Mythological Scenes in Prints

Engravings and etchings illustrating mythological themes, showcasing dynamic figures and classical storytelling.

Johann Spielnberger's etching from 1643-1679 depicts the death of Lucretia, showing the figure, interior setting, and surrounding characters in a narrative composition.

Copper engraving by Adriaen Collaert from 1560-1618 depicting the flight to Egypt and a rest scene, showing figures, gestures, and biblical context.

Etching by Jan Meyssens depicting the mythological scene of Meleager and Atalanta, showing figures in dynamic motion, classical attire, and interaction within a natural or wooded landscape.

Cornelis Galle the Elder created a copper engraving around 1596 showing a bear hunt and a dragon being shot with arrows.

Etching by Jan de Bisschop depicting the mythological scene of Apollo and Marsyas from the history of Amor, created around 1671.

Engraving by Gerard Valck from 1671-1726 depicting Meleager and Atalanta. The print shows figures, gestures, attire, and compositional elements in a historical Dutch style.

Copper engraving by Adriaen Collaert depicting Mars, the Roman god of war, created in 1581, showing martial attire and symbolic weapons.

Copper engraving by Cornelis Galle the Elder depicting the adoration of the kings, created between 1590 and 1650.

Johann Spielnberger's etching from 1643-1679 depicts the death of Lucretia, showing the figure, interior setting, and surrounding characters in a narrative composition.

Copper engraving by Simon Gribelin from 1713 depicting the choice of Hercules, showing mythological figures, actions, and narrative elements.

This etching by Bernhard Rode, created between 1777 and 1780, depicts the biblical story of Rebecca with Isaac and Esau, emphasizing the figures, gestures, and narrative elements.

Copper engraving depicting the story of Tobias by Dirck Volkertszoon Coornhert, created in 1556.

17th-century etching depicting multiple scenes from the Old Testament, showing biblical figures, events, and classical architectural elements.

Etching by Bernhard Rode from 1771 and 1777 depicting allegorical and Christian figures in symbolic compositions with classical references.

A 1636 copper engraving by Jacobus Neeffs depicting a historical or allegorical scene with figures, architecture, and detailed etching.

Etching by Flaminio Torri from 1640-1661 depicting Pan and Amor, showing mythological figures and detailed composition typical of 17th-century engraving.

Etching by Jan Pieter de Frey depicting the biblical figures Isaac, Jacob, and Rebekah, created between 1803 and 1809, showing detailed composition and narrative elements.

Copper engraving by Karel van Mallery depicting allegorical representations of War and Poverty, created between 1591 and 1635.

Copper engraving by Cornelis Cort from 1564 depicting the Last Judgement, showing Christ, angels, souls, and architectural elements of the scene.

Copper engraving and etching by Michel Aubert from 1722 depicting The Lanzenstich, showing figures in combat with lances in a European 18th-century style.

"Etching by Gabriel Huquier depicting a pastoral scene with shepherds, animals, and rural landscape, showing compositional arrangement and figure interactions from 1720 to 1772."

Etching by Bernardino Capitelli depicting Mary on the cradle and the Holy Family with Jesus as a young boy, produced between 1605 and 1639.

Charles Le Brun created etchings between 1640 and 1710 representing the allegory of the Kingdom of France, featuring symbolic figures, royal emblems, and 17th-century European engraving style.

Copper engraving and etching by Johann Matthias Kager from the 16th-17th century depicting Joachim and Anna, showing figures, pose, gesture, and religious context.

Copper engraving by Dirck Volkertszoon Coornhert, 1556-1633, depicting scenes from the biblical story of Tobias, including Tobias, Raphael, and events of the journey.

Copper engraving and etching by Benoit Audran from 1698 depicting scenes from the biblical story of Samson, including his strength and key events.

Etching by Annibale Carracci showing mythological scenes of Jupiter and Antiope, and Venus with a satyr, created between 1580 and 1609.

Copper engraving depicting 'The Civilization of Christ', showing religious figures and composition, published by Niccolò Nelli in 1572.

Copper engraving and etching by Philipp Galle showing various scenes from the New Testament, produced between 1550 and 1612, illustrating 16th-century biblical narrative and religious art.

An etching by Albrecht Altdorfer from the 16th-18th century depicting a Christian fight, showing armed figures in combat.

Etching by Girolamo Rossi depicting the Holy Family with John the Baptist as a boy, created between 1652 and 1664, showing sacred figures and devotional imagery.

Etching and copper engraving by Nicolas Gabriel Dupuis from 1735-1771 depicting a card castle and the Camouflet, showing detailed architectural and gaming elements.

Willem van der Leeuw created an etching between 1618 and 1665 titled 'Painful Material', depicting figures in a scene of suffering or hardship.

Etching by Dirck Volkertszoon Coornhert depicting the Parable of the Merciful Samaritan, created in 1549.

Copper engraving and etching by Johann Justin Preisler around 1735 depicting the title page and ceiling paintings from the entrance of the Jesuit Church in Antwerp, including St. Clara, showing detailed architectural and figurative elements.

This copper engraving by Hendrick Goltzius, created between 1575 and 1617, depicts the Holy Family, illustrating Mary, Joseph, and Jesus in a detailed religious composition.

Copper engraving by Antonie Wierix II depicting the biblical story of Susanna in the bath, created between 1575 and 1637.

Copper engraving print by Andries Jacobsz Stock from around 1608 depicting prophetic scenes and unequal couples, showing figures, gestures, and narrative composition.

Joseph Franz von Göz's 1784 etching titled 'Sex Ennoblement' depicts figures in symbolic or allegorical poses, emphasizing character and interaction.

Etching by Dirck Volkertszoon Coornhert, 1540-1590, depicting the biblical story of Juda and Tamar, showing figures, gestures, attire, and composition in a religious narrative.

Copper engraving and etching by Benoit Audran from 1698 depicting the biblical story of Samson, showing figures, gestures, action, and detailed composition.

This 1698 etching by Antoine Dieu depicts a commercial card, showcasing detailed engraving and composition in a small-scale illustrative format.

Copper engraving by Hendrick Goltzius depicting the Roman goddess Juno, created in 1596.

Adriaen Collaert created copper engravings between 1593 and 1598 showing episodes from the life of Christ with figures, landscapes, and symbolic elements.

Copper engraving and etching by Adriaen Collaert depicting John the Baptist. Created between 1560 and 1618, illustrating the biblical figure and New Testament narrative.

Etching by Arnold van Westerhout created between 1628 and 1650 depicting an allegory on the term of Cardinal Franciottis as Bishop of Lucca, surrounded by personifications of virtues, showing symbolic figures and detailed composition.

Copper engraving by Pieter de Jode illustrating European costumes, created between 1593 and 1675, showing a range of historical garments with detailed line work.

Etching by Bartolomeo Pinelli showing life scenes of brigands in Italy, created around 1823, depicting rural activities and social interactions.

Etching by Peter Paul Rubens, 1608-1647, showing Maria surrounded by putti, emphasizing Baroque composition, movement, and religious iconography.

"Etching by Adriaen van Ostade showing a father leading a table prayer with family members, emphasizing figures, gestures, interior setting, and 17th-century Dutch etching style."

Copper engraving by Pieter de Jode, circa 1600, depicting the temperaments Sanguine and Phlegmatic with figures in allegorical representation.

Etching by Pierre Scalberge depicting the expulsion from paradise, showing Adam, Eve, angels, and landscape elements, created between 1612 and 1640.

Copper engraving by Cornelis Galle the Younger depicting an allegorical representation for the book illustration 'ProblemA Austriacum Plus Ultra Quadratura Circuli', created in 1647.

Etching by Ludwig Emil Grimm from 1847 titled 'I am the Life', depicting a figurative or symbolic composition.

Copper engraving by Hendrick Goltzius depicting St. Thomas and St. Jakobus the Younger, produced between 1578 and 1617.

Copper engraving and etching by Marcantonio Raimondi from 1610-1750 depicting God appearing to Noah, showing human and divine figures, gestures, and narrative action.

Copper engraving and etching by Crispin van de Passe depicting Soath Desior Frisius, showing figure, gestures, attire, and narrative scene. Created after 1599.

Jean Moyreau's copper engraving (1711-1762) depicts the biblical resurrection of Lazarus, showing figures, gestures, tomb, and surrounding landscape.

A copper engraving and etching by Jean Charles Tardieu-Cochin from the late 18th century showing the scourging of Christ, including figures, gestures, expressions, and clothing details.

Copper engraving by Raphael Sadeler the Elder depicting various scenes from the Old Testament, created in 1582, showing biblical figures and narratives from Hebrew scriptures.

Copper engraving and etching by Jan Collaert the Younger from 1560-1618 depicting Veritas, showing allegorical figure, posture, and symbolic attributes.

Copper engraving by Hendrick Goltzius depicting mythological and allegorical subjects, created in 1588.

Etching by Bernhard Rode depicting various peoples and ancient cultures, created around 1785, showing figures, costumes, and cultural activities.

Woodcut by Maarten van Heemskerck, circa 1550, depicting Tobias catching a fish in the Tigris River, illustrating the biblical story.

Etching by Antonio Fantuzzi from 1542-1548 depicting a Roman emperor accompanied by soldiers, showing detailed figures, armor, and historical setting.

Copper engraving and etching by Adriaen Collaert representing the five human senses, created between 1560 and 1618.

Copper engraving by Adamo Scultori depicting Heracles at the crossroads between virtue and vice, created between 1547 and 1587, illustrating the mythological moral choice.

Copper engraving by Bartolommeo Mazza portraying an allegorical representation of practitioners of the visual arts, showing artists and tools in a symbolic composition from the late 16th century.

A copper engraving by Hendrick Goltzius illustrating scenes from Ovids Metamorphoses, created in 1615, depicting mythological transformations and figures.

Copper engraving and etching by Dominique Sornique depicting the transformation of stock, created between 1743 and 1797, showing figures, actions, and composition.

This etching by Theodor van Thulden, created in 1633, illustrates scenes from Homer's *Odyssey*. It is part of a series of 58 prints after designs by Francesco Primaticcio and Niccolò dell'Abbate, produced during van Thulden's time in Paris.

"Etching and copper engraving by François Denis Née depicting scenes with M. Antoine, Cleopatra, and Coriolan Flechi, showing figures, gestures, costumes, and compositional elements in 1780."

Copper engraving by Jean Louis Roullet from 1665-1699 depicting Hercules standing before Zeus, illustrating classical mythology and heroic narrative.

Etching by Sebastiano de' Valentinis dated 1558 depicting Prometheus from Greek mythology, showing the figure in chains, gestures, and surrounding elements.

Copper engraving by Hendrick Goltzius depicting the abuse of the law in an allegorical composition, created between 1597 and 1604, representing justice, power, and societal themes.

Copper engraving by Sébastien Bourdon between 1657 and 1718 showing John the Baptist pointing to Jesus, emphasizing biblical figures and religious symbolism.

Copper engraving and etching by Carl Gustav Amling from 1698 depicting allegorical representations of day and night with detailed line work and composition.

Copper engraving by Johann Sadeler the Elder depicting Fama as an allegory with a wife and anchor. Created between 1570 and 1600, illustrating allegorical figures and symbolism.

Copper engraving and etching by François Chauveau around 1676 depicting Bruno of Cologne leading Hugo von Grenoble, who travels to the Chartreuse monastery, showing religious figures and landscapes.

Etching by Antonio Fantuzzi from 1545 depicting the three daughters of Minyas, showing mythological figures and composition.

Etching and copper engraving by Charles Simonneau depicting an allegorical scene with a portrait of Louis XIV of France, created around 1702, representing French Baroque art.

Copper engraving and etching by Raffaello Santi depicting the sacrificial victim of Abraham, created in 1552, showing biblical figures and narrative elements.

A copper engraving by Aegidius Sadeler the Younger, 1590-1629, depicting the martyrdom of Saint Sebastian with figures, arrows, and religious symbolism.

Engraving and etching by François de Poilly the Elder showing the Holy Family, produced between 1640 and 1693.

Etching by Pietro Antonio Martini depicting Achilles being recognized by Ulysses, produced 1772, showing mythological figures, gestures, and composition.

Karel van Mallery engraved a copper print around 1596 showing a crocodile hunt and a kite captured in a cave.

Etching by Antonio Tempesta showing a bata discharge scene, created in 1611, emphasizing cavalry, soldiers, and military formation.

Copper engraving by Pierre Perret depicting an allegory with Greek gods, created between 1575 and 1639, illustrating classical mythology, figures, and 16th-17th century artistic interpretation.

Copper engraving by Hendrick Goltzius in 1582 depicting an allegorical representation of the ways of happiness with symbolic human figures and objects.

Etching by Justus van den Nypoort depicting an inn or tavern scene, created between 1640 and 1692, showing patrons, interior, and social interaction.

Etching by Giuseppe Maria Roli created between 1665 and 1727 depicting the death of Lucretia, illustrating seventeenth-century Italian narrative and historical engraving.

Copper engraving by Hendrick Goltzius depicting Ixion, created in 1588. The print shows the mythological figure bound on a fiery wheel as punishment.

Etching by Louis Surugue around 1723 showing Don Quixote, assisted by Sancho Panza, requesting permission from the Duchess in a narrative scene from Cervantes' novel.

Gerard de Lairesse produced copper engraving prints from 1655 to 1731 illustrating various biblical scenes with figures, architecture, and narrative composition.

Copper engraving by Marten van Cleve the Older from 1568 depicting an allegorical triumphal procession representing life, showing figures, gestures, symbols, and architectural elements.

This etching by Domenico Maria Bonaveri depicts a prison interior, created in 1670. The work emphasizes architectural detail and spatial arrangement of the confinement area.

Copper engraving by Philippe Thomassin depicting St. Antonius burying St. Paul the Hermit, created in 1585.

Copper engraving by S. Prenner, created in the 17th to 18th century, depicting John the Baptist in a rock desert landscape with religious symbolism.

Copper engraving by Pierre Dufour from 1572 depicting Joseph telling Jacob his dream, showing figures, gestures, and narrative details.

Jean Le Pautre's 1667 etching depicting an interior with a bed niche, highlighting 17th-century architectural and decorative features.

Etching by Salvator Rosa showing Apollo and the Sibyl of Cumae, created between 1660 and 1665, depicting mythological figures with gestures, drapery, and detailed composition.

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