Narrative Scenes in Art

A selection of prints illustrating mythological and biblical stories with figures interacting in lush landscapes, conveying themes of compassion and contemplation.

Fleeing shepherd, print maker: Abraham Bloteling, Zacharias Webber II, Pierre Marteau possibly, c. 1677

Two figures at a stream. A man and woman are abandoned from their horse and drink water at a stream. In the background, hunters hooked a deer.

Narcissus kneeling at a fountain, Jan van de Velde (II), after Willem Pietersz Buytewech, 1621 print paper etching / letterpress printing (story of) Narcissus

Fleeing shepherd, print maker: Abraham Bloteling, Zacharias Webber II, Pierre Marteau possibly, c. 1677

Merciful Samaritan and the wounded traveler, Antonie Wierix (II), After Bernardino Passeri, 1593 print The merciful Samaritan offers help to the wounded traveler. The Samaritan connects its wounds. In the background the other scenes from the story. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving a Samaritan tending the wounds of the traveller

Landscape with the Holy Hieronymus that translates the Bible, Cornelis Cort, After Girolamo Muziano, 1573 print paper engraving St. Jerome translating the Old and the New Testament into Latin (the Vulgate)

Landscape with reading Hieronymus, Cornelis Cort, After Titian, c. 1700 - c. 1800 print The saint Hieronymus is sitting on a rock in a mountainous landscape. Next to him a book and an hourglass. The lion, his attribute, strolls between the rocks. paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

. Allegory on the history of the city of Rome. In the foreground is history with a pen in her hand. She looks forward to a statue of Emperor Antoninus Pius. On the clouds sit truth and father time. In the background the city of Rome. In the foreground the flow god of the Tiber and Romulus and Remus in the reeds. Probably a title page for a book about the city of Rome.

Vertumnus and Pomona in a garden. A garden with vegetables. The naked Pomona leans against a tree and is in conversation with vertumnus, the Italian God and protector of gardens and orchards. Vertumnus has adopted the form of an old woman to speak with Pomona and to seduce her so. In the background right, Pomona and vertumnus are naked in ulpeling. The print has a separate strip with a Latin caption.

History and the four continents, Pieter Yver, 1737 print History, with wings and laurel wreath on the head, writes in her book. With her are the personifications of the four continents. From left to right: Europe with a horn of abundance and crown on the head, Africa with turban on the head, Asia with an incense barrel and America with a foster and arch. In the background, the world stage with a battlefield on the left and the peace on the right, which is closed between two rulers. At the bottom of the margin a four -line text in French. Amsterdam paper etching / engraving 'Historia'; 'Historia' (Ripa). Europe represented allegorically; 'Europa' (Ripa). Africa represented allegorically; 'Africa' (Ripa). Asia represented allegorically; 'Asia' (Ripa). America represented allegorically; 'America' (Ripa)

St. John the Baptist, from Les Pénitents et Pénitentes (The Penitents) ca. 1632 Jacques Callot French. St. John the Baptist, from Les Pénitents et Pénitentes (The Penitents). Les Pénitents et Pénitentes. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1632. Etching; first state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Creation of EVA; Power of death. Adam sleeping in paradise with a tree, God the Father bends over him and gets a rib off his side, from which he will create EVA. Under the show a four-line text in Latin. First print from a series of eight over sin and death.

Telemachus and Mentor arrive on the island of Calypso, Simon Fokke, 1775 print Telemachus and Mentor are received on the island of Calypso by three nymphs. Their half -sunken boat can be seen in the background. Print at the top right marked: Page 1. Amsterdam paper etching (story of) Telemachus. shipwreck. nymphs (in general); 'Ninfe in commune' (Ripa)

Tabellae selectae ac explicatae, Tabellae selectae ac explicatae, Patin, Charlotte Catherine, b. ca. 1660, 1691

Landscape with the H. Hieronymus. Hieronymus, praying for a crucifix in a landscape, booking next to him and a skull. In the background two lions.

PYRAMUS en Thisbe, Wolfgang Huber, 1500 - 1553 print Thisbe finds her beloved Pyramus dying. He is lying on the ground at two trees with a knife stabbed in his chest while she is shocked next to him. On the left is the lioness who tears the veil of Thisbe to pieces in the story, this veil is on the floor. A city is visible between the trees. paper Thisbe kills herself with Pyramus' sword (the scene may be represented near a fountain)

Lente, Johann Elias Riding, 1740 - 1767 print Augsburg paper etching year divided into four seasons. spring, 'Ver'; 'Primavera' (Ripa). hunting dogs beside the spoils. forest, wood. rodents: hare

Bacchus' darling Ampelus is killed in a fall of a bull, on which it is changed to a vine. Book illustration for: praise of bacchus, 1616.

King falls from a tree, Simon Fokke, 1722 - 1784 print Illustration from the fairy tale La Bonne Petite Souris by Mme d'Aulnoy. A king dangles on a tree branch over a tree stump with pointed ends. In the air, two figures on a carriage are pulled by two winged animals. Amsterdam paper etching king. climbing up a tree

A woodcut by Lucas Cranach the Elder from 1506 depicting Saint Christophorus, illustrating religious figure, composition, and German Renaissance printmaking techniques.

Shrieking Lord commits suicide, Arnold Houbraken, 1681 - 1683

Landscape with reading Hieronymus, Cornelis Cort, After Titian, c. 1650 - c. 1750 print The saint Hieronymus is sitting on a rock in a mountainous landscape. Next to him a book and an hourglass. The lion, his attribute, strolls between the rocks. Rome paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Adam and death bets the earth; Design drawings for the series of engravings "the power of death". Design for a print.

Pensant-ils à ce mouton (Are They Thinking of the Sheep) late 18th century Madame Jourdan French. Pensant-ils à ce mouton (Are They Thinking of the Sheep) 413604

Satyr Flogging a Nymph. 1557 - 1600. Carracci, Agostino, 1557-1602. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Venice, Vittoria, Alessandro, Italy, Scolari, Giuseppe, Saint Jerome in the Wilderness, verso - stamped, Saint Jerome holding a crucifix, a book and a stone. Beside him lie a lion, an hourglass and a skull., print, engraving, prints, engravings, height 531 mm, width 372 mm, Italian, print maker, printmaker, 1550 - 1600, third quarter 16th century, fourth quarter 16th century, paper, papier, ink, inkt, woodcut, pen, 1525 - 1608-05-27, after an image by

Tobias catches the big fish. Tobias caught the large fish. The angel Rafael asks him to cut the fish into pieces and keep the guts. Part of a series of five prints about the life of Tobias.

Landscape with the Holy Hieronymus, Anonymous, After Cornelis Cort, After Girolamo Muziano, 1579 - 1586 print Hieronymus, praying for a crucifix in a landscape, books next to him and a skull. Two lions in the background. after print by: Romepublisher: Cologne paper engraving martyrdom, suffering, misfortune, death of St. Jerome

Franz Karl Palko, God Commanding Adam and Eve, 1760s God Commanding Adam and Eve

Meleager struggles with his uncles around the boar head. Meleager killed the Caledonian boar and wants to give the boar head to his beloved Atalanta. Here the two uncles of Meleager do not agree, which leads to a twist. An uncle is already on the floor, the other uncle fights with meleager around the boar head.

Huwelijksaanzoek met Venus en Amor.Venus drives into her carriage by two swans over the water. She holds a burning hair in her hand. A few can be seen on the shore of the lake. The man kneels for the woman to make her a marriage proposal. Amor shoots one of his arrows on the pair.

Mercurius recommends the care of Bacchus to Nysa's nymphs. Mercury, the small Bacchus and the nymphs of the Nysa mountain in classical robes in a landscape. Under the show two rules in Dutch.

Mei; De twaalf maanden.From a series of twelve prints, the imagination of the month of May. Resting shepherd is visited by a shepherd.

The Little Shepherd. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 11/16 in. × 8 in. (27.2 × 20.3 cm). Date: ca. 1753. Museum: Metropolitan Museum of Art, New York, USA.

