Narrative Scenes in Print

Prints depicting dramatic narrative moments, often featuring gatherings or discussions among notable figures, highlighted through expressive gestures.

Rembrandt van Rijn, Dutch (1606-1669), Christ Disputing with the Doctors: a Sketch, 1652, etching and drypoint

Parable of the Royal Wedding, Adam von Bartsch, after Gerbrand van den Eeckhout, after Rembrandt van Rijn, 1782 print paper etching the unworthy guest is dragged out ~ parable of the royal wedding-feast

Rijn, Rembrandt van, Christ and the Scribes: a sketch, verso lower left - stamped, print, prints, Rembrandt.f.1654, lower left, height 125 mm, width 214 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1652, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Seventeenth-century interior with a family and maids ..

Rembrandt van Rijn, Dutch (1606-1669), Christ Disputing with the Doctors: a Sketch, 1652, etching and drypoint

Self -sacrifice of Mayor Pieter Adriaansz. van der Werff, Charles Onkhena, After Gustave Wappers, 1829 - 1886 print paper etching mayor, burgomaster. self-sacrifice, death in the service of a higher purpose Leiden

Crown Prince Archduke Ferdinand in the flooded Rossau on March , Questionable, Ritter, Drawer

Wet Parsons 1785 After Thomas Rowlandson. Wet Parsons. After Thomas Rowlandson (British, London 1757-1827 London). 1785. Etching with aquatint. Prints

Francisco de Goya, Disparate de Carnabal (Carnival Folly), in or after 1816 Disparate de Carnabal (Carnival Folly)

Soldier and monk, James Ensor, drawing, Belgian Art

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Funeral artists with public, Anonymous, Gottfried Engelmann, after Karel du Jardin, 1816 - 1839 print paper performance in the open air (pleasure fair). mule

Sweet is the voice whose powers can move / And call the vagrant heart to love, from "The Dance of Life" September 1, 1817 Thomas Rowlandson. Sweet is the voice whose powers can move / And call the vagrant heart to love, from "The Dance of Life". "The Dance of Life". Thomas Rowlandson (British, London 1757-1827 London). September 1, 1817. Etching; proof before letters. Prints

Collection of Pieter Hasselaer, 1573, 1809 - 1811 print Interior with the capture of Pieter Dirksz. Hasselaer by Spanish soldiers in his mother's house, August 1573. Left Kenau Simonsdochter Hasselaer. The moment when Pieter Dirksz. Hasselaer made himself known when the Spaniards his younger brother Claes Dirksz. wanted to arrest in his place. Presentation in contours. Netherlands paper etching

Study for the Execution of the Sons of Brutus. Date/Period: 1785/1786. Black chalk, with pen and black ink and wash. Width: 584 mm. Height: 416 mm. Author: JACQUES LOUIS DAVID.

Delivery of the keys of the city of Paris to King Louis XVIII, May 3, 1814 Pierre-Fran�ois Legrand. "Delivery of the keys of the city of Paris to King Louis XVIII, May 3, 1814". Drawing.

Auditors to a pastor. Draughtsman: Hendrik Valkenburg (mentioned on object). Dating: 24-Nov-1782. Measurements: h 233 mm × w 300 mm. Museum: Rijksmuseum, Amsterdam.

Red chalk drawing by Christian Wilhelm Ernst Dietrich around 1740-1742 depicting Susanna and the two elders, showing figures, gestures, clothing, and narrative composition.

CAPRICHO 55 - HASTA LA MUERTE - SIGLO XVIII - SANGUINA. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN. OSUNA DUQUESA DE.

