04 woodcut by Albrecht Dürer depicts the visit, showing figures, gestures, and narrative devotional composition.

Depicts the act of foot washing, illustrated by Marcantonio Raimondi between 1515 and 1527 using copper engraving, showing figures, posture, and ritual context.

Boudewijn Graaf van Vlaanderen and farmer Cnillis reach each other's hand, Jacobus van Dijck, c. 1853 print Boudewijn Graaf van Vlaanderen and farmer Cnillis reach each other in front of the eyes of the entire court. Illustration for the story The Dorschvlegel by J.J. van der Horst. Netherlands paper etching emperor. farmers

The beheading of John the Baptist, Israhel van Meckenem, 1455 - 1503 print Presentation of the beheading of John the Baptist. On the left, Salomé receives the head of John van de Beul, the bleeding body of the Baptist at their feet. On the right, Salomé offers its head to Herodias, sitting at the table next to Herod. Bocholt (Germany) paper engraving the beheading of John the Baptist. the head of John the Baptist brought to or lying on the banqueting table

Jacques Callot (French, 1592 - 1635), A Capucin bringing the thanks of the King of Bavaria recto, 1612, etching

Architectural niche containing the coat of arms of the Turkish Empire on a pedestal History shows a Turk the map of the Turkish Empire In the foreground antique antiquities On a pedestal the title in Dutch In the background a landscape with pyramids, History shows a Turk's map of the Turkish Empire Title page for: Thomas Salmon, Hedendaagsche historie, or Present State of all Nations, 1733, print maker: Jan Caspar Philips, (mentioned on object), Jan Caspar Philips, (mentioned on object), publisher: Isaak Tirion, (mentioned on object), Amsterdam, 1733, paper, etching, engraving, h 174 mm × w 103 mm

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Christ is Disrobed, Printed from three blocks. Christ is disrobed by four soldiers. Architectural ornamentation to the left and right of the representation., print, engraving, book illustration, prints, engravings, height 105 mm, width 145 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, papier, woodcut, Southern Netherlands

The Bearing of the Cross, from The Large Passion Made 1498-1499 Germany. Woodcut in black on ivory laid paper . Albrecht Dürer

Boudewijn Count of Flanders and farmer Cnillis reach the hand each other. Boudewijn Count of Flanders and farmer Cnillis reach the hand before the eyes of the entire court. Illustration for the story of J.J Dorschvleel. van der Horst.

Groothans and the PrivilegeZoeker, 1690, Anonymous, 1690 print Groothans and the privilege seeker. Cartoon on the regents of Amsterdam, 1690. The privilege finder (the bourgeoisie of Amsterdam) kneels and crying with a yoke on the shoulders at a large Lantaan (with which he is looking for privileges), on the left is a book by a regent. On the left a pile of privileges (from Amsterdam) with rats gnaws and against which a dog pees. In the background on the right a burial procession in the cemetery referred to as: Desolate Kercof for the Previlegia. Marked top left: in the first part of the judgments for p. 411. Northern Netherlands paper etching / engraving political caricatures and satires Amsterdam

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