Narrative Scenes in Art

Engravings illustrating mythical and narrative scenes with rich landscapes, capturing emotional interactions and classical storytelling elements.

Louis XIV (King of France), Paris, Swanevelt, Herman van, Landscapes with penitent saints, St. Hieronymus in the wilderness, verso lower left - stamped, In a rocky landscape with trees, Saint Hieronymus sits bent over a book. In his right hand he holds a writing utensil. In front of him lies a skull and an inkwell on a piece of stone. On the rock in front of him lies a cloak and a cardinal's hat. On the right is a cross and in the background two lions face each other., print, prent, prints, prenten, height 250 mm, width 325 mm, Noord-Nederlands, 1604 - 1655, print maker, prentmaker, 1650 - 1655, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publicatie, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

Anonymous after Hendrick Goltzius (Dutch, 1558 - 1617). Mercury Putting Argus to Sleep, ca. 1589. From Metamorphoses. Engraving on wove paper. Plate: 174 mm x 250 mm (6.85 in. x 9.84 in.).

Stefano Benossi, Il n'est plus temps, 1788, stipple engraving on laid paper.

Louis XIV (King of France), Paris, Swanevelt, Herman van, Landscapes with penitent saints, St. Hieronymus in the wilderness, verso lower left - stamped, In a rocky landscape with trees, Saint Hieronymus sits bent over a book. In his right hand he holds a writing utensil. In front of him lies a skull and an inkwell on a piece of stone. On the rock in front of him lies a cloak and a cardinal's hat. On the right is a cross and in the background two lions face each other., print, prent, prints, prenten, height 250 mm, width 325 mm, Noord-Nederlands, 1604 - 1655, print maker, prentmaker, 1650 - 1655, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publicatie, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

Flora honored by the four seasons, Daniel Nikolaus Chodowiecki, 1799 print With a small sketchy landscape in the lower margin. Berlin paper etching Literature. (story of) flora. Seasons of the Year (Esp. Personifications); 'Season', 'The four season of the year' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'. Sacrifice

Moses in a basket on the Nile, Bernard Baron, After Eustache Lesueur, 1720 print print maker: Francepublisher: Paris paper etching / engraving .

Abraham Girardet after Antoine Lebel, Le coup de vent (The Gust of Wind), 1785 Le coup de vent (The Gust of Wind)

Two men have a conversation on the Waterkant, Reinier Vinkeles (I), 1785 print Amsterdam paper etching / engraving night. conversation, dialogue; conversation piece. river bank

Flight intoEgypt. Artist: Stefano Della Bella, Italian, 1610-1664

Narcissus and Echo. Engraving by F. Bartolozzi, 1791, after B. Luti.

Nicolas Ponce after Pierre Antoine Baudouin, Les cerises Les cerises

The Prodigal Son 1781 After Salvator Rosa Italian. The Prodigal Son 353860

Allegorical show with river god and nymph, Jan Punt, 1748 print In the reeds along the banks of a river a river god and a nymph in intimate hug. In the background, a nymph receives a coat of arms from a putto. Four other putti scatter flowers from the air. Amsterdam paper etching / engraving river-gods. Nereids, daughters of Nereus; sea-nymphs. armorial bearing, heraldry

Man teaches two children in the open air, Carl Leberecht Crusius, 1750 - 1779 print With empty text surface at the bottom of the print. Leipzig paper etching garden. education

Mars, Venus and Cupid. Artist: Simone Cantarini (Italian, Pesaro 1612-1648 Verona); After Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice). Dimensions: Sheet: 10 5/16 × 7 7/8 in. (26.2 × 20 cm). Date: ca.1637-1639. Museum: Metropolitan Museum of Art, New York, USA.

