Narrative Scenes in Art

Prints capturing dramatic and storytelling moments in historical narratives, often featuring intense emotions and interactions.

Maria Milet sits with several soldiers around a table. Maria kills a soldier with a knife during ce meal. She was probably raped by Spanish soldiers during the capture of Maastricht on 29 June 1579. In the background she is being executed, Maria Milet takes revenge on the soldiers, 1579 Maria Milet, having avenged her virginity, is shot by the soldiers , print maker: Caspar Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1699, paper, etching, h 192 mm × w 150 mm

The rich man and Lazarus. Judge part of a print with Lazarus and the rich man: the rich man at the table.

Maria Milet sits with several soldiers around a table. Maria kills a soldier with a knife during ce meal. She was probably raped by Spanish soldiers during the capture of Maastricht on 29 June 1579. In the background she is being executed, Maria Milet takes revenge on the soldiers, 1579 Maria Milet, having avenged her virginity, is shot by the soldiers , print maker: Caspar Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1699, paper, etching, h 192 mm × w 150 mm

Woodcut by Leonhard Beck from 1517 showing Queen Ehrenreich sending a messenger to Theuerdank in 'Theuerdank'.

Kitchen Scene with a Maid Drawing Poultry, the Parable of the Rich Man and the Poor Lazarus, from Kitchen and Market Scenes with Biblical Scenes in the Background. Artist: Jacob Matham (Netherlandish, Haarlem 1571-1631 Haarlem). Dimensions: sheet: 9 7/16 × 13 1/16 in. (23.9 × 33.1 cm). Date: ca. 1603. Museum: Metropolitan Museum of Art, New York, USA.

Company at a table, Christian Friedrich Fritzsch, After Daniel Nikolaus Chodowiecki, 1736 - 1774 print Three figures are in an interior around a table. The figure in the middle is old and reads something out loud with glasses. On the table are a teapot, cups and cookies. paper etching reading to somebody. eyeglasses, spectacles

Portrait of John Bake, The person portrayed is wearing an order mark on the lapel of his jacket, historical persons ((full) bust portrait), John Bake, Johannes Christiaan d'Arnaud Gerkens (mentioned on object), 1833 - 1892, paper, h 560 mm × w 432 mm

Man pulls lottery tickets from two globes and handles them to two powerful men, Boëtius Adamsz. Bolswert, After Unknown, 1590 - 1633 print Possible allegory on vanity. A man or king is between two globes and puts his arms in the bulbs to draw lots. Two rich and powerful men are on either side awaiting the fate they are assigned. paper etching scenes symbolizing 'Vanitas'. raffle, lottery

Amsterdam, Ratelband, erven J., Philips, Jan Caspar, Title page for: JH Neiner, De nieuw-gesorted uitspreis winkel der hedene wereld, 1735, Facade of a second-hand shop, verso lower right - stamped, The seller of a second-hand shop is talking to a customer. The goods, displayed in the window and on the street, consist of crockery, toys, a spinning wheel, tools, a money chest and on the right a painting and a violin. Above the door hangs a sign with the title in Dutch. In the background a square with a fountain at a city gate., print, engraving, title page, prints, height 140 mm, width 84 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1734 - 1734, second quarter 18th century, paper, etching, etchings, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Reproductions of three engravings: Daniel Mikołaj Chodowiecki (1726-1801), fool feeding with medicine, fool in a bath, fool Rokoszan; Z: "Wędrowiec", 1903, No. 29, p. 574; Wierzbicki B. and S-ka (Warsaw; Zakłady Graphicczne; 1897-1944), Wędrowiec (Warsaw; magazine; 1863-1906); 1903 (1903-00-00-1903-00-00);

