Narrative Etchings and Engravings

Dynamic etchings and engravings depicting various scenes from biblical narratives and mythology, showcasing movement, figures, and elaborate compositions.

An etching by Theodor van Thulden from 1633 portraying episodes from the Odyssey, including Odysseus, mythological beings, and maritime scenes.

Etching by Laurent Cars depicting scenes of stealing, created between 1719 and 1771, showing figures, action, and narrative composition.

Copper engraving by Jan Wierix depicting David dancing and the prophet Elijah, showing figures, gestures, attire, and biblical narrative. Created between 1570 and 1620.

Etchings by Pierre Brebiette from 1618-1642 depicting Mary with Child and the Holy Family with John the Baptist as a boy, showing figures, gestures, and religious motifs.

Copper engraving and etching by Nicolas Dorigny depicting an allegory of the arts, created between 1678 and 1746.

An etching by Theodor van Thulden from 1633 portraying episodes from the Odyssey, including Odysseus, mythological beings, and maritime scenes.

Etching and copper engraving by Philipp van Gunst showing Telemach after the victory over Hippias, created after 1734. The artwork depicts Telemach, defeated opponent, posture, and heroic gesture.

Etching by Ludwig Sommerau showing a victim in Lystra, created in 1778, illustrating a biblical event with figures and contextual surroundings.

Etching by Bernard Picart from 1734 depicting the biblical scene of Eliezer presenting a dinner to Rebekka.

Copper engraving by Johann Sadeler the Elder depicting Or and Salomon, showing figures, gestures, attire, and religious or allegorical iconography. Created in the 17th century.

Copper engraving by Harmen Jansz. Muller, circa 1567, depicting Athaliah ordering the killing of royal descendants and presenting Joash to the army.

Copper engraving and etching by an unidentified contributor depicting the Holy Family, produced between 1650 and 1750.

Copper engraving by Karel van Mallery depicting the allegorical concepts of Low Mind and Peace, created between 1591 and 1635.

Etching by Jean Baptiste Tierce created between 1757 and 1790 depicting various female figures in classical compositions.

Copper engraving and etching by Jean-Baptiste Tilliard, produced 1784-1786, illustrating a scene from Torquato Tassos 'The Freed Jerusalem', highlighting figures, architectural elements, and composition.

Copper engraving by Boëtius Adamsz. Bolswert depicting an allegorical scene of a rich age and the favor of a young girl, produced around 1610.

Engraving by Gilles Rousselet showing an allegory with a portrait of Jules Mazarin, created in 1666.

Copper engraving by Harmen Jansz. Muller depicting King Arthur, Charlemagne, and Gottfried von Bullion, showing the three historical and legendary figures in detailed attire and setting, created between 1566 and 1568.

Etching by Elisabetta Sirani depicting Mary with the Christ child and John the Baptist as a boy, created between 1655 and 1665, showing figures, gesture, and devotional interaction.

Etching by Abraham Blooteling depicting Hercules standing before the Jana Temple, created between 1656 and 1690.

1612 etching by Antonio Tempesta depicting the Lara infants legend, showing infant figures in a narrative composition reflecting historical or legendary themes.

Etching by Richard van Orley presenting multiple mythological narratives, created between 1663 and 1732.

Etching by Dirck Volkertszoon Coornhert depicting scenes from the story of Joseph, created between 1549 and 1550, showing Joseph in narrative biblical moments.

Jan Collaert the Younger created a copper engraving around 1596 showing duck hunting aided by falcons and moth catching.

Copper engraving by Hendrick Goltzius, created in 1589, illustrating scenes from Ovid's Metamorphoses with figures in dynamic poses and classical drapery.

Copper engraving and etching by Adriaen Collaert around 1580 depicting female hermits in solitary devotional life, showing religious attire and reflective poses.

Copper engraving by Heinrich Aldegrever from the 16th century depicting mythological scenes with figures, gestures, and composition.

Copper engraving print by Gerard Groenning from 1551-1573 depicting allegorical themes 'Culture of the Devil' and 'Culture of Christ', showing figures, gestures, and symbolic representation.

Etching and copper engraving by Dirck Volkertszoon Coornhert depicting scenes from the biblical Book of Jonah, created between 1540 and 1590.

Copper engraving by Crispin van de Passe from around 1600 illustrating Susanna and the elders, emphasizing the moral and religious aspects of the biblical story.

This etching by Jacopo Palma, created between 1600 and 1636, depicts the biblical stories of Samson and Delilah, and Joseph and the wife of Potiphar, emphasizing narrative scenes and human figures.

Etching by Giacinto Gimignani depicting Semiramis, created between 1630 and 1681, showing the historical figure in regal attire with architectural and landscape elements in the composition.

Etching by Battista Agnolo del Moro depicting the Sibyl writing and Vestal Tuccia proving her chastity, produced between 1515 and 1573.

Copper engraving by Dirck Volkertszoon Coornhert, 1556-1633, showing scenes from Tobias including the angel Raphael and various episodes of the journey.

Etching by Michel Dorigny, 1642, depicting the mythological scene 'Robbery of Europe,' including figures, movement, and drapery details.

Etching by Remy Vuibert from 1635 showing Apollo judging Marsyas, depicting mythological figures and narrative from classical mythology.

Etching by Pieter Soutman depicting The Wonderful Fishing. Produced between 1624 and 1677, it shows figures engaged in fishing with boats, water, and gestures.

Copper engraving and etching by Nicolas de Poilly from 1633-1693 depicting Neptune on a chariot, showing mythological figure, waves, and chariot details.

Copper engraving and etching by Carl Gustav Amling from 1699-1700 depicting allegorical representations of spring and summer with detailed line work and seasonal motifs.

Frontispiece engraving by Bernard Picart from 1725 showing the triumph of painting, executed in copper engraving and etching with dotting manner, featuring symbolic figures and artistic motifs.

Etching by Paul van Somer from 1660-1700 depicting biblical scenes: Jacob with an angel and Tobias catching a fish, showing figures, gestures, and narrative elements.

This etching by Antonio Tempesta, created in 1599, depicts the Bronze Age, also called the Age of Aeneas, emphasizing mythological figures, scenes, and classical composition.

This copper engraving by Jacob de Weert, created in 1590, depicts a group of figures in a dark or eerie composition, emphasizing detailed gestures and expressions.

Etching by Jean Baptiste Lucien between 1768 and 1806 depicting Mentor negotiating peace with Greek princes, with scenes of alliances and sacrifices before Salente.

Copper engraving and etching by Edmé Jeaurat from 1719 showing Apollo with the Muses, depicting classical figures in a mythological setting with musical instruments and symbolic attributes.

Copper engraving and etching depicting various representations, created by Heinrich Ulrich between 1595 and 1621.

Etching by Antonio Tempesta from 1612 depicting the legend of the Lara infants, with infant figures arranged in a narrative historic or legendary setting.

Etching by Giovanni Battista Fontana showing dedications and the figures Romulus and Remus, created between 1573 and 1575.

A copper engraving and etching by Louis Surugue between 1700 and 1762 depicting the mythological scene of Jupiter and Danaë.

Etching by Antonio Tempesta from 1599 depicting hunts for bears and capricorns, showing hunters, animals, and landscape composition.

Etching and copper engraving by Dirck Volkertszoon Coornhert, 1540-1590, depicting Jael and Sisera and Samson and Dalila, showing figures, gestures, and composition in biblical narratives.

Copper engraving by Charles Le Brun showing the martyrdom of Saint Stephanus, created between 1650 and 1710.

Reproduction of an engraving of men and women, with the Exposition Nationale of 1880 in Brussels in the background, by Armand Heins, Anonymous, After Armand Heins, 1881 - 1882 photomechanical print Brussels paper collotype trade exhibition, industries fair. adult man. adult woman Brussels

Copper engraving by Philipp Galle from 1575-1582 depicts the actions of the apostles, showing figures, gestures, and biblical narrative in period attire.

Matthäus Merian the Elder's etching (1624) depicts The Claus, showing a castle and a river mill, including architectural details, water, surrounding landscape, and 17th-century European etching characteristics.

A copper engraving by Hendrick Goltzius depicting the mythological figures Corydon and Sylvia, created between 1601 and 1611, illustrating a pastoral and narrative scene.

Copper engraving by Pierre Dufour from 1565-1571 depicting the Paris judgment and the robbery of Helena, illustrating classical mythological events.

Etching by an unknown engraver depicting children playing, produced in the 17th century.

An etching by Josef von Führich illustrating 'The Wild Jäger' by Gottfried August Citizen with five picture boards, created in 1827. The work emphasizes literary narrative, figures, and composition.

A 1633 etching by Theodor van Thulden depicting scenes from Odysseus adventures, including ships, classical figures, and mythological episodes.

Copper engraving and etching by Adriaen Collaert depicting female hermits, produced around 1580.

Copper engraving by Hendrick Goltzius showing St. Paul and Saint Matthias, created between 1578 and 1617. The print depicts religious figures with detailed line work in late 16th and early 17th century engraving style.

Etching by an unidentified engraver depicting landscapes, created 1515-1600.

A copper engraving by Adriaen Collaert depicting multiple scenes from the Old Testament, created between 1587 and 1676, illustrating biblical events and figures.

Etching by Orazio Borgianni depicting scenes from the Bible, located in the loggias of the Vatican, created in 1615.

Etching and copper engraving by Bernard Picart, 1776, showing the title page of 'The Treaty of Re Aedificatoria' with decorative and figurative elements.

An etching by Battista Agnolo del Moro created between 1515 and 1573 depicting children in a basket and a personification of fame, showing allegorical figures and composition.

Etching by Remoldus Eynhoudt depicting Kambyses appointing Otane's judge, created between 1630 and 1680, showing historical figures and a courtroom scene.

Copper engraving by Étienne Delaune from 1538-1583 depicting the biblical scenes of Susanna in the bath and the conversion of Paul.

Copper engraving by Cornelis Galle the Younger II from 1627-1678 depicting shepherds adoring the Christ child, showing figures, posture, and gestures.

