Mythological Scenes and Figures

A collection of engravings depicting mythological themes: Aeneas with Tiber, Venus with attendants, death representations, Hercules with the Hind, and Diana and Endymion.

Daniel van den Dyck (Flemish, c. 1610 - 1670), Diana and Endymion, c. 1650, etching on laid paper

Dream of Aeneas, Aeneas rests on his shield, while the river god Tiber points upward ca. 1663-1664 Salvator Rosa Italian. Dream of Aeneas, Aeneas rests on his shield, while the river god Tiber points upward 397938

Venus at her toilet; she sits on the lap of a female attendant, another attendant combs her hair and two cherubs hold a mirror in which she admires her own beauty. Engraving by M. Dorigny, 1651, after S. Vouet.

Death with a woman over his shoulder; Five times death. Death as a skeleton with a woman over his shoulder. In the background a second skeleton with a woman in his arms.

Hercules and the Hind, from The Labors of Hercules 1550 Heinrich Aldegrever German. Hercules and the Hind, from The Labors of Hercules 428687

Daniel van den Dyck (Flemish, c. 1610 - 1670), Diana and Endymion, c. 1650, etching on laid paper

Table of virtues and vices of antiquity: Prometheus (Dutuit 36, White 96) Cornelis II Bloemaert, said the young person (1603-1692). Table of virtues and vices of antiquity: Prometheus (Dutuit 36, White 96). Burin, 1630-1633. Museum of Fine Arts of the city of Paris, small palace.

Ixion; The four valers. Round representation of Ixion, nude, falling between smoke clouds in the darkness. In the background to the right a view of Tantalus' punishment for his attempt Hera to tempt: he was tied to a burning wheel. To the show a peripheral in Latin. This print is part of a series of four falling men: Tantalus, Icarus, Phaëthon and Ixion.

The Resurrection of Christ. Lucas van Doetecum (Netherlandish, active c. 1554; died before March 1584); after Frans Floris I (Flemish, 1516-1570). Date: 1557. Dimensions: 640 × 454 mm (image); 744 × 523 mm (sheets, joined). Etching from two plates in black on two sheets of ivory laid paper, joined at the center. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Prometheus on the rocks of the Caucasus chained / tityus in hell, Cornelis Cort, After Titian, 1566 print Presentation with two possible interpretations: 1. Tityus is punished in hell. He is chained on a rock while an eagle pulls his liver out of his body. 2. Prometheus chained on the rocks of the Caucasus. An eagle picks the liver out of his body every day. Rome paper engraving an eagle tears at Prometheus' liver. Tityus; two vultures (or an eagle) tearing at his liver

Italy, Fiorentino, Rosso, Caraglio, Giovanni Jacopo, Scenes with Hercules, Hercules killing the centaur Nessus, verso - stamped, The centaur Nessus is a ferryman on a river. When he ferries Deïanira across, he tries to steal her and gallops away with her. Hercules, who was already on the other bank, draws his bow to shoot Nessus., print, prent, prints, prenten, height 222 mm, width 182 mm, Italian, 1505 - 1565, print maker, printmaker, 1515 - 1565, paper, papier, engraving, engraving (printing process), Work conception, 1494-03-08 - 1541-11-14

Battle of the Tritons Made 1763 Germany. In 1763, Dietrich was appointed professor of landscape painting at the newly founded Akademie der Bildenden K¸nste in Dresden and became Director of the Kunstschule at the porcelain manufactory in Meissen. Confident after these appointments, Dietrich took a more original approach to his work, refraining from copying the styles of other artists. In this freely etched plate, one can see the style of Dietrichís direct hand.. Etching on paper . Christian Wilhelm Ernst Dietrich

Cain kills Abel. Cain with raised piece of jawbot, abel pushed on the ground.

Lairesse, Gerard de, Battle of the Amazons, verso - stamped, Theseus fights the Amazons attacking Athens. Antique relief scene brought into print., print, prent, prints, prenten, height 80 mm, width 146 mm, Noord-Nederlands, 1641 - 1711, print maker, prentmaker, 1670 - 1670, paper, papier, etching, etsen

Saturn, from 'Game of Mythology' (Jeu de la Mythologie) Various artists/makers 1644

Spranger, Bartholomeus, Amsterdam, Muller, Jan Harmensz., Hercules and Scipio led by Minerva on the path of virtue, verso - stamped, Minerva, as personification of Virtue, leads Publius Cornelius Scipio Africanus and Hercules on the path of virtue to the temple of eternal fame. The wise Cupid shows them the way. On the right, drinking and making love as an image of Vice, who is left behind by Scipio and Hercules., print, prints, height 239 mm, width 159 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1589 - 1593, paper, papier, engraving, engraving (printing process), pen, Work conception, Southern Netherlands, 1546-03-21 - 1611-08