Kitchen Scene with a Maid Drawing Poultry, the Parable of the Rich Man and the Poor Lazarus, from Kitchen and Market Scenes with Biblical Scenes in the Background ca. 1603 Jacob Matham. Kitchen Scene with a Maid Drawing Poultry, the Parable of the Rich Man and the Poor Lazarus, from Kitchen and Market Scenes with Biblical Scenes in the Background. Jacob Matham (Netherlandish, Haarlem 1571-1631 Haarlem). ca. 1603. Engraving; first state of two. Prints

Amsterdam, Hoeye, François van den, Barendsz., Dirck, Sadeler, Johann (I), Ita erit et adventvs filii hominis, Sinful humanity before the Last Judgement, verso under - stamped, An elegantly dressed company at a set table. They drink, eat, make music and commit fornication. In the background on the left the Last Judgement with Christ judging humanity. In the background on the right fighting soldiers and burning houses. The print has a Latin caption with explanation., print, prints, height 347 mm, width 444 mm, Work conception, Southern Netherlands, 1550 - 1600-08, after print by, 1601 - 1636, paper, engraving, engraving (printing process), print maker, printmaker, Northern Netherlands, 1534 - 1592-05-26, after design by, Publication (Event), Publication, 1591 - 1636-07-26, publisher

Print left of verse numbered: 13., Kompasmaker Der Compaszmacher , print maker: Caspar Luyken, anonymous, 1711, paper, etching, h 130 mm × w 85 mm

Amsterdam, Bouman, Jan, Hoorn, Jan Claesz ten, Luyken, Title page for: A. de Heid, 't Nieuw- ligt des apotheeks, 1683, Interior of a pharmacy, verso - stamped, print, title page, prints, height 143 mm, width 86 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1683, paper, papier, etching, etchings, Publication (Event), Publication, 1639 - 1715, publisher, uitgever, Dutch

In a Dutch room, a company of three ladies and a gentleman are sitting around a table having tea. On the right in the doorway is a nanny with a small child on her arm. From the ceiling hangs a parrot on a stick. Against the back wall is a display case with showpieces. With a four-line caption in Dutch. Third print in the series: de vier tijden van de dag, Namiddag / L Apresdinee De vier tijden van de dag (series title) Die Manieren und das Leben derer Holländers, des Morgens, Middag, Nachmiddags und Abends (series title)., print maker: Pieter van den Berge, (mentioned on object), Pieter van den Berge, (mentioned on object), printer: Theodorus Danckerts (I), Amsterdam, 1702 - 1726, paper, etching, engraving, h 251 mm × w 161 mm

In a room there is a family to die; The table.

Allegory on the Radkraag as Devil's work, c. 1580 print A young and elegant pair in a workshop where three devils stiff radios or folds manufacture. On the right a devil at a bladder ballg. With two -way caption in Dutch. paper engraving neck-gear: collar. fashion. neck-gear ~ clothing (with NAME) (+ women's clothes). neck-gear ~ clothing (with NAME) (+ men's clothes). human-shaped devil

Pancake Baker, Jan Luyken, wed. Pieter Arentsz, Cornelis van der Sys II, 1711.

Title page for the Hollandsche Mercurius over the year 1679. Title page for the Hollandsche Mercury over the year 1679. Mars is being chained by two angels, Mercury and Peace.

The use of glasses, Gommarus Wouters, After Cornelis Meijer, 1696 print Around a table are six men who try the working method of glasses. Rome paper etching eyeglasses, spectacles. book

Birth of Willem III, 1650. Birth of Willem III on November 14, 1650. Bedroom with the princess in her baby bed surrounded by Hofdames and feeding woman. Fragment of the Great Print about Willem III, Orangien Wonder Miegel (1675).

Mother with child for the fireplace, Jan Luyken, 1712 print Amsterdam paper etching mother and baby or young child. open hearth, fire-place

Ahasveros can be read the chronicles, Philips Galle, After Maarten van Heemskerck, 1564 print Ahasveros is in bed and because he cannot fall asleep, he lets himself be read from the chronicles. The curtain shows how Haman prepares outside the gallows for Mordekai. Haarlem paper engraving Ahasuerus being sleepless, has the court records read to him

Company on a lavish dinner, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing evening meal, dinner, supper. loose company

Tease of the frogs, 1645 - 1646 print The second scourge that God brought about Egypt: a frog plague. A group of people at the table, including pharaoh, with frogs around them everywhere. The print is part of an album. paper letterpress printing the plague of frogs: Aaron stretches out his hand over the water of Egypt; frogs come out and cover the land

Amsterdam, Hardenberg, Jacobus van, Huygen, Jan, Luyken, Meal for the poor, verso middle bottom - stamped, A man invites the poor and the lame to enter his home and sit at a table where food is served to them., print, engraving, book illustration, prints, engravings, height 101 mm, width 85 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1700 - 1700, paper, papier, etching, etsen, Publication (Event), Publicatie, Nederlands, 1649 - 1700, publisher, uitgever, printer, drukker

Belshazzar's Feast. Dimensions: plate: 21.1 x 25.9 cm (8 5/16 x 10 3/16 in.) sheet: 24.6 x 25.9 cm (9 11/16 x 10 3/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Crispijn de Passe I after Maarten de Vos.

Figure 96 of 'Theuerdank' (1517) shows Theuerdank seated on a throne at a table where poisoned dishes are served, illustrating court intrigue and narrative tension in the story.

Buytewech, Willem Pietersz., Blon, Michiel le, Young lady refuses the gifts of an old man, verso - stamped, An old man tries to appease a young lady with the gifts he has laid out for her on a pedestal. He holds one hand on his stick purse, the other hand rests on the lower back of the young lady. The latter turns away from the man steps down and extends her hand to the young man standing next to her., print, prints, height 120 mm, width 82 mm, German, 1587-07-09 - 1656, print maker, printmaker, 1622 - 1622, paper, engraving, engraving (printing process), Work conception, 1592 - 1624

Kregenatelier; Monkey game. A 16th-century laundry for collars, in which people and their actions have been proposed by monkeys. In the space, monkey customers, while collars are washed, dried and set up again.

Italy, Bonasone, Giulio, Amori sdegni et gielosie di Giunone, Love, anger and jealousy of Juno, Gods make chains to pull Jupiter down from the heavens, verso attachment sheet - stamped, Vulcan, Neptune, Minerva and other gods make chains to pull Jupiter down from the heavens, in the forge of Vulcan. Below a four-line verse in Italian. The representation is set in a decorative frame with putti, swans and female figures., print, prints, height 134 mm, width 102 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

. In a room there is a minnent couple by the fire, dressed in fashion of approx. 1620. The man has put his right arm around the shoulders of the lady and touches one of her breasts with his left hand, while the lady looks at him. She is wearing a clot with cleavage and a large raised side collar. The hearth is a cat and the bottom right is prepared by a clerk. Under the image two columns with Latin text. The print is part of a series with prints about the five senses.

In Langengunz, Hesse, the booklet 'Paradyshofken' is taken undamaged from a burning furnace, 1624, print maker: Caspar Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 112 mm × w 156 mm

Alchemist, Philips Galle, after Pieter Bruegel (I), 1595 - 1633 print Family of alchemists at work in a workplace. On the left, a man is melting metal on a stove and a fire is fired with wind balls in the middle. On the right a scholar behind books. Three children escape the chaos by crawling a hatch. In the background you can see how the family is taken care of in a guest house or hospital. Under the show two three -line verses in Latin. Antwerp paper engraving alchemist at work. fire, oven, furnace ~ interior of industrial structure. book - MM - book open. bellows. the poor

