Mythological Print Art

Engravings depicting mythological scenes featuring gods like Apollo and Pan, showcasing dramatic narratives in lush natural settings.

The Agony in the Garden, 1657, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 4 3/8 x 3 1/4 in. (11.1 x 8.3 cm) (sheet), Etching and drypoint, The Netherlands, 17th century

Apollo Vilt Marsyas, Jan Van Orley, 1685 - print The Sater Marsyas is tied to a tree and is skinned alive by Apollo with a knife. Apollo starts with Marsyas left arm. Marsyas leans against the trunk of the tree. The front right are Apollos Lier and Boog. Brussels paper etching / engraving punishment of Marsyas: he is flayed by Apollo

. The Sater Marsyas is tied to a tree and is skinned alive by Apollo. Apollo starts at Marsyas Linker Arm. Marsyas flute leans against the trunk of the tree. At the front right Apollos Lier and Arch are located.

Pan Sitting Opposite a Vase, Giovanni Benedetto Castiglione, Italian, 1609-1664, Etching on paper, Figural scene in a garden or forest clearing. At left, the Greek God Pan reclines, two satyrs standing behind him. At right, a monument topped with a large urn. At right foreground, a sheep and donkey., Italy, ca. 1660, figures, Print, Print

Saint Jérôme (2nd plate) , Saints, Jerome, Saint, -419 or 420, Alphonse Legros (1837-1911)

L'incendie du hameau , Fires, Cities & towns, Victims, Alphonse Legros (1837-1911)

Resting calms at a rock, Jean Baptist Leprince, 1772 print paper etching the soldier; the soldier's life

Woodcut by Albrecht Altdorfer depicting Pyramus and Thisbe, created in 1518 on gray-lavated paper, showing two figures in a tragic scene.

The Agony in the Garden, 1657, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 4 3/8 x 3 1/4 in. (11.1 x 8.3 cm) (sheet), Etching and drypoint, The Netherlands, 17th century

La Mort et le bûcheron (2nd plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

A Shady Enclosure of Trees. Artist: Johann Christoph Erhard (German, Nuremberg 1795-1822 Rome). Dimensions: plate: 6 x 7 5/8 in. sheet: 9 3/8 x 12 1/2 in.. Date: 1815. Museum: Metropolitan Museum of Art, New York, USA.

Square Man, Jacques Callot, 1621 print On the left in the foreground, a man on his squat is relieving. In the background a grazing horse near a fence. This print is part of a series of 48 prints (50 incl. Title page and dicing sheet) with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. Nancy paper etching squatting, crouching figure. urination. defecation. horse. landscapes in the temperate zone

The Sly Shepherd 18th century Anonymous, French, 18th century This print is a reversed copy of "Bergère assise et berger debout cueillant une branche" (Shepherdess seated and shepherd holding up a branch), plate 5 of "Second Livre de Sujets et Pastorales" (Second Book of Subjects and Pastorals). Gabriel Huquier, le Père (Orléans 1695-1772 Paris) etched and engraved this series after designs by Boucher.. The Sly Shepherd 414394

John Hamilton Mortimer, 1740-1779, British, Elegy (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968). etching.

In a landscape, a shepherd sits under a tree. He wears a hat, smokes a pipe and holds a stick in his hand, Resting under a tree, print maker: Simon Andreas Krausz, (mentioned on object), The Hague, 1770 - 1825, paper, h 130 mm × w 91 mm

John Hamilton Mortimer, Reposo, 1778 Reposo

Plate 6 from 'The Disasters of War' (Los Desastres de la Guerra): 'It serves you right.' (Bien te se está.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 9/16 × 8 1/4 in. (14.1 × 21 cm)Sheet: 9 15/16 × 13 3/8 in. (25.2 × 34 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

Rome, Pinelli, Bartolomeo, New collection of costume prints from Rome and its environs, Costume prints with figures from Rome and its environs, Famiglia Brigantesca, Resting bandits, A family of bandits resting in a landscape. The man is smoking a pipe and the child is taking a dagger from its sheath. The print is part of an album., print, prent, albumblad, prints, prenten, height 204 mm, width 271 mm, Italian, 1781-11-20 - 1835-04-01, print maker, printmaker, 1819 - 1823, paper, papier, etching, etchings, intermediary draughtsman

Alphonse Legros, Fire in the Hamlet (L'incendie du hameau) Fire in the Hamlet (L'incendie du hameau)

Copper engraving by Albrecht Altdorfer from around 1515-1520 depicting Saint Jerome (Hieronymus) reading, showing figure, gesture, book, and interior or landscape elements.

Worship of the shepherds: night piece; Recueil De Quatre-Vingt-Cinq Estampes Originales. The print is part of an album.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Deucalion and Pyrrha. Forty-first number of a suite of 52 pieces. (A. de Vesme 534; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Old Man Before the Log Bridge, 1819. Johann Christoph Erhard (German, 1795-1822). Etching;

Victimes d'incendie par des chemineaux , Fires, Alphonse Legros (1837-1911)

Two antique medallions with the portraits of Constantijn and Claudia Octavia, Franz Isaac Brun, c. 1559 - c. 1596 print paper engraving historical persons. historical persons - BB - woman. medal (considered as a piece of sculpture, regardless of its specific function)

François-Nicolas Quantle (1825-1901). "The reminder". Eat, brown ink (signature and dedication). 1869. Paris, house of Victor Hugo. 60597-6 Dedication, drawing, etching, brown ink, recall, signature, drum, 19th 19th 19th 19th 19th 19th century

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Narcissus. Fiftieth number of a suite of 52 pieces. (A. de Vesme 502; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Worker who has a rope celebrated, Johannes Josephus Aarts, 1881 - 1934 print A worker who wears a hat and boots has a rope celebrated. In the background a shovel, a tub, a fence, a hut and a machine. Among other things, the head of the worker has been added to this third state of the print. paper. chalk engraving working class, labourers. tools, aids, implements ~ crafts and industries: rope

Four figures under a tree.

Fagot-gatherers (Les fagottiers). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Sheaf-Binder. Jacques Adrien Lavieille (French, 1818-1862); after Jean François Millet (French, 1814-1875). Date: 1853. Dimensions: 132 × 74 mm (image); 183 × 131 mm (primary support); 270 × 219 mm (secondary support). Wood engraving in black on gray China paper, laid down on ivory wove paper (chine collé). Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jacques Adrien Lavieille.

The Agony in the Garden. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (Trimmed): 4 3/8 × 3 9/16 in. (11.1 × 9 cm). Date: ca. 1652. Museum: Metropolitan Museum of Art, New York, USA.

The Pater Familias. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Overall: 5 1/8 x 3 3/4 in. (13 x 9.6 cm). Date: 1648. Museum: Metropolitan Museum of Art, New York, USA.

William Strang, Potato Lifting, 1882 Potato Lifting

Daniëls vision of the four animals; Four illustrations for Spanish book.

Watteau and the Julienne in a park landscape. Antoine Watteau, standing next to an easel, palette and brushes in hand. In addition to him, the Cellist Jean is the Julienne, Cello playing. In the background, between the trees, the statue of a naked woman, seen on the back. The canvas on the peeler shows this image. At the front right there are a music book and a hat on the ground. In 1726, five years after the death of Watteau, this show was included in the publication of Jean de Julienne, 'figures De Différents Caractères' (album with famous drawings of Watteau, in printed) with French poem in 5 rules as a tribute to Watteau .

La Mort et le bûcheron (4th plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Imperial Court, Prague, Sadeler, Aegidius, Savery, Roelant, Six Landscapes, Man and four goats by a waterfall, verso below - stamped, Wooded landscape with fallen tree and waterfall. In the foreground a seated man and four goats. The first print in a six-part series with landscapes., print, prints, height 222 mm, width 286 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1597 - 1629, paper, etching, etchings, engraving, engraving (printing process), Work conception, Northern Netherlands, 1576 - 1639-02-25, after a design by, Publication (Event), Publication, publisher, granter of privilege

Flood from the Rijndijk in Gelderland, 1770.Watering Through Flooding of the Rijndijk in Gelderland, January 1770. In The Foreground a Desperate Family With Household Goods. Design for a print.

The Flight Into Egypt: A Night Piece, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on off-white laid paper, Netherlands, 1651, figures, Print, Print

Flood of the Rijndijk in Gelderland, 1770, Jacobus Buys, 1787 - 1789 drawing Flood due to the flood of the Rijndijk in Gelderland, January 1770. In the foreground a desperate family with household goods. Design for a print. Northern Netherlands paper historical events and situations. dike-break Gelderland. Rhine

Michał Elwiro Andriolli, `Holy oak of Romuva`, for the novel `Kunigas` by J. I. Kraszewski, 1881; from: `Kłosy`, 1881 no. 825, p. 241. Gorazdowski, Edward (1843-1901), engraver, Andriolli, Michał Elwiro (1836-1893), painter

Moses in a basket on the Nile, Bernard Baron, After Eustache Lesueur, c. 1720 print France paper etching / engraving .