Venus gives Aeneas his armor, Pietro Testa, c. 1640 print Venus gives Aeneas the armor that Vulcanus has made for him. A harness hangs on the left in a tree and a shield, helmet and sword are presented to Aeneas by putti. On the right a river god. paper etching Venus hands over the armour to Aeneas. cupids: 'amores', 'amoretti', 'putti'. river personified, 'Fiumi' (Ripa)

Fokke, Simon, Amsterdam, Allegory of painting, verso - stamped, At the foot of a memorial needle sits a woman with a painter's palette and brushes. She leans on a portrait bust and is surrounded by drawing instruments, painting panels and books., print, prints, height 155 mm, width 94 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings, Work conception, after own design by

Landscape with a fountain and Diana and her nymphs, Johannes Glaber, after Gerard de Lairesse, 1685 print An arcadian landscape with a classic Roman fountain. Diana and her nymphs around the fountain. The print is part of a series with biblical, mythological and allegorical representations. print maker: unknownafter painting by: Amsterdampublisher: Amsterdam paper etching companions, nymphs of Diana; 'Ninfe di Diana' (Ripa). (story of) Diana (Artemis). garden fountain. pastorals, Arcadian scenes

Diana visits sleeping Endymion Cintia formosum quem diligit Endimionem / Sopitum spectat, ne videatur amans (title on object) The life of Diana (series title), The goddess Diana floats on a cloud next to the sleeping Endymion. She is trying to kiss him. In the foreground on the left is a sleeping dog., Sleeping, unconsciousness, Diana (Luna) visiting the sleeping Endymion, Giovanni Girolamo Frezza (mentioned on object), 1713, paper, engraving, h 265 mm × w 211 mm

Emmanuel Jean Nepomucène de Ghendt after Pierre Antoine Baudouin, La nuit La nuit

Schwerins death , in Battle Bey Prague the th May , Schwerins death in the Battle of Prague at Prague on May , Nussbiegel , after, Johann Christoph Frisch -, Peinstre

Water, Louis Desplaces, after Nicolas Lancret, c. 1732 print Company on the banks of a river. A man holds a landing net in his hand. On the left a sitting woman with rod. print maker: Parispublisher: ParisFrance paper etching / engraving fishing (sports). fishing net. water (one of the four elements)

Graanoogst, Giovanni Girolamo Frezza, After Carlo Maratta, 1728 print Landscape with men who are harvesting the grain. Two men with sickles mow the grain. Another man binds the grain in bundles. In the foreground on the left men who rest. print maker: Romeafter design by: Vaticaanstadpublisher: RomeVaticaanstad paper engraving / etching harvest. cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet). farmers. agriculture

Pierre Alexandre Aveline after François Boucher, La Bonne Aventure, 1738 La Bonne Aventure

This circa 1850 copper engraving and etching by Moritz von Schwind illustrates Friedrich Schiller's 'The Count of Habsburg', showing figures, historical setting, and narrative elements.

Narcissus and Echo, Jan van Orley, 1685 - 1735 print The Jager Narcissus is located at the waterfront and looks at his own mirror image. Next to him are dogs and his arrow and arches. In the background hidden between the trees, the nymph ultrasound leans on a rock. Brussels paper etching / engraving Narcissus, gazing in a fountain, falls in love with his own reflection; possibly the nymph Echo peeps at the scene

BACCHANAAL, Jean Daullé, AFTER LE NAIN, 1759 print Paris paper engraving / etching bacchanal: Bacchus with his wine-flushed train (thiasos)

A child and a satyr child playing with a goat ca. 1657 Stefano della Bella Italian. A child and a satyr child playing with a goat 376274

Apollo in Daphne, Anonymous, Jean Lepautre, 1658 - 1709 print paper etching Apollo pursuing the nymph Daphne (as yet not metamorphosed)

Tobias and the angel traveling, c. 1610 - c. 1630 print Night landscape with Tobias and Archangel Raphael on the left. Tobias keeps fish in his hands and walks, arm in arm with Raphael, along a river. paper etching Tobias and the angel Raphael travelling, accompanied by Tobias' dog

Death of Petrus de Martelaar. Saint Peter the martyr, also known as the Saint Peter of Verona, is killed on the way to Milan in a landscape by two Cathars. Above two putti float with a palm branch.

Francois Nicolas Martinet, La simple Nature La simple Nature

Adam and Eva at work outside the earth's paradise, Anonymous, After Abraham Bloemaert, c. 1625 - c. 1650 print Adam and Eva and their children Cain and Abel outside paradise. Adam edits the soil with a spade. Eva Spints. Cain and Abel harvest pumpkins. On the right a cat and different birds, left at Eva a cow and a dog. paper engraving / etching Adam engaged in agricultural activities, Eve spinning and usually their children at play

Hermaphroditus en Pan, Bernard Picart, After Nicolas Poussin, 1693 print Hermaphroditus is sleeping on the edge of the lake and is stuck by Pan. Amor flies in the air, who focuses on them. Paris paper etching / engraving (story of) Pan. (story of) Hermaphroditus

Antwerp, Wtenbrouck, Matheus Moysesz. van, The Hague, Moyses van, Man with pumpkin, verso lower left - stamped, A bearded man sits next to a large pumpkin. The man may represent the prophet Jonah (see Jonah 4:6-7) or the man who gathered wild pumpkins for Elisha (see 2 Kings 4:38-41)., print, prints, height 69 mm, width 65 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, paper, engraving, engraving (printing process), Publication (Event), Publication, - 1660, publisher, 1645 - 1660

Ceres a Phytalus, Salvator Rosa, c. 1662 print Phytalus is kneeling on the floor on the left. He receives a fig tree from Ceres as a thank you for his hospitality. On the right two dragons so that Ceres' car is usually drawn. In the middle of three lines of Latin text (Pausanias' 'description of Greece': I, 37, 2). Italy paper etching / drypoint Ceres gives Phytalus the fig-tree

Jupiter in Callisto, Gerard de Lairesse, 1670 print Jupiter approaches the Nymph Callisto in the form of the goddess Diana. Callisto is in the arms of Jupiter under a tree, the two are surrounded by curious putti. Scene from the metamorphoses of Ovidius. paper etching Jupiter, in the guise of Diana, and Callisto. homosexual love - CC - homosexual love between women: lesbianism

Telemachus discovers Philocles in a cave, Simon Fokke, 1775 print Telemachus stands for the cave where Philocles has hidden. Print at the top left marked: Page 245. Amsterdam paper etching (story of) Telemachus. cave, grotto

Golden Age, 1728 Imagination of life during the Golden Age: naked men and women in an idyllic landscape, affectionately, walking, bathing and, fruits. A goat chews on a plant on the already. In the clouds the God Saturn. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving Imagination of life during the Golden Age: naked men and women in an idyllic landscape, affectionately, walking, bathing and, fruits. A goat chews on a plant on the already. In the clouds the God Saturn. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving

Two satyrs and a faun seated to right watching two child satyrs and another satyr with an child on his shoulders dance to left, a round composition, from 'Six animal subjects' (Six sujets d'animaux) ca. 1643-48 Stefano della Bella Italian. Two satyrs and a faun seated to right watching two child satyrs and another satyr with an child on his shoulders dance to left, a round composition, from 'Six animal subjects' (Six sujets d'animaux) 412729

Creation of Adam and Eva, Rudolph Meyer, 1650 print Adam and Eva in paradise, surrounded by animals. Eva is rising from Adam's sleeping body. paper etching creation of man; the Garden of Eden (Genesis 1:26 - 2). dance of Death; Death together with one or more human beings

. Landscape with three shepherds and a woman. They discover an antique sarcophagus with an inscription in Latin: "Et in Arcadia ego". A caption in French in the margin. Below this a caption in Latin and in French.

Mercury and Argus, Jean Pelletier, After Adriaen van de Velde, 1746 - 1780 print paper etching / engraving (story of) Mercury (Hermes). Io as a cow watched by Argus

Young woman in shepherd clothing at a stream, Jacob van der Schley, after Charles-Antoine Coypel, 1745 print A young woman, disguised in shepherd's clothing, washes her feet in a stream and is startled by three men who ask her about an inn. In the background Don Quixote and Sancho. Amsterdam paper etching / engraving taking a bath. landscapes

Telemachus tells Mentor about his love for Antiope, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Telemachus, standing in front of a mentor in a garden or park, tells Mentor, sitting in front of a statue left of him, about his love for anti -peak. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. III. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus. love-affairs of Telemachus. ornament ~ festoon, garland

Diana visits Sleeping Endymion; Cintia Formosum Quem Diligit Endimionem / Sopitum Spectat, Ne Videatur Amans; Diana's life. The goddess Diana floats on a cloud next to the sleeping endymion. She tries to kiss him. There is a sleeping dog in the foreground.

Polyphemus discovers Galatea in the arms of Acis, Anonymous, Jeremias Wolf, 1673 - 1724 print In the lower margin a column German text and a column Latin text. paper etching / engraving Polyphemus, the cyclops, beholding Acis and Galatea. panpipes. herd, flock

Venus in Cupid, Jan Thomas, 1627 - 1678 print Venus is under a tree. In front of her stands Cupido who stretches his bow and aimed to the left. paper etching Venus and Cupid (Cupid not being mere attribute)

Man offers a woman in a garden a flower, Nicolas Dufour (attributed to), after Etienne Jeaurat, c. 1771 print paper etching / engraving cut flowers; nosegay, bunch of flowers. potted plants. couple of lovers

Procris gives Cephalus a hunting dog and a spear, Jean Lepautre, 1628 - 1682 print paper etching Procris gives Cephalus the dog (Laelaps) and the magic spear she received from Diana

Joseph de Longueil after Charles Eisen, Country Dance Country Dance

Atalanta and Hippomenes; Atalanta and Hippomenes, From An Original Drawing or B. Luti. Atalanta and Hippomanes in a landscape with a city and a mountain in the background.

Nymphs fill the cornucopia; Metamorphoses from Ovid. In the background, Hercules is battle with the Acheloüs river god, who adopted the form of a bull. During this fight, Hercules breaks down one of Acheloüs' horns. In the front, Nymphs fill the hearing with fruits and vegetables.

Adoration of the Shepherds 1645-50 Jusepe de Ribera (called Lo Spagnoletto) Spanish. Adoration of the Shepherds 336332

Man and woman in conversation Series of illustrations of Mother Goose (series title), A man and woman have a conversation in the open air. In the background, in a clearing in the forest, five figures are seated around a set table. Further on, chairs are collected and a figure stirs in a large pan. This print was made with a story from 'Tales of Mother Goose - Contes du tems passé de ma mere loye' by Charles Perrault, eating and drinking, tales and fairy tales, Simon Fokke (mentioned on object), Amsterdam, 1754 - 1784, paper, etching, h 173 mm × w 107 mm

AmusementsChampetres. Etcher: Benoît Audran, French, 1698-1772 After: Jean-Antoine Watteau, French, 1684-1721

Death of Petrus de Martelaar, Martino Rota, After Titian, 1530 - 1583 print Saint Peter de Martelaar, also known as the Holy Peter of Verona, is killed by two Cathars on his way to Milan in a landscape. Two putti with a palm branch float above. paper engraving martyrdom, suffering, misfortune, death of St. Peter Martyr

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Classical Scene: Woman, Two Children, one Sheep, Man Reading in Background. Engraving.

Apollo en Daphne, print Apollo pursues the Nymph Daphne because he is in love with her. Daphne begs her father, the river god Peneus in the front, to help her. He ensures that Daphne turns into a laurel tree. This print is part of an album. paper etching Daphne changed into a laurel-tree: while fleeing from Apollo, Daphne is changed into a laurel-tree by her father Peneus (Ovid, Metamorphoses I 548)

Judah and Tamar. Round representation of Judah and Tamar. Tamar in the foreground, dressed as a courtesane. Tamar and Judah can be seen together on the right.

Limeness followed by poverty and despair, Daniel Nikolaus Chodowiecki, 1779 print Brightness is presented as a half -naked young woman with wings on her shoulders, feet, head and hands, chased. She is chased by an ugly woman who squeezes her hands. She is the personification of poverty and despair. paper etching Frivolity. Poverty; 'Povertè', 'Poor of Doni', 'Poor in one who had good ingenuity' (Ripa)

The scene from Henry IV by William Shakespeare (with a fragment of the drama in German). Monogramista M.

Suzanna in de Ouderlingen, Laurent Cars, After Jean-François de Troy, c. 1731 print print maker: Franceafter painting by: Francepublisher: Parispublisher: Paris paper etching / engraving the elders making advances towards Susanna

Lot and his daughters. .

Gideon and the wet sheepskin.

Juli; De twaalf maanden.From a series of twelve prints, the imagination of July. Two farmers have their rake and scooped down to be able to eat and drink. Behind their allows a farmer's pool with two children in front of a farm.

Salmacis and Hermaphroditus. Landscape with salmacis and hermaphroditus in the lake in which salmacis lived. Salmacis, one of Diana's nymphs, fell in love with Hermaphroditus. She climbed him so that their bodies will melt. Hermaphroditus tries to withstand her hugs. Scene from the fourth book of the metamorphoses of Ovid. In the margin a four-line caption, in two columns, and a caption with an assignment, in Latin.

Summer, Anonymous, After Jacopo Amigoni, 1705 - 1775 print A few with chickens in a cage and a bundle of grain in a landscape. Presentation of the summer. Fresh in German and Latin in STUDMARGE. Numbered in the middle: no. 77. Italy paper etching summer landscape; landscape symbolizing summer (the four seasons of the year). summer ~ human activities (the four seasons of the year)

Salomon Gessner, Girl Carrying a Basket of Fruit, 1770 Girl Carrying a Basket of Fruit

Herders in Arcadia, Simon François Ravenet (The Old), After John Hamilton Mortimer, After Nicolas Poussin, 1763 print London paper etching / engraving 'And in Arcadia I am'

Jacob and Rachel. August Richter; German, 1801-1873. Date: 1832. Dimensions: 177 × 249 mm. Graphite with stumping, and additions in pen and brush and brown ink, on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Kneeling girl crowned by Amor on Pedestal, Anonymous, After Jean-Baptiste Greuze, c. 1771 print Numbered at the top right: 119. paper etching / engraving kneeling figure. (story of) Cupid, Amor (Eros). cupids: 'amores', 'amoretti', 'putti'

Adam and Eve at left, as an elderly couple, mourning over the corpse of Abel who lies in front of them as Cain disappears in the distance at right 1743-63 Pietro Monaco. Adam and Eve at left, as an elderly couple, mourning over the corpse of Abel who lies in front of them as Cain disappears in the distance at right. After Johann Liss (German, Oldenburg ca. 1595/1600-1631 Verona). 1743-63. Etching. Prints

The Culte du Démon (The Cult of the Demon), from Les Sacrifices (The Sacrifices) ca. 1625 Jacques Callot French. The Culte du Démon (The Cult of the Demon), from Les Sacrifices (The Sacrifices). Les Sacrifices. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1625. Etching. Prints

Pamper from Adam and Eva from Paradise, François Chéreau (I), After Domenichino, 1709 print France paper engraving / etching expulsion of Adam and Eve from paradise (Genesis 3:22-24). beasts of prey, predatory animals: lion - FF - fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa). horse. sheep

Paris, Duchange, Gaspard, Carracci, Annibale, Picart, Bernard, Toilet of Venus, verso - stamped, Venus, seated in her chariot, is attended to by the Three Graces. One of them holds up a mirror before her. A putto strews roses over Venus. On the right a fountain and in the background a landscape. At the bottom in the margin explanatory verses in French., print, prent, prints, prenten, height 502 mm, width 563 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1702 - 1702, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), Italian, 1560-11-03 - 1609-07-15, after, after a painting by, Publication (Event), Publication, 1662-04 - 1757-01-06, publisher

Geroldus according to Martin of your Jan Sadeler (1550-1600). Geroldus after Martin de Vos . Burin, 17th century.

Knight embraces a woman while others watch, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving embracing each other, kissing. forest, wood. knight

Caricature of the scuptural group, 'the Laocoön' ca. 1540-45 Attributed to Nicolò Boldrini Italian. Caricature of the scuptural group, 'the Laocoön' 360382

Theseus discovers the weapons of his father. The Greek hero These, seen on the back, lies the stone under which the weapons of his father, king aegeus, are hidden. His mother Aethra watches, next to her a little boy with a torch.

Azië, Anonymous, After Hueber, 1705 - 1775 print Allegory of the continent Asia. In a landscape there is an old man with turban, long pipe and sword for a tree with a cloth. A clerk on the right gives him a cup and saucer. On the right a second servant is seen on the back with a jug. A pyramid in the background. In the lower margin a two -line German and Latin text. Publishing number 7. Augsburg paper etching Asia represented allegorically; 'Asia' (Ripa)

A Fox Attacked by Dogs, 1725, Hunting Scenes with Dogs, plate 3, etching on laid paper, plate: 37.5 x 29.4 cm (14 3/4 x 11 9/16 in.), sheet: 38.2 x 30.2 cm (15 1/16 x 11 7/8 in.), Robert-Dumesnil 1967, no. 3, State iv/iv, Jean-Baptiste Oudry (artist) French, 1686 - 1755, Gabriel Huquier (publisher) French, 1695 - 1772

Etching by Nicolas François Regnault between 1770 and 1810 showing a fountain scene with figures of Amor, incorporating detailed composition and landscape elements.

Death and Cupid shoot each other's arrows and old man makes young wife the court. Death and Cupid have exchanged their arrows ignorant. An old man holds the hand of a young woman, they sit at an open grave. Behind them the death of his arrows of love on them. A monkey with glasses roam the man's exhibition. Cupid uses the deadly arrows of death. A young man who played on his lute has fallen through an arrow in his chest. A candle has almost burned up on a grave. A Latin fresh and the Nedeanland translation declare that death and cupid have exchanged their arrows with the necessary consequences.

After Jean Honoré Fragonard, La fiancee du roi de Garbe La chevalier La fiancee du roi de Garbe: La chevalier

Corydon in a landscape for a temple, Louis Michel Halbou, 1788 print Paris paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Personifications of Groningen and Ommelanden give each other a hand, Reinier Vinkeles (I), After Jacobus Buys, 1793 print The personifications of Groningen and Ommelanden shake hands with each other. In the background, possibly the Martini tower and another church tower. Amsterdam paper etching / engraving shaking hands, 'dextrarum junctio'. personification of a city, town-patron(ess) Groningen. Omelanden

Young men and women dance in a circle, John Keyse Sherwin, 1787 print London paper etching folk dancing (men and women together). flute, aulos, tibia - CC - out of doors

Rinaldo in Armida, Bernard Picart, 1683 - 1733 drawing Possible design for a print. paper. deck paint. ink pen / brush Armida. sitting figure (+ two persons)

Bellerophon has the accident to kill his brother; From the life of Bellerophon. Right Bellerophon with a bow in his hand; His other hand on his forehead. A dog jumps into him. Left lies the dead brother in the grass. At the top a woman floats.

Rocking with a waterfall, Johann Caspar Ulinger, 1713 - 1768 print Switzerland (possibly) paper etching waterfall. rock-formations

Five Putti, Anonymous, After Nicolas Poussin, 1650 - 1700 print France paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'

Artist: Giovanni Domenico Tiepolo, Italian, 1727-1804, Joseph Carrying Jesus in his Arms, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt), Etching, platemark: 18.8 × 24.8 cm (7 3/8 × 9 3/4 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Rinaldo and Armida. Draughtsman: Bernard Picart. Dating: 1683 - 1733. Measurements: d 530 mm. Museum: Rijksmuseum, Amsterdam.

OUDRY, Jean-Baptiste. The forced deer, pl. 2 Jean-Baptiste Oudry (1886-1755). The forced deer, pl. 2. Forte, 1725. Museum of Fine Arts in the city of Paris, small palace.

Fleeing water nymphs. Water nymphs flights for an upcoming army. A sleeping flow god against the reeds.

Sitting woman with book in a landscape, François Boucher, 1713 - 1770 print Numbered in the top left: xx. Numbered at the top right: 11. Numbered below: 165. paper etching adolescent, young woman, maiden. reading

Venationes ferarum, avium, piscium (Hunts of wild animals, birds and fish). Plate 82. Catching birds by night. prints, engravings, works on paper

Triomphe de la Mort: La Mort a préparé une demeure à des abandonnées , Death, Skeletons, Alphonse Legros (1837-1911)

Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968), Robert Blyth, 1750-1784, after John Hamilton Mortimer, 1740-1779, British, 1780, Etching

Duo des Troyens , Queens, Heroes, Romances, Dido Legendary character, Aeneas Legendary character, Berlioz, Hector, 1803-1869. Troyens à Carthage. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

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