New Inventions of Modern Times Nova Reperta, The Discovery of Guaicum as a Cure for Veneral Infection, plate 6 ca. 1600 Jan Collaert I Netherlandish Sixth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of two rooms, each containing different occupants performing diverse tasks. On the left side an elderly man is depicted ill in bed while two men attend to him. On the right side a woman fans the fire, while another one uses a scale to weigh food. In the foreground a man seated on the floor chops logs of wood.. New Inventions of Modern Times Nova Reperta, The Discovery of Guaicum as a Cure for Veneral Infection, plate 6 659697

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Muller, Harmen Jansz, Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi, Parable of the Talents, Man gives talents to his servants, A man at a table gives his money to three servants before he sets off on a journey. He gives five talents to the first. The other two are waiting behind him. A secretary writes down the amounts. In the background the man leaves in his carriage. Below the representation is a reference in Latin to the Bible text in Mat. 25. This print is part of an album., print, album sheet, prints, height 201 mm, width 289 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1585 - 1585, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Print, Feeding mulberry leaves to the silkworms; After Jan van der Straet, called Stradanus (Flemish, 1523-1605); Netherlands; black ink on paper.; 19.7 x 26.9 cm (7 3/4 x 10 9/16 in.)

Bride, from the Dance of Death. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 3 1/16 × 2 5/16 in. (7.7 × 5.8 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: Dance of Death, after Holbein. Date: 1651.The bride's mother on the right hands the young woman a robe and chain, while Death fastens a collar of bones around her neck. Museum: Metropolitan Museum of Art, New York, USA.

A monkey barber's shop. Engraving after P. van der Borcht.

Amor holds an image of a heart; Emblemes d'Amour. Amor shows a woman under a canopy an image of a piered heart arrows. Love does not need words, but deeds. Thirteenth emblem from emblemata amatoria.

Card players, Anonymous, After Cornelis de Vos, 1600 - 1700 print There are three men and a woman at a table. The man on the other side of the table 'lets himself be looked into'. There is a dog in front of the table. print maker: Low Countriesafter painting by: Southern Netherlands paper engraving / etching playing-cards

Willem V takes a seat on the Council of State for the first time, 1763, 1795 - 1797 print Stadholder Willem V, Prince of Orange, takes a seat on the Council of State for the first time on 9 March 1763. Northern Netherlands paper etching national government The Hague

Jozef in prison with the baker and the donor, Pieter Jalhea Furnius, 1572 print Joseph is in prison, chained on a stone. Opposite him are the baker and the donor who tell him their dreams. The dreams are portrayed on the left of the wall. Under the show is a rule of text in Latin, numbered at the bottom right: 5. The print is part of a series of prints about the life of Joseph. paper engraving Joseph interpreting the dreams of the butler and the baker (the two dreams combined). prisoner; in fetters

A young woman carries two pails, and a piece of meat is roasted on a spit. Date: circa 1760

A young woman, half dressed, head turned to the young man on her right, left hand on the chest of the old man on her left. The latter is offering her money: he is holding a stick purse, coins are in front of the young woman on the table. Death stands on the far right behind the old man, an hourglass in his hand. Below the scene a two-line Dutch caption., An old man tries to buy the love of a young woman Unequal love (series title), print maker: Andries Jacobsz. Stock, (possibly), Jacob de Gheyn (II), (mentioned on object), publisher: Hendrick Hondius (I), (mentioned on object), print maker: Netherlands, publisher: The Hague, 1608 - 1612, paper, engraving, h 120 mm × w 139 mm

St. Benedict Subduing the Fire in the Monastery Kitchen. Carracci, Lodovico, 1555-1619. 1667 - 1700. Giovannini, Giacomo-Maria, 1667-1717. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

science philosophy caricature assistant of a philosopher taking leave copper engraving by Jeremias Wolff mid 18th century private collection,

Artist Drawing a Portrait of a Man. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 1/4 x 5 7/8 in. (13.3 x 14.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

The hungry trees, Gerrit de Broen (I) (Possible), after Jan Luyken, in or after 1695 - c. 1740 print A couple welcomes a hungry traveler in their house and gives him food. Through the open door you can see a farmer who works on the land. Under the show a Dutch verse about the works of mercy. Amsterdam paper etching / engraving feeding the hungry, 'esuriens cibatur' ~ one of the (seven) Acts of Mercy

Giovanni Britto after Titian, The Adoration of the Shepherds, c 1532 1533 The Adoration of the Shepherds

Aesculapius as a dragon between the Romans; Aesculapius in Anguem Conersus Romam ADVEhitur; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.aesculapius, in the form of a dragon, arrives in Rome. Title in Latin in undermarge.

Jupiter and Mercury in the house of Philemon and Baucis, Cornelis Galle (I), After Jan van den Hoecke, 1586 - 1650 print Jupiter and Mercury are sitting at the table in the house of the elderly couple Philemon and Baucis. Philemon adds Jupiter wine. Baucis tries to catch a fleeing goose, but Mercury stops her and gives it to recognize the old woman. Southern Netherlands paper engraving Philemon and his wife Baucis hospitably entertain Jupiter and Mercury in travellers' guise; possibly a goose, which they try to kill for the occasion, flies to the visitors for refuge

Hans Schäufelin's 1533 woodcut depicts a figure committing suicide, highlighting posture, surroundings, and human expression.

The Plague La Peste. Raphael, 1483-1520. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Amsterdam, Sichem, Christoffel van (II), Company around a table with a meal, verso center - stamped, print, book illustration, prints, height 112 mm, width 95 mm, Northern Netherlands, 1581 - 1658-07-02, print maker, printmaker, 1581 - 1658, paper, woodcut, letterpress printing

Three beggars and a woman at the table in an inn, Joost Cornelisz Droochloot, 1618 - 1648 print Three beggars sit at the table in an inn. One is accompanied by a woman. There is a bagpipe player on a chair by the window. On the left, a lame dances with another beggar. paper etching beggar. wooden leg. bagpipe, musette

Fabel of the lion, the forest ranger and his daughter; Fables of Aesopus. In the background at the table, the lion asks the forest ranger to hand his daughter. The forest ranger agrees with this, provided that the teeth and nails of the lion will be removed. The toothless lion returns to marry the daughter, but is pushed by the forester. Illustration of a Aesopus Fabul.

Exempel und Lehr Jetziger Welt Lauf. Dated: published 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Andreas Bretschneider III.

Sitting woman looks at herself in a mirror, Jan Luyken, 1733 print A sitting woman looks at herself in a mirror. In addition to her, a man studies the guts of a deceased figure. Behind this, a woman is shot by bundles of celestial light. paper etching looking in the mirror; (possibly: contemplation of own beauty - AA - (for) women). physiology and anatomy (+ scholar, scientist (at work)). light shining out of the heavens

A poet is busy writing the hymns of sage and harp. In front of him on the table are two open books, in his hand he holds a quill. Against the bookcase leans a harp, Poet at Work Title page for: A. Alewyn, Sentence and Harp Songs, print maker: Herman Coets, (mentioned on object), Jan Luyken, Caspar Luyken, Amsterdam, after 1694 - c. 1715, paper, etching, h 203 mm × w 138 mm

Abraham and Hagar, Crispijn van de Passe (I), 1700 - 1750 print Sara spies her husband Abraham and Hager, who sleep together. Sara gave Hagar, her Egyptian servant, to Abraham as a woman because she could not give him offspring herself. In the margin a two -way caption in Dutch. print maker: Utrechtpublisher: Amsterdam paper engraving Sarah brings Hagar to Abraham, who is usually shown lying in bed. Abraham takes Hagar as his wife

The Prodigal Son: The Prodigal Bidding His Parents Farewell. Abraham Bosse (French, 1602-1676). Etching;

A 1523 woodcut by Albrecht Dürer depicting the Last Supper, with the sheet curtailed and remnants from the plate edge visible, showing detailed figures, composition, and early Renaissance print techniques.

Salome brings Herodias's head of John the Baptist; Stories from the Old Testament.

. .

Young man talks about the paintings hanging behind him, print maker: Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys II, 1711.

Title page for the pamphlet: the Ongeerse Pallasch, the Boere Caraffa, and whore box, 1701, Romeyn de Hooghe, 1701 print Table with a bloody Hungarian saber, carafe and a toilet box, above a women's portrait. In the background a battlefield with Hungarian troops and fleeing French. Title is on a separate text sheet Netherlands paper etching / engraving making toilet

Philip Galle after Jan van der Straet, The Vision of Saint Peter The Vision of Saint Peter

Antwerp, Galle, Philips, Vos, Maerten de, Collaert, Jan (II), Decalogvs cvm acerbissimis, Tien Geboden, David en Bathsheba: het negende Gebod, verso middle bottom - stamped, King David has a relationship with Bathsheba, the wife of Uriah (2 Samuel 11:1-26). In the background, the prophet Nathan tells David that he will be punished by God because he has violated the ninth Commandment: 'You shall not covet your fellow man's wife'. The print has a Latin caption. The print series depicts the Ten Commandments through scenes from the Old Testament., print, prints, height 191 mm, width 245 mm, South Netherlands (before 1775), 1566 - 1628-05-26, print maker, printmaker, 1585 - 1589, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after design van, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Vignette with inn scene. Draughtsman: Jacob van der Schley. Dating: 1739. Measurements: h 54 mm × w 82 mm. Museum: Rijksmuseum, Amsterdam.

Twelve peasants in a rustic interior with a man looking through a window at upper right ca. 1640-70 Jacques Dassonville. Twelve peasants in a rustic interior with a man looking through a window at upper right. Jacques Dassonville (French, ca. 1619-ca. 1670). ca. 1640-70. Etching. Prints

Allegory at marriage, Johann Sadeler (I), After Frederik Sustris, 1588 - 1595 print Cupido pours water over the hands of a man and woman who are opposite each other. At the rear right in the departure a four -poster bed. On the left through the window you can see a plowing farmer. The print has a Latin caption with a Bible quotation about marriage (Eph. 5). München paper engraving (personifications and symbolic representations of) Love; 'Amore (secondo Seneca)' (Ripa). 'Benevolenza et Unione matrimoniale', 'Concordia maritale' (Ripa). shaking hands, 'dextrarum junctio'. bed with tester. ploughing. (story of) Cupid, Amor (Eros). epistle of Paul to the Ephesians (+ donor(s), supplicant(s), whether or not with patron saint(s)). civil marriage ceremony

The lean kitchen. The lean kitchen. Interior in which a group of skinny people eat at a table mussels. A woman gives a child's breast, a man stirs in a boiler on the fire. At the top right, a lean woman tries to keep a fat man outside the door. With caption of four rules in French and four rules in Dutch and inscription of a rule in Latin. See pendant.

Staatskunde, Philips Galle, After Frans Floris (I), After Marten van Cleve (I), 1574 - 1575 print In the foreground the personification of state science (Police). She has a text board with a list of commandments and warnings. There are political and legal scriptures around her. In the background a church space with a pastor () On a pulpit. The print has a Latin caption and is part of a series of prints about the human ventures. Antwerp paper engraving 'Politica' (Ripa). functionaries and dignitaries (with NAME) ~ Protestant churches. litigation, legal proceedings, lawsuit

Parable of the workers in the Wijngaard, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing at the end of the day the lord pays all the labourers equally; those that worked all day object. at the end of the day the lord pays all the labourers equally; those that worked all day object

The speech mans the churches to tolerance. The speech mans the churches to tolerance. The pope, Luther and Calvin are sitting at a table. Two cats sit on the pope's shoulders eating porridge, Luther play on the lute and calvin squeezed orange juice on his veal. On the left kneop a baptist with the fireplace. Above the fireplace a scientific of charitas. In the foreground is a statement of reason (ratio) in the figure of a kitchen maid, to the right at the door, a different kitchen maid that probably persuasifies a deer (a reference to Coornhert). Sineprent on the reform, theme of approximately 1560. In the show several cartouches with texts in German. With a caption of 10 lines in which the representation is explained extensively. German copy to an unknown Dutch original.

Vulcanus makes the armor of Achilles; Thetidis Permotus Precibus Vulcanus Arma Achilli Fabricat; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.Thetis is in the smithe of Vulcanus and asks for a new armor for Achilles. Title in Latin in undermarge.

Tobias lays the heart and liver of the fish on incense; Thobwise; Story of Tobias. Tobias burns the heart and liver of previously caught fish on a bowl of incense in the bedroom. Sara is in bed awaiting the redemption of the demon that had enchanted her. In the gallery next to the departure, the angel Rafaël drains the demon (Tobit 8: 2).

Crowned man on sickbed surrounded by visitors, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing deathbed. visiting the sick; sick person together with others

Grammatica, from The Liberal Arts Georg Pencz German. Grammatica, from The Liberal Arts. The Liberal Arts. Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Engraving. Prints

Visit to the New Mother. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 3/8 × 13 9/16 in. (26.4 × 34.5 cm). Publisher: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris). Series/Portfolio: Marriage in the City(Le Mariage à la ville). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA.

Rome, Palombo, Pietro Paolo, Italy, Bandinelli, Baccio, Vico, Enea, Academy of sculptor Baccio Bandinelli, verso - stamped, In the workshop of Baccio Bandinelli, men and boys of various ages sit drawing at a table and in front of an open fire. The Florentine sculptor held one of the earliest drawing academies in the Cortile del Belvedere in the Vatican. In the foreground, among other things, a sleeping dog, a skeleton, bones and a skull. Against the wall a shelf with books and casts of ancient sculptures., print, prints, height 307 mm, width 476 mm, Italian, 1523 - 1567, print maker, printmaker, 1533 - 1567, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, 1493 - 1560-02-07, after a design by, Publication (Event), Publication, publisher

A confinement showing complete lack of hygiene with people eating and drinking, a child playing, and a dog gnawing a bone, all in the same room in which a baby has just been delivered. From Pliny 'Naturalem Historiam', Frankfurt-am-Main, 1582. Woodcut.

Three farmers by the fireplace, Jan Naning, 1650 - 1699 print Three farmers by the fireplace. The farmer on the left lifts his glass and holds a jug in the other hand, the middle farmer smokes a pipe. Amsterdam paper etching farmers. farm (building) - AA - civic architecture: inside

The month of October, wine drinkers, ca. 1600, 1650 - 1675 print Round show with the month of October. A man and woman drink wine sat at a table, the man is sitting on a wine barrel. Wine is made on the right in the background, approx. 1600. With the sign of the Scorpio. With edge in Latin. Print no. 10 in the series of the twelve months of the year depicted in scenes from popular life. Low Countries paper engraving October and its 'labours'. Scorpio (zodiacal sign of October). drinking. wine production Low Countries

Jacques Callot (1592-1635). "Notre-Dame de l'Annonciade de Florence miracles", "The Queen of Cyprus". Tenth number of a suite of 42 pieces (Lieure 87, Meaume 269). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99595-20 Burin, Gravure

Winter. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 5/16 × 12 15/16 in. (26.2 × 32.8 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: The Four Seasons(Les Quatres Saisons). Date: ca. 1637. Museum: Metropolitan Museum of Art, New York, USA.