Les faiseurs de fagots , Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

The rest on the flight into Egypt: a night piece, Rembrandt van Rijn, c. 1644 print paper etching / drypoint rest on the flight into Egypt

The Small Lion Hunt (With One Lion). Rembrandt van Rijn; Dutch, 1606-1669. Date: 1623-1634. Dimensions: 151 x 115 mm (image); 158 x 118 mm (plate); 170 x 130 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Copper engraving and etching by Gaspard Duchange between 1680 and 1757 titled 'Bades the mannana,' featuring figures and detailed classical style.

Woman surprised at Baden, Moyses van Wtenbrouck, 1645 - 1660 print A woman on the edge of the water hides back while she looks up to a man with a shepherd's staff. Behind her a herd with cows, goats and a packed donkey. A round tower in the background. print maker: The Haguepublisher: Antwerp (possibly) paper engraving / etching public baths - AA - in the open air

Daniel is liberated from the lion's pit; History of Daniel, bell and the dragon. The king finds Daniël's alive in the lion's owl after seven days and let him get up with ropes.

Print, The Discovery of a Buried Man; After Rembrandt Harmensz van Rijn (Dutch, 1606-1669); Netherlands; etching on white laid paper; Sheet: 29 x 23.5 cm (11 7/16 x 9 1/4 in.) Platemark: 28 x 21.4 cm (11 in. x 8 7/16 in.); 1957-41-108

Rijn, Rembrandt van, Le Campion, Joseph-Alexandre, Saint Jerome reading in the wilderness, St Jerome reading, verso - stamped, print, prints, No 10, recto bottom - handwritten in pencil, height 108 mm, width 87 mm, French, 1785 - 1802, print maker, printmaker, 1795 - 1802, paper, papier, etching, Work conception, Northern Dutch, 1606-07-15 - 1669-10-08

10th May, 1776. View on the River Penguin, Nova Scotia. Robertson, Archibald, approximately 1745-1813. 1776. Drawings. Spencer Collection. Armies , British , To 1799, Military officers , Personal narratives, War in art, United States , History , Revolution, 1775-1783, Campaigns & battles, Rocks, Trees, Nova Scotia

Bernard, Michel and Alvin-Beaumont, Rijn, Rembrandt van, Christ and the Samaritan Woman: in the background ruins, verso bottom center - pencil, print, prints, Coppier, height 121 mm, width 106 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1634 - 1634, second quarter 17th century, tweede kwart 17e eeuw, third quarter 19th century, derde kwart 19e eeuw, fourth quarter 19th century, vier kwart 19e eeuw, first quarter 20st century, first quarter 20th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

La Mort at le Bucheron, No. 2 (Death and theWoodcutter). Artist: Alphonse Legros, French, 1837-1911

Vista with three tree stumps and figures, Frederick Bloemaert, after Abraham Bloemaert, after 1635 print There is a hunter with rifle in tree stumps. On the left a woman, seen on the back, she points with her left hand to a bird in the air. paper etching landscapes

Podmokły krajobraz z kobietą idącą drogą. Morgenstern, Carl Ernst (1847-1928), graphic artist

St. Jerome. Jan Georg van Vliet (Dutch, c. 1610-1635). Etching;

Death and the Woodcutter, 2nd plate (La mort et le bucheron). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Rijn, Rembrandt van, The Raising of Lazarus: small plate, verso central - pencil, print, prints, Rembrandt f. 1642, lower left, verso upper right, verso upper left, S 1296, height 149 mm, width 114 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1642 - 1642, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Parable of the treasure in the field, Jan Luyken, 1712

In the Zoological Garden ca. 1873 Félix Bracquemond French. In the Zoological Garden 384626

Repose in Egypt, Mary holding and looking at the infant Christ while St. Joseph sleeps. Artist: Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet: 3 3/8 × 5 1/16 in. (8.5 × 12.8 cm)Plate: 7 9/16 × 10 3/4 in. (19.2 × 27.3 cm). Date: ca. 1637-1639. Museum: Metropolitan Museum of Art, New York, USA.

