Narrative Art Etchings

Etchings illustrating biblical and personal themes, featuring intimate moments and gatherings. The artworks employ detailed scenes with a focus on human interactions and emotions.

Abraham's Sacrifice, Rembrandt van Rijn, 1655 print paper counterproof / counterproof / etching / drypoint the sacrifice of Isaac (Genesis 22)

The lost son (left leaf). Left part of a representation on two sheets of a company that is entertained in the outdoors with food, drink, music and free shipping. A JAR illustrates the foolishness of this behavior. In the background you can see how a man is thrown away from a building. Under the show the first four rules of a eight-line latin poem.

Anthony Van Dyck on his deathbed, Emanuel Noteman, After Pierre Kremer, 1818 - 1863 print Van Dyck sits in a large chair by a table with a woman around her, boy with a leaf with medicines and a dog. paper etching interior ~ representation of a building. deathbed. medicament, medicine

Father Feeding his Child 1610-85 Adriaen van Ostade Dutch. Father Feeding his Child 396247

Abraham Entertaining the Angels. Rembrandts most exotic source of inspiration came from 17th-century Indian Mughal miniatures, a number of which he owned and copied. He also used elements in the miniatures in his own work: the Near Eastern fashions in these works lent authenticity to his biblical scenes. This is the only etching in which Rembrandt literally adopted the composition as well as several motifs from a Mughal miniature.

Abraham's Sacrifice, Rembrandt van Rijn, 1655 print paper counterproof / counterproof / etching / drypoint the sacrifice of Isaac (Genesis 22)

Drinking company, Jacques Dassonville, 1629 - 1670 print France paper etching / engraving private festivities, merry company. drinking. beer, ale

. .

Man Adjusting His Footwear, at Left Three Men Playing Cards. Artist: Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616-1677 Haarlem). Dimensions: sheet: 3 7/16 x 3 1/16 in. (8.8 x 7.7 cm). Date: 1630-77. Museum: Metropolitan Museum of Art, New York, USA.

Musician girls in a landscape; Paradigmata Graphics variorum artificum. A group of five musical young women in a landscape. The a spelled flute, another lute and a third hold a tambourine

The home of the lost son. The return of the lost son: he knress for his father on the bordes of his parental home. Two figures in the doorway, a third look out of the window.

Two men at a source. Two men at a source in the rocks. The a drink from a nap, the other, seen on the back, bends to create water from the source.

Strolling Musicians, Rembrandt van Rijn, c. 1635 print paper etching more than one musician with instrument

Abraham sprayed Hagar and Ismaël. Abraham sends Hagar and Ismaël away. Hagar covers her face. In the porch of the house is the smiling Sara with her son Isaac.

Rhine, Rembrandt van, Three oriental figures (Jacob and Laban), verso lower left, print, prints, Rembrandt f 1641 (mirror image), upper right, height 144 mm, width 113 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1641 - 1641, second quarter 17th century, Oriental paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Tobit burying the Dead ca. 1647-51 Giovanni Benedetto Castiglione (Il Grechetto) Italian. Tobit burying the Dead 393220

Rembrandt van Rijn (1606-1669), Abraham Subrits Hagar and Ismael, 1637

Adriaen van Ostade, Quacksalver, 1648 Quacksalver

Rembrandt Van Rijn (1606-1669), Fluid to Aegy, 1633

Biblical scene by Sebastiano Ricci showing Hagar and Ismael in an exercise, executed in feder with ink and washes, depicting figures and terrain.

The age; The ages of man, "Les Quatres Ages de la Vie Humaine". Two old men and an old woman at the fireplace. The men's smoking and drinking and the woman has a bowl of soup in the hands. On the wall is a print with the personification of death. The print is part of a series of four prints about the ages of man.

Lot and his daughters, 1600 - 1650 print Lot, seen on the back, holds a drinking bowl in his right hand. He puts his left arm around the neck of one of his daughters. On the right the other daughter donates drinks from a jug in a bowl. Left in the background the burning sodom. paper etching Lot and his daughters (Genesis 19:30-38)

Girls stand out on the sidewalk dollservies; Popularity.

Rhine, Rembrandt van, Three oriental figures (Jacob and Laban), verso lower left - stamped, print, prints, Rembrandt f 1641 (mirror image), upper right, height 144 mm, width 114 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1641 - 1641, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Farmer and Farmer with baskets on the back; Varie Figure di Jacopo Callot; Various figures. A farmer and a farmer's, both with a wicker basket on the back, rest on the side of a road. De Boer takes a bottle, De Boerin takes a bowl. This print is part of a series of 16 prints (15 according to Lieure; 17 resp. 16 incl. Title print) with men and women in various attitudes. These prints may have been meant as drawing examples.

Gerbrand van den Eeckhout (1621-1674). "Abraham referring Agar and Ismaël". Museum of Fine Arts of the City of Paris, Petit Palais. 26357-18 Abandon, bible, chretian, child, woman, son, man, patriarch, prophet, referral, refer, scene, servant

De heilige Hiironymus, Lorenzo Loli, After Giovanni andrea Sirani, 1622 - 1691 print The saint Hieronymus sleeping in a cave. He leans with his arm and head on a rock with a skull and a crucifix on it. There is a book in front of him. Behind Hieronymus two putti on a cloud and a lion. Italy paper etching / counterproof the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Woman wears hay on the head and leads a child over a wooden bridge, Alexandre Louis Lion, 1833 - 1852 print paper etching / drypoint mother and child(ren), woman and child(ren) (family group)

Man and two women in a kitchen by the fire. Draughtsman: anonymous. Draughtsman: Samuel van Hoogstraten (rejected attribution). Dating: 1650 - 1699. Place: Northern Netherlands. Measurements: h 182 mm × w 134 mm. Museum: Rijksmuseum, Amsterdam.

Sitting soldier, anonymous, after salvator rosa, in or after 1656 print A soldier sitting on a block of stone, his head resting on his shield. On his right -hand side he is wearing a sword. Numbered below: 29. Italy paper etching the soldier; the soldier's life. hacking and thrusting weapons: sword. protective weapons: shield

Brown and gray pen drawing by Ferdinand Bol depicting the biblical figures Ruth and Boaz, over reddish and black chalk, slightly foxed, from the second half of the 1630s.

Depiction of David cutting a piece of King Saul's coat, drawn in brown and gray ink washes on white paper, dated around 1650.

Study for the Vignette of Lucretius's De la Nature des Choses , Vol II, Book IV 1748-1773 France. Graphite, with traces of black chalk, on gray laid paper, incised for transfer and perimeter mounted on cream laid paper . Hubert François Gravelot

Second Guard-Room mid to late 18th century Jacques Gabriel Huquier French. Second Guard-Room 394592

Four warriors and a standing youth, who points down at one of them, from Figurine series 1656-1657 Italy. Salvator Rosa was a painter, etcher, poet, and actor, as well as a musician. Born in Naples, he was active there and in Rome and Florence. He produced over 100 etchings after 1650, including the series Diverse Figures, to which this print belongs.. Etching on ivory laid paper . Salvator Rosa

Company on rat trap, Jacques Dassonville, 1629 - 1670 print France paper etching / engraving mouse trap. rodents: rat

. .

Design for a painting, Inn interior, draughtsman: Jan Josef Horemans (I), , 1692 - 1759, paper, brush, h 236 mm × w 193 mm

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Prisoners in prison, Cornelis de Wael, 1630 - 1648

Drawing of holy family. Parmigianino, 1503-1540. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Rest on the Flight into Egypt at Night.

Drawing by Noël Cochin the Younger depicting the miraculous multiplication of bread, executed with reddish traces, brown pen, and feather border remnants on coated paper.

The Stephen, Rembrandt van Rijn, 1635 print paper etching life and acts of Stephen (Acts 6:8 - 8:2)

Death Appearing to a Wedded Couple from an Open Grave. Dated: 1639. Dimensions: plate: 10.9 x 7.9 cm (4 5/16 x 3 1/8 in.) sheet: 11 x 8.1 cm (4 5/16 x 3 3/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt.

Rattengifverkoper, Christian Wilhelm Ernst Dietrich, 1732 print Germany (possibly) paper etching seller of rat-poison. rodents: rat. marketing, shopping (~ household management)

Johann Heinrich, Democritus sitting in meditation, his head resting in his hand. Before him lies a skeleton in a coffin., print, prent, prints, height 162 mm, width 132 mm, German, 1609-03-23 - 1684, print maker, printmaker, 1654 - 1654, paper, papier, etching, etchings, Work conception, Italian, 1615-06-20 - 1673-03-15

The rat vendor.

Three Oriental Figures (Jacob and Laban) 1641 Rembrandt (Rembrandt van Rijn) Dutch. Three Oriental Figures (Jacob and Laban) 391680

FotoreProducty engraving the chips.

The Adoration of the Shepherds With the Lamp Made 1649-1659 Holland. Etching on ivory laid paper . Rembrandt van Rijn

Etching by Rembrandt van Rijn from 1636 depicting the biblical Parable of the Prodigal Son, showing figures in an interior setting with emotional expressions.

Huwelijk van Medoro en Angelica, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, c. 1757 - c. 1760 print paper etching Angelica. Medoro

The Holy Family Under a Palm Tree, plate six from The Flight into Egypt. Giovanni Domenico Tiepolo; Italian, 1727-1804. Date: 1753. Dimensions: 189 x 250 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Espiegle Harmensz van Rijn Rembrandt (1606-1669). The mischievous (B 188 - 3rd state), 1642.

Dancing man and wife and two sitting men and wife, Cornelis Pietersz. Bega, 1642 - 1664 print Netherlands paper etching dancing

Fortune teller with a customer, Jan van Ossenbeeck, 1647 - 1674.

Ink drawing by Lelio Orsi da Novellara depicting the Adoration of the Shepherds, with white heighted details on brown paper, showing figures, gesture, and composition.

Illustration for Boccaccio decamerone. Illustration for the Boccaccio Decamerone, History LXI. Jan de Lotteringer and his wife look into their garden. Mrs. has a rosary and points into the garden to a drinking figure in the distance.

The Rest on the Flight, plate thirteen from The Flight into Egypt Made 1750 Italy. Etching on paper . Giovanni Domenico Tiepolo

Suzanna and the elders. .

Cornelis Bega, The Old Hostess, 1630-1664, etching on laid paper.

A Counciller sic January 1, 1801 Thomas Rowlandson. A Counciller sic. Thomas Rowlandson (British, London 1757-1827 London). January 1, 1801. Etching. S. W. Fores (London). Prints

A red chalk drawing by Jan Josef Horemans depicting an old man and a young woman, with graphite or black chalk accents, outlined broadly with minor surface wear and edge cracks.

Woman with three children, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1751 - 1755 print paper etching child

Amidst ancient debris, animal skulls and half-dead trees sleeps the ancient philosopher Democritus of Abdera. Next to him are an oil lamp and a sky globe. He sits in the traditional posture of the personification of sleep and night: the arm bent over the head. With inscription taken from the opening words of an ode to Horace: Integer vitae scelerisque purus (Hor: Lib. I. Od: 22), which refers to a righteous walk in life, free from sins, The sleeping philosopher Democritus., print maker: Giovanni David, (mentioned on object), Giovanni David, (mentioned on object), publisher: Teodoro Viero, (mentioned on object), print maker: Venice, Venice, publisher: Venice, Italy, 1775, paper, etching, h 300 mm × w 215 mm

Suzanna and the elders, Werner van den Valckert, 1595 - 1645 print Northern Netherlands paper etching the elders making advances towards Susanna

Triumphal Arch and Figures, first half 1700s. Andrea Locatelli (Italian, 1695-1741). Brush and gray and black wash, over black chalk; framing lines in black chalk, and brown ink (iron gall); sheet: 32.4 x 16.9 cm (12 3/4 x 6 5/8 in.); image: 30.4 x 15.2 cm (11 15/16 x 6 in.).

Moses is laid to find, Marco San Martino, 1625 - 1680 print A man leaves the piping basket with the young Moses in the water. Behind him are the mother of Moses and his sister Mirjam on the waterfront. Italy paper etching . Nile

After Rembrandt van Rijn, Abraham and Isaac, After 1645, etching on paper.

. Four men play trick traces around a table. One of them smokes a pipe. Left in a underlying room is a man with a woman at a bed.

Paris, Duchesne, Veuve, Schenau, Johann Eleazar, Scenes from childhood, Boy with his hands under a girl's skirt, verso - stamped, print, prints, height 135 mm, width 79 mm, German, 1737-11-07 - 1806-08-23, print maker, printmaker, 1765 - 1765, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, publisher

Drawing, Figural Studies; Italy; red chalk, pen and ink, brush and watercolor on paper

Bacchus presents wine to farmers. On the left is Icarus, after being beaten dead by drunken farmers, changed in a zodiac sign. Book illustration for: praise of bacchus, 1616.

March (one of a series representing the labors of the months). Artist: Jonas Umbach (German, Augsburg 1624-1693 Augsburg). Dimensions: 3 5/16 x 4 3/4 in. (8.4 x 12.1 cm). Date: 1690 or slightly earlier. Museum: Metropolitan Museum of Art, New York, USA.

Saint Jerome by the PollardWillow. Artist: Albrecht Dürer, German, 1471-1528

Caius Fabricius Luscinus in the camp of Pyrrhus, Raffaellino da Reggio, after Polidoro da Caravaggio, 1560 - 1578, draughtsman: Raffaellino da Reggio, after: Polidoro da Caravaggio, 1560 - 1578, paper, pen, brush, h 342 mm × w 215 mm

Giuseppe Maria Crespi, Standing Peasant with a Dog and a Seated Woman, c 1686 1688 Standing Peasant with a Dog and a Seated Woman

The Flight into Egypt: Small. Dated: 1633. Dimensions: sheet (trimmed to plate mark): 9.2 x 6.5 cm (3 5/8 x 2 9/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

. .

JEANNE BECU, COMTESSE DU BARRY (1743 - 1793) Lewd cartoon of the Paris shopgirl who became a mistress of Louis XV Date: 1774

Rest on the Flight into Egypt. Draughtsman: anonymous. Dating: c. 1600 - c. 1687. Place: Netherlands. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Drinking farmers at a table, Andries Both, c. 1622 - c. 1642.

Figure resting during escape, drawn in black chalk with brown and gray washes by Ferdinand Bol around 1650.

Philosopher with open book and passer, Giovanni Battista Tiepolo, in or before c. 1750 print Italy paper etching scholar, philosopher. compasses

The Two Gossips (copy) n.d. After Adriaen van Ostade Dutch. The Two Gossips (copy) 369129

Anthonie Van Dyck (1599-1641). "The coronation of thorns". Black stone drawing and feather, washed with bistre with a few touches to the ink of ink from China. Around 1620. Museum of Fine Arts of the City of Paris, Petit Palais. 71752-10 Bible, Catholic, crown spine, crowning, crown, drawing, ink of China, barrel, painful mystery, new will, passion, black stone, chretian religion, biblical scene, life Christ, feather

Savery, Salomon, Rijn, Rembrandt van, The rat poison seller, The rat catcher, verso - stamped, print, prints, height 136 mm, width 124 mm, print maker, printmaker, 1632 - 1670, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after print by, 1594 - 1683-10-16

A pencil sketch by Eduard von Luttich from 1894 showing a knight standing in front of a tavern, capturing figure, posture, and architectural details.

Woman with three children, print maker: anonymous, Netherlands, c. 1700 - c. 1799, paper, etching, brush, h 135 mm × w 116 mm

Rembrandt van Rijn (Dutch, 1606-1669), Three Oriental Figures (Jacob and Laban), 1641, etching

Christ at Emmaus: The Larger Plate, 1654, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 8 1/4 x 6 1/4 in. (20.9 x 15.9 cm) (plate), Etching and drypoint, The Netherlands, 17th century, Rembrandt used the whiteness of his paper in radical ways, content to suggest form with a simple line or two and let the blank paper do the rest. Here the sketchiness of Christ's face is meant to suggest divine revelation. After he rose from the dead, Christ appeared alongside two disciples who were heading to Emmaus. They didn't recognize him but invited him to supper at an inn. When he broke the bread-in the fashion of the Last Supper-recognition dawned on the disciples. In that instant Christ supposedly vanished, which in Rembrandt's conception has already begun.

. .

Spinning shepherdess; Pastoral scenes. A shepherdess is spinning in the midst of her herd. In the background a farm and a tower.

Abraham Casting out Hagar and Ishmael 1637 Rembrandt (Rembrandt van Rijn) Dutch. Abraham Casting out Hagar and Ishmael 334628

Drawing by Jean-Honoré Fragonard around 1775 with brush and brown wash over black chalk, depicting a sausage seller at work.

The Good Samaritan lifting the injured man from a horse, drawn in black, brown, and gray ink with washes and brown spots by Geraerts van Vliet.

Christ at Emmaus: The Smaller Plate. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1634. Dimensions: 102 x 72 mm (image/plate); 104 x 75 mm (sheet). Etching with drypoint on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Farmer company for an inn.

Three figures chasing sheep and poultry in their stable, Jan Luyken, wed. Arentsz Pieter Cornelis van der Sys II, 1711

Women and children in adoration before a sculpture which is shown to them on the street. Etching after Marco Ricci.

of 3