Mythological Scenes and Engravings

Dynamic prints displaying mythological battles and allegorical figures, characterized by intricate line work and dramatic compositions.

France, French crown, Delaune, Etienne, Combats et triomphes, Fight between people of both sexes, some of whom are on horseback, verso - stamped, print, prints, height 67 mm, width 222 mm, French, 1519 - 1583, print maker, printmaker, 1528 - 1583, paper, papier, engraving, engraving (printing process), stipple work, granter of privilege

Aeneas and his companions fight with the harpijen, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carraci, After Ludovico Carracci, 1663 print Aeneas and his companions are disturbed during a meal by harpijen. A fight arises between the soldiers and the harpijen. Numbered: X. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching stay of Aeneas on the Strophades Islands: fight with the Harpies that befoul the crew's food

Title page: Verschyde Prakewercken and other strangers; Verschyde Praiscing and other celebrating. Title sheet with empty banderole held up by two putti.

France, French crown, Delaune, Etienne, Combats et triomphes, Fight between people of both sexes, some of whom are on horseback, verso - stamped, print, prints, height 67 mm, width 222 mm, French, 1519 - 1583, print maker, printmaker, 1528 - 1583, paper, papier, engraving, engraving (printing process), stipple work, granter of privilege

Triumph of Galatea with Hercules and Allegorical figures on the banks, François Bignon (attributed to), after Zecharie Heince, 1630 - 1720 print France paper etching / engraving triumph of Galatea. (story of) Hercules (Heracles). fruits. satyr(s) (in general)

Venus, Bacchus and Ceres (Sine Cerere et Baccho Friget Venus). Venus makes her drinking bowl pour through the Bacchus wine god. Ceres is sitting on the right with ears of corn in the hair. Two putti fans a fire in the foreground. The one with a bellows, the other brings firewood. Illustration of the saying "Sine Cerere et Baccho Friget Venus" (without Ceres and Bacchus freezes Venus), or without food and wine freezes love.

Copper engraving print by Nicolas Beatrizet with Latin inscription, created in 1545.

Tritons a Neerees of Nets a Waplecase, Franis Bigon, After Zacharie Heiz, 1630 - 1720 print France paper etching / engraving triton(s). Nereids, daughters of Nereus; sea-nymphs. armorial bearing, heraldry

Apollo and Diana kill the children of Niobe. Apollo and Diana shoot from heaven arrows to the children of Niobe to punish her for her conceit. The sons are partly on horseback. This print is part of an album.

Odysseus companions open the bag with Winden, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print While Odysseus is sleeping, his companions open the bag with headwinds that Aeolus has given them. The winds escape and the people on board try to find a safe place. Paris paper etching / engraving while Ulysses is asleep, his companions open the bag; contrary winds rush out

The Dragon with two Horns and the Beast with Seven, from the Apocalypse n.d. Jean Duvet French. The Dragon with two Horns and the Beast with Seven, from the Apocalypse 386236

Man attacked by desire, lust and sin, Harmen Jansz Muller, after Maarten van Heemskerck, 1565 print Man is attacked by personifications of desire, lust and sin. Cupido is blindfolded and cuts up with his sword. A landscape in the background. At the bottom of the margin a verse in Latin. Variant of the parable of the Merciful Samaritan. Amsterdam paper engraving Human Being, Man in General. Desire; 'Desiderio' (Ripa). (story of) Cupid, Amor (Eros). Voluptas as Roman personification. Error; 'Errore' (Ripa) (+ personification)

Apollo en Diana Doden de Kinderen Van Niobe, Anonymous, after Giovanni Battista Galestruzzi, After Polidoro da Caravaggio, in Ont After 1656 print Apollo and Diana, both with arrow and arch, kill the children of Niobe. Several children lie dead on the floor, others try to flee. Niobe is on the left. print maker: Italyafter print by: Italyafter painting by: Rome paper etching Apollo and Diana kill Niobe's children

Allegory of the summer, Pietro Testa, 1621 - 1650 print Allegorical show of the summer season. Apollo and other figures float on clouds in the sky. Juno floats on the right with her peacock and the wind gods. Juno sprinkles water over the people who suffer from drought on the ground. On the left is Ceres with a dragon and hand out grain to a figure with donkey ears, Minerva and a naked woman with painting palette. Italy paper etching summer ~ human activities (the four seasons of the year). (story of) Apollo (Phoebus). (story of) Ceres (Demeter). (story of) Juno (Hera). (story of) Minerva (Pallas, Athena). beasts of prey, predatory animals: lion. drought

Crucified man in Heuvellandschap, Johannes Josephus Aarts, 1881 - 1934 print A naked man is nailed to a cross. He is wearing a thorns. At the foot of the cross there are two women in robes and two naked, bearded men. Three naked figures on a hill in the background. paper violent death by crucifixion. man (showing himself) undressed, quasi-nude. low hill country - HH - ideal landscapes

Copper engraving by Jean Duvet, 1546-1555, showing figures adoring a kite, with attention to gestures, arrangement, and surrounding details.

