Mythological Romantic Engravings

Elegant etchings illustrating romantic myths, featuring divine figures and emotional interactions in serene landscapes with intricate details.

Venus and Cupid - Spring Le printemps (title on object) Biblical, mythological and allegorical representations (series title), Venus is leaning against a tree. An arrow quiver in her hands. Cupid stands bent over her and picks flowers from her flower crown. They are surrounded by two putti. The print is part of a series with Biblical, mythological and allegorical representations., Venus and Cupid (Cupid not being mere attribute), spring, 'Ver', 'Primavera' (Ripa) (with Venus), Johannes Glauber (mentioned on object), 1656 - 1726, paper, etching, h 280 mm × w 382 mm

Cupido en Psyche, Bernard Lens (II), after Anthony van Dyck, 1682 - 1725 print Cupido is about to kiss Psyche. London paper Cupid and Psyche as lovers. Cupid awakes Psyche from her deadly sleep

Lunet with caritas and a female personification with sword and passer, Giovanni Cesare Testa, After Pietro Testa, 1635 - 1660 print print maker: Romeafter design by: Italy paper etching Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Roman personifications of abstract concepts

Venus en Adonis, Michel Dorigny, after Simon Vouet, 1643 print paper engraving / etching Venus and Adonis as lovers. other birds: turtle dove. cupids: 'amores', 'amoretti', 'putti'

Acis and Galatea gazed upon by Polyphemus Acis et Galath, print maker: Edme Jeaurat, (mentioned on object), after: Charles de Lafosse, (mentioned on object), publisher: Edme Jeaurat, (mentioned on object), print maker: France, publisher: Paris, 1722, paper, etching, engraving, h 277 mm - w 202 mm

Hercules and Iole; Paintings in Palazzo Farnese in Rome. Hercules and Iole are sitting on a rock. Hercules plays on a tambourine. In the background, Amor stands with his bow.

Half -naked woman holds on to a tree, Carl Friedrich Holtzmann, after Salvator Rosa, 1750 - 1811 print Print is part of an album. Dresden paper etching sitting figure - AA - female human figure

Sater De Sleeping Venus, Bernard Picart, 1697 print Landscape with a Sater that travels the sleeping Venus. Two torty pigeons on her feet. Amor tries to stop the satap. Paris paper etching / engraving Venus asleep. satyr(s) spying upon. other birds: dove. (story of) Cupid, Amor (Eros)

Sitting allegorical woman figure ..

Piety, Jacques Bellange, 1602 - 1616 print Maria, with the body of the dead chrsitus on her lap, has aimed her gaze to heaven. The Arma Christi are in a basket on the ground. France paper engraving / etching 'Pietà', 'Vesperbild', 'Marienklage' (no others present): Christ, either with or without crown of thorns, mourned by Mary

Venus and Cupid - Spring Le printemps (title on object) Biblical, mythological and allegorical representations (series title), Venus is leaning against a tree. An arrow quiver in her hands. Cupid stands bent over her and picks flowers from her flower crown. They are surrounded by two putti. The print is part of a series with Biblical, mythological and allegorical representations., Venus and Cupid (Cupid not being mere attribute), spring, 'Ver', 'Primavera' (Ripa) (with Venus), Johannes Glauber (mentioned on object), 1656 - 1726, paper, etching, h 280 mm × w 382 mm

Venus and Adonis with amor. Venus and Adonis partially undecided into a landscape. Next to Venus State Amor with tense bow.

Jupiter and Juno; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. Jupiter sits on bed with an eagle at his feet. Juno also climbs the bed. A peacock is behind her. The print originally belonged to Liber 22 of the Atlas of Michiel Hinloopen (seem to book 10).

Amsterdam, Mortier, Pieter (II), Dubourg, Louis Fabritius, Tanjé, Pieter, Title page for: Richard Cumberland, Traité philosophique des loix naturelles, 1744, Natural Law unveiled by Science, verso - stamped, Title page for a book by Richard Cumberland, in which he combats the ideas of Thomas Hobbes. The Law of Nature, in the person of Venus, embraces Right. She holds a sword in her hand. The Law of Nature is unveiled by Science and illuminated by Truth. Putti, who personify the genius of the writer Richard Cumberland, overcome the Error of Thomas Hobbes, who lies on the ground. In the bottom margin a two-line French text., print, engraving, title page, prints, engravings, height 237 mm, width 175 mm, Noord-Nederlands, 1706-02-15 - 1761-06-29, print maker, printmaker, 1744 - 1744, paper, papier, etching, etchings, Work conception, 1693 - 1775-09-16, after a design by, Publication (Event), Publication, publisher

An etching and copper engraving by Jacques Bellange from 1600-1625 depicting 'Compassion', showing figures expressing empathy and emotion, with detailed composition and early 17th-century European technique.

Amor Sleeping in a Tent, Lorenzo Loli, 1622 - 1691 print Italy paper etching sleeping; unconsciousness. (story of) Cupid, Amor (Eros)

Jealous Monster (from "Fifteen Etchings Dedicated to Sir Joshua Reynolds") December 8, 1778 Designed, etched and published by John Hamilton Mortimer British. Jealous Monster (from "Fifteen Etchings Dedicated to Sir Joshua Reynolds") 407892

Etching depicting Venus and Adonis, showing figures, gestures, and clothing within a mythological setting. Produced between 1680 and 1690, emphasizing classical narrative and composition.

Francisco de Goya (Spanish, 1746-1828). Devota profesion. (Devout profession.), 1796-1797. From Los Caprichos, no. 70. Etching, aquatint, and drypoint on cream laid paper. Plate: 210 mm x 165 mm (8.27 in. x 6.5 in.).

Expulsion from Paradise.Adam and Eva, running and bellying, are driven out of paradise.

Copper engraving by Jan Pietersz. Saenredam depicting Bacchus, created in 1596, illustrating late 16th-century European mythological representation and engraving techniques.

Jonas Haas (1721-1775), Vignet, 1720 - 1775

Lyncus veut Assasiner Triptoleme, Ceres LArrete et le change en Lynx. Engraver: Jacques-Claude Danzel, French, 1737-1809 After: Jean Dumont, French, 1701-1781

Plate Three from Misery Made 1851 France. Lithograph in black on cream China paper, laid down on ivory wove paper (chine collÈ) . Charles Rambert

Marsyas en Apollo, Michel Dorigny, after Simon vouve, 1651 print France paper engraving / etching contest between Apollo and Marsyas; the Muses acting as judges

Sater Spiedt de Sleeping Venus, R. Pelletier, After Hendrik Bering, 1789 - 1799 print Venus is sleeping under a tree and is spied on by a saat. Amor is next to her. paper satyr(s) spying upon. sleeping; unconsciousness

Venus keeps Adonis van de Jacht, Wallerant Vaillant, after Gerard de Lairesse, 1658 - 1677 print Venus and Amor try to prevent Adonis from going hunting. However, Adonis is going to hunt; He is wearing a lance and there are two hunting dogs in front of him. paper Venus and Adonis as lovers

Etching and engraving depicting the mythological scene of Jupiter and Callisto, showing figures, gestures, and drapery. Produced between 1670 and 1690, emphasizing narrative composition and classical style.

Lot drunked through his daughters. Lot is between his two daughters for a cave. The left daughter is embraced by him. She holds a jar that is filled by the other daughter with wine. On the right in the distance burns sodom. The show is a four-line, Latin text in which the event shown is disapproving.

Neptune and Cybele 1640-74 Pieter de Jode II Flemish. Neptune and Cybele. Pieter de Jode II (Flemish, 1606-ca. 1674). 1640-74. Engraving; second state of two (Hollstein). Gillis Hendricx (Flemish, active 1640-1677). Prints

Venus, two goddesses and two putti; Oval ceiling paintings in the d'ulysse gallery in Fontainebleau. Venus, two goddesses and two putti on clouds.

Apollo surrounded by the Muzen, Simon Fokke, 1722 - 1784 print In the midst of his nine muscles, the Snacht Rays Played Apollo de Lier. A number of muses play with their own musical instrument. Pegasus flies in the air. Amsterdam paper etching Apollo and the Muses, Apollo Musagetes. Pegasus, the winged horse

Gerhard Ludvig Lahde (1765-1833); Guercino (1591-1666), Terpsichore et KalliPe, (1791)

Amor in a Net, Matthijs Pool, After Guercino, 1696 - 1727 print Venus holds Amor up in a net. The young Amor plays with his bow. Father Time addresses Mars admonishingly. In the margin a six -line poem, in two columns, in Dutch. Amsterdam paper engraving / etching Father Time, man with wings and scythe. (story of) Mars (Ares). (story of) Venus (Aphrodite). (story of) Cupid, Amor (Eros)

Robert Blyth, after John Hamilton Mortimer, Killing an Enemy, 1779 Killing an Enemy

Sarah Presentant Aggnant APraham the APROHM Van the threshold (Dutuit P 341) Richard Earlom (1743-1822). Sarah presents Agar the Egyptian in Abraham to give the latter a child, according to Adriaen van der Werff (1659-1722). Engraving (black way). 1779.

Venus makes toilet, 1660 print Venus sits naked on a stool and looks at himself in a mirror. A pigeon for her and behind her bite supplies. On the right a glimpse to a man with a stick that looks at Amor. This print is part of an album. paper etching / engraving toilet of Venus

Chalk and feather drawing by Domenico Maria Muratori depicting Martha and Mary, showing figures, gestures, drapery, and composition, mounted with gold rim.

. Venus and Adonis as loved ones in a hug. Behind a tree amor with his bow and in the distance Atalanta, the beloved of Meleager, while she is killed by a wild boar.

Venus and Paris on Mount Ida, Jean Pierre Julien Dupin (II), After Christian Wilhelm Ernst Dietrich, 1770 print paper etching / engraving Paris is exposed on Mount Ida. (story of) Venus (Aphrodite). armorial bearing, heraldry

Caution shows Hercules the mirror of virtue and courage.

Mars, Venus and Amor, Jan Saenredam, After Pieter Isaacsz., 1604 print Venus is lying on a bed with a wine glass in her hand. Her head is in Mars' lap. Both are naked. Amor with a jug of wine is sitting on her feet. A curtain behind them. Before the attributes of Mars. Under the performance a four -line, Latin text with a description of the scene. paper engraving Mars and Venus as lovers

Woman seduces a young man, Philippus Velijn, 1797 - 1836 print A woman (the wife of Potifar) Seduces a young half -dressed man (Joseph), Under a canopy. On the right a helmet on a pillow. Netherlands paper etching unsuccessful love affair; seduction. canopy, baldachin. Potiphar's wife trying to seduce Joseph. helmet

Slow, Louis Desplaces, After Jean Antoine Watteau, c. 1726 - 1735 print Zephyr crowns Flora with a flower wreath. France paper etching / engraving spring, 'Ver'; 'Primavera' (Ripa). (story of) Zephyrus (Favonius), the west wind; 'Favonio o Zeffiro' (Ripa). (story of) Flora

Woman seduces a young man. A woman (Potifar's wife) Seduces a young half-declared man (Joseph), Under a canopy. On the right a helmet on a pillow.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Nymphs and Putti Sleeping, 1787. Engraving.

Fountain with swan and men; Diverses Fontaines.A Swan On a fountain, his head bends to two men under him. The right man is sitting on a dolphin. Publisher number 36.

The Death of Procris 1770-90 Giovanni David Italian. The Death of Procris. Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa). 1770-90. Etching. Prints

De Zondeval Scenes from Genesis (series title), Adam and Eve stand in Paradise next to the tree of knowledge of good and pissed off. Both are scared of the snake with the female head winding around the trunk of the tree. The print is part of a seven-part series with scenes from the Bible book Genesis., Temptation and Fall (scenes with both Adam and Eve), Gerard de Lairesse (mentioned on object), 1665, paper, etching, h 222 mm × w 251 mm

Copper engraving and etching by Jean Charles Le Vasseur depicting Diana and Endymion, created in 1771.

Lot drunk led by his daughters, Willem Isaacsz. van Swanenburg, after Peter Paul Rubens, 1612 print Lot sits between his two daughters in front of a cave. The left daughter is embraced by him. She holds a cup that is filled with wine by the other daughter. On the right in the distance Sodom is burning. Under the performance is a four -line, Latin text in which the event shown is discussed disapprovingly. print maker: Leidenpublisher: Arnhem paper engraving Lot's daughters make their father drunk

Landscape with hercules and omphal; Herculis et omphales Amoenum Vesticontubernium. The awfried Hercules and Queen omphal, with the attributes of Hercules, caresses each other. Pan - which is in love with the queen - lies ahead of the ground. He has just dropped away by Hercules. In the background, surrounded servants are toned.

Illustration for Boccaccio decamerone. Illustration for Boccaccio Decamerone, History XXV. The half past Mrs. Catulla hits the naked Richard Minutolo, with whom she went into bed per in bed.

Design for a Wall Monument or Fountain, Pen and Chinese ink, charcoal on black paper, An oval painting, showing a half reclining girl and a putto, is supported by a mermaid. A merman blowing shell horn, at right. The lateral fiure3s are incompletely shown., France, 1775, Drawing, Drawing

Jupiter a semlele, Jean Daull, After Paolo the Matis, 1762 print Amsterdam paper etching / engraving Jupiter wooing Semele. armorial bearing, heraldry

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Venus and Cupid Bind Mercury. Artist: After Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Lucas Kilian (German, Augsburg 1579-1637 Augsburg). Dimensions: Plate: 14 15/16 × 10 3/16 in. (38 × 25.8 cm)Sheet: 15 7/16 × 10 5/8 in. (39.2 × 27 cm). Publisher: Jacob von Sandrart (German, Frankfurt am Main 1630-1708 Nuremberg). Date: 1597-1637. Museum: Metropolitan Museum of Art, New York, USA.

Young river god in landscape; Academic studies.

Father Time cuts the wings of Amor, Matthias Oestreich, 1731 - 1778 print paper etching Father Time, man with wings and scythe (+ variant). fettered Cupid, 'Amor Cruciatus'. symbols, religious and magic concepts, occupations, fashions, realities, general ideas ~ Judaism and Jewry

Venus and Anchises; Paintings in Palazzo Farnese in Rome. Venus and Anchises are in bed. Anchises travels the sandal from Venus. In the foreground Amor leans on the leg of Venus.

Venus and Cupid on a Cloud. Artist: After Edme Bouchardon (French, Chaumont 1698-1762 Paris); Johann Justin Preissler (German, 1698-1771). Dimensions: Sheet (trimmed): 12 13/16 × 9 7/8 in. (32.6 × 25.1 cm). Publisher: Georg Martin Preissler (German, Nuremberg 1700-1754 Nuremberg). Date: 1730-67. Museum: Metropolitan Museum of Art, New York, USA.

Jacques Louis David, Niobe and Her Daughter, 1775 80 Niobe and Her Daughter

Jupiter and antiope. Jupiter, in the form of a Sater, surprised antiOpe in her sleep. In addition to Jupiter, the eagle can be seen with Jupiters Lightning Bolt in his mouth.

Barbarigo, Giovanni Francesco, Audenaerd, Robert van, Rome, Numismata virorum illustrium ex Barbadica gente, Two angels with a cardinal's hat, verso - stamped, A console with two angels on a cushion. The angels hold a galero or cardinal's hat above their heads. The print is part of an album., print, album sheet, prints, height 182 mm, width 180 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Work conception, after own design by, Italian, 1658-04-29 - 1730-01-27, client

Plas van Cupido is taken care of by an old man, Gerard Valck (Possible), Joachim von Sandrart (I), 1661 - 1726 print paper engraving (story of) Cupid, Amor (Eros). urination. chamber-pot. old man

Woman by a tree, Salvator Rosa, c. 1656 - c. 1657 print A sitting naked woman, clinging to a tree. Italy paper etching / drypoint woman (showing herself) undressed, quasi-nude

Copper engraving and etching by Jean Jacques Pasquier titled 'The Graces', created around 1769, depicting three female figures representing the classical personifications of grace.

Adam and Eve Expelled from Paradise 18th-19th century baron Dominique Vivant Denon French. Adam and Eve Expelled from Paradise 399381

Cupido ontwapend door Euphrosyne, Thomas Burke, after Angelica Kauffmann, 1784 print paper engraving Euphrosyne (one of the Graces). disarmament. (story of) Cupid, Amor (Eros)

Mercury stands with a seated woman at whose foot two children are playing. Design for a painting, Allegory on the silk trade, draughtsman: Jacob de Wit, 1738, paper, pen, brush, h 235 mm × w 140 mm

Jean-Honoré Fragonard drawing of nymphs and tritons, executed in pen with bister wash.

Jupiter, disguised as Diana, seduces the Nymph Callisto, Bernard Lens (II), 1669 - 1725 print paper Jupiter, in the guise of Diana, and Callisto

Successful Monster (from "Fifteen Etchings Dedicated to Sir Joshua Reynolds") December 8, 1778 Designed, etched and published by John Hamilton Mortimer British. Successful Monster (from "Fifteen Etchings Dedicated to Sir Joshua Reynolds") 407893

Leda and De Zwaan, Bernard Picart, After Nicolas Bertin, 1693 print Leda is visited by Jupiter by the river. He tries to seduce her in the form of a swan. Attribute are the eagle in the air. In the margin a five -line caption with an assignment in Latin. Paris paper etching / engraving Jupiter, in the shape of a swan, and Leda

Lot and his daughters; History of Lot. For a cave, lot is on the ground. He is embraced by one of his daughters. The other daughter gives him wine. On the left a table on which a scale is fruit. In the background the fire of the cities of Sodom and Gomorra.

Theodor von Holst, 1810-1844, British, Prospero Watching Ferdinand and Miranda, ca. 1840. Graphite with black chalk and gray wash on medium, moderately textured, cream laid paper.

A sleeping Nymph spies through a Sater. A sleeping nymph of the front is seen by a Sater. On the right in the foreground is a bow and a stream.

Black chalk and gray wash drawing by Charles Le Brun depicting Boreas abducting Orthia, executed with brushwork and gray wash.

Sylvia freed by Aminta, René Gaillard, After François Boucher, 1729 - 1790 print Paris paper etching / engraving Avan area. Selnanonons, 'Hinfin the nanana' (paria)

Abenteure von den Niebelungen, 1817, After Peter von Cornelius, German, 1783-1867, 24-1/2 x 36-1/2 in. (62.2 x 92.7 cm), Engraving, Germany, 19th century

Vatican City, Clement XI, Italy, Badalocchio, Sisto, Pietri, Pietro Antonio de, Rome, Frezza, Giovanni Girolamo, Polyphemus plays on his syrinx, verso - stamped, Polyphemus sits on the seashore and plays his syrinx. Galatea and other sea nymphs listen to his play from the water., print, prints, height 295 mm, width 547 mm, Italian, 1659 - 1748, print maker, printmaker, 1704 - 1704, paper, engraving, engraving (printing process), 1663-02-20 - 1716-12-20, intermediary draughtsman, after a drawing by, 1585 - 1647, after, after a painting by, 1649-07-22 - 1721-03-19, granter of privilege

Diana bathing, print in an album with prints after Guercino's drawings. Ottaviani, Giovanni (1735-1808), graphic artist, Guercino (1591-1666), draughtsman, cartoonist, Piranesi, Giovanni Battista (1720-1792), publisher, Salomoni, Giovanni Generoso (1714-1779), printer

Courting couple in a vineyard, Anonymous, Peter Paul Joseph Noël, 1817 - 1867

Leda and De Zwaan, Bernard Picart (Possible), After Nicolas Bertin, 1705 - 1733 print Leda is visited by Jupiter by the river. He tries to seduce her in the form of a swan. Attribute are the eagle in the air. paper etching / engraving Jupiter, in the shape of a swan, and Leda

Two Van Diana's Nymphs at a stream, Jan Saenredam, After Hendrick Goltzius, 1616 print Two nymphs from the result of Diana. They are next to a stream. One of the nymphs empties her water jug into the stream. The print is part of a three -part series by Diana and her nymphs and has a Latin caption. paper engraving container of ceramics: jar, jug, pot, vase. brook. companions, nymphs of Diana; 'Ninfe di Diana' (Ripa)

Italy, Carracci, Annibale, De Tazza Farnese, Drunken Silenus, verso sheet - stamped, The drunken Silenus lies on the ground. Two satyrs are getting him drunk. The representation is set in a round frame of grapevines with two putti with bunches of grapes in between., print, prints, height 230 mm, width 230 mm, print maker, printmaker, 1597 - 1600, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1560-11-03 - 1609-07-15

Cupid's Tent, Print made by Isaac Beckett, 1652/3-1719, British, 1680s, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 9 7/16 × 7 5/16 inches (24 × 18.5 cm) and Image: 9 x 7 3/16 inches (22.8 x 18.3 cm), bow (weapon), boy, clipping, god, mythology, nudes, portrait, religious and mythological subject, sleeping, stealing, suffering, misfortune of Cupid, tent, wings (costume accessories), women

Amsterdam, Vletter & Comp., Johannes de, Pieneman, Jan Willem, Netherlands, Senus, Willem van, Allegory of the death of Prince William V, 1806, verso - stamped, Allegorical grave monument for Prince William V, who died on 9 April 1806. The sad Dutch Virgin leans against the monument, which shows an image of the phoenix rising from its ashes, and is comforted by a genius representing Piety. In front of the monument is the sad Dutch Lion resting on a broken sword and a bundle of arrows. Two small children hold up the prince's coat of arms. The print is accompanied by a printed statement., print, prints, Frederik Muller Historieplaten, height 554 mm, width 575 mm, Dutch, 1773-08 - 1851-01-15, print maker, printmaker, 1806 - 1807, paper, papier, stippelets, 1779-11-04 - 1853-04-08, after, after painting by, Publication (Event), Publication, publisher

To the Manes of Jean-Jacques Rousseau (1782-1785) MONNET after Vidal. "To the manes of Jean-Jacques Rousseau (1782-1785)". Etching.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Mr. Giardini. Line engraving.

Venus, Triton, and Sea Nymphs, Pieter Claesz Soutman, Dutch, 1580 - 1657, Peter Paul Rubens, Flemish, 1577 - 1640, Clement de Jonghe, Dutch, died 1679, Engraving on paper, Venus, seated on a shall () is offered pearls and shells by surrounding sea nymphs. At the left appears Triton and another nymph., Antwerp, Netherlands, ca. 1640, Print, Print

Print made by Bernard Lens, 1659-1725, British, Cupid and Psyche, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

Jozef and the wife of Potifar, Cornelis Bloemaert (II), After Jacques Blanchard, c. 1630 - c. 1633 print Potipars wife is in bed and grabs Joseph to his cloak. Joseph tries to escape. In the lower margin a Latin verse that warns the viewer of the lovely face of Potipars wife. paper engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Black ink and brown laved drawing by Johann Nepomuk Ender showing Hagar, highlighting figure, gesture, and expression, dated 1818.

Two children playing: spring and autumn, Hendrik Bary, after Anthony van Dyck, 1657 - 1677 print Two children playing, on the left autumn with a fruit and grain, on the right spring with a flower wreath. Under the performance one verse of two lines in Dutch. Netherlands paper engraving autumn, fall, 'Autumnus'; 'Autunno' (Ripa) (+ allegorical or symbolical representation of seasons and months). spring, 'Ver'; 'Primavera' (Ripa) (+ allegorical or symbolical representation of seasons and months)

Rest of the Holy Family in Egypt Made 1764 France. Etching in black on off-white laid paper . Hutin, Charles François

Venus puts on a blindfold with Cupido, Robert Strange, After Titian, 1769 print Text in Latin in the lower margin. print maker: Londonafter drawing by: Rome paper etching / engraving (story of) Cupid, Amor (Eros). (story of) Venus (Aphrodite). blindfold. (story of) the Amazons

Henri Fantin-Latour (French, 1836 - 1904). Tannhauser, Venusberg, 1876. Lithograph.

Baptism of Christ, Biblical scenes (series title), Historia del Testamento Vecchio / Dipinta in Roma nel Vaticano da Raffaelle di Urbin (...) (series title), Giovanni Lanfranco (mentioned on object), Italy, 1607, paper, etching, h 132 mm × w 179 mm

Venus en Adonis, Michel Dorigny, after Simon vouve, 1638 print paper engraving / etching Venus and Adonis as lovers. dog

Rest on the Flight into Egypt, William Ward, after Jacob Seydelmann, after Ferdinand Bol, 1792 print London paper rest on the flight into Egypt. breasts giving milk

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