Man goes out a candle with a candle trover, Jan Luyken, 1711 print Amsterdam paper etching snuffers. candle

Maximilian I Hearing Mass ca. 1515 Hans Weiditz the Younger. Maximilian I Hearing Mass. Hans Weiditz the Younger (German, Freiburg im Breisgau before 1500-ca. 1536 Strasbourg). ca. 1515. Woodcut. Prints

Girls stored puppet service on the sidewalk, Jan Luyken, 1712 print Amsterdam paper etching / letterpress printing (playing with) dolls (+ variant)

Kwakzalver pulls teeth, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing (barber as) dentist. quack extracting teeth or molars

Paul in Corinth, Johann Sadeler (i), After Joos van Winghe, 1560 - 1600 print Paul in the learning maker of Aquila and Priscilla in Corinth. In the foreground a woman on a spinning wheel. A child stops the yarn. Behind her, Paul is sitting at a table writing one of his letters. Sailing is made in the background. unknown paper engraving Paul in the workshop of Aquila and Priscilla, who may be shown weaving and spinning. spinning (manufacture of yarn). spinning-wheel. spinning (manufacture of yarn) (+ place ~ crafts, industries, agriculture)

Brown ink with colored watercolor by an anonymous artist depicting Landsknechts during a meal, 1522, with a torn windscreen.

Three farmers by the fireplace, Jan Naning, 1650 - 1699 print Three farmers by the fireplace. The farmer on the left lifts his glass and holds a jug in the other hand, the middle farmer smokes a pipe. Amsterdam paper etching farmers. farm (building) - AA - civic architecture: inside

The game to Schenckenschans, 1635-1636; The Vorstelijcke Ravel game to Schenckenschants / Le Ravel des Princes Pour Le Fort De Schentks. Cartoon on the battle for Schenckenschans in the years 1635-1636. Frederik Hendrik and the Cardinal Infant Ferdinand dice to a table around the fort. Here too, the pope, the bishops of Mainz and Cologne, the king of Spain, the emperor, the king of France and Cardinal Richelieu. Victims of the game are the Smokefish and Gulik farmers who are bruising under the table. A separate text sheet is one of the print.

Alwaardij ontvangt Blisil.Miss Miller accuses BLISIL, who versus aldime is doing the story about the fight between Thomas Jones and another man.

Passe, Crispijn van de (I), unknown, Susanna and the Elders, verso under - stamped, Susanna is groped by two elders while bathing. She tries to fend them off. In the background her maids. In the margin a four-line caption, in two columns, in Latin., print, prent, prints, prenten, height 110 mm, width 145 mm, 1564 - 1637, print maker, prentmaker, 1574 - 1637, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, publisher

Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Haarlem, Galle, Philips, History of Tamar and Amnon, Amnon sends Tamar out of the house, verso - stamped, After Amnon has raped his half-sister Tamar, he feels a deep hatred for her and sends her away. Tamar begs him not to send her away, but Amnon, with a pointing gesture, orders his servants to throw her out of the house and to lock the door behind her. A servant clears away the overturned table next to the bed., print, prints, height 203 mm, width 247 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1559 - 1559, paper, papier, engraving, engraving (printing process), Work conception, North Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Human temptation, 1578 print Allegory on the vanity of man. A naked woman (Vanitas) is lying in a four -poster bed, she is viewed by unchastity (Impudicitia), a satater who jets her off and lets a battling shine commuted at her pubic area. Under her feet are attributes of science and martial art. Under her pillow there are earthly riches that fall off the bed and disappear through a hole in the floor. The bed is decorated with warning scenes from the Old Testament: left Solomos idolatry and Delila on the right that Samsons cuts her. On the far left is a man, worldly man (Mundanus Homo), who is exposed to the seductive naked women in the room. Next to him the perishable lust (Peritura Voluptas) and short -lived joy (Brevis Laetitia). On the far right the physical lust (caro), she holds a rope in her hand that is tied to a trap on which the man is standing. The performance is clarified in the Dutch, French and German captions in the margin. paper engraving (Personifications of) 'Vanitas

of 3