. Daniel on the ground in a cave surrounded by lions. King Darius and his mind. In the margin a two-legged caption in Latin.

Allegory on nature, Cornelis van Dalen (II), After Peter Paul Rubens, 1648 - 1664 print Allegory on nature with nymphs that bust bust of Diana with many breasts. For the pedestal of the image there are bacchus, nymphs and female and male saters who pick fruit and vegetables from a large garland of which animals also eat. Amsterdam paper engraving 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa)

Combats and Triumphs. Etienne Delaune (French, 1518/19-c. 1583). Engraving; image: 6.6 x 21.9 cm (2 5/8 x 8 5/8 in.); secondary support: 7.1 x 22.3 cm (2 13/16 x 8 3/4 in.).

Albrecht Dürer, The Four Horsemen, German, 1471-1528, 1498, woodcut on laid paper

Medea pours magical potion over Jason's body: from Histoire de Jason et de la conquête de la toison d'or. Artist: René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers); After Leonard Thiry (Netherlandish, active Fontainebleau ca. 1536-1550). Dimensions: Plate: 6 5/16 x 9 3/16 in. (16 x 23.3 cm)Sheet: 7 1/2 x 11 5/16 in. (19 x 28.8 cm). Series/Portfolio: Tale of Jason and the conquest of the Golden Fleece (Histoire de Jason et de la conquête de la toison d'or). Date: 1563. Museum: Metropolitan Museum of Art, New York, USA.

Four rows of Frisians; Differents Morceaux d'Ornementes à la Romaine. There are three cherubs and a dog in the upper fries. Leaf 2 from series of 6 sheets.

Man fighting with dragon; Feüillages, et Autres Orders. Leaf 4 from series of 6 sheets, first edition.

Two Designs for Friezes with Medallions, from: Frises, feuillages ou tritons marins antiques et modernes. Artist: Jean Le Pautre (French, Paris 1618-1682 Paris). Dimensions: sheet: 6 1/8 x 9 3/16 in. (15.5 x 23.4 cm)plate: 5 9/16 x 8 11/16 in. (14.2 x 22 cm). Publisher: Pierre Mariette le fils (French, Paris 1634-1716 Paris). Date: ca. 1640-82. Museum: Metropolitan Museum of Art, New York, USA.

Diogenes, Giovanni Jacopo Caraglio (ACTRUTED TO), After Parmigianino, 1515 - 1565 print Diogenes sits on the ground in front of his barrel. In his hand he has a stick with which he points in a geometry book. In the background on the right a picked rooster. Italy paper engraving (story of) Diogenes, the philosopher. Diogenes mocks Plato's definition of man, by showing a plucked fowl

The Last Judgment, Blad H, Giorgio Ghisi, After Michelangelo, 1530 - 1582 print A detail from the fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. Marked bottom left: H. Print Maker: ItalyAfter Design by: Vatican City paper engraving Last Judgement

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), ornanti di Fregi e Fogliami. Three friezes on the same board. Ninth issue of a suite of 16 rooms. (A. de Vesme 995; dutuit 138) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Frisians or covings, Ceiling and cartouche, Bottom right is a sphinx on a cartouche, with a variant. From the third quarter., print, ornamental print, prints, ornamental prints, height 223 mm, width 154 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1658 - 1670, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, 1638-09-05 - 1715-09-01, granter of privilege

The Kingdom of Neptune. Round performance with Neptune in the center, on horseback and with a trident in his right hand, surrounded by water on which (o.a.) traveling several men (tritons), nymphs and angels. Design for a bronze plaque or scale.

Two fighting centuries between leaf raft. Flat decoration with a male and a female centaur in the middle. Their decreases have been replaced by large volutes of leaf raft.

Copper engraving by Israhel van Meckenem depicting the Fair of Saint Gregor, created in the late 15th century, showing market activity and figures.

Frieze: Trophies of Arms and Putti, Jean Le Pautre, French, 1618-1682, Etching on paper, A seated and a flying putto support a shield, upon which a battle is represented. A putto is kneeling before a shield, at left, another seated one leans upon a shield and raises a wreath, at right., France, 1671, Print, Print

Albrecht Dürer, The Apocalypse: The Four Horsemen, 1497-1498, woodcut on paper.

A woodcut by Leonhard Beck depicting the Reichs-Trumpeter in Emperor Maximilian Is triumphal procession, showing figures, instruments, and early 16th-century German printmaking techniques.

Expulsion from Paradise, Crispijn van de Passe (I), 1700 - 1750 print The angel shifts Adam and Eva with his sword from paradise. God handed Adam and Eva clothes of animal skins to cover their shame. In the margin a two -way caption in Dutch. print maker: Utrechtpublisher: Amsterdam paper engraving an angel chases Adam and Eve out of paradise with a (flaming) sword

The World Carrying Away Knowledge and Love, from The Unrestrained World, plate 3 1550 Dirck Volckertsz Coornhert Netherlandish. The World Carrying Away Knowledge and Love, from The Unrestrained World, plate 3. The Unrestrained World. Dirck Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda). 1550. Etching and Engraving; second state of two (New Hollstein). Prints

The Overthrow ofLucifer. Artist: Hans Weiner, German, ca. 1570-ca. 1619

Disegni Varij di Polifilo Zancarli (Friezes) ca. 1625 Polifilo Giancarli Italian Design for a frieze filled with a meandering acanthus scroll and various figures. On the right side of the frieze a hybrid satyr whose lower body morphs into acanthus leaves is depicted holding up a club and a tortus shell as shield. He looks over his shoulder to the left where a panther-like creature, three playful putti and a snake have been depicted.. Disegni Varij di Polifilo Zancarli (Friezes) 411986

Battle of NakedMen. Artist: Domenico Campagnola, Italian, 1500-1564

Judgment of Solomo, Hans Collaert (I) (attributed to), after Jan Snellinck (i), 1596 - 1643 print King Solomon sits on his throne and felt his judgment. In front of the throne the two women who both claim the motherhood of the living child. The deceased child is on the ground. Solomon instructs the living baby to share in two to determine who the child's mother is. A man pulls his sword and grabs the child by the arm. Under the show a reference in Latin to the Bible text in 1 Kon. 3. Amsterdam paper engraving Solomon gives verdict; he commands a soldier to divide the living child in two

The Last Judgment, Leaf B. A detail from the fresco 'The Last Judgment' by Michelangelo in the Sistine Chapel.

Bacchus, Ceres and Venus; "Sine Cerere et Baccho Friget Venus." The Bacchus ditched with vines has hit his left arm around the shoulder of Venus and holds her a bunch of grapes, where Amor reaches. For Venus, Ceres states with corners in the hair, a sickle in hand and the cornucopia under the arm. The image is an imagination of the saying "Sine Cerere et Baccho Friget Venus" (without Ceres and Bacchus would freeze venus).

The Last Judgment, Page B, Giorgio Ghisi, After Michelangelo, 1530 - 1582 print A detail from the fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. Marked at the bottom right: B. paper engraving Last Judgement

Stefano Della Bella, Three Ornamental Bands, probably 1648 Three Ornamental Bands

This copper engraving by Meister E.S., created in the second third of the 15th century, depicts the martyrdom of St. Sebastian, showing the saint tied and pierced with arrows, detailed figure work, and religious iconography.

Lazio Roma Rome S. Maria in Vallicella32. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Triumph wagon on which woman with a lute, 1550 print The car is pre -moved by three saters with dish -shaped chins. Leaf from series of 8 blades with triumphal cars from Grotesken and of rolling work with saters, animals and various other creatures, decorated with trophies, garlands and leaf ranks. Netherlands (possibly) paper engraving (other) ornaments derived from objects (with NAME). satyr(s) (in general). lute, and special forms of lute, e.g.: theorbo

Sexta etas mundi. Page from Liber Chronicarum (The Nuremberg Chronicle) fol.CI., by Wilhelm Pleydenwurff, Schedel Hartmann, Anton Koberger.

