Mythological Scene with Figures

A dramatic oil painting depicting a mythological scene with figures interacting, featuring rich colors and dynamic movement, embodying Baroque style.

The Rape of the Daughters of Leucippus, Rubens, Pieter Paul (1577-1640)

Pedro Pablo Rubens (and workshop) / 'The Rape of Proserpina', 1636-1637, Flemish School, Oil on canvas, 181 cm x 271,2 cm, P01659. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PEDRO PABLO RUBENS (Y TALLER).

Peter Paul Rubens (1577-1640). Flemish Baroque painter. Mars and Venus, 1615-1620. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

'Graces and Cupids'. Italy, Early 1630s. Dimensions: 222x160 cm. Museum: State Hermitage, St. Petersburg. Author: Padovanino (Alessandro Varotari).

Venus and Adonis' by titian, 1553. From the Museo del Prado, Madrid, Spain.

Adam and Eve Expelled From Paradise, D'Arpino, Cavaliere, .

Pedro Pablo Rubens (and workshop) / 'Mercury and Argos', 1636-1637, Flemish School, Oil on canvas, 180 cm x 298 cm, P01673. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PEDRO PABLO RUBENS (Y TALLER).

Guercino / 'Susannah and the Elders', 1617, Italian School, Oil on canvas, 176 cm x 208 cm, P00201. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Susanna.

The Rape of the Daughters of Leucippus, Rubens, Pieter Paul (1577-1640)

Victorious Hero Takes Occasion to Conclude Peace, Bernard Lens III, 1682-1740, British, after Sir Peter Paul Rubens, 1577-1640, Flemish, 1720, Watercolor and gouache heightened with gold on vellum, Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm), Sheet: 15 1/2 x 18 3/4 inches (39.4 x 47.6 cm), and Image: 15 1/8 x 18 1/2 inches (38.4 x 47 cm), angels, armor, blue, brocade, children, fruit, hero, lion, men, nude, nudes, owl, peace, putti, religious and mythological subject, shield, wings, women

The Expulsion of Adam and Eve from Paradise. Benjamin West; British, born in America, 1738-1820. Date: 1791. Dimensions: 48.6 × 72.9 cm (19 1/8 × 28 11/16 in.). Oil on canvas. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Guardian Angel, by Bononi Carlo, 17th Century, oil on canvas. Italy: Emilia Romagna: Ferrara: National Gallery of Art: Palazzo dei Diamanti. Whole artwork. Guardian angel wings boy

The Judgment of Midas. Dated: c. 1640. Dimensions: overall: 73.66 × 103.51 cm (29 × 40 3/4 in.) framed: 96.52 × 126.37 × 13.34 cm (38 × 49 3/4 × 5 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: JAN VAN DEN HOECKE.

fine arts, Tintoretto, (birth name: Jacopo Robusti, Jacopo Comin), (1518-1594), painting, ""The Purification of the Midianite Virgins"", oil on canvas, 131 x 295 cm, Prado, Madrid,

Mercury and Argus, 1630-1640 Pier Francesco Mola, Greek Mythology, Oil Painting, 17th Century, Old Master, Greek gods, goddesses

Saint Sebastian Tended by Saint Irene. Vicente López y Portaña (Spanish, 1772 - 1850)

Abla's murder; BloeMaert, Abraham (1566-1651); End of the 16th century (1593-00-00-1600-00-00);Abel (Bible), Cain (Bible), Popławski, Jan (1860-1935), Popławski, Jan (1860-1935)-collections, Dutch painting, message (provenance), Bible scenes

Mars and Venus Surprised by Vulcan; Joachim Anthonisz. Wtewael, Dutch, 1566 - 1638; about 1606 - 1610; Oil on copper; Unframed: 20.3 x 15.5 cm (8 x 6 1/8 in.), Framed: 27.3 x 22.4 x 2.2 cm (10 3/4 x 8 13/16 x 7/8 in.)