Adonis dies in the arms of Venus, Wallerant Vaillant, after Erasmus Quellinus (II), 1658 - 1677 print Adonis dies in the arms of Venus. Venus and Amor mourn his death. During the hunt, Adonis was seriously injured in a fight with a wild boar. In the background the car of Venus and the wild boar. paper Venus mourning Adonis

Faith, Hope, and Charity. Artist: After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596-1669 Rome); Dominique Barrière (French, Marseille 1610-1678). Dimensions: Sheet (trimmed): 10 9/16 × 8 1/8 in. (26.8 × 20.6 cm). Date: 1630-78.Charity sits with two putti holding a coin and a rose, at left; Hope sits on a cloud holding an anchor, at right; Faith stands behind Hope, hands raised in prayer, looking upward towards an angel sitting on a globe, at center, and gesturing upward with right hand. Museum: Metropolitan Museum of Art, New York, USA.

Witch, Jan van de Velde (II), 1626 print A witch at a cooking pot where they pour powders. A strong wind is blowing. A group of monsters for her. Northern Netherlands paper engraving fortune-teller ~ pleasure fair and circus. chiromancy, handreading, palmistry. witch, sorceress. witches controlling the elements, e.g. raising a storm

Table of virtues and vices of antiquity: Hydra (Dutuit 36, White 113) Cornelis II Bloemaert, said the young person (1603-1692). Table of virtues and vices of antiquity: the hydra (Dutuit 36, white 113). Burin, 1630-1633. Museum of Fine Arts of the city of Paris, small palace.

Apollo Vilt Marsyas, Theodoor Galle, After Jan van der Straet, 1581 - 1612 print Marsyas is on the floor, almost completely unguided, his arms tied to a tree, the head back. Apollo has struck his skin and is busy with his right leg. Four and pan flute are on the floor. The print has a Latin caption. paper engraving punishment of Marsyas: he is flayed by Apollo. violin, fiddle. panpipes

Apollo Vilt de Sater Marsyas, Giovanni Pietro Possenti, c. 1640 - c. 1650 print paper etching punishment of Marsyas: he is flayed by Apollo

Enraged Monster (no.9 from Fifteen Etchings dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 1740-1779, British, 1778, Etching, Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)

Truth Triumphing over Envy. Maria Catharina Prestel (German, 1747-1794). Etching and aquatint;

Archangel Michaël in fight with the devil, Giovanni Pietro Possenti, 1628 - 1659 print Italy paper etching the Archangel Michael fighting the dragon (devil, Satan)

The Creation of Adam. Date/Period: Ca. 1642. Print. Monotype (dark manner) in black on ivory laid paper Monotype (dark manner) in black on ivory laid paper. Height: 303 mm (11.92 in); Width: 203 mm (7.99 in). Author: Giovanni Benedetto Castiglione.

The Man Sweeping the Interpreter's Parlor. Dated: c. 1820/1822. Dimensions: plate: 7.9 x 15.9 cm (3 1/8 x 6 1/4 in.) sheet: 23.5 x 31.1 cm (9 1/4 x 12 1/4 in.). Medium: relief etching and white-line engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Venus sat next to her car on the clouds, François Verdier, 1661 - 1730 drawing paper. ink brush / pen Triumph of Venus; 'Carro di Venere' (Ripa)

Clair-obscur woodcut by an anonymous artist depicting Perseus, created in the 16th century using three plates, showing the mythological hero, figures, and dramatic contrast of light and shadow.

Zeus, thunderbolts in hand, rides through the heavens on an eagle still image. Art reproductions. 1862-10-10. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Jupiter (Roman deity), Zeus (Greek deity), Lightning, Winds, Eagles , Mythology, Flying

Saint Michaël monitors the Hemelpoort, Jacob van Oost (I), 1621 - 1671 print Saint Michael, with shield and lightning bolt, monitors the gate of heaven. He stands on a fire fucking and holds a soul that wants to reach heaven. Southern Netherlands paper etching the Archangel Michael refusing a soul to enter heaven

Holy Hieronymus van Bethlehem as a recluse, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1590 - 1612 print print maker: Amsterdampublisher: Low Countries paper engraving St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him. anchorite, hermit

God's Spirit floats over the water, Jan Harmensz. Muller, after Hendrick Goltzius, 1589 print God's Spirit floats over the water of the wild and dead earth. Two naked men wear the earth on a rope over the shoulder. There is a star on each end of the rope. To the Bible text in Gen. 1: 1-2. At the bottom of a cartouche an eight -line text in Latin. paper engraving 'In the beginning ...' the ordering of chaos (Genesis 1:1-2). the spirit of God moves upon the waters

Copper engraving by Martino Rota depicting Prometheus, showing the mythological figure, eagle, and chained composition.

Marches Pesaro Fossombrone Cathedral5. Hutzel, Max 1960-1990 Medieval: Details of original parts of the church. Post-medieval: Neoclassical architecture (18th century): almost complete reconstruction of the much older Bededictine church; badly damaged frescos from c. 1600; paintings on canvas; elaborate marble altars and pavement; fresco, 14th century; wooden sculpture (17th century); carved wooden altar; organ, 18th century. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Antwerp, Jode, Gerard de, Heemskerck, Maarten van, Galle, Philips, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Daniel, Bel and the Dragon, Daniel is freed from the lions' den, King Cyrus finds Daniel alive in the lions' den after seven days and has him pulled up with ropes. Below the representation is an explanatory text in Latin. Print is part of an album., print, album page, prints, height 201 mm, width 248 mm, South Netherlands, 1537 - 1612-03-29, print maker, 1565 - 1565, paper, engraving, engraving (printing process), Work conception, North Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Pluto, 1588 - 1590 print The god Pluto, standing, seen on the back, a trident in the right hand, a crown on the head. This print is part of a series of seven oval prints of classical gods and goddesses. paper (story of) Pluto (Hades), Dis Pater, Orcus

Saint Mark 1518 Agostino Veneziano (Agostino dei Musi) Italian. Saint Mark. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). 1518. Engraving. Prints

Jupiter and Callisto 1540-56 Master FG Italian. Jupiter and Callisto 393196

Hercules Slaying Envy. Christoffel Jegher (Flemish, 1596-1652/53); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1633-1634. Dimensions: 602 × 362 mm (image/block/sheet). Woodcut on ivory paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

The Age of Iron. Hendrik Goltzius (after) (Holland, Mülbracht, 1558-1617)Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, published 1589. Prints; engravings. Engraving

Depicts a climber ascending, created as a copper engraving by Agostino Veneziano in 1524, showing figure, action, and physical posture.

Cholericus (Fire), plate 2 of 4 prints from the series The FourTemperaments. Publisher: Jacques de Gheyn II, Dutch, 1565-1629

The Triumph of Death: After the Battle (Le triomphe de la mort: Apres le combat). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Speculum Romanae Magnificentiae: Naked Man Pursuing a Naiad ca. 1515-1527 Marco Dente Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints.

Battle of sea-gods, engraving by Andrea Mantegna, Italian, 1431-1506. The Metropolitan Museum of Art. MM4838 , Engravings, Gods. Nicholas Catsimpoolas Collection

The death of Saint Jerome. Engraving by L. Ciamberlano, 1624.

Lazio Rieti Stimigliano S. Maria in Vescovio6. Hutzel, Max 1960-1990 Comprehensive coverage of Romanesque church exterior, including portal, flanks, apse, bell tower. Interior views of nave, altar, 14th c. frescoes, baptismal font, crypt and remains of 11th c. frescoes. Antiquities: Roman sarcophagus, statue German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pl. 2: Ciampolo Tormented by the Devils '...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70., William Blake, 1757-1827, British, 1827, Line engraving on medium, slightly textured, cream wove India proof paper, Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm), Plate: 11 × 14 inches (28 × 35.6 cm), and Image: 9 7/16 × 13 3/8 inches (24 × 33.9 cm)

The resurrection of Christ, holding a banner in his right hand, soldiers surrounding the tomb, some falling away. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576); After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90-1576 Venice). Dimensions: Sheet: 11 1/4 in. × 7 in. (28.5 × 17.8 cm). Date: 1561. Museum: Metropolitan Museum of Art, New York, USA.

Saint George and the Dragon. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Scolari.