Ornamental Engraving with the Tree of Jesse Israhel van Meckenem German. Ornamental Engraving with the Tree of Jesse 641799

Allegory of transience (vanitas), John de Groot (II), After Johannes de Boekhorst, 1745 print Allegory of transience with three children whose soap bubbles blows. Another holds a parrot and a third plays a lute. There is a skull in the foreground. Northern Netherlands paper engraving (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'. one person playing string instrument (plucked). lute, and special forms of lute, e.g.: theorbo. ornamental birds: parrot. 'Vanitas' symbols

Cartoon on the laziness of the National servant, Before 1596 print Cartoon on the laziness of the National servant. In the front right, 'Hauptman Lentz' sits on a chair. On the left a man is driven to him in a wheelbarrow by 'der Sommer'. This sloth wants to be employed by him. Under a canopy an administrator at a table with open book for himself. On the left, 'Fendrich Hans Unfleisch' is sleeping on the floor. Title in Cartouche: 'Der Lentz nimbt servant an'. Other explanatory texts on banderollen in the show. Translated title: We Dommen follow the laziness and sleepiness. paper engraving Sluggishness, Inertia; 'Dapocaggine', 'Pigritia' (Ripa). official; civil servant; functionary (in general)

Hollands Treken Thoneel, 1673, 1673 - 1674 Hollands Treur Thoneel, 1673. Copy no. II to the French cartoon with three performances on the attack on the Republic by the French and Bischopper armies in 1672. In the central performance, the justice is on throne between Louis XIV and the bishop of Munster ensures How the French rooster eats the Dutch cheese while the Dutch lion fascinated by an English dog helplessly. The Dutch Virgin is defeated in a chair and has dropped the bundle of the seven United Provinces. On the right the Katolieke Church Calvin and Luther is trying to flee the Geuzen preachers on the left. Two smaller prints on both sides. On the left the Dutch sailor with a cheese in your hands and a candle in its rear. On the right the Dutch sailor is bitten by the English dog and French Haan. With the original captions in Dutch and French. print maker: Northern Netherlandsafter print by: Franceafter print by: Southern Netherlandsafter drawing by: Paris paper etching / letterpr

Juno complains to Thetis and Oceanus; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. Juno arrives on her car drawn by two peacocks at the Thetis and Oceanus Zeegoden, to complain about the honorable treatment that Callisto and her son Arcas have received Jupiter. Jupiter has placed them like constellations in the sky. At Juno's question, Thetis and Oceanus ensure that the constellation of the Grote Beer never undergoes in the sea. Under the show twice two fresh rules in Latin. The print is part of an album.

Copper engraving by Martin Schongauer depicting an ornament with an owl and other birds, created in the last third of the 15th century, showing decorative details and figures.

Army of Antiochus Epifanes kills Israelites, Johannes Wierix, after Gerard van Groeningen, 1585 print Israelites who had ignored the commandment of Antiochus Epifanes on Sabbath are attacked and slaughtered by the king's army. Under the show a reference in Latin to the Bible text in 1 bubble. 2. This print is part of an album. paper engraving the Jews without resistance slain on the sabbath (1 Maccabees 2:31-38)

Angel is familiar to Tobias and his family; Story of Tobias. The angel floats in the air and has announced itself as Rafael. Tobias and his family lie in humble attitude on the ground.

Val van troje en de onsnapping van aneneas, Giorgio Ghisi, after Giovanni Battista Sculptors, 1530 - 1582 print The Greek army storms in Troy. On the right the burning city of Troy. In the foreground on the right Aeneas who, together with Anchises and Ascanius, flees the city. paper engraving 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way. the fall of Troy; Troy burning. the soldier; the soldier's life Three

Tablecloth with oval medallion, anonymous, After Daniël Marot (I), After 1703 - Before 1800 print In the middle a medallion with three tea drinking ladies under a canopy. Copy to print from the Nouveaux Liure d'Orgings props Pour faire and Broderié et Petit Point published by Daniel Marot. Netherlands (possibly) paper etching

Print, Frieze: Trophies of Arms and Putti; Print Maker: Jean Le Pautre (French, 1618-1682); France; etching on paper

Umbria Terni Amelia Palazzo Petrignani3. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Grotesque Battle, from Combats and Triumphs. Etienne Delaune; French, c. 1519-1583. Date: 1561-1582. Dimensions: 71 × 223 mm. Engraving in black on ivory paper. Origin: France. Museum: The Chicago Art Institute, USA.