Lot and his Daughters, Jacopo Palma (il Giovane), 1610 - 1620

A Bacchanalian Revel before a Herm by Poussin, Nicolas (1594-1665)/ National Gallery, London/ 1632/ France/ Oil on canvas/ Baroque/ 98x142,8/ Mythology, Allegory and Literature

Music For the Gods, Poussin, Nicolas

The Abduction of Europa. 1615/16. (Jacob Jordaens 1593 Antwerp-1678 Antwerp)

Artist, workshop of: Adam Elsheimer, German, active in Rome, 1578-1610, Coronis andApollo, ca.1607-08, Oil on copper, unframed: 17 × 23.5 cm (6 11/16 × 9 1/4 in.), Not onview, German, 16th-17thcentury, Paintings

Scene with Bacchantes, Jacob van Loo, 1653 painting Bacchanal with sexual naked couples in the forest. On the right a man squeezes grapes in a drinking bowl, next to him a woman is lying on the floor. In the background a woman hits the triangel. canvas. oil paint (paint) thiasos, i.e. Bacchus' revel-rout, bacchanal without Bacchus

'Diana and Acteon'. While out hunting, Acteon surprises the goddess Diana and as a punnishment is mauled to death by his own dogs. Louis Galloche (1670-1761). Oil on canvas. Private collection.

Orpheus and Eurydice with Cerberus and an Erinyes in Hades

Apollo and Sarpedon at his death (accompanied by winged genies Sleep (or Hypnos) and Death (or Thanatos))

England, London, Heartford House, The Wallace Collection Museum, Painting titled 'Time Revealing Truth' by Francois Le Moine

Mercury entrusting the Infant Bacchus to the Nymphs, by Giuseppe Bartolomeo Chiari (1654-1727), painting.

N. Poussin / The Realm of Flora

Saint Agnes Protected by an Angel. Alessandro Turchi (called Orbetto) (Italy, Rome, 1578-1649). Italy, circa 1620. Paintings. Oil on polished marble

Diana's cave; Poelenburch, Cornelis Van (1594 cars 1595-1667), 18th century (1701-00-00-1799-00-00);Diana (Mitol.), Fiorentini, Piotr (1791-1858), Fiorentini, Piotr (1791-1858)-Collections, School of Fine Arts (Warsaw-1844-1864), Grotts, Landscapes, Dutch painting, hunters, dogs, mythological scenes , hunting scenes, scenes against the background of the landscape

The Sacrifice of Isaac by Andrea del Sarto (1486-1531) / Museo del Prado, Madrid / ca 1528 / Italy, Florentine School / Oil on wood / Bible / 98x69 / Renaissance

Pardo Venus (or Jupiter and Antiope), 1535-1540, by Titian (ca 1490-1576), oil on canvas, 196x285 cm.

Creation of Eve. Date/Period: Before 1662. Painting. Oil on canvas Oil. Height: 1,822 mm (71.73 in); Width: 1,943 mm (76.49 in). Author: CARLO FRANCESCO NUVOLONE.

Midas Washing at the Source of the Pactolus ca. 1627 Nicolas Poussin French According to ancient myth, King Midas was granted his greedy wish that everything he touched would be turned to gold, but he quickly realized that he could neither eat nor drink. In order to reverse what had become a curse, the god Bacchus instructed Midas to wash in the Pactolus River. Poussin represents Midas here as the smaller, humbled figure behind a classical representation of a reclining river god and two putti whose jugs point simultaneously to the rivers source and to Bacchus, the god of wine. This painting, abounding with Poussins classical erudition, was among the first he completed after arriving in Rome and was among the first paintings to enter The Met in 1871.. Midas Washing at the Source of the Pactolus 437328

The Toilet of Bathsheba, Rembrandt, 1643, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

'Susanna and the Elders'. Flanders, No later than 1611. Dimensions: 123x108 cm. Museum: State Hermitage, St. Petersburg. Author: Peter Paul Rubens (Pietro Pauolo).

Nymph and Drinking Satyr, Poussin, Nicolas, 1635.

