Narrative Art Illustrations

Drawings depicting scenes of historical and religious narratives, showcasing characters in dynamic poses, with a focus on composition and expressive movement.

Saint Augustine and the child by the sea, Gesina ter Borch, c. 1660 - c. 1661, Saint Augustine and the child by the sea; on verso a circle., draughtsman: Gesina ter Borch, Zwolle, c. 1660 - c. 1661, paper, h 198 mm × w 314 mm

The Virgin Mother and Joseph Travelling, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, The Virgin Mother and Joseph Travelling, Rome, Italy, 1820-1850, Drawing, Drawing

Smid tries to cover a horse, Pieter van Bloemen, 1667 - 1720 drawing A blacksmith tries to cover a horse, while two other men try to control the prancing animal. paper brush

A Boar Hunt, James Seymour, 1702-1752, British, undated, Pen, in brown ink, and graphite on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, beige, wove paper, Mount: 9 1/8 × 10 7/8 inches (23.2 × 27.6 cm), Contemporary drawn border: 7 3/16 × 9 1/2 inches (18.3 × 24.1 cm), and Sheet: 6 1/2 × 8 7/8 inches (16.5 × 22.5 cm), boar, dogs (animals), forest, horseback riders, horseback riding, horses (animals), hounds (dogs), hunt, hunters, hunting, landscape, men, sporting art, trees, wild boar

Saint Augustine and the child by the sea, Gesina ter Borch, c. 1660 - c. 1661, Saint Augustine and the child by the sea; on verso a circle., draughtsman: Gesina ter Borch, Zwolle, c. 1660 - c. 1661, paper, h 198 mm × w 314 mm

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

War and Divine Law, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink on paper, Figure of a faun in uniform, carrying a large sword, which he holds forward with a mailed glove at his feet, faces a violently movemented figure who holds the tablets of the Divine Law before him. Other figures at right., Rome, Italy, 1820-1850, Drawing, Drawing

La Sieste. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Two men at a magic lantern, Joseph Franz Freiherr von Goz, 1764 - 1815 print paper etching magic lantern. peep-show. vocal music, singing

Escape of Sergeant Champe.. Prints. 1777 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Champe, John, 1752-1798

Depiction of shepherds bathing showing figures, water, and surrounding landscape, drawn with soft lead handle and light brown pen.

A black chalk drawing by Jan Josefsz. van Goyen depicting a Dunting landscape with water and two figures on a fence, showing a missing top-left corner and brown spots on the right.

Ekman, Robert Wilhelm, Lemminkäinen Saarella, Original drawing for the series of drawings 'Kalewala, Finsk National-dikt, prättäd i teckningning af R.W.Ekman', original 1860, marker drawing, drawing, KALEVALA, SCENE, Lemminkäinen, Women of the island, 33.5 cm x 51 cm

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Stone on a waterfront.Leaf 26 recto from a sketchbook with 41 sheets.

Wiik, Maria, work, Sketch book, undateable, drawing, Wiik, Maria, unscheduled, Maria Catharina Wiik 1853 - 1928 a Finnish painter of still life, genre images, landscape paintings and portraits. Lived in Finland

The Moors established in Spain, regardless stab the animal with sets; Board No. 3 from: Bullfighting Bullfighting, ed. III, 1876 Goya, Francisco de (1746 1828)

Italiananizing landscape with man, dog, shepherd and horse; Small landscapes.

Manius Curius Dentatus Weigert Het Geschenk van de Samnitische Ambassadeurs, 1660 print Manius Curius Dentatus is under a tree and is preparing his meal. Two Samnite ambassadors offer him a gift. This print is part of an album. paper etching Manius Curius Dentatus, while cooking a simple meal at his hearth, refuses the gifts of the Samnites

Second Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The second sledge in the parade. A large sledge with four musicians pulled by two horses and followed by two Romans with swords. Part of a series of twelve plates (etching print before the number and on other paper) of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century party of the Leiden Relief (3 October 1574) and the founding from the University of Leiden (8 February 1575). Northern Netherlands paper etching commemoration of the founding of a university. sledge, sleigh (winter sports) Leiden

Belgian Border, Bill of Disorder (Frontiere de Belgique. Billet a Desordre). Dated: 1871. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Félicien Rops.

Goya El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros Francisco de Goya, El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body), Spanish, 1746 - 1828, in or before 1816, etching, aquatint, drypoint and burin first edition impression, Rosenwald Collection

Three hunters with dogs. This print is considered a pendant of spinning woman with two men at a tent. The two prints are both dated in 1653 and have almost the same format.

George Romney, 1734-1802, British, Figure Composition Study 5, undated. Graphite on medium, slightly textured, cream wove paper.

Two Soldiers and Two Women, from the Vari Capricci, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, Only state, Italy, 1750-1760, Print, Print

Shepherd with his cattle and street scene. Draughtsman: Harmen ter Borch (signed by artist). Dating: c. 1651 - c. 1656. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Bas-relief showing seven putti with a vase and garland, drawn in gray-brown and brown brushwork over black chalk.

Mercury, Argus and IO, Gerbrand van den Eeckhout, 1650 - 1674 drawing paper. deck paint. ink pen / brush (story of) Mercury (Hermes)

Standing Philosopher and Two Other Figures, from Vari capricci (VariousCapriccios). Artist: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770

John Leech, 1817-1864, British, Snowballing, undated. Brown wash and graphite on moderately thick, moderately textured, cream wove paper.

A Horse and Rider, unknown artist, formerly Thomas Rowlandson, 1756-1827, British, undated, Pen and black ink on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, blue wove paper, Mount: 14 1/8 x 10 3/8 inches (35.8 x 26.3 cm) and Sheet: 5 3/8 × 6 1/2 inches (13.6 × 16.5 cm), building, genre subject, horse (animal), laughing, man, riding, umbrella

Fish Vender, 1701. Ludolf Backhuysen (Dutch, 1631-1708), Ludolf Backhuysen (Dutch, 1631-1708). Etching; sheet: 22.5 x 29.4 cm (8 7/8 x 11 9/16 in.); platemark: 17.8 x 24 cm (7 x 9 7/16 in.).

A man prunes a tree, Jacques Callot, 1646 print Presentation of a man who prunes a small tree. This magazine is part of the emblem series 'Life of Maria in Emblemen'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in book print without image. print maker: Nancypublisher: Paris paper etching slipping, grafting, cutting of plants

Slag van 18 Augustus 1794, Daniel Nikolaus Chodowiecki, after Erman, 1794 print With caption in French. Berlin paper etching battle. hacking and thrusting weapons (with NAME). horse. various human types

Hagar in the Desert William Henry Fox Talbot British before March 1844 View more. Hagar in the Desert. William Henry Fox Talbot (British, Dorset 1800-1877 Lacock). before March 1844. Salted paper print from paper negative. Photographs

Five horses pulling a carriage with passengers. Artist: Victor Adam (French, 1801-1866). Dimensions: Sheet: 5 7/16 × 8 7/8 in. (13.8 × 22.6 cm)Mount: 12 5/16 x 18 1/16 in. (31.3 x 45.9 cm). Date: mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Don Quixote Defeated by the Windmill, 1780s, brush with brown and gray washes over charcoal on laid paper, overall: 41.7 x 29.7 cm (16 7/16 x 11 11/16 in.), Jean Honoré Fragonard (artist) French, 1732 - 1806

Farmer with basket; Twelve landscapes. A landscape with a farmer's coat with a basket under the arm. Liks a farmer. The figures of the rear.

Hubert-François Gravelot, 1699-1773, French, active in Britain (1733-45), A Picnic: Two Ladies and a Gentleman, ca. 1745. Pen and brown ink, pen and black ink, brown wash and red chalk on medium, slightly textured, beige laid paper mounted on thick, moderately textured, cream wove paper.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Scottish hunting group, draughtsman: George Hendrik Breitner, Schmidt (graveur), 1867 - 1923, paper, h 242 mm × w 367 mm

Satire with a woman who holds a donkey with the tail, anonymous, Erhard Schön (Possible), c. 1535 print paper symbolic representations, allegories and emblems ~ satirical poetry; 'Poema satirico' (Ripa)

First Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The first sled in the parade. A Frisian sledge with a stable master preceded by two riders in Harnas with Toortsen. Part of a series of twelve plates (etching print before the number and on other paper) of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century party of the Leiden Relief (3 October 1574) and the founding from the University of Leiden (8 February 1575). Northern Netherlands paper etching commemoration of the founding of a university. sledge, sleigh (winter sports) Leiden

Driving in the Bois de Boulogne. Artist: Constantin Guys (French, Flushing 1802-1892 Paris). Dimensions: 7 11/16 x 11 1/8 in. (19.5 x 28.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

La récolte du foin.. Wouwerman, Philips (1619-1668). 1868 - 1868. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Nymphs and tritons , Supernatural beings, Cupids, Nymphs Greek deities. Thomas Rowlandson (1756-1827). Prints and Drawings

Photo production of a drawing, representing polyphemos throws a rock to Odysseus and his entourage, Franz Mattig, After Friedrich Prpreller, c. 1854 - in or before 1859 photograph Weimar photographic support albumen print Polyphemus hurls a rock at Ulysses' departing ships