Huntsman Presenting a Gift to a King. Jean Duvet (French, 1485-1561). Engraving;

Master AD, Les divers pourtraicts et figures VII, c 1600 Les divers pourtraicts et figures VII

Depicts a climber ascending, created as a copper engraving by Agostino Veneziano between 1523 and 1536, showing figure, posture, and action.

Title page with rollerwork and figures. Design for a title page including rollerwork and figures, a bird, fruits.

Rape of Persephone ca. 1755-90 Gaetano Gandolfi Italian The talented painter and fluent draftsman Gandolfi also created reproductive engravings and a small number of exquisite etchings, including this spirited Rococo rendition of Pluto and Persephone entering into the flames of the underworld.. Rape of Persephone 361931

Child with a two-edge on a seal; Putti on sea statement. Obachi copy to a print of Giovanni Andrea Maglioli.

Panel with shell or vase; Ornamental panels. At the bottom left is a Sater, on the right a sphinx. From series of 6 sheets.

Venus in Vulcan's Forge 1546-47 Léon Davent French. Venus in Vulcan's Forge 337458

Tablecloth with oval medallion; Nouveaux Liure d'Ornements Propres Pour Faire and Broderie et Petit Point. In the middle a medallion with three tea drinking ladies under a canopy. Copy to print from the Nouveaux Liure d'Ornementes series Pour Faire and Broderié et Petit Point issued by Daniel Marot.

The four elements; Metamorphoses from Ovid. Title print for a series with scenes from the Metamorphoses of Ovid. In the middle a cartouche with the serene title in Latin. Whichth of which the personnifications of the four elements: Pluto on Cerberus (fire), Jupiter on his eagle (air), Ceres with a cornucopia (earth) and the Zeenimf Amphitrite (water). In the margin a four-line caption, in two columns, in Latin.

Passion show in list of peacocks, owls and swans, anonymous, c. 1600 - c. 1699 print Germany (possibly) paper etching

The Apocalypse: The Angel in the Sun Calling the Birds of Prey, 1546-1556. Jean Duvet (French, 1485-1561). Engraving;

Diana en aktaion, monogrammist sf (16e eeuw), after Virgil, 1558 print paper etching Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

The Abduction of Helen 1547 Andrea Schiavone (Andrea Meldola) Italian In Mariette Album, folio 37. The Abduction of Helen 365150

Processie Van Smekelicgen, Anonymous, After Giovanni Battista Galestruzzi, After Polidoro da Caravaggio, in Ont After 1656 print A procession of supplications in a landscape. In the foreground on the right a lying female figure with a horn of abundance. print maker: Italyafter print by: Italyafter painting by: Rome paper etching procession ~ non-Christian religions

Combats et Triomphes 1540-83 Etienne Delaune French. Combats et Triomphes 399236

Speculum Romanae Magnificentiae: Sistine Frescoes. Artist: After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Attributed to René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers). Dimensions: sheet: 15 3/8 x 18 11/16 in. (39 x 47.4 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is wh

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Two trophies; Secunda pars praecipuarum (...) / The second part of the precursor stods and cieraten (...). Image left with the theme of air, image on the right with the water theme. Leaf ci.n.i. Leaf D 3 in the 1663 & 1668 editions. Leaf from third edition.

Frisian with the triumph of Neptunus, right plate.Rue part of a Frisian with the triumph of the God Neptune. Different fable animals are distorted. On the left, Neptunus rides a hippocampus.

Pan and Syrinx. Unknown Artist; Southern German, late 16th century. Date: 1550-1599. Dimensions: 115 × 94 mm. Pen and black ink on tan laid paper, tipped onto tinted laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Georg Wechter.

Jupiter and Callisto. Jupiter surrounded by other gods on clouds. A bear at the top of heaven. De Beer is a reference to the Nymph Callisto that was changed in a bear. Just before Diana's dogs could devour the bear, Jupiter raised the bear to heaven as a constellation.

Return of Giovanni de 'Medici, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Giovanni de 'Medici returns home after the death of his father. He drives towards Florence on his horse, accompanied by a procession of clergymen on horseback. On the right a horizontal river god. Title in the end margin. Numbered in the middle: 1. Print Maker: ItalyAfter Design by: Vatican City paper etching / engraving arrival and return ~ travelling. riding a horse, ass, or mule; rider, horseman. cardinal

The upper two friezes, separated by an ornamental border with three variations, depict putti. Sheet III.D.3 from third series of 12 sheets of ornaments for gold and silversmiths. Copies after C. de Moelder and others, Three friezes with foliate scrolls Verscheide Italiaense en Franse Lofwercken. Soo with and without statues (series title), print maker: Anthonie de Winter, (mentioned on object), anonymous, publisher: Anthonie de Winter, (mentioned on object), Amsterdam, 1696, paper, engraving, h 137 mm × w 189 mm

Creation of the animals, Orazio Borianni, After Rafaël, 1615 print God, an old man with beard, stands in a landscape between different animals that he has just created. Print Maker: ItalyaFter Painting by: Vatican City paper etching creation of the animals ~ Genesis

Amor standing on shell surrounded by ornament ..

Master IB (German, active c. 1523-1530), The Triumph of Bacchus, 1528, engraving

Lazio Viterbo Caprarola Palazzo Farnese081. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Execution; Fountains, water wells, chimney jackets, capitals, windows and retabels; Fighting soldiers, between 2 windows, no 147. Two windows with a representation of an execution between them. On the left is a king at an increase. One of 20 blades from a series (Architectura. Von Ausztheilung, Symmetria und Proportion of Fünff seul ...) consisting of 193 sheets and 5 title sheets, spread over five books. This is a second, extensive edition of the series described under Orn Cat I-319.

Fragment (France); After Jean-Baptiste Huët (1745 - 1811); cotton

TITELBLAD: different pieces of ornaments to Romaine; Different pieces of ornaments to the Romaine. From Titel Staat in Een Cartridge in Het Oveverste Fries.

Le Pautre, Jean, work, 'Frizes Feuillages ou Tritons Marins antiques et modernes...', 12 pieces of decorative frieze on six leaves, (1000 - 2000), engraving and line etching, graphics, image width 21 cm, image height 13.9 cm

The massacre of the people (TF)

Les divers pourtraicts et figures VI. Dated: c. 1600. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master AD.

Jupiter Appearing to Semele. Artist: Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Dimensions: 15 x 18-1/16 in. (38.1 x 45.8 cm). Date: 1501-47. Museum: Metropolitan Museum of Art, New York, USA.

Frisian with arabesken and four putti, 1561 print print maker: Italypublisher: Venice paper etching ornaments ~ art. Foliage ~ ornament. Cupids: 'Amores', 'Amoretti', 'Putti'

Groeningen, Gerard van, Antwerp, Huys, Frans, Salvation path of man, Man bound by Disobedience and driven by Sin, verso - stamped, Two biblical allegories in an architectural setting. On the left, the apostate Man, who is led by self-love, lust, desire and pride, is bound to a tree by the personification of Disobedience. On the right, the bound Man is chased with a whip by the personification of Sin. Below both representations is a four-line verse in Low German and a four-line text in Latin. Number 3 and 4 from a reformed series on the sinfulness and justification of man., print, prints, height 274 mm, width 361 mm, 1522 - 1562, print maker, printmaker, 1546 - 1562, paper, papier, engraving, engraving (printing process), Work conception, Southern Netherlands, 1515 - 1599

The Vision of St. Francis (Il Perdono di SanFrancesco). Artist: Federico Barocci, Italian, 1528-1612

Photo production of some of the frescoes in the Palazzo farnese by Annibale Carracci, representing Polyphemos that attacks Acis and Galatea, c. 1875 - c. 1900 photograph Palazzo Farnese cardboard. photographic support albumen print Acis and Galatea flee from Polyphemus, who seizes a rock to crush Acis. the rape of Ganymede: he is carried off through the air by Jupiter in the form of an eagle, or by the eagle of Jupiter. sitting figure. atlantes ~ architecture Palazzo Farnese

Mythological and Allegorical performances on the inspiration of the playwright Paul Scarron, Jacob Folkema, After Louis Fabritius Dubourg, 1703 - 1767 print One mythological and two allegorical representations, made for a book edition of the theater pieces by Paul Scarron. Left: The writing Scarron is surrounded by Melpomene (with a mask) and a louwed angel who both blow the trumpet, in the background a boy with a shell and apollo with his winch. Middle: the struggle of the gods and giants. Right: Minerva leads Scarron to a place where Apollo makes music with its nine muses. paper etching theatre, theatrical performance. author, poet writing (+ inspiration). Melpomene (one of the Muses); 'Melpomene' (Ripa). battle of the Giants against the gods: gigantomachy. Apollo and the Muses, Apollo Musagetes

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