Francisco José de Goya y Lucientes (1746-1828). "Los disparate - disparate desenfrenado - frantic disparate - the ravishing horse". Museum of Fine Arts of the City of Paris, Petit Palais. 34956-5 Horse, efforena, woman, desert landscape, drive, ravable, overturned, theme bullfighting, violence

The Lamentation 1607 Holland. Etching in brown-black on ivory laid paper . Hercules Segers

H. Sebastiaan, Johannes de Groot (II), 1698 - 1776 print The H. Sebastiaan is tied to a tree by a soldier. Northern Netherlands paper martyrdom, suffering, misfortune, death of St. Sebastian

Albrecht Dürer, The Madonna on the Crescent, 1510 1511 The Madonna on the Crescent

High relief of Phidias metope of the Parthenon, Athens. Greece, drawing by Emile Therond (1821- 1883) A Winter in Athens, 1857-1858 by Antonin Proust (1832-1905) Le Tour du Monde 1862

Boreas and Oreithyia. Boreas flies away with the desperate Oreithyia in his arms. Blowing putti around them.

Gian Jacopo Caraglio after Rosso Fiorentino, Fury, c 1525 Fury

Amsterdam, Picart, Bernard, Angel with the blossoming staff of Aaron, verso - stamped, An angel on a cloud with in one hand the blossoming staff of Aaron for the tribe of Levi and in his other hand the staffs of the eleven other tribes of Israel., print, book illustration, prints, height 67 mm, width 185 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), letterpress printing

Ixion, from The Four Disgracers 1588 Hendrick Goltzius Netherlandish This extraordinary tondo is one of the most daring works to have resulted from the brief collaboration between Goltzius and the painter Cornelis Cornelisz van Haarlem. The common bond of the four fallers in the series is that each one tried to enter the realm of the gods and was punished for his hubris.Although he worked from Cornelisz's designs, Goltzius should be given just as much credit as the painter for the striking nature of these scenes. His bold, meshed, swelling strokes lend the figures a powerful presence and masterfully evoke the reflections of light and shadow on their rippling muscles. The sense of confusion surrounding the falls of Ixion (seen here) and Tantalus (53.601.338(3)) into their hellish surroundings is heightened by repeated patterns of swirling lines. The four seemingly varied poses are in fact more or less the same pose (one leg bent down, the other raised; one arm raised, the other lowered)

. The fire element, personalized by the naked Jupiter. It is surrounded by flames and holds a lightning beam in both hands. Jupiter flies on an eagle. The print has a Latin caption and is part of a four-part series about the four elements.

Hendrik Goltzius, after Cornelis Cornelisz van Haarlem, Tantalus, 1588 Tantalus

Circe. Medium: chiaroscuro woodcut in burnt orange and black. Museum: National Gallery of Art, Washington DC. Author: after Parmigianino.

Albrecht Dürer, Saint Michael Fighting the Dragon, German, 1471 - 1528, probably c. 1496-1498, woodcut

Midsummer Nights Dream by William Shakespeare. Titania caressing Bottom with his donkey head. Old 19th century engraved illustration, El Mundo Ilustrado 1880

Perseus and the sea monster, Johannes Josephus Aarts, 1881 - 1934 print Perseus floats hanging on the winged horse Pegasus through the air. He keeps the severed head of Medusa above the sea monster to which Andromeda has been sacrificed. paper (story of) Perseus. Pegasus, the winged horse

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "The beautiful imperia." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101779-22 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Saint Jerome. Engraving by Agostino Carracci.

Etching by Gerard van der Gucht from 1751-1768 depicting dead fish on a table, showing species, arrangement, and compositional detail in still life.

A naked woman, like a birdwatcher, has caught a man under a net, the drawstrings of which she holds in her hand, an amorphous flying into a cloud points his arrow at him, The flapping net, draughtsman: Adriaen Matham, (possibly), draughtsman: Jodocus Hondius (I), (rejected attribution), 1610 - 1660, parchment (animal material), pen, h 124 mm × w 168 mm

GOYA Y LUCIENTES, Francisco de (1746-1828). Proverbs. Abducting horse. 1815-1824. Plate 10 of 'Proverbs', etching, aquatint and drypoint. Romanticism. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Augsburg, Hertel, Johann Georg (I), Boucher, François, unknown, Diverses Fontaines, Fountain with putti and dolphins, verso - stamped, Three putti are sitting on a fountain with two dolphins. On the left is a man with a shell from which water flows, a second man is sitting under the fountain. Publisher number 36., print, ornamental print, prints, ornamental prints, height 257 mm, width 160 mm, print maker, printmaker, 1713 - 1760, paper, papier, etching, etchings, Work conception, French, 1703-09-29 - 1770-05-30, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Venus Discovering the Death of Adonis 17th century Anonymous, Dutch, 17th century Dutch. Venus Discovering the Death of Adonis 385491

Blinding of polyphemus; Les Travaux d'Ulysse; Odysseus works. Odysseus and his warriors stick out the eye of the giant polyphemus. The print is part of an album.