Francisco de Goya y Lucientes / 'Rabble (Disasters of War, 28)'. 1810 - 1814. Wash, Etching, Burnisher, Burin, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

Mort de Poniatowski (Death of Poniatowski) unknown, Vernet, Horace (1789 1863)

Le bûcheron , Woodcutting, Alphonse Legros (1837-1911)

Anonymous (Manner of Fratta, Domenico Maria) / 'The Sacrifice of Iphigenia'. Mid-XVIIIcentury. Grey-brown wash, Pencil, Pencil strokes on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Incident at the arrival of Willem van Oranje in Utrecht, 1577, Jacobus Buys, 1780 - 1795 drawing Incident on the arrival of Willem van Oranje in Utrecht, 1577, 28 August 1577. The carriage in which Willem van Oranje is hit by a salute shot with his wife. Spectators and soldiers excited on the street. Design for a print. Netherlands paper. ink pen / brush historical persons. historical events and situations Utrecht

Meeting of two knowledge, one on foot, the other on horseback; Smokowski, Wincenty (1797-1876); around 1841-1842 (1840-00-00-1845-00-00);

Eruption of the Kelud volcano, ca. 1820-1850, 1850 - 1950 drawing The people in fear during the volcanic eruption of the Kelud. Part of a group of twelve separate magazines from a sketchbook with drawings about the life of Coenraad Laurens Coolen, evangelist on East Java, ca. 1820-1850. Each magazine has a drawing on the right half, with a caption in Indonesian. Indonesia paper. pencil. chalk eruption (of volcano) East Java. Kelud

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Rembrandt van Rijn (1606 1669)

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Rembrandt van Rijn (1606 1669)

Venice of Bydgoszcz. Łopieński, Ignacy (1865-1941), graphic artist

Figures at a sled in a winter landscape, Anthonij van der Haer, after Allaert van Everdingen, c. 1745 - 1785 print Northern Netherlands paper etching sledge, sleigh (winter sports). skates (winter sports)

Winter scene on the ice.

Bacchanaal, Bartolomeo Biscaino, 1642 - 1657 print A Sater, a Nymph, two young saters and putti in a landscape. The Sater pours wine in the cup of the nymph that a young sater sucks. Italy paper etching bacchanal: Bacchus with his wine-flushed train (thiasos)

Le retour du bois , Trees, Hills, Houses, Alphonse Legros (1837-1911)

Tulit gladium ejus.... 1801 - 1835. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

SEES SEEDING MAN and two gentlemen on the back, Jacob Ernst Marcus, 1810 print A sleeping man and two gentlemen on the back seen between trees. Amsterdam paper etching sleeping; unconsciousness - BB - out of doors. standing figure (+ back view). groups of trees

$Displace bull p Acht in the arena (Capean Otro Eyerado); Calcograph \ '\ ia Nacional (Madrid; 1789-), Agua, Perez (Flow. Ca 1905), Ríos, Ricardo de Los (1847-1929), Goya, Francisco de (1746-1828); 1905 (1905-00-00-1905-00-00);Spain, Maurowie, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, bulls, Corrida, Walka$

Drawing, Two Boats on Beach with Figures, Cullercoats, England; Winslow Homer (American, 1836-1910); USA; graphite on off-white wove paper; 9.1 x 14 cm (3 9/16 x 5 1/2 in.)

Summer: A company on a boat in the Singel van Zwolle, c. 1655 drawing Summer: a group of six people on a boat in the Singel of Zwolle. Zwolle paper. ink

A pencil drawing by Lucas Stipperger depicting a storage area with houses in the background.

Unknown, Courses à Longchamps, 1700-1899, lithograph on wove paper.

Ah, you will dance, you will dance, you will dance!, The caricature, no 225, pl. 469 Grandville Gérard, Jean Ignace (1803 1847), Desperet, Auguste (1804 1865), Lithograph Delaunois, Imprimerie Aubert (Pary)

Max Klinger, Anxieties (Ängste), 1878 1880 Anxieties (Ängste)

Napoleon on Horseback. Artist: baron Antoine Jean Gros (French, Paris 1771-1835 Meudon). Dimensions: sheet: 7 3/8 x 13 1/2 in. (18.7 x 34.3 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Plate 7: Two noblemen seated in center, seen from behind, conversing with a noblewoman seated between them, a noblewoman and man seated to left in background and standing to right in background, from 'Various Figures' (Agréable diversité de figures) 1642 Stefano della Bella Italian. Plate 7: Two noblemen seated in center, seen from behind, conversing with a noblewoman seated between them, a noblewoman and man seated to left in background and standing to right in background, from 'Various Figures' (Agréable diversité de figures) 409968

Un vagabond passant dans une ruelle , Tramps, Alphonse Legros (1837-1911)

Lazio Roma Subiaco Rocca Abbaziale5. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Discharge in a port in Mediterranean Adrien Manglard. "Unloading in a port in the Mediterranean". Paris, Cognacq-Jay Museum.

Illustration for Basedow's 'Elementary Work'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1770. Prints; etchings. Etching

Fine artists st version Designation of the heliogravure of the pageant from , Hans Makart -, artist

Fiends for the Temptation of Christ. Drawing. Graphite and gray wash on medium slightly textured cream wove paper. Height: 140 mm (5.51 in); Width: 197 mm (7.75 in). Author: GEORGE ROMNEY.

Moeurs Anglo-chevaleresques, 1839. Edouard de N___ (French), La Mode. Lithograph;

TITELBLAD: Ornaments of friezes, Franz Eringer, After Stefano Della Bella, 1650 - Before 1678 print Text is on the shell in the middle. print maker: Antwerp (possibly)after design by: Italy (possibly)publisher: Antwerp paper etching

Study sheet, including a hunter, horse and figures to Victor Adam, 1840 Leaf 33 Verso from a sketchbook with 33 sheets. paper. ink. pencil pen adult man. adult woman. hunter. rural housing, e.g. country-house, villa, cottage. horse

Gala bridge over the Golden Horn in Constantinople, Marius Bauer, 1889 print Different figures on a bridge, including men with load animals and some veiled women. Two mosques in the background. paper etching pontoon bridge. temple, shrine ~ Islam, Mohammedanism. animal mounts; pack-animals Constantinople

The Entombment 1485-1490 Italy. Engraving on paper . School of Andrea Mantegna

Fragment, Medium: cotton Technique: printed by engraved copper plate on plain weave, Pastoral scene in sepia on white ground. Upper left corner, a couple fishes; upper right, a field with gleaners; the central scene, children and adults picking fruit., England, 1780-1790, printed, dyed & painted textiles, Fragment

Five puts, leaf from the "Neuw Grottensken book". .

Conversation between two men and a woman in an open field, Stefano della Bella, 1642 print print maker: Francepublisher: ParisFranceFrance paper etching conversation, dialogue; conversation piece

Print, Premier et Second livre d'Animaux dans le gout du Crayon; France

Pushing men and cart loaded with barrels, c. 1656 - c. 1657 drawing Zwolle paper. ink. chalk

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Winter, Herman BRECKERVELD, After Adriaen Pietersz van de Venne, 1626 print Skaters on the ice. In the middle an elegant pair. On the left on the shore, a farmer's wife with a child on her arm and a boy with a dog. In the background a castle and mills along the canal. Presentation of the winter from a press series of the four seasons. The Hague paper etching / engraving winter ~ human activities (the four seasons of the year). winter sports. clothes, costume (+ men's clothes). clothes, costume (+ women's clothes)

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Albert S. Johnston Crossing the Desert to Join the Southern Army (from Confederate War Etchings). Artist: Adalbert John Volck (American (born Germany), Augsburg 1828-1912 Baltimore, Maryland). Dimensions: Image: 4 3/4 x 7 3/4 in. (12 x 19.7 cm)Sheet: 7 15/16 x 10 3/8 in. (20.2 x 26.4 cm). Date: 1861-63. Museum: Metropolitan Museum of Art, New York, USA.

Francisco de Goya, Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull), in or before 1816 Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)

The Hanoverian horse and British lion : A scene in a new play lately acted in Westminster with distinguished applause. Act 2nd, scene last. , Horses, Horseback riding, Lions, Politicians, George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789. Thomas Rowlandson (1756-1827). Prints and Drawings

Melancholia. Date/Period: After ca. 1660. Drawing. Brush and reddish brown oil-based paint on beige laid paper Brush and reddish brown oil-based paint on beige laid paper. Height: 282.70 mm (11.12 in); Width: 409.96 mm (16.14 in). Author: Giovanni Benedetto Castiglione (called il Grechetto).

Image reproduction: Stanis Aw Kaczor-Batowski (1866-1946), to the world; Z: "Tygodnik Ilustrowany" 1902, No. 49 (December 6), p. 961 (title page); Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1902 (1902-00-00-1902-00-00);

Cavalry Going Into Battle. Attributed to James Stuart; English, 1713-1788. Date: 1813. Dimensions: 140 × 248 mm. Pen and black ink, with brush and brown wash, on ivory wove paper, tipped on pale green laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Drawing (Italy)

S. Meliton et Ses Compagnons (St. Meliton and His Companions), March 11th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Meliton et Ses Compagnons (St. Meliton and His Companions), March 11th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

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