Romulus And Remus Fosse, Charles de la(1636-1716 French) Pushkin Museum of Fine Arts, Moscow, Russia

GRANIDA AND DAIPHILO. Granida and Dainhilo. Granida drinks water from a fountain with a shell. At the fountain the shepherd Daifilo, its armor is located in front of the source on the ground. On the right two putti play.

Venus and Adonis by Bloemaert, Abraham (1566-1651) Statens Museum for Kunst, Copenhagen 1632 Oil on canvas Holland Baroque Mythology, Allegory and Literature Painting

Judgment of Paris ca. 1640 Alessandro Turchi Alessandro Turchi enjoyed a prestigious career in Rome, where he took on the role of head of the Accademia di San Luca in 1637. This picture is characteristic of Turchis mature style in depicting historical scenes: monumental figures presented in a frieze-like arrangement and executed with soft, sfumato effects.. Judgment of Paris. Alessandro Turchi (Italian, Verona 1578-1649 Rome). ca. 1640. Oil on canvas. Paintings

Francisco de Goya y Lucientes / 'The Witches' Flight', 1797, Spanish School, Oil on canvas, 43,5 cm x 30,5 cm, P07748. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Pacecco De Rosa (1607-1656). Baroque Italian painter. Diana Bathing, 1645. National Museum of Capodimonte. Naples. Italy.

Attributed to Nicolas Poussin (1594-1665). "The innocent massacre". Oil on canvas. 1626-1627. Museum of Fine Arts of the City of Paris, Petit Palais. 122745-1 Figurative art, religious art, weapon, Bible, Catholic, Christian, Christian, Christianity, Classicism, Detail, Child, Speed, Woman, Religious Iconography, Massacre, Massacre des Innocents, Mother, Artistic Movement, New Testament, Soldier, Tuer, XVIIEM XVIIth XVII 17th 17th 17th century, Oil on canvas

Perseus and Andromeda, 1773-1778, by Anton Raphael Mengs (1728-1779), oil on canvas, 227x153.5 cm.

Bacchus and Ariadne; about 1720 - 30 Oil on canvas Gustavus Hesselius; American; 1682 - 1755

Granida and Daiphilo. Dating: c. 1665 - c. 1668. Measurements: h 122 cm × w 147 cm; d 8.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Gerard de Lairesse.

Martyrdom of the Four Crowned Saints, by Abbiati Filippo, 17th Century, oil on canvas. Italy, Lombardy, Milan, Brera Art Gallery. Detail. A saint supine on the ground brown hues: tones white gray black light shadow.

Omnia Vincit Amor, or The Power of Love in the Three Elements 1809 Benjamin West American "Omnia vincit Amor," (Love triumphs over everything) is a quotation from Virgils Eclogues. Venus, the goddess of love, is shown at the left with her attributes the doves and with her small son, Amor, armed with bow and arrows, clinging to her draperies. A young deity, presumably Hymen, god of marriage, brandishes a flaming torch with his right hand and grasps in his left cords that leash an eagle. The eagle symbolizes all the creatures living in the element Air, a hippocampus stands for those of the Water, and a lion for those on Earth. The fourth element, Fire, is implicit in the goddess herself, in the winged Amores, or little Loves, and most particularly in Hymens flaming torch.. Omnia Vincit Amor, or The Power of Love in the Three Elements 13202

Toilet of Baths/veba by Rembrandt (Rembrandt van Rijn 1606 - 1669 ); Oil on wood; 1643

The Abduction of the Sabine Women, by follower Mazzoni Giulio, 1550, 16th Century, fresco. Italy: Lazio: Rome: Palazzo Spada: Stanza con storie dell'antica Roma. Detail. Abduction kidnapping Sabine women girls men Roman soldiers helmet cuirasses garland flowers fruits tangled limbs red yellow pink light blue/azure

Perseus and Andromeda, 1602, by Giuseppe Cesari (1568-1640), oil on board, 52x38 cm.

Saint Margaret Nicolas Poussin (1594-1665/French) Oil on Canvas Pinacoteca Sabauda,Torino, Italy

'Sacrifice of Isaac'. Holland, 1635. Dimensions: 193x132 cm. Museum: State Hermitage, St. Petersburg. Author: Rembrandt.

Painting titled 'A Dance to the Music of Time' by Nicolas Poussin (1594-1665) painter of the classical French Baroque style. Dated 17th Century

Allegory of the Arts, Rottenhammer, Johann, 1590.

Perseus freeing Andromeda, 1525-1545, Bonifacio de' Pitati, known as Bonifacio Veronese (1487-1553), oil on canvas on board, 42x17 cm.

TTITIA, Tiziano Vecello, also called (1490-1576). Tityus. 1548 - 1549. Renaissance art. Cinquecento. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Cymon and Iphigenia. Date/Period: Ca. 1766. Painting. Oil on panel. Height: 82.6 cm (32.5 in); Width: 61.3 cm (24.1 in). Author: Benjamin West.

Apollo and Daphne. Lorenzo Lippi (1606-1665). Oil on canvas. 167 x 174cm.

The Calydonian Boar Hunt by Rubens, Pieter Paul (1577-1640) / J. Paul Getty Museum, Los Angeles / c. 1612 / Flanders / Oil on canvas / Genre,Mythology, Allegory and Literature / 59,2x89,7 / Baroque

A Dance to the Music of Time - Nicolas Poussin, circa 1635

Artemisia Gentileschi, Susanna and the Elders, oil on canvas, 1652, Pinaccoteca Nazionale, Bolonia

Nessus,Heracles,Deian./Vinckeboons/ 1612

Venus and Cupid, Jacob de Gheyn (II), 1605 - 1610

Allegory of Casentino. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari.

Paintings by Giorgione, full name Giorgio da Castelfranco, also called Zorzo da Castelfranco * 1478 in Castelfranco Veneto before October 25, 1510 in Venice, Italian painter, rural concert, historically, digitally restored reproduction of a template from the 19th century, Record Date Not Stated

Painting titled 'Perseus Frees Andromeda' by Peter Paul Rubens (1577-1640) a Flemish Baroque painter. Dated 17th Century

Przeszo Przyszoci Lemoyne, François (1688 1737)

Bathsheba at the Spring ca.1635 Peter Paul Rubens (1577-1640/Flemish) Oil on Wood

The Judgement of Paris by Wtewael, Joachim (1566-1638)/ National Gallery, London/ 1615/ The Netherlands/ Oil on wood/ Mannerism/ 59,8x79,2/ Mythology, Allegory and Literature

Jupiter Rebuked by Venus 1607-1618 Flanders. Oil on canvas . Abraham Janssens

MARTIRIO DE LOS SANTOS JUSTO Y PASTOR - SIGLO XIX. Author: EDUARDO ROSALES GALLINAS. Location: PRIVATE COLLECTION. MADRID. SPAIN.

ARTE BARROCO. HOLANDA. HOLTSEIJN, Cornelis Pieter (Haarlem, 1618Amsterdam, 1658). Pintor holandés. "VENUS Y CUPIDO LLORANDO LA MUERTE DE ADONIS". Oleo sobre lienzo. Frans Hals Museum. Haarlem.

Peter Paul Rubens (1628-1629) and Jacob Jordaens (1593-1678). Flemish painters. Perseus Freeing Andromeda, 1639-1641. Prado Museum. Madrid, Spain.

Jupiter in the form of Diana Ca Kallisto; French painter (Fl. 18th century); 1730-1750 (1700-00-00-1799-00-00);Diana (Mitol.), Jupiter (Mitol.), Kallisto (Mitol.), Stanisław August Poniatowski (Polish King - 1732-1798) - collections, French painting

Pharoah's Daughter Discovers Moses in the Rush Basket. Dating: 1660 - 1663. Measurements: h 408 cm × w 493 cm. Museum: Rijksmuseum, Amsterdam. Author: Ferdinand Bol.

Allegory of Chianti. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari.

The Death of Harmonia. Artist: Jean-Baptiste Marie Pierre (French, Paris 1714-1789 Paris). Dimensions: 77 1/2 x 58 1/4 in. (196.9 x 148 cm). Date: ca. 1740-41.The story is rather an obscure one. Harmonia, the daughter of Gelon II, king of Syracuse, was threatened by conspirators. Her governess tried to save her by exchanging her clothes with those of a slave girl, who, dressed as a princess, was murdered. Moved by the girl's courage, Harmonia revealed her identity and was put to death in 214 B.C. The picture was engraved by Charles Nicolas Cochin I in 1751 and was much praised when it was exhibited in the same year. Toward the middle of the eighteenth century, historical subjects with moral overtones were again coming into fashion. Museum: Metropolitan Museum of Art, New York, USA.

Joseph and Potiphar's Wife / Cignani

Bacchus and Ariadne Bacchus and Ariadne, Gerard de Lairesse, oil on canvas, 1680, Amsterdam, Netherlands Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21697276

Peter Paul Rubens / 'Deploration', 1602-1603, Oil on canvas. Museum: Casón del Buen Retiro, Madrid. JESUS.

St. Matthew and the Angel, by Merisi Michelangelo known as Caravaggio, 1602, 17th Century, oil on canvas. Italy: Lazio: Rome: San Luigi dei Francesi Church. Detail. Angel drape sheet chiaroscuro

Possibly by Anthony van Dyck, Drunken Silenus supported by Satyrs, about 1620, oil on canvas, National Gallery, London, England, Great Britain.

Gods Inspire Poet, Poussin, Nicolas

'Rape of Europa'. Italy, 1640-1645. Dimensions: 170x224 cm. Museum: State Hermitage, St. Petersburg. Author: FRANCESCO ALBANI.

Bachic scene with nymphs and satires; Unknown Flemish painter; XVII/18th century (1680-00-00-1740-00-00);Flowers, Flemish painting, nudity, nymphs (mitol.), landscapes, satire (mitol.), Figural scenes

'Priam Begging the Body of Hector from Achilles'. Russia, 1824. Dimensions: 111,5x141,8 cm. Museum: State Hermitage, St. Petersburg. Author: Alexey Markov.

Narcissus Peter Paul Rubens (1577-1640/Flemish) Museum Bojimans Van Beuningen, Rotterdam, Netherlands

The Samaritan Woman at the Well, by Carracci Annibale, 16th Century, 1590, oil on canvas, cm 76 x 64

The Dream of Aeneas 1660-65 Salvator Rosa Italian This picture, with the artist's characteristic rugged figures, is an evocative visualization of the foundation of Rome as described in Virgils Aeneid (1st c. B.C.). While Aeneas sleeps on the banks of the river Tiber, "there appeared to him the God of the place, old Tiber himself, who arose from his pleasant stream amid poplar leaves. A fine linen clothed him in gray raiment, and shady reeds covered his hair. Then he spoke to Aeneas, and assuaged all his care with his words.. ‘This spot shall be the place for your city." Listen to experts illuminate this artwork's story Listen Play or pause #5206. The Dream of Aeneas Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. The Dream of Aeneas 437507

Death of Sardanapale, by Eugene Delacroix, 1827

Painting of Samson and Delilah by Peter Paul Rubens dated 1609

Jupiter, Disguised as a Shepherd, Seducing Mnemosyne, the Goddess of Memory, Jacob de Wit, 1727

Garofalo, Benvenuto Tisi da (1481-1559) National Gallery, London Painting 127x177,8 Mythology, Allegory and Literature An Allegory of Love

'Autumn and Winter'. Series "Four Seasons". Germany, 1747. Dimensions: 164,5x126 cm. Museum: State Hermitage, St. Petersburg. Author: ANTON KERN.

Following Victory at Lepanto, Felipe II offers Prince Fernando to Heaven - Titian

The Rape of Europa. Date/Period: 1644. Painting. Oil on canvas. Width: 150.8 cm. Height: 118.9 cm (without frame). Author: Laurent de La Hyre.

Andrea Vicentino (1539-1614). Italian painter. The Raising of Lazarus, c. 1600. Oil on canvas, 114 x 146 cm. National Museum of Fine Arts. Valletta, Malta.

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