The Death of theVirgin. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

A Recital in a Monastery, c. 1791, Domenico Tiepolo, Italian (Venice), Italian (Venice), 1727-1804, 11 1/4 x 16 7/16 in. (28.6 x 41.7 cm) (image)14 7/8 x 20 1/16 in. (37.8 x 51 cm) (sheet)19 3/4 × 23 3/4 in. (50.17 × 60.33 cm) (outer frame), Pen and brown ink, brush and brown wash, over black chalk, Italy, 18th century, Nothing seemed to escape Domenico Tiepolos teasing in the comical drawings he made late in his career. Here he depicted a well-attended performance in the refectory of a monastery. An actor dressed as a Roman soldier takes the stage (a dining table) as an orchestra plays and spectators gather. Tiepolo took aim at the monks boisterous and distracted behavior—chatting, moving about, lifting furniture—during the recital, placing a sign reading SILENSIUM above the noisy scene.

'The Adoration of the Kings', c1480. Artist: Leonardo da Vinci

Dancing bear with supervisor for an inn, in the foreground also a monkey, Pierre Jean Baptiste Leroy, 1806 print paper etching bears (circus performance) (+ dancing ~ festive activities). earning money with monkey

An Unconventional Visit, Robert Isaac Cruikshank, 1789-1856, British, undated, Pen and brown ink and graphite on medium, lightly textured, cream wove paper, Sheet: 8 1/8 × 5 1/8 inches (20.6 × 13 cm), caricature, curtains, dancing, figure study, man, top hat, woman

Smoking and drinking farmers, D. van 's Gravenweert, 1695 drawing parchment (animal material). pencil. chalk drunken brawl (usually peasants fighting in an inn). pavement, terrace in front of inn or restaurant. farmers

Złożenie do grobu. Gambara, Lattanzio (1530-1574), draughtsman, cartoonist, Procaccini, Camillo (1561-1629), draughtsman, cartoonist

Longshoremen , Longshoremen. James McNeill Whistler (1834-1903). Lithographs

Sketch for a composition with several characters Narcisse Diaz de la Pena (1807-1876). Sketch for a composition with several characters. Graphite pencil on paper.

Bliżej Kultury Normand, Charles (1765 1840), Le Sueur, Eustache (1616 1655)

A brown ink drawing with gray-brown washes illustrating the parable of the unworthy wedding guest, from the late 1640s.

General Stuart's Raid to the White House (from Confederate War Etchings). Artist: Adalbert John Volck (American (born Germany), Augsburg 1828-1912 Baltimore, Maryland). Dimensions: Image: 4 3/16 x 7 7/8 in. (10.6 x 20 cm)Sheet: 7 7/8 x 10 7/16 in. (20 x 26.5 cm). Date: 1861-63. Museum: Metropolitan Museum of Art, New York, USA.

Elihu Vedder, Son and Donkey, c 1859 Son and Donkey

Circumcision Van Sichem, Harmen Jansz Muller, After Maarten van Heemskerck, 1585 print Sichem is circumcised. On the right, the just circumcised Chamor, the father of Sichem, is supported by a boy. At the bottom of the margin a reference in Latin to the Bible text in Gen. 34. This print is part of an album. paper engraving Shechem and Hamor propose the circumcision to their fellow-townsmen (+ variant)

A section in the First Chamber, 1887. Sketch for a cartoon in the Dutch spectator of 1887. Pastiche at Rembrandt's painting The anatomical lesson of Dr. Tulip in which heads of members of the first room have been placed. On the right a book: Constitution 1848.

Fruit Stall 1879-1880 United States. Etching and drypoint with foul biting in dark brown ink on ivory laid paper . James McNeill Whistler

Punchinello as a Dressmaker ca. 1800 Giovanni Domenico Tiepolo Italian. Punchinello as a Dressmaker 459936

Postacie w fantazyjnych kostiumach. Menzel, Adolph (1815-1905), graphic artist

Dressing the bride, Hendrik Valkenburg, 1836 - 1896, draughtsman: Hendrik Valkenburg, 1836 - 1896, paper, h 302 mm × w 233 mm

Drawing by Christian Wilhelm Ernst Dietrich depicting Josef and his brothers on dark brown paper using lead, created around 1757.

The Virgin with the Child in her lap is seated at right. Three shepherds kneel at left. Another one behind the group. St. Joseph, ox, and donkey are in the rear. The inn forms the background. Framing lines. Date: 1820-1850. Charcoal, pen and ink, brush and dark brown ink on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

A procession with flag bearers and horses at a gate, Ottoman procession, print maker: Marius Bauer, 1889, paper, etching, h 97 mm - w 186 mm

El ciego de la guitarra (The BlindGuitarist). Artist: Francisco Goya, Spanish, 1746-1828

Papal Audience. Possibly Domenico Pozzi; Italian, 1744-1796. Date: 1764-1796. Dimensions: 182 x 305 mm. Pen and brown ink, with brush and gray-brown wash, over black chalk on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Finding Moses, Moses ter Borch (attributed to), c. 1662 - before 1667, draughtsman: Moses ter Borch, (attributed to), Zwolle, c. 1662 - before 1667, paper, h 210 mm × w 290 mm

Spy's Taken at Greenwich on Easter Monday, George Moutard Woodward, ca. 1760-1809, British, Previously attributed to James Gillray, 1757-1815, British, undated, Pen and ink on thin, slightly textured, cream wove paper, Sheet: 12 7/8 x 15 1/2 inches (32.7 x 39.4 cm), arrested, costume, duke, Easter, feathers, men, spy, women, Greenwich

Francisco de Goya y Lucientes / 'Women Surprised by Soldiers'. 1810 - 1814. Red chalk, Conté crayon on ivory laid paper. Museum: Museo del Prado, Madrid, España.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Francesco I d'Este Drafts a Document that Prevents Individuals from Conspiring Against the State, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 13/16 × 6 3/8 in. (12.3 × 16.2 cm)Plate: 4 3/4 × 6 1/4 in. (12 × 15.9 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are

Interior with standing and sitting figures, 1819 - 1849 Drawing in a frame. Probably a composition sketch for a painting. Leaf 5 Verso from a sketchbook with 36 sheets. paper. pencil interior of the house

Study sheet with two scenes, top: first name couple in 17th century costume, bottom: first name company on the steps of a terrace, first name couple in 17th century costume and first name company on the steps of a terrace., draughtsman: Alexander Schaepkens, 1825 - 1899, paper, h 225 mm × w 194 mm

Dancing bear with supervisor for an inn, in the foreground a monkey between the spectators, Pierre Jean Baptiste Leroy, 1806 print paper etching bears (circus performance) (+ dancing ~ festive activities). earning money with monkey

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Farmhouse at Anrath, Lambert Doomer, 1634 - 1700, draughtsman: Lambert Doomer, 1634 - 1700, paper, pen, brush, h 146 mm × w 185 mm

Drawing by Carl Schindler showing carpenters or soldier life scenes, executed in pencil between 1838 and 1842, focusing on figures, tools, and activities.

The forge , Blacksmiths, Blacksmithing, Forge shops. James McNeill Whistler (1834-1903). Lithographs

The Disciples at Emmaus Made 1763-1764 France. Etching on cream laid paper . Jean Honoré Fragonard

Name of a dey ... wears my bag ... Mouse of Muhammad or I test you ... because I'm fierce like Beudoin. (IT)

Three artists in a seventeenth -century interior, Jean Louis Ernest Meissonier, 1835 - 1891 drawing paper. pencil artist (in general) working from nude model. communal rooms

Count of Albania and his wife at the arms of two attendants before the Bal de l'Opera at Florence, anonymous, 1777, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: anonymous, 1777, paper, h 186 mm × w 170 mm

Promenade à Baden. Date: 1858. Origin: United States. Pencil on off-white wove paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Jaarmarkt, Jan van Goyen, 1651 drawing paper. chalk brush (annual) fair, trade fair. (annual) fair, trade fair

Angel leaves Tobias and his family; Recueil De Quatre-Vingt-Cinq Estampes Originales.The Print is part of an al album.

Francisco de Goya (1746-1828), loyalty (he who doesn't like you will defamate you through Gaek), 1815-1824

A pencil study by Karl Theodor von Piloty around 1872-1873 depicting the 'Monachia' in the New Town Hall in Munich, focusing on architectural details, figure arrangement, and spatial composition.

James McNeill Whistler, Fruit Stall, 1880 Fruit-Stall

Stephen Brought Prisoner to Empress Mathilda, Henry Singleton, 1766-1839, British, undated, Black chalk and gray wash on medium, slightly textured, blued white wove paper, Sheet: 10 1/4 × 15 5/8 inches (26 × 39.7 cm), conflict, gesture, historical subject, men, prisoner, queen (person), royalty, servants, throne, women

Jean Louis Forain, Calvary (second plate), 1902 Calvary (second plate)

Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference and numbering above the performance. Berlin paper etching Literature. deathbed. drunkard. coitus, cohabiting, sexual intercourse. weeping

Dog beggar, Karel Frederik Bombled, 1832 - 1902 print A beggar is sitting on a bench in front of a church portal. His eyes are closed and he seems to rest. A small dog is on the line next to him. There is a charm for the man. paper etching begging bowl. beggar. dog

The furious Hercules shoots an arrow on iole. Hercules points an arrow on Iole, the daughter of the Myceen king Eurystheus. After Hercules had won a shooting competition of the sons of Eurystheus, his price would be iole. But Eurystheus refuses to leave his daughter. Text in Italian in undermarge.

Thomas Worth, Running to a Fire in New York, 1872, wood engraving on paper.

Bliżej Kultury Lingée, Éléonore (CA 1753 1806/1820), Andrea del Sarto (1486 1530)

Man, Two Women, and Child, 19th century, Katsushika Hokusai, Japanese, 1760 - 1849, 5 1/2 × 5 in. (13.97 × 12.7 cm) (sheet), Ink on paper, Japan, 19th century

Ceiling Design, Alexander and the Family of Darius, the Clemency of Alexander, Sala di Alessandro, Palazzo Naldi, Faenza, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over black chalk with unruled border in pen and brown on white laid paper, Alexander, accompanied by officer, enters tent of great king filled with women (and possibly children) imploring his mercy., Italy, Italy, 1803, interiors, Drawing, Drawing

Christ with the disciples at table, Bernard Picart, after Rembrandt van Rijn, 1725, Design for a print., draughtsman: Bernard Picart, Rembrandt van Rijn, 1725, paper, brush, h 107 mm × w 153 mm

Invitation to a Benefit Dinner from Hubert von Herkomer to Thomas Agnew 1877-78 Sir Hubert von Herkomer Herkomer designed this lithographed invitation for an annual London dinner that raised funds for the Artists' General Benevolent Institution for the Relief of Distressed Artists, Their Widows and Orphans. The vignette represents the tragic death of an artist attended by two young children, with a female figure symbolizing Painting sitting by the bedside. Below, Herkomer invites the London art dealer Thomas Agnew to attend the dinner as his guest, then offers him first refusal on a painting ready for the Royal Academy's annual summer exhibition. The work that Herkomer calls "an English subject" must have been "Eventide: A Scene in the Westminster Union," which he showed at the Academy in 1878.. Invitation to a Benefit Dinner from Hubert von Herkomer to Thomas Agnew. Sir Hubert von Herkomer (British, Waal, Bavaria 1849-1914 Budleigh Salterton, Devon). 1877-78. Lithograph with lettering

The Presentation of the Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Simeon, and two companions, stands at right, on steps, extending his arms toward the Child brought by the Virgin. She is followed by Joseph with the two doves. Behind him are two women. In the center of the background is a niche with a rectangular opening through which a landscape is visible. Hanging from the ceiling a lamp bearing the letters: SALVEZZA as a cresting; DEL MONDO O IN / FERNO is written at the wