Mythological Scenes and Figures

Engravings depicting figures from mythology, including Venus, Cupid, and satyrs in various scenarios, highlighting emotions and allegory in nature.

Rhine, Rembrandt van, Adam and Eve, verso lower left - stamped, print, prints, Rembrandt f.1638, center lower, height 163 mm, width 117 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1638 - 1638, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Venus and De Roos, Anonymous, After Marco Dente, After Rafaël, 1498 - 1532 print Venus sits on a rock in a landscape. She takes a thorn of a rose bush from her foot. In the foreground on the right a rabbit. Italy paper engraving Venus wounded by the thorns of a rose-bush; the roses change from white to red (possibly combined with the story of Adonis)

Two saters at a sleeping nymph. .

Depicts Cleopatra, created as a copper engraving print by Giacomo Francia in the first half of the 16th century, showing the historical queen in a composed portrait setting.

Cupid carves a wooden bow with a file, with his back turned toward Venus, who looks on from a seated position, from the series 'Sport of Love' (Scherzi d'amore). Artist: Odoardo Fialetti (Italian, Bologna 1573-1637/38 Venice). Dimensions: sheet: 5 13/16 x 3 3/4 in. (14.8 x 9.5 cm). Series/Portfolio: Sport of Love (Scherzi d'amore). Date: 1617. Museum: Metropolitan Museum of Art, New York, USA.

Rhine, Rembrandt van, Adam and Eve, verso lower left - stamped, print, prints, Rembrandt f.1638, center lower, height 163 mm, width 117 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1638 - 1638, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Diana and a nymph for a tree, Anonymous, After Jan Saenredam, After Hendrick Goltzius, 1640 - 1670 print In front of a tree are the naked Diana (with bow and arch) and one of her nymphs. The print is part of a three -part series by Diana and her nymphs and has a Latin caption. Amsterdam paper engraving Diana hunting with her nymphs. companions, nymphs of Diana; 'Ninfe di Diana' (Ripa)

Minerva bij een boom; Pallas; Oordeel van Paris.Minerva stands by a tree. She wears a helmet and holds a spear. Against the tree is the shield with the head of Medusa. Under the show there is a four-line, Latin text with a description of Minerva's promise to Paris.

Thetis Seated with a Triton 16th century Anonymous, Italian, 16th century Italian. Thetis Seated with a Triton 404510

Study for a pendentive depicting Justice and Charity 1630-50 Giovanni Cesare Testa Italian. Study for a pendentive depicting Justice and Charity. Giovanni Cesare Testa (Italian, ca. 1630-1655). 1630-50. Etching. Prints

Juno; IVNO; Antique gods. An image of Juno, seen on her back, placed in a niche. In addition to her on the ground, her peacock stands, in her hand she holds a pomegranate and a scepter with a cuckoo, the symbol for the cheated wife. As a woman of the supporters Jupiter, she wears a crown. Under the print a Latin fresh.

Venus and De Roos, Marco Dente, After Rafaël, 1517 - 1562 print Venus sits on a rock in a landscape. She takes a thorn of a rose bush from her foot. In the foreground on the right a rabbit. print maker: Italyafter design by: Italypublisher: Rome paper engraving Venus wounded by the thorns of a rose-bush; the roses change from white to red (possibly combined with the story of Adonis)

Bliżej Kultury unknown

. A naked nimph, sleeping with an oil lamp under a canopy, is spied by a Sater that slides aside her robe. Copy to the print of hold brooks from part 2 of a series of prints with symbols.

Hercules and Deianeira. Hercules and Deianeira sitting on the lion skin of Hercules. Hercules leans on his knots and Deianeira holds a cloth above their heads.

Saint Sebastian pierced with arrows and tied to a tree, copy after Cantarini ca. 1639 or after After Simone Cantarini Italian. Saint Sebastian pierced with arrows and tied to a tree, copy after Cantarini 341551

Diana and a nymph before a tree, Jan Saenredam, Johannes Janssonius, Justus Danckerts, 1616

Copper engraving by Marcantonio Raimondi depicting a satyr surprising a nymph, created in 1506, illustrating mythological interaction.

Diana and a nymph for a tree, Jan Saenredam, After Hendrick Goltzius, 1598 - 1701 print In front of a tree are the naked Diana (with bow and arch) and one of her nymphs. The print is part of a three -part series by Diana and her nymphs and has a Latin caption. In the left corner the number 18. Print Maker: Assendelft Publisher: Amsterdam paper engraving Diana hunting with her nymphs. companions, nymphs of Diana; 'Ninfe di Diana' (Ripa)

Venus in Cupid, 1659 drawing Zwolle paper. ink. chalk brush

The Fatal Bellman. George Richmond; English, 1809-1896. Date: 1827. Dimensions: 67 × 46 mm (plate); 83 × 62 mm (sheet). Etching in black on cream vellum. Origin: England. Museum: The Chicago Art Institute, USA.

. Andromeda, the daughter of an Ethiopian king, is closed to a rock. In the background, Perseus beats the sea monster to be able to save Andromeda.

Artist: Hans Baldung, German 1484/85-1545, Adam and Eve with theSerpent, Woodcut, sheet: 22.1 × 15.3 cm (8 11/16 × 6in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Copper engraving by Marcantonio Raimondi depicting Venus with Amor (Cupid), created around 1510-1513, showing the mythological figures together.

Neptunus, Jacob Binck, After Giovanni Jacopo Caraglio, Florentine Red After, 1510 - 1569 print The God Neptunus is in a niche with his trident and a hippocampus. paper engraving (story of) Neptune (Poseidon)

Young Woman Watering a Plant Jeune femme arrosant une plante. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Ceres and Stellio. Night scene with Ceres and Stellio for a house. Ceres drinks from a small bowl. Behind the two is an old woman with a torch. Under the show a verse of two lines in Dutch.

Bacchus with drinking bowl and vineyards, Jacob Binck, after Giovanni Jacopo Caraglio, 1530 print Bacchus as god of wine accompanied by a small god with bokke legs and vines. The inscription Pampineas Vimis Docvit QVI Adivmgere Vites Closes Bacchus a role in the growth method of the grape plant, he would have learned to adhere to branches (twigs). Germany paper engraving (story of) Bacchus (Dionysus), Liber

Allegorical representation with Neptunus and Cybele, Pieter de Jode (II), After Peter Paul Rubens, 1628 - 1670 print Allegorical representation with Neptune (as personification of the sea), seen on the back, and cybele (as personification of the earth). Cybele is standing next to a curnucopia and is crowned by an angel with a laurel wreath. In the foreground a river god, blowing on a shell. With an empty margin under the performance. Antwerp paper engraving / etching specific aspects, allegorical aspects of Cybele; Cybele as patroness. specific aspects, allegorical aspects of Neptune; Neptune as patron

Statue of Bacchus, the Roman god of wine, and his lover the boy satyr Ampelus. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Venus in Cupid ..

Copper engraving by Sebald Beham depicting Triton and Nereide, created in 1523, showing mythological figures, posture, and composition.

Personified Sin, Arnold Houbraken, 1710 - 1719 print A naked female with loose -hanging hair as a personification of sin looks over her shoulder at a fleeing Cain who just killed his brother Abel after they had sacrificed to God. Print from a series of 41 symptoms. Amsterdam paper etching / engraving Vice, Evil, Sin; 'Peccato' (Ripa). the story of Cain and Abel (Genesis 4:3-17)

Daphne, Nicolaas Braeu, after Karel van Mander (I), 1598 print An image of Apollos beloved Daphne, placed in a niche. Daphne is fleeing Apollo who chases her. Her father responds to her praying and saves her by having her into a laurel tree. Laurel magazines are starting to jump out of her head. She is wearing a arrow case and arc as a reference to Apollo. There is a eagle owl next to her. With Latin caption. paper engraving single named nymphs (with NAME)

Two Satyrs Fighting Over a Nymph Artist's working dates 1515-1530 Germany. Engraving in black on ivory laid paper . Albrecht Altdorfer

Venus en Cupido, Monogrammist IC, 1550 - 1600 print Venus, with the arrow and arch of Cupido in her hands. Her son Cupido embraces her. paper engraving Venus and Cupid (Cupid not being mere attribute)

Allegory of abundance: Ceres holding a cornucopia at right and Pomona at left feeding fruit to a monkey ca. 1652-60 Theodor van Kessel. Allegory of abundance: Ceres holding a cornucopia at right and Pomona at left feeding fruit to a monkey. Theodor van Kessel (Dutch, 1620-1660). ca. 1652-60. Etching and engraving. Gillis Hendricx (Flemish, active 1640-1677). Prints

Antwerp, Galle, Philips, Paggi, Giovanni Battista, Cornelis (I), Adam and Eve, verso - stamped, Adam and Eve in paradise. Eve picks an apple from the tree of knowledge of good and evil and gives it to Adam. The serpent, which tempted Eve, coils around the trunk of the tree. In the foreground and background various exotic animals., print, prints, height 363 mm, width 265 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1586 - 1612, paper, engraving, engraving (printing process), Work conception, Italian, 1554-02-27 - 1627-03-15, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Prudentia (caution) as a naked woman, sitting, seen on the back, looking in a mirror.

Mars, Flora, Venus in Cupid, Cornelis Schut (I), 1618 - 1655 print paper etching / engraving (story of) Mars (Ares). (story of) Venus (Aphrodite). (story of) Flora. (story of) Cupid, Amor (Eros)

Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape ca. 1510-27 Marcantonio Raimondi Italian. Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape 342611

Faun andChild. Engraver: Marcantonio Raimondi, Italian, ca. 1480-ca. 1534 After: Raphael, Italian, 1483-1520

Venus en Cupido; Venus; Oordeel van Paris.Venus protrudes her hand. Cupid tries to stop her. He stands with a foot on his wrench. There are some buildings in the distance. Under the show there is a four-line, Latin text with a description of the promise of Venus.

Plate 10: Venus in a niche, standing on a conch shell, with Cupid to her right, from a series of mythological gods and goddesses 1526 Giovanni Jacopo Caraglio Italian. Plate 10: Venus in a niche, standing on a conch shell, with Cupid to her right, from a series of mythological gods and goddesses 368131

Procris, 1539. Georg Pencz (German, c. 1500-1550). Engraving;

Sculpture consisting of three figures, draughtsman: Coen Metzelaar, 1855 - 1881, paper, pen, h 203 mm × w 127 mm

Adam and Eva driven from Paradise, 1614 - 1616 drawing Zwolle paper. ink. chalk brush

Hans Baldung Grien, Adam and Eve, 1511 Adam and Eve

Proserpina, Hendrick Goltzius, 1588 - 1590 print The goddess Proserpina, seated by a tree, fruit and flowers in the hands. This print is part of a series of seven oval prints of classical gods and goddesses. paper (story of) Proserpina (Persephone, Core), Libera

Louis XIV (King of France), Paris, Comte, Florent le, Picart, Bernard, Title page for: F. Le Comte, Cabinet des singularitez d'architecture, peinture, sculpture, et engraving, 1699-1700, Splendidior post fata resurgit, Allegorical representation with the personification of painting, verso lower right - stamped, The laureated Painting looks up to the sky. She is accompanied by a crowned woman who points to the sun. On the left a monkey with a coat of arms. In the foreground a man with donkey ears, who is trying to pull Painting at the foot of the cloud., print, engraving, title page, prints, height 144 mm, width 88 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1699 - 1700, paper, papier, etching, etchings, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, Frans, 1655 - 1712, publisher, uitgever, 1638-09-05 - 1715-09-01, verlener van privilege

Jan Muller, after Adriaen de Vries, Prudence, c1597 Prudence

Andromeda. Marie Philippe Coupin de La Couperie; French, 1773-1851. Date: 1814-1824. Dimensions: 262 × 177 mm (image); 364 × 273 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Taste, Jacob de Backer, 1570 - 1590 print A half -naked lady is in a garden and eats fruit. Next to her is a monkey that eats an apple. Print from a series with five allegorical representations of the senses. paper etching taste, tasting (one of the five senses)

Venus en Cupido; Venus; Oordeel van Paris.Venus protrudes her hand. Cupid tries to stop her. He stands with a foot on his wrench. There are some buildings in the distance. Under the show there is a four-line, Latin text with a description of the promise of Venus.

Old woman and two love savings in landscape; Allegory on envy. Possible allegory on one of the seven deadly sins imagined as an old woman who turns away from two young love savings.

Venus and Amor on the clouds. Venus and Amor on the clouds. Amor with arrows cooker and bow, in the background Venus in her car drawn by two swans. Two pigeons in the air.

Leda with the Swan and Hercules as a Child. 1550. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The rape of Proserpine. Engraving after Titian.

A seated man viewed from behind (Narcissus) ca. 1527-30 Antonio da Trento Italian. A seated man viewed from behind (Narcissus) 631852

NIMF with a dog, Jacob Matham (workshop or), After Hendrick Goltzius, 1581 - 1631 print Sitting nymph or female naked with a lying dog in a landscape. Haarlem paper engraving nymphs (in general); 'Ninfe in commune' (Ripa). the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure. dog

Venus and Cupid, Moses ter Borch, after Jan Saenredam, after Hendrick Goltzius, 1659, draughtsman: Moses ter Borch, Jan Saenredam, Hendrick Goltzius, Zwolle, 1659, paper, brush, h 320 mm × w 244 mm, h 417 mm × w 320 mm

Hercules and Antaeus. Dated: c. 1490/1500. Dimensions: sheet: 32.8 x 22.4 cm (12 15/16 x 8 13/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Workshop of Andrea Mantegna.

Toilet van Diana.

Venus and Cupid. Venus, with the arrow and bow of Cupid in her hands. Her son Cupid embraces her.

A black stone chalk drawing depicting a sleeping nude woman being watched by a satyr.

Naked Woman with Amor, Jean Edme Nehez, After François Boucher, 1746 - 1836 print Paris paper etching / engraving woman (showing herself) undressed, quasi-nude. (story of) Cupid, Amor (Eros)

Fall, Anonymous, After Hans Sebald Beham, After 1550 print paper Temptation and Fall (scenes with both Adam and Eve)

Venus and Cupid 1528 Lucas van Leyden Netherlandish. Venus and Cupid 364669

Sitting naked woman.

A copper engraving by Marcantonio Raimondi from the first half of the 16th century depicting a young woman pouring water on a plant, showing figures and natural elements.

Copper engraving by Marcantonio Raimondi around 1512-1514 depicting Adam and Eve, showing the figures, pose, and composition in Renaissance style.

Adam and Eve. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: 9 7/8 x 7 7/8in. (25.1 x 20cm). Date: 1504.Throughout his life, Dürer was in thrall to the idea that the perfect human form corresponded to a system of proportion and measurements and could be generated by using such a system. Near the end of his life, he wrote several books codifying his theories, including the Underweysung der Messung (Manual of measurement), published in 1525, and Vier Bücher von menschlichen Proportion (Four books of human proportion), published in 1528 just after his death. Dürer's fascination with ideal form is manifest in Adam and Eve. The first man and woman are shown in nearly symmetrical idealized poses: each with the weight on one leg, the other leg bent, and each with one arm angled slightly upward from the elbow and somewhat away from the body. The figure of Adam is reminiscent of the Hellenistic Apollo Belvedere, excavated in Italy late in the fifteenth century. The

Two Putti AT a Plant in Pot; Guido Reni's Frescoes in The Loggia of The Palazzo Rospigliosi Pallavicini. .

Neptune and Melanthe, from 'The Loves of the Gods' ca 1531-76 Giulio Bonasone Italian. Neptune and Melanthe, from 'The Loves of the Gods' 392651

Copper engraving by Jacopo de' Barbari depicting a faun drinking and playing bagpipes, created at the end of the 15th century or beginning of the 16th century.

Putto at left holding an upturned cornucopia and a garland, another seated at the right holding an urn, an allegory of the seasons (Autumn), an oval composition ca.1650-80 Anonymous, 17th century. Putto at left holding an upturned cornucopia and a garland, another seated at the right holding an urn, an allegory of the seasons (Autumn), an oval composition. The Four Seasons. Anonymous, 17th century. ca.1650-80. Etching. Prints

William P Babcock, Nude Drinking at a Fountain, 1860s 1870s Nude Drinking at a Fountain

Death and Three Nude Women. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

. Two nymphs from the result of Diana. They hold pitches and embrace each other. The print is part of a three-part series of Diana and its nymphs and has a Latin caption.

This early 16th-century copper engraving by Nicoletto da Modena depicts the Judgment of Paris from classical mythology.

Diana in the Bath Made 1528-1538 Germany. In this intimately scaled print Georg Pencz depicted the story of Diana and Actaeon from the Roman poet Ovidís Metamorphoses. The hunter Actaeon stumbles upon Diana, Roman goddess of hunting and chastity, and her attendants bathing. Diana punishes Actaeon by splashing him with water from the pool, transforming him into a deer. In this version, Pencz showed Actaeon mid- transformation with a deer-like head and human body. In the background, between the heads of Diana and her attendant, you can see the fate of the doomed son of Aristaeus he is chased down and ripped apart by his own hounds.. Engraving in black on ivory laid paper . Georg Pencz

Eva offers Adam the forbidden fruit, Crispijn van de Passe (I), 1574 - 1637 print Adam and Eva between the animals in paradise. Eva gets a fruit of the tree of the knowledge of good and evil through the snake and at the same time offers Adam a fruit. In the margin a four -line caption, in two columns, in Latin. Below that a second caption in Latin. paper engraving Eve simultaneously offers some of the fruit to Adam and takes some more from the serpent (or the tree)

Hercules an Antaeus, Andrea Mantega (School of), After Andrea Mantega, 1475 - 1499 print paper engraving the giant Antaeus is lifted in the air and crushed to death by Hercules

Nymphe et Bacchus Lefebvre, Jules, 1836-1911. still image. Art reproductions. 1881. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nymphs (Greek deities), Bacchantes, Dionysus (Greek deity), Putti, Drapery in art, Herms

Jupiter and Alcmene; Jupiters love adventures. Jupiter seduces Alcmene in the form of her husband Amphitryon. Alcmene becomes pregnant and later Hercules later. Jupiters eagle is sitting next to Jupiter and Alcmene on the ground. Print from a series of 10 prints that illustrate Jupiter's love life.

Adam and Ewa; Dürer, Albrecht (1471-1528); 1504 (1504-00-00-1504-00-00);Adam and Ewa (iconogr.), Apollo Belwederski (sculpture), Bible, news tree (Bible), life tree, Genesis (Bible), Lachnicki, Cyprian (1824-1906), Lachnicki, Cyprian (1824-1906)-collection, Melancholy (allegory), Paradise (Bible), Satan (Bible), Venus Milani (sculpture), acts, female acts, allegories, gift (provenance), original sin (iconogr.), Sins, apples, deer, ash, cats, cats, goats, cows, mice, wisdom (allegory), fruit, parrots (zool.), religious scenes, choleric temperament (allegory), phlegmatic temperament, allegory, melancholic temperament (allegory), sangwinical temperament (allegory), temperaments (allegory), oxen, perseverance (allegory), endurance (allegory), snake (sin), snakes (zool.), hares, animals, elks

Albrecht Dürer, Adam and Eve, 1504, engraving on paper.

Venus and Adonis. Venus tries to prevent Adonis to go hunting. The naked Venus has struck her arms around Adonis. Adonis, however, is ready to leave with spear and hunting dogs. On the left, Amor is sleeping under a tree. At the top right a text box with assignment in Italian.

Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses 1526 Giovanni Jacopo Caraglio Italian Dated 1526, this print is one of a series of twenty depicting gods in niches, drawn for the engraver Caraglio by the Florentine Mannerist artist, Rosso Fiorentino.. Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses 368134

Heinrich Aldegrever, Eve Eve

Venice, Bembo, Giovanni, Fialetti, Odoardo, Scherzi d'amore, Scenes with Venus and Amor, Venus breaking Amor's bow, verso - stamped, Venus and Amor in a landscape. Venus breaking Amor's bow on her knee., print, prints, height 160 mm, width 99 mm, Italian, 1573-07-18 - 1638, print maker, printmaker, 1617 - 1617, paper, papier, etching, etchings, 1543 - 1618, granter of privilege

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Jupiter and Io, 1784. Engraving.

Untitled Salvator Rosa (Italian, 1615-1673). Untitled. Etching, Sheet: 11 7/8 x 17 9/16 in. (30.2 x 44.6 cm). European Art

This copper engraving by Sebald Beham depicts Venus with Amor, showing figures, gestures, postures, expressions, and mythological composition.

Kneeling Venus with Cupid. Venus, seen from the side, kneeling and leaning against a piastable on which Cupid is.

Paris, Errard, Charles II, Vignettes, Two putti holding palm leaves, Vignette. The palm leaves are held together by a laurel wreath at the top., print, engraving, ornamental print, prints, engravings, ornamental prints, height 123 mm, width 174 mm, Work conception, 1607 - 1689-05-25, after a design by, 1616 - 1689, first quarter 17th century, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Pluto and Proserpina, a Roman deity. She is the daughter of Jupiter and Ceres and wife of Pluto, Historical, digitally restored reproduction from a template from old times.

Copper engraving print by Marco Dente titled 'Birth of Venus', created between 1515 and 1520, depicting the mythological scene of Venus emerging from the sea.

The fall.

Jupiter en Antiope, anonymous, 1500 - 1599 print Italy paper engraving Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby

Cain kills Abel, Jan Lievens, 1617 - 1674 print Cain with a piece of jaw bone in the lifted hand, pushes Abel on the floor. paper the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

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