Rest on the Return fromEgypt. Etcher: Cornelis Cort, Dutch, 1533?-1578 After: Federico Barocci, Italian, 1528-1612

Diana and her nymphs discovered by Actaeon, Dancker Danckerts, After Cornelis Holsteyn, 1633 - 1666 print Diana and her nymphs discovered by Actaeon who spied the women behind a rock. In the Latin verse in four lines in the lower margin. Amsterdam paper etching Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

The Prodigal Son Kneeling Repentant among Swine 1615-73 Salvator Rosa Italian Painter, draftsman, etcher, poet, actor, wit, satirist, and social-climber, Salvator Rosa was without doubt one of the most colorful and temperamental personalities of the seventeenth-century art world. Landscape-rugged and wild rather than pastoral or arcadian-always had a central place in his oeuvre. Unlike Dughet, Claude, and other contemporaries, however, Rosa was inspired not by the seductive, mute shadows of the ancient world that lingered in the ruins strewn across the Roman countryside, but rather by the natural landscape's more tempestuous aspect-what he described in a letter of 1662 as its "terrific beauty" and "savage wildness." It is no wonder that Rosa's sensibility has always been considered proto-Romantic. This drawing is a study for a painting by Rosa, Prodigal Son Herding Swine, executed in the early 1650s (State Hermitage Museum, St. Petersburg: see Farina 2012). Although it depicts a biblic

. A sitting woman (Hagar) Looks at a child with a ball (Ismaël).

Portrait of Nicolas Boileau to the Parnassus worn, Bernard Picart, 1719 print Satirical poetry carries the portrait of the French writer Nicolas Boileau to the Parnassus. Apollo and the muses are waiting for the mountain, who will laurel the writer's portrait. Amsterdam paper etching / engraving Parnassus, sacred to Apollo Musagetes. Apollo and the Muses, Apollo Musagetes. writer, poet, author. symbolic representations, allegories and emblems ~ satirical poetry; 'Poema satirico' (Ripa)

Jan Pietersz Saenredam after Abraham Bloemaert, Adam and Eve before the Tree of Knowledge, 1604 Adam and Eve before the Tree of Knowledge

Albrecht Altdorfer (German, 1480 or before - 1538), Saint Christopher, c. 1515-1520, engraving

The Agony in the Garden, plate 2 from The Passion of Christ, 1597, Haarlem, by Hendrik Goltzius.

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Rest on the Flight into Egypt, Philippe Thomassin, after Ventura Salimbeni, 1588 - 1590 print The flight to Egypt with Joseph on the left that breaks branches of a tree and gives Mary with child on the right side. print maker: Romeafter design by: Italypublisher: Romepublisher: RomeVaticaanstad paper engraving rest on the flight into Egypt

Landscape with the H. Jodocus van Ponthieu, Hieronymus Wierix, 1563 - Before 1619 print Saint Jodocus, son of a Breton king, is on the edge of the source that he has created with his stick. His crown and scepter lie at his feet. A hand lets a laurel wreath descend from heaven. In the landscape in the background scenes from his life. In the margin a four -line caption in Latin. Antwerp paper engraving the hermit, pilgrim, and erstwhile prince of Brittany, Judoc (Josse) of Ponthieu; possible attributes: crown in hand or at feet - miraculous activities and events ~ male saint

Gabriel Jacques de Saint Aubin, Heroic Act of a Father Who Sacrifices for His Son (Trait heroique d'un pere qui se sacrifie pour son fils), 1767 Heroic Act of a Father Who Sacrifices for His Son (Trait heroique d'un pere qui se sacrifie pour son fils)

The work of Adam and Eve, sixth print from the cycle: The history of Adam and Eve. Aldegrever, Heinrich (1502-1555/1561), graphic artist

The Penance of St. John Chrysostom, 1509. Lucas Cranach (German, 1472-1553). Engraving; image: 25.4 x 20.2 cm (10 x 7 15/16 in.); sheet: 25.4 x 20.2 cm (10 x 7 15/16 in.).

The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty ca. 1640-50 Pietro Testa Italian. The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty 397658

Depicts 'The Burial' by Francesco Mazzola, created around 1524-1526 using etching and a pinion technique, showing figures, composition, and funerary scene.

Hieronymus reading in the wilderness, Bartolomeo Biscoino, After Guido Reni, 1642 - 1657 print Saint Hieronymus reads a book in the wilderness. There is a skull on the book. Behind Hieronymus is a lion. Italy paper etching the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Fokke, Simon, Amsterdam, Finette Cendron, Woman on horseback, verso - stamped, A woman rides a horse while two women are engaged in discussion in the foreground on the right., print, prints, height 116 mm, width 66 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings, Work conception, after own design by

Sater spends a sleeping woman. A Sater peeks from behind a curtain to a naked sleeping woman.

Schut, Cornelis (I), Pan and Syrinx, verso bottom center - handwritten in ink, Pan pursues the nymph Syrinx. She holds a bundle of reeds in her hands as a symbol of her coming metamorphosis (Ovid, Met. 1:689-713)., print, engraving, prints, engravings, verso bottom right and bottom left - stamped, verso bottom left - stamped, 14. - no. 131, height 195 mm, width 128 mm, Zuid-Nederlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings

Francesco Fontebassos drawing depicts Armida embracing Rinaldo while he sleeps during an attempted murder, executed with brown and gray pen and chalk.

Clothing and armor of the Batavians, Jacobus Buys, 1784 - 1786, Warrior and family of Batavians. Design for a print., draughtsman: Jacobus Buys, 1784 - 1786, paper, pen, brush, h 148 mm × w 90 mm

The Flight into Egypt, from The Life of the Virgin, Latin Edition, 1511 1511 Albrecht Dürer German. The Flight into Egypt, from The Life of the Virgin, Latin Edition, 1511 388012

The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 406 x 558 mm. Woodcut in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Cephalus a procris, jan van ossenbeeck, after polidso da caragaggio, after nikolaas van hi hoy, in or aft 1660 print Cephalus procris is accidentally hunting with an arrow. Procris leans against a tree with an arrow in her chest. Procris, dressed like a Roman soldier, stands next to her. Brussels paper etching Cephalus inadvertently kills Procris

Diana and her nymphs discovered by Actaeon standing behind a rock spying on the women. In lower margin Latin verse in four lines, Diana and her nymphs discovered by Actaeon, print maker: Dancker Danckerts, (mentioned on object), after: Cornelis Holsteyn, (mentioned on object), publisher: Dancker Danckerts, (mentioned on object), Amsterdam, 1633 - 1666, paper, etching, h 370 mm × w 306 mm

Jacob Wrestling with the Angel. From Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

The Agony in the Garden, from The Passion of Christ 1597 Hendrick Goltzius Netherlandish Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucass prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltziuss famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltziuss own lifetime and well beyo

St Jerome Penitent in the Wilderness 1573 Cornelis Cort Netherlandish. St Jerome Penitent in the Wilderness. Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1573. Engraving. Bonifazio Breggio (Italian, active Rome, 1566-died before 1582). Prints

Diana discovers the pregnancy of Callisto, Cornelis Cort, After Titian, 1566 print Diana takes a bath with her nymphs. She discovers that her nymph Callisto is pregnant. In the background a fountain with a statue of Diana with a deer. Rome paper engraving Diana with her nymphs discovers the pregnancy of Callisto. pregnancy

unknown, Sadeler, Aegidius, Pan spies on the nymph Syrinx, verso bottom center - stamped, The nymph Syrinx sits, half undressed, next to a stream. Next to her lies a dog sleeping. Behind her, between the trees, Pan peeps at her and makes a 'silence' gesture with his finger in front of his mouth. The print has a Latin caption., print, prent, prints, height 215 mm, width 165 mm, Zuid-Nederlands, 1570 - 1629, print maker, prentmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process)

The Little Shepherd ca. 1753 Claude Augustin Duflos le Jeune French. The Little Shepherd 394285

Nestuithaler, Jonas Umbaach, 1634 - 1693 print A bird catcher climbs in a tree, at the top is a nest with young birds. A two bird catcher is behind a fallen tree. paper etching child robbing bird's nests

Italy, Rosa, Salvator, Tiberinus appears to Aeneas, old concept sheet - stamped, Tiberinus, the river god of the Roman river Tiber, appears to Aeneas during a dream. The river god on the left with his urn, a long beard and reed stems on his head. On the right Aeneas sleeps, leaning on his shield., print, prent, prints, prenten, height 348 mm, width 232 mm, Italian, 1615-06-20 - 1673-03-15, print maker, printmaker, 1663 - 1664, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

Decker, Coenraet, Europa Sitting on a Bull, print, prints, height 124 mm, width 67 mm, Dutch, 1650 - 1685-03-02, print maker, printmaker, 1660 - 1685, paper, papier, etching, etchings

H. Sebastiaan, Remoldus Eynhoudts, After Cornelis Schut (I), c. 1626 - c. 1680 print Saint Sebastiaan is tied to a tree with his arms. A arrow pierces his leg. Next to him two people and a basket with arrows, on the other side an angel who takes care of his wounds. Two lines of Latin under the performance. Antwerp paper counterproof / etching the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk

Adam and Eva in Paradise, Reinier Vinkeles (I), After Dirk Kuipers, 1751 - 1808 print Amsterdam paper etching Adam and Eve in paradise (before the Fall)

. Vertumnus, in the form of an old woman, holds the chin of the naked pomona. In her hand she holds a pruning knife. Scene from Ovid 'Metamorphoses (with. XIV, 654-669).

Argus en Mercury, 1580 - 1590 print Mercury plays Argus with his flute asleep. Presentation in oval. paper engraving Mercury lulls Argus into sleep by making music

Apollo and the Cumaean Sibyl ca. 1661 Salvator Rosa Italian. Apollo and the Cumaean Sibyl 341638

Jesus Calling to St. Peter and St. Andrew, 1523. Dirk Vellert (Netherlandish, 1480/85-1547). Engraving; image: 14.9 x 11.1 cm (5 7/8 x 4 3/8 in.); sheet: 14.9 x 11.1 cm (5 7/8 x 4 3/8 in.).

Diana and her nymphs discovered by Actaeon. Diana and her nymphs discovered by Actaeon who spied the women standing behind a rock. Latin fresh in four lines.

Mother with two children, Barthel Beham, 1512 - 1540 print Germany paper engraving mother and baby or young child

Liefde (caritas), Paolo Tallinated, 1534 - 1606 print A woman (caritas) with three small children in a landscape. Italy paper etching Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Cephalus en Procris, Jan Broedelet, after Gerard Hoet (1), 1670 - 1700 print In a landscape Procris tries to save his beloved Cephalus from death, after he accidentally pierced her with an arrow during the hunt. She dies in his arms. Utrecht paper engraving CEPHALUS and Procris

Holy Suatacopius as a recluse, Thomas de Leu, after Johann Sadeler (I), After Maerten de Vos, in or after 1598 - 1614 print paper engraving / etching anchorite, hermit. male saints (with NAME). forest, wood (+ landscape with figures, staffage). 'en route', traveller under way

Amor by a bee, complaining at Venus, Jan van Vianen, 1686 print Amor is stabbed by a bee and comes to complain to his mother Venus. In the background Amor near Bijenkens. One should not remain bitter in love. Fourteenth emblem from Emblemata amatoria. Northern Netherlands paper etching (story of) Cupid, Amor (Eros). crying Cupid, surrounded by bees, runs or clings to his mother Venus to be soothed. bee-hive

Bacchanal before an altar to the gods. Artist: Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609-1664 Mantua). Dimensions: sheet: 7 9/16 x 7 in. (19.2 x 17.8 cm). Date: ca. 1645. Museum: Metropolitan Museum of Art, New York, USA.

Classical Figures inLandscape. Artist: Unknown Artist, possibly by: Filippo Matteoni, Italian

Isolated Subject from the Story of Psyche 1527-1537 Italy. Engraving, printed in black, on paper . Master of the Die

Clair-obscur woodcut by Francesco Marcolini depicting Pietro Aretino with a siren, created around 1540-1550 using two plates. The print presents narrative figures with Renaissance chiaroscuro technique.

Illustration for Boccaccio decamerone. Illustration for the Boccaccio decamerone, History lxxxvii. A woman is gearted by a wolf and cry.

On the left under a tree, a poet sits with a book in one hand and a pen in the other. He is looking at a drawing, shown to him by the muse of the scene. At his feet on the ground are a palette, brushes and a painting stick. In the background on the right Pegasus on the Helicon, Poet with his muse Title page for: Hendrik van Huls, The Poems, 1734, print maker: Gerard Melder, intermediary draughtsman: Matthias van der Eyck, (mentioned on object), publisher: Abraham Ambrullaart, (mentioned on object), Leiden, 1734, paper, etching, h 143 mm × w 98 mm

Stefanoni, Pietro, Barocci, Federico, Italy, Schiaminossi, Raffaello, Rest on the Flight into Egypt, verso - stamped, Mary sits with Christ by a stream. Behind her Joseph gives a branch of cherries to Christ. In the background on the right the donkey and in the background a hilly landscape. Dedication in the bottom margin and numbered lower right: 87., print, prints, height 307 mm, width 230 mm, Italian, 1572 - 1622, print maker, printmaker, 1612 - 1612, paper, papier, etching, etsen, Work conception, 1528 - 1612-09-30, after a design by, Publication (Event), Publication, 1589 - 1627, publisher, uitgever

Adam and Eve before the Tree of Knowledge. Dated: 1604. Dimensions: plate: 27.5 x 19.9 cm (10 13/16 x 7 13/16 in.) sheet: 29.4 x 22.4 cm (11 9/16 x 8 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jan Pietersz Saenredam after Abraham Bloemaert.

Vatican City, Clement VIII, Italy, Muziano, Girolamo, Villamena, Francesco, Rest on the Flight into Egypt, verso - stamped, At the foot of a tree sits Mary with the Christ Child on her lap. Behind her the young John the Baptist and his mother Elizabeth. On the right Joseph with the donkey. Dedication in lower margin., print, prints, height 205 mm, width 146 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1597 - 1597, paper, papier, engraving, engraving (printing process), 1528 - 1592-04-27, intermediary draughtsman, after a drawing by, 1536 - 1605, granter of privilege

Table of virtues and vices of antiquity: Pan (Dutuit 36) Cornelis II Bloemaert, said the young person (1603-1692). Table of virtues and vices of antiquity: Pan (Dutuit 36). Burin, 1630-1633. Museum of Fine Arts of the city of Paris, small palace.

Italy, Tempesta, Antonio, Flight into Egypt, verso - stamped, The Holy Family in a landscape. Mary and the Christ Child are seated on a donkey. Joseph walks beside the donkey. Four putti are floating above., print, prints, height 247 mm, width 190 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings

Weigel, Christoph, Luyken, Jan, Tobias catches the big fish, verso - stamped, print, prints, height 251 mm, width 201 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

The autumn; The four Seasons. A boy and a girl harvest fruit in the presence of a goat and a boar. The boy picks grapes, the girl wears a basket with pears.

. A Sater and a woman's figure in a landscape cover the eyes against light from the rising sun. The Sater leans leaning against a stone with a Haut relief on it. Print of part 2 of a series of prints with symbols, in total consisting of three parts with 23, 17 and 20 prints respectively.

The bow testifies to his status as god of archery, the lyre to his patronage of the arts : his halo identifies him as the Roman equivalent of the Greek Sun-god HELIOS.

Imperial court, Dürer, Albrecht, unknown, Sadeler, Aegidius, Virgin and child in a landscape, verso lower left - stamped, Virgin and child on her lap. In the background a mountain landscape with an angel announcing the birth of Christ to a group of shepherds. In the foreground various animals., print, prent, prints, prenten, height 346 mm, width 242 mm, South Netherlandish, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Work conception, German, 1471-05-24 - 1528-04-05, after a design by, granter of privilege

The Sacrifice of Isaac 1640-1642 Italy. Etching on ivory laid paper . Pietro Testa

The angel comforts Hagar; The story of Hagar. Hagar is at the foot of a thick tree in a hilly landscape. The angel walks to her. Numbered in the lower left corner as II.

Saint Mary Magdalene. Annibale Carracci (Italy, Bologna, 1560-1609). Italy, 1591. Prints; engravings. Etching and engraving

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