Rijn, Rembrandt van, Rest on the Flight into Egypt: night piece, Rest on the Flight into Egypt at Night, verso lower left - stamped, print, prints, height 91 mm, width 59 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1642 - 1646, second quarter of the 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

The Standing Virgin Lamenting the Dead Christ at the Foot of the Cross. Artist: Anonymous, German, 17th century. Dimensions: 12 3/4 x 8 1/16 in. (32.4 x 20.5 cm). Former Attribution: Formerly attributed to Johann Matthias Kager (German, Munich 1575-1634 Augsburg). Date: 1614. Museum: Metropolitan Museum of Art, New York, USA.

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Szczęście rodzinne Family Happiness; from: `Tygodnik Ilustrowany` 1891, no. 89 (September 12), p. 169. Zajkowski, Andrzej (1851-1914), graphic artist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

A Shepherd with Two Magicians, from Scherzi. Giambattista Tiepolo; Italian, 1696-1770. Date: 1735-1740. Dimensions: 222 x 174 mm (plate); 230 x 184 mm (sheet). Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

James Ward, 1769-1859, British, Farm Workers Flailing Corn, undated. Graphite and gray wash on medium, slightly textured, beige laid paper.

A Sorcerer Examining Animal Skulls, Giovanni Battista Tiepolo, in or before c. 1750 print Italy paper etching sorcerer, magician, wizard, warlock. animals (+ skull of an animal)

Anonymous depicts young Tobias with an angel using brown ink, showing Tobias, angel, gestures, and interaction, on paper with lower corner damage around 1650.

A man sits with bowed head and folded hands under a tree Next to him is a crossbow, Man praying in the open air, print maker: Willem Steelink (I), (mentioned on object), Charles Rochussen, (mentioned on object), publisher: Arie Cornelis Kruseman, (mentioned on object), Haarlem, 1860, paper, steel engraving, etching, h 153 mm × w 97 mm

The month of December, Frederick Bloemaert, After Abraham Bloemaert, After 1635 - 1670 print On the left, a man prunes a bare tree. On the right a sitting man and a woman who is following the ground. paper engraving December and its 'labours'. woodcutting, woodcutter ~ forestry

In the New Forest, William II, King of England, is struck in the chest and killed by a stray arrow fired by his hunting companion Walter Tyrell Date: August 1100

Two women at a water pump, Christiaan Wilhelmus Moorrees, 1811 - 1867

To the situation , On the situation , caricature on contemporary events, including Karl Giskra, Eduard Herbst, Andrassy and other politicians cartoon from The Flea , Unknown

Landscape with grindstone. A face on a grindstone and a wooden bucket under a tree. A fence in the background.

Reproduction of drawing: Juliusz Kossak (1824-1899), Illustrations for the Odyssey; excerpt from a magazine. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Szymborski, Franciszek (-1872), engraver, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher

Italy, Schiavone, Rest on the Flight into Egypt, verso - handwritten in brown ink, In a landscape sits Mary with the Christ Child on her lap. On the right walks Joseph with the donkey., print, prent, prints, prenten, verso - stamped, anmeneis, height 178 mm, width 241 mm, print maker, prentmaker, 1500 - 1599, paper, papier, etching, etchings, plate tone, Work conception, Italian, 1500 - 1563-12-01

Merlin paints the shield of the young Knight Vivien.

La charrette brisée , Carts & wagons, Alphonse Legros (1837-1911)

The Vine, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), 1852, Etching and drypoint on thick, smooth, cream wove paper, Sheet: 4 3/4 x 6 5/16 inches (12 x 16 cm), Plate: 4 3/4 x 6 5/16 inches (12 x 16 cm), and Image: 3 1/2 x 5 inches (8.9 x 12.7 cm), basket, cape, cloak, figures, foliage, food, grapes, landscape, leaves, light, monarch, religious and mythological subject, specific aspects, allegorical aspects of Bacchus; Bacchus as a patron, trees, vat, vine, wine

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Male Raige d'amour." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101788-10 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Elsheimer, Adam, Goudt, Hendrick, Antwerpen, Hollar, Wenceslaus, Mocking of Ceres, Antwerp, verso bottom left - stamped, The goddess Ceres, looking for her daughter Proserpina, rests at a hut. She drinks from a jug, given to her by an old woman. A small naked boy next to the old woman points at Ceres and laughs at her. The print has a Latin caption., print, prints, width 234 mm, height, 305 mm, Czech, 1607-07-13 - 1677-03-25, print maker, printmaker, 1646 - 1646, paper, etching, etchings, Work conception, 1585 - 1648, after print by, 1578-03-18 - 1610-12-11

Redtel and brush drawing by Bernhard Rode depicting Wilhelm Tell, showing figure, posture, and historical costume, executed in light brown with wash.

The Raising of Lazarus: Small Plate, Rembrandt van Rijn, 1642 print paper etching the raising of Lazarus ('Lazarus, come out')

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THE LUDDITES William Horsfall, a Yorkshire manufacturer, is murdered by Mellor, Thorp and Smith, for introducing machinery into his factory

Le Charcutier (Bartsch 41) Adriaen van Ostade (1610-1685). The charcutier (Bartsch 41). Forte, circa 1652.

Summer. Charles Émile Jacque (French, 1813-1894); printed by Sarazin (French, 19th century). Date: 1860-1870. Dimensions: 130 × 97 mm (image); 140 × 108 mm (chine); 210 × 132 mm (plate); 400 × 301 mm (sheet). Etching, engraving and roulette on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Early Plowman. Samuel Palmer (British, 1805-1881). Etching;

Landscape with Argus at Io as a cow and mercury in the air, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1612 - 1614 print paper etching Io as a cow watched by Argus

The Death of Ophelia 1843 Eugène Delacroix French In 1834 Delacroix began a series of lithographs devoted to Hamlet, creating moody images that mirror the troubled psyche of the prince. Choosing key scenes and poetic passages, the artist's highly personal and dramatic images were unusual in France, where interest in Shakespeare developed only in the nineteenth century. Here, Ophelia, whose mind has become unhinged by the murder of her father Polonius, and rejection by Hamlet, has fallen into a stream while picking flowers, and her water-logged gown will soon drag her down to "muddy death." This sad event takes place offstage and is poetically described in act 4, scene 7 by Queen Gertrude. Gihaut frères published the artist's thirteen-print set in 1843, with a second expanded edition of sixteen issued by Bertauts in 1864. Cooly received at first, the prints eventually were recognized as one of the artist's most significant achievements.. The Death of Ophelia 337351

The Vision of Hell (Inferno) 1866 Dante Alighieri Italian Out of his facility for grotesque humor and gaslight melodrama, Doré; invented some 10,000 illustrations for books and magazines that were duplicated for simultaneous publications in Paris, Berlin, Barcelona, Saint Petersburg, Stockholm, London, and Haarlem. With illustrated editions of the Bible, Dante's Inferno, Cervantes' Don Quixote, Poe's The Raven, and a host of other classics popular at mid-century, he was the reigning master of the coffee-table book. To save the time it would have taken to draw in line, he often painted boxwood blocks with tones of ink and opaque white for engravers to interpret by inventing lines and dots.. The Vision of Hell (Inferno) 338114

The Shepherd and His Family. Dated: 1644. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt.

Figures in a Landscape. Francis Danby (British, 1793-1861). Brush and brown ink with white heightened ; sheet: 17.2 x 27.4 cm (6 3/4 x 10 13/16 in.).

Untitled: Landscape with figures, George Knapton, 1698-1778, British, after Giovanni Guercino, 1591-1666, Italian, Arthur Pond, ca. 1705-1758, British, 1740, Sheet: 9 x 12 1/2in. (22.9 x 31.8cm)

Samuel van Hoogstraten brown ink and white heighted drawing depicting the transfiguration of Christ, showing figures, gestures, and divine light composition.

Batseba receives David's invitation. A man bends over a wall to hand over a letter to the naked Batseba.

Visser op Vlonder, Hermanus Fock, 1781 - 1822 print A man is fishing from a platform in a ditch in a meadow. With his left arm he leans against a wooden fence. In the background a farm with a haystack. Amsterdam paper etching angling

Amsterdam, Esveldt Holtrop, Jan Steven van, Scheyndel, Gillis van (I), Spiegel der natuur en school der tekenkunde, Zeven landschaps, Figuren op een path bij twilight, An undulating landscape in the twilight. In the foreground a rider and a walking man. In the background two figures with a knapsack over their shoulder. The print is part of an album., print, album sheet, prints, height 98 mm, width 142 mm, Northern Netherlands, 1595 - 1660-12-24, print maker, printmaker, 1605 - 1653, paper, papier, etching, etchings, Publication (Event), Publication, 1777 - 1833-11-20, publisher, uitgever, 1787 - 1833

Fisherman on the Riverbank, print maker: Hermanus Jan Hendrik van Rijkelijkhuysen, (mentioned on object), Utrecht, 1823 - 1883, paper, etching, h 84 mm × w 108 mm

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