After Albrecht Dürer, Saint Jerome in Penitence, engraving on paper.

This copper engraving by Marco Dente, created between 1510 and 1527, depicts Leda, showing the mythological figure with a swan in a classical composition.

Cain violently kills Abel. Engraving by Jan Muller after Cornelis van Harlem.

The Education of Achilles by the Centaur Chiron, 18th century, Charles-Clément Bervic; Artist: after Jean Baptiste Regnault, French, 1756 - 1822, 18 x 14 3/16 in. (45.72 x 36.04 cm) (image)22 3/4 x 17 1/4 in. (57.79 x 43.82 cm) (sheet), Engraving, France, 18th century

Clair-obscur woodcut by Antonio da Trento from 1527-1530 depicting John the Baptist in the desert, showing figure, robe, and landscape elements.

Copper engraving by the Master of the Berlin Passion, created between 1450 and 1470, showing a male figure incorporated into an ornamental design.

Martyrdom of Saint Peter. Engraving by A.F. Gelée after S. Coeuré after P.H. Subleyras.

Having created the Universe, the Earth and all living creatures, including man, God put Adam into a deep sleep and created Eve from Adam's rib. From Hartman Schedel Liber Chronicarum Mundi, Nuremberg Chronicle, Nuremberg, 1493.

Lazio Viterbo Caprarola Palazzo Farnese396. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Allegorical form fire personification (Ignis); (from the series: Elements) Unknown, Leu, Thomas de (Ca 1555 CA 1612)

Engel and a soldier engraving in a stela, Claude Mellan, 1624 - 1636 print print maker: Romeafter own design by: RomeItaly paper engraving tools, aids, implements ~ crafts and industries: chisel. angels

Charity. Dimensions: sheet: 35.5 x 26.5 cm (14 x 10 7/16 in.) mount: 43.4 x 34.2 cm (17 1/16 x 13 7/16 in.). Medium: pen and brown ink with brown wash over traces of black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Follower of Luca Cambiaso.

This political and allegorical poster dates to 1594, the time of the Protestant Reformation. It is titled 'The Deliverance of France by Perfee Francois.' The poster was done in honor of Bearnais, represented here as the savior of France. The allegory is with the Greek myth of Perseus and Andromeda.

The fearful Dragon of Rhodes is slain by the bold knight Dieu-Donne de Gozon. Date: 14th century

Hercules and Cacus, 1588. Hendrick Goltzius (Dutch, 1558-1617). Chiaroscuro woodcut (in black, green, and yellow); sheet: 42.8 x 33.9 cm (16 7/8 x 13 3/8 in.); image: 41 x 33.2 cm (16 1/8 x 13 1/16 in.).

Neptune, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Stefano della Bella Italian. Neptune, from 'Game of Mythology' (Jeu de la Mythologie) 412367

religion ancient world Greek mythology Zeus and Semele etching 1546/1550 private collection,

Tethys. Dated: 1588/1590. Medium: chiaroscuro woodcut in sepia-ochre, olive and black. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.

Sleeping putto on dolphin; Putti on sea statement. Leaf from series of 16 sheets.

Black and gray chalk and brush drawing by Nicolaes Pietersz. Berchem depicting Pluto abducting Proserpina, as a draft decoration for a world map, including geometric elements and figures.

Forge of the Cyclopes. Cornelis Cort (Holland, Hoorn, 1533-1578). Holland, 1572. Prints; engravings. Engraving

The ship enters the icy waters near the South Pole: 'And now there came both mist and snow, And it grew wondrous cold' Date: First published: 1798

The Last Judgment, Page A, Giorgio Ghisi, After Michelangelo, 1530 - 1582 print A detail from the fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. Marked bottom left: A. paper engraving Last Judgement

Perseus. Dimensions: sheet: 31.9 x 20.6 cm (12 9/16 x 8 1/8 in.). Medium: chiaroscuro woodcut printed in black and blue on laid paper. Museum: National Gallery of Art, Washington DC. Author: Italian 16th / 17th Century after Marco Pino.

Copper engraving by Albrecht Dürer, circa 1495, depicting a young woman threatened by death, emphasizing figures, gestures, and narrative.

Lazio Viterbo Bagnaia Villa Lante58. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rome, Rossi, Giovanni Giacomo de', Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Reliefs in the Loggia of Raphael, Triton fighting a sea monster, A triton with a club fighting a sea monster., print, prints, height 130 mm, width 180 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Work conception, 1483-04-07 - 1520-04-07, after a design by, after design by, Publication (Event), Publication, 1627 - 1691, publisher

of 3