Etching by Danker Danckerts depicting a man bathing, created between 1648 and 1666, showing the human figure and surrounding water environment in detailed line work.

Copper engraving and etching by Bernard Picart from 1731 showing a flood scene featuring Greek gods, illustrating mythological narrative and figures.

Copper engraving and etching by Cornelis Galle the Younger II depicting the Christ child with a cross flag and the Flight into Egypt with John the Baptist as a child, produced between 1630 and 1678.

"Copper engraving and etching by Jean Ouvrier depicting the bathroom of the nymphs, showing human figures, interactions, and detailed interior or landscape elements between 1740 and 1784."

Etching by Wenzel Hollar created between 1627 and 1677 showing an allegorical representation, illustrating symbolic figures and elements in detailed line work.

An etching by Bartolomeo Biscaino created between 1650 and 1657 depicting the Holy Family, showing Mary, Joseph, and the infant Jesus in a religious composition.

Etching by François Perrier depicting David holding the head of Goliath, created between 1610 and 1650, showing biblical narrative, human figures, and expressive gestures.

A 1774 etching by Bernhard Rode depicting Pallas Rutheniae Pacifera, emphasizing figure, symbolism, and composition.

An etching by Pietro del Pò between 1630 and 1692 titled 'Do not touch me,' showing a biblical encounter between Christ and Mary Magdalene.

Copper engraving by Johann Sadeler the Elder depicting Onofrius, Disibode, and Nicoleos, showing three figures in detailed 17th-century attire with symbolic attributes.

Copper engraving and etching by Johann Sadeler the Elder depicting Christ as triumphant and the Holy Trinity, created between 1570 and 1600, illustrating 16th-century European religious art and Christian iconography.

Etchings by Matthäus Merian the Elder between 1615 and 1650 depicting hunting, fishing, and animal fights, showing human and animal interaction in natural environments.

This etching by Theodor van Thulden, created in 1633, illustrates scenes from Homer's *Odyssey*. It is part of a series of 58 prints after designs by Francesco Primaticcio and Niccolò dell'Abbate, produced during van Thulden's time in Paris.

Copper engraving by Hendrick Goltzius from 1592-1602 depicting an allegory on age, death, and transience, showing figures, symbols, and elements representing human mortality.

Copper engraving by René Boyvin between 1540 and 1600 depicting Athene and a Silen with Satyrs, showing mythological figures in a classical composition.

Copper engraving by Harmen Jansz. Muller depicting the parable of the clever and foolish virgins, created between 1567 and 1570, showing figures, gestures, and biblical narrative.

Philipp Galle created a copper engraving in 1574 depicting personifications of professions and commercial life, showing allegorical figures, symbols, and occupational attributes.

Copper engraving by Cornelis Galle the Younger II depicting Salome presenting John the Baptist's head to Herodias, created between 1595 and 1677.

An etching by Charlotte von Österreich from 1766-1767 depicting a peasant with a boy, a peasant pair with a child, and a girl holding a pigeon.

Copper engraving by Hendrick Goltzius from 1586 depicting allegorical Roman heroes. The print shows heroic figures, classical armor, symbolic attributes, and dynamic composition in late 16th-century European style.

Copper engraving print by Jan Collaert the Younger from 1596-1670 depicting a field player and night fishing scene, showing figures, gestures, and landscape details.

Copper engraving by Crispin van de Passe depicting Latona from classical mythology, created between 1584 and 1638, illustrating mythological narratives and Roman artistic styles.

An etching by Jacob de Gheyn III from 1617 showing Triton blowing a shell horn and the figures of Hercules and Fortuna holding a cornucopia, illustrating classical mythology in detailed 17th-century engraving.

Etching by Giovanni Battista Mercati depicting Saint Anthony holding the Christ child, created between 1610 and 1645, showing both figures in devotional pose with detailed drapery and expressions.

Giovanni Giacomo de Rossi's etching depicts battle scenes with allegorical elements, illustrating combat, soldiers, and symbolic figures in a 17th-century European context.

Etching depicting Cain escaping after the murder of Abel by Gerard de Lairesse, created in 1665.

Copper engraving and etching by Philipp Galle depicting the story of Lot, created between 1550 and 1612, illustrating 16th-century European biblical scenes and narrative art.

Copper engraving by Hendrick Goltzius depicting scenes from the actions of the apostles, created between 1575 and 1582, illustrating 16th-century European religious art and biblical narrative.

Photo production of an engraving of the meeting of Maria De'Medici and Hendrik IV in Lyon by Jean-Marc Nattier, to the painting by Peter Paul Rubens, Descamps, etc., After Jean-Marc Nattier, After Peter Paul Rubens, c. 1859 - in or before c. 1864 photograph photographic support albumen print queen. king Lyon

A copper engraving by Hendrick Goltzius, 17th century, depicting compassion with figures, gestures, and symbolic expression.

Copper engraving by Cornelis Bloemaert depicting a group of figures with a grotesque or eerie appearance, created between 1620 and 1692.

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