Mythological Print Series

Dramatic prints illustrating mythological scenes, featuring gods and heroes in dynamic compositions with rich narrative elements.

Adam and Eva mourn for the death of Abel, Jan Saenredam, After Abraham Bloemaert, 1690 - 1750 print Adam and Eva find the dead Abel at the sacrifice place. Both are on their knees in front of their son's corpse and mourning. In the background the sacrifice of Abel and Cain and the murder of Abel. Assendelft paper engraving Adam and Eve discover the dead body of Abel and grieve over it. the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

Finale of the Rhinegold, 1877. Henri Fantin-Latour (French, 1836-1904). Lithograph;

A copper engraving and etching by Juan Barcelon depicting Hercules fighting the Nemean lion on the Kapf, showing the hero in combat with detailed musculature and classical composition.

Adam and Eva mourn for the death of Abel, Jan Saenredam, After Abraham Bloemaert, 1690 - 1750 print Adam and Eva find the dead Abel at the sacrifice place. Both are on their knees in front of their son's corpse and mourning. In the background the sacrifice of Abel and Cain and the murder of Abel. Assendelft paper engraving Adam and Eve discover the dead body of Abel and grieve over it. the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

Mercury Appears to Aeneas in a Dream. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice); After Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: plate: 7 3/16 x 9 3/8 in. (18.2 x 23.8 cm)sheet: 9 9/16 x 7 5/16 in. (24.3 x 18.5 cm). Date: 1757. Museum: Metropolitan Museum of Art, New York, USA.

Mercury with the severed head of Argus, Gerard de Lairesse, 1670 - 1672 print Mercury beheaded Argus after he played him asleep with his shepherd's whistle. With the severed head in one hand and the sword in the other, Mercury floats above the lifeless body of Argus. A dog barks Mercury on the floor. The print is part of a four -part series of prints with scenes from the mythological story of Argus. paper etching Mercury beheads Argus

Glaucus and Scylla. Dated: 1615-1673. Dimensions: overall: 34.3 x 23.2 cm (13 1/2 x 9 1/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: SALVATOR ROSA.

Jonah thrown into the sea, Jan van de Velde (II), after Willem Pietersz Buytewech, 1603 - 1641 print Jonah is thrown into the sea to be swallowed up by a large fish. Second print from a series of four about the Bible book Jonah. Northern Netherlands paper etching the sailors reluctantly throw the prophet Jonah into the sea

A woodcut and type print by Lucas Cranach the Elder from 1522 depicting the Harvest of the Earth and blood ceiling from Revelation 14:14-20, showing figures, scythe, and symbolic elements.

Mercury dream with unicorn and peace, Anonymous, 1726 print Mercury is dreaming. Next to him is the personification of peace, she burns weapons. Behind Mercury, a soldier tries to attack peace, but is stopped by a unicorn. A lion behind the soldier. In the background ships at sea and the city of Segovia. On the ground are tracts of Hanover and Vienna. Two falling angels in the air. paper engraving / etching dream. (story of) Mercury (Hermes). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). unicorn

Etching by Giovanni Battista Bolognini depicting Bacchus and Ariadne on Naxos, created between 1640 and 1688, illustrating mythological figures in a classical scene.

Holy Benedict drives a demon, Simone Cantarini, After Ludovico Carracci, 1622 - 1648 print A wild struggling, possessed by demons, is held by two men. In the background on the left is the holy Benedictus, assisted by two men. Two women dive away in the foreground on the right. print maker: Italyafter painting by: Bologna paper etching St. Benedict exorcizing the devil

God calls Adam and Eva to account, Jan van Vianen, After Gerard Hoet (I), 1720 - 1728 print God calls Adam and Eva to account in paradise, after they have eaten the tree of knowledge of good and evil. Illustration of the Bible text Gen. 3: 9. Under the show the title in Hebrew, English, German, Latin, French and Dutch. publisher: Amsterdampublisher: The Hague paper etching / engraving God calls Adam and Eve to account for their deed

Fokke, Simon, Amsterdam, Adventures of Telemachus, Télémaque tue Adraste, Telemachus kills Adrastus, verso - stamped, On the battlefield Telemachus has overpowered the king Adrastus. The king lies on the ground and Telemachus strikes out with his dagger. In the background on the right are soldiers with bow and arrow, on the left a warrior with raised arms. Print marked top left: Page 397., print, book illustration, prints, height 168 mm, width 95 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1775 - 1775, paper, papier, etching, etchings, Work conception, after own design by

The Abduction of Proserpina by Pluto (2nd version), 1803. Friedrich Wilhelm Reuter (German, 1768-1834). Pen lithograph; image: 28.1 x 18.7 cm (11 1/16 x 7 3/8 in.); sheet: 29.2 x 23.9 cm (11 1/2 x 9 7/16 in.).

"Satan, Don't Get Thee Behind Me!"-Anything to Get Possession (from "Harper's Weekly") August 17, 1872 Thomas Nast Widely considered to be one of the most important American satirists of the nineteenth century, Thomas Nast was the leading cartoonist at Harpers Weekly from 1859 through 1886. An outspoken defender of principled politicians, Nast targeted leaders whom he deemed unethical through his biting illustrations. These works harnessed popular references that could be easily understood by a partially illiterate audience. Invoking the biblical saying, "Satan, Dont Get Thee Behind Me," Nast illustrates Democratic candidate Horace Greeley on his knees begging the devil to assist him in defeating General Ulysses S. Grant in the 1872 presidential election. A staunch opponent of corruption in politics, Nast targeted Greeley because he was embroiled in a number of public scandals, including posting bail for the incarcerated former Confederate president Jefferson Davis.. "Satan, Don't Ge

Eustachius van Rome family, Michel Dorigny, after Simon Vouet, 1638 print Paris paper engraving / etching the Roman soldier and hunter Eustace (Eustachius, Eustathius); possible attributes: banner, bull of brass, cuirass, hunting horn, lance, stag's head with crucifix, sword, two sons, wife. family, descendance

'PETER MARTYR,' THE PICTURE BY TITIAN LATELY DESTROYED BY FIRE AT VENICE, ITALY, 1867

Drawing of Milo of Croton. Rosa, Salvatore, 1615-1673. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Saters mockingly with a drawing on a tree, Claude Mellan, 1636 - 1645 print France paper engraving mocking, insulting; teasing. satyr(s) (in general). globe

Allegorical representation of a louwed woman who water a gourd tree; In the background, figures climb a mountain, Guillaume Vallet, After Carlo Maratta, 1661 print print maker: Romeafter drawing by: Italypublisher: Siena paper engraving fruits: gourd. watering plants

Plate 30 of 38 from Oeuvres de J B Huet 1796-1799 France. Etching on paper . Jean Baptiste Huet

Etching by Josef Ferdinand Fromiller depicting Jupiter, the Roman god, shown in a mythological scene.

Photo production of a drawing by Rafaël, expulsion of Adam and Eva from Paradise, Charles Thurston Thompson, After Rafaël, c. 1852 - in or before 1857 photograph Windsor Castle paper albumen print expulsion of Adam and Eve from paradise (Genesis 3:22-24)

Johannes de Doper in de Wildernis, Francesco Villamena, after Ferraù Fenzoni, 1613 print John the Baptist dressed in an animal skin with the wicker cross in his hand. Two lines of Latin text in the lower margin. print maker: Romeafter design by: ItalyVaticaanstad paper engraving John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. John the Baptist in the wilderness, usually accompanied by a lamb

José del Castillo (Author of the original work: Giordano, Luca) / 'The Flight into Egypt'. Ca. 1778. Etching on paper. Museum: Museo del Prado, Madrid, España.

The finding of Moses who is rescued from the Nile by the maidservants of Pharaoh's daughter. Artist: Bartolomeo Biscaino (Italian, Genoa 1629-1657 Genoa). Dimensions: Sheet: 7 11/16 x 9 15/16 in. (19.6 x 25.2 cm)Plate: 7 5/16 × 9 5/16 in. (18.5 × 23.7 cm). Publisher: Daman (active 1640-60); Remondini (Bassano, Italy). Date: 1650-57. Museum: Metropolitan Museum of Art, New York, USA.

Fight Tussern Amazones and Greeks on the Bridge of Troy (lower right). .

Saint Pierre martyr, Denon, Vivant, 1747-1825

Titus Manlius, L. Hachin, after Hendrick Goltzius, 1829 print The hero Titus Manlius Torquatus, while pulling his sword out of the sheath. In the background you can see how he beats a Gaul on a bridge. Amsterdam paper engraving Titus Manlius Torquatus defeats in single combat a gigantic Gaul and takes from him his golden neck-chain

Expulsion from paradise. Adam and Eve are driven out of the earth paradise by the angel with the flaming sword. In addition to them, the snake crawls. The print is part of an album.

Photo production of drawing Raphael from Windsor Castle, Dispose of Adam and Eva from paradise.

France, Lafage, Raymond de, Paris, Ertinger, Franz, Conversion of Paul, Conversion of Saul, verso - stamped, Saul is thrown from his horse by a beam of light on the way to Damascus and addressed by Christ from heaven. Acts 9:3-5., print, prints, height 390 mm, width 298 mm, 1640, print maker, printmaker, 1652 - 1707, paper, papier, etching, etsen, Frans, 1656-10-01 - 1690-11-04, intermediary draughtsman

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Actéon. Fifteenth number of a suite of 52 pieces. (A. de Vesme 493; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Torture of the Saint Sebastian. Saint Sebastian, tied to a tree, is shot by Roman soldiers. On the right in the background Emperor Diocletian. The print has a Latin caption.

Torture of Saint Sebastiaan, Julius Goltzius, After Maerten de Vos, 1584 print Saint Sebastiaan, tied to a tree, is shot at by Roman soldiers. On the right in the background Emperor Diocletian. The print has a Latin caption. Antwerp paper engraving martyrdom, suffering, misfortune, death of St. Sebastian

The Angel Staying the Arm of Abraham After 1552 Battista Franco Italian. The Angel Staying the Arm of Abraham 371781

Oedipus and the Sphinx, Johannes Josephus Aarts, 1881 - 1934 print Oedipus at the entrance of the cave where the sphinx stops, a monster with the head of a woman, the body of a lion and the wings of an eagle. She is on a spiral staircase that circles around the dead, naked bodies of two men and a woman. Japanese paper (handmade paper) etching the corpse. staircase. Oedipus and the sphinx; he solves the riddle. hanging figure (by the arms, legs, etc.)

Minerva disappears behind the clouds Minerve quite la figure de Mentor & se separe de Télémaque (title on object) Adventures of Telemachus (series title), Minerva disappears behind the clouds and looks at the kneeling Telemachus who shields his eyes with his hand. Print top left marked: Page 428, (story of) Telemachus, (story of) Minerva (Pallas, Athena), Simon Fokke (mentioned on object), Amsterdam, 1775, paper, etching, h 148 mm × w 93 mm

Saint Gregory the Great Interceding for Souls in Purgatory. Artist: Giovanni Odazzi (Italian, Rome 1663-1731 Rome). Dimensions: 12-5/16 x 8 in. (31.2 x 20.3 cm), arched top. Date: 1663-1731. Museum: Metropolitan Museum of Art, New York, USA.

The scene from the performance Faust, Johann Wolfgang Goethe (with a fragment of the text in German). Monogramista M.W.

The Silver Devil. Dated: 1865. Dimensions: overall: 23.9 x 31.9 cm (9 7/16 x 12 9/16 in.). Medium: etching with drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: François-Nicolas Chifflart.

Eendracht has chained anchor: an allegory on Eendracht, Johannes Glaber, after Gerard de Lairesse, 1672 - 1726 print In the clouds of Eendracht, with the cornucopia and with a bunch of arrows in her hand. Around her putti. She has chained the personification wrath. In the foreground the personification of the river IJ. The print is to a ceiling painting by Gerard de Lairesse and is part of a series with Biblical, mythological and allegorical representations. paper etching Agreement, Unity; 'Concordia', 'Concordia insuperabile', 'Concordia militare', 'Concordia di Pace', 'Unione civile' (Ripa). Anger; 'Ira' (Ripa) ~ personification of one of the Seven Deadly Sins. river personified, 'Fiumi' (Ripa) IJ

Calling of Jonah, Jan van de Velde (II), After Willem Pietersz Buytewech, 1603 - 1652 print Jonah called by God to go to Nineve. In the air an angel and cherubin. First print from a series of four about the Bible book Jonah. Amsterdam paper etching Jonah is sent by God to Nineveh to preach to its sinful citizens

Soldier and Death, Rudolph Meyer, 1650 print A soldier pulls his the attacking death. A gun on the ground. People and a burning city in the background. paper etching dance of Death; Death together with one or more human beings. personifications of Death; 'Morte' (Ripa)

Luck, Simone Cantarini, After Guido Reni, 1622 - 1648 print paper etching Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa)

Photograph of a fragment of Jan Matejko's painting Children of King Jagiełło Szubert, Song (1837 1919)

Goltzius, Hendrick, Amsterdam, Muller, Jan Harmensz., Creation of the world, Fifth day of creation: creation of the animals, verso - stamped, The fifth day of creation, on which the animals were created. Various animals and birds walk on land. Birds flying in the sky. In the foreground the sea with fish and crabs and a sea god with shells in his hair. After the Bible text in Gen. 1:20-23., print, prints, diameter 270 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1589 - 1589, paper, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01

Faam Kront Virtue with Lauwerkrans, Giovanni Domenico Tiepolo, 1748 - 1752 print Venice paper etching Fama as Roman personification

Death in a PearTree. Artist: Alphonse Legros, French, 1837-1911

The Entombment of Christ 1590-1595 Italy. Pen and brown ink and brush and brown wash, heightened with gold metallic paint, on blue laid paper, laid down on thin tan laid paper . Jacopo Palma Il Giovane

Frontispiece. Artist: Simone Cantarini, Italian, 1612-1648

Joseph() on a cloud. Engraver: Michel Dorigny, French, 1616-1665 After: Simon Vouet, French, 1590-1649

Jason and De Draak, Anonymous, After Salvator Rosa, in or after 1663 print Jason pours the magic magic of Medea over the dragon that monitors the Golden Fleece. Italy paper etching / engraving fight with the dragon; Jason sprinkles a drug in its eyes, possibly assisted by Medea

Perimele Thrown off a Cliff by Her FatherHippodamas. Artist, attributed to: Jean-Baptiste Regnault, French, 1754-1829

Italy, Titian, Bonasone, Giulio, Entombment of Christ, verso - stamped, Christ is laid in the rock tomb by Joseph of Arimathea and Nicodemus. Around the tomb the mourning holy women. In the foreground the instruments of the passion., print, prent, prints, height 278 mm, width 175 mm, Italian, 1510 - 1576, print maker, printmaker, 1567 - 1567, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1488 - 1576-08-27

Simson a Delila, Lucas van Leyden, 1505 - 1509 print Delila cuts the hair from Simson asleep on her lap. Number of armed men are ready to attack. Low Countries paper engraving Samson's hairlocks are cut off by Delilah

Audomarus of Théroune, Saint.

Finale du Rheingold , Fictitious characters, Gods, Goddesses, Freyr Norse deity, Thor Norse deity, Odin Norse deity, Frigg Norse deity, Freya Norse deity, Loki Norse deity, Wagner, Richard, 1813-1883. Ring des Nibelungen. Rheingold. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Proserpina, 1588 - 1590 print The goddess Proserpina, seated by a tree, fruit and flowers in the hands. This print is part of a series of seven oval prints of classical gods and goddesses. paper (story of) Proserpina (Persephone, Core), Libera

Amsterdam, Picart, Bernard, Statue of a man hanging from a pulley in a tree, verso lower left - stamped, Statue of a naked man, lost in thought, on a plinth. The statue is hung from a tree by a pulley., print, prints, height 334 mm, width 220 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1726 - 1726, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

"Etching by Josef Ferdinand Fromiller from 1726 depicting the martyrdom of Saint Matthias, showing figures, gestures, instruments, and symbolic religious elements."

Finale du Rheingold , Fictitious characters, Gods, Goddesses, Freyr Norse deity, Thor Norse deity, Odin Norse deity, Frigg Norse deity, Freya Norse deity, Loki Norse deity, Wagner, Richard, 1813-1883. Ring des Nibelungen. Rheingold. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Allegory of Abundance 17th century Anonymous, French, 17th century French. Allegory of Abundance 339886

Anonymous after Hendrick Goltzius (Dutch, 1558 - 1617). Jupiter and Io, ca. 1589. From Metamorphoses. Engraving on wove paper. Plate: 176 mm x 252 mm (6.93 in. x 9.92 in.).

Italy, Loli, Lorenzo, Two putti under a tent cloth, verso - stamped, Two putti under a tent cloth stretched between the branches of a tree., print, prent, prints, height 178 mm, width 133 mm, Italian, 1612 - 1691-04-05, print maker, printmaker, 1622 - 1691, paper, papier, etching, etchings

Venice, Sadeler, Marcus, Spranger, Bartholomeus, unknown, Aegidius, Hercules and Cerberus, Narcissus at the well, verso lower left - stamped, Narcissus at the well. He looks at his own reflection in the water. Cupid flies above him and shoots an arrow. In the background Echo and another nymph. The print has a Latin caption., print, prints, height 403 mm, width 287 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, engraving, engraving (printing process), Work conception, 1546-03-21 - 1611-08, after a design by, Publication (Event), Publication, German, 1614-04-11 - 1650, publisher

Allegory of the Night, print maker: Christian Bernhard Rode, (mentioned on object), 1768 - 1769, paper, etching, h 209 mm - w 303 mm

Table of the Temple of Muses: Ixion (Dutuit 36, White 145) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Temple of Muses: Ixion (Dutuit 36, White 145). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

Brown pen drawing by Martin Johann Schmidt of the Pietà, part of the Stations of the Cross, with white highlights on blue-gray paper, circa 1795.

HERCULES. PERSONAJE MITOLOGICO. HERCULES ENCADENA Y SACA AL CANCERBERO QUE LE IMPEDIA EL INGRESO AL INFIERNO. GRABADO SOBRE UNA PINTURA DE LUCAS JORDAN. CALCOGRAFIA NACIONAL. MADRID.

Orpheus Carrying back Eurydice to Hades. 1557 - 1600. Carracci, Agostino, 1557-1602. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Padua, Cadorin, Mateo, Venice, Carpioni, Giulio (I), Saint Jerome as a penitent in the desert, verso - stamped, Saint Jerome kneels as a penitent in the desert or wilderness by a tree. He is depicted as a thin old man. Before him lie a book and a crucifix. In the background on the left walks a lion. Cherubs float in the air, print, prints, height 226 mm, width 165 mm, Italian, 1613 - 1679, print maker, printmaker, 1623 - 1679, paper, papier, etching, etchings, Publication (Event), Publication, publisher

Hercules en Cerberus, Giles Sadeler (2), 1624 - c. 1650 print Hercules in the underworld. He leads Cerberus on a chain. The print has a Latin caption. print maker: unknownpublisher: Venice paper engraving (12) Cerberus captured and carried away by Hercules

'Study for a page in the Kaisersaal', 1751-1752, (1928). Artist: Giovanni Battista Tiepolo.

Wright, Ferdinand von, work, Interior view of the Marieberg workshop, 1850/1852, oil on canvas, painting, 76.5 cm x 63.5 cm

Vatican City, Clement VIII, Italy, Barocci, Federico, Villamena, Francesco, Francis Receiving the Stigmata, recto lower right - handwritten in brown ink, Saint Francis of Assisi Beholding His Vision and Receiving the Wounds of the Cross (stigmata). On the left a Franciscan with a book. Dedication and Latin text in the lower margin., print, engraving, prints, engravings, No. 7, verso - handwritten in brown ink, 7, height 521 mm, width 359 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1597 - 1597, paper, papier, engraving (printing process), Work conception, 1528 - 1612-09-30, after a design by, 1536 - 1605, granter of privilege

Angelica threatens by sea monster is liberated by Ruggiero at Hippogrief. Angelica is closed to a rock when it is threatened by a sea monster, an Ork. She is saved by Ruggiero that comes to the back of a hippo.

Ceres (Demeter) on a chariot drawn by lions receives offerings from peasants; representing harvest. Etching by G. Zocchi after P. da Cortona.

Val Van Phaëton, Nicolas Lesueur, After Giuseppe Cesari, 1701 - 1764 print Numbered in the bottom right: 90*. paper etching Phaethon

Saint George and the Dragon 1550-1600 Italy. Saint George and the Dragon is a story from The Golden Legend, a popular collection of tales about saintsí lives written in the 13th century. During his travels, Saint George came upon a land distressed by the presence of a dragon. Each day the dragon demanded the sacrifice of a beautiful maiden. With his sword, the saint overtook the dragon and killed it. As a religious parable, the dragon represents evil or paganism. Thick contours and vigorous contrasts between black and white, characteristics of the woodcut medium, emphasize the mood of anguish and distress.. Woodcut on ivory laid paper . Giuseppe Scolari

Adonis dies in the arms of Venus, Print made by Wallerant Vaillant, 1623-1677, Dutch, after Erasmus Quellinus, 1607-1678, Flemish, undated, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 15 1/16 × 12 3/16 inches (38.3 × 31 cm), boar, bow, chariot, clouds, death, death of Adonis: he is killed by a boar, dog, goddess, grief, horn, religious and mythological subject, swans, trees

Théodore Chassériau, Mother and Child, 1845, soft-ground etching on chine.

Zeit und Ruhm, from the series Vom Tode Zweiter Teil Max Klinger German n.d.

Allegory of Art A Youth Inspired by the Spirit of Art 1810 Austria. Etching and aquatint in black on tan wove paper . Carl Russ

Etching by Rembrandt van Rijn titled 'The Calm on the Run', created around 1626. Includes frame lines in pen and brown ink, depicting a tranquil scene with figures.

Petrus liberated by the angel from prison. .

The Flood Artist's working dates 1791-1836 England. Pen and black ink, with brush and gray wash, over traces of graphite on ivory wove paper, tipped onto buff wove paper . William Young Ottley

Personification of the summer, Claude Augustin Duflos, after François Boucher, 1710 - 1786 print print maker: Francepublisher: Paris paper engraving / etching summer ~ human activities (the four seasons of the year)

Jason fighting with the dragon. Etching by S. Rosa.

Copper engraving by an unknown artist depicting Venus after her bath, created between 1500 and 1520, showing the goddess in reclining pose.

Appearance in the forest, Johannes Josephus Aarts, 1881 - 1934 print Two men and a woman on the left in the foreground. To the right of them water and some huts in the background. Trees grow on either side of the huts. Above the middle, a women's table rises from the dark forest. paper surrealia, surrealistic representations. fringe, edge of the wood

Landscape with woman by a tree stump, Warner Horstink, 1766 - 1815 print Landscape with a woman, seen on the back with a shepherd's staff in her hand, near a tree stump. With her left arm she points to in the distance. Haarlem paper etching trees (+ stump, stub). walking-stick, staff. arm raised upward (+ back view)

Sopla.. Goya, Francisco (1746-1828). Avery, Samuel Putnam, 1822-1904. Prints. 1799. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Satires (Visual works), Witches, Bodily functions

Frederick II., King of Prussia.

Drawing by an anonymous artist depicting the fall of the Titans with Jupiter atop an eagle in the air, executed in chalk and pencil on gray paper.

The powers Raphael. Prints. 1635. Rare Book Division. Angels

Cavalier arabe attaqué par un lion.. Delacroix, Eugène (1798-1863). 1872 - 1872. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Horses, Arabs, Lions

Assumption of the Virgin Mary, print maker: Jacob de Wit, after: Peter Paul Rubens, Amsterdam, 1705 - 1754, paper, etching, h 339 mm × w 402 mm

Copper engraving by Marcantonio Raimondi from 1510-1527 depicting a sleeping man at the forest edge, showing the human figure, trees, and natural landscape.

Allegory of Peace. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 271 mm × w 177 mm. Museum: Rijksmuseum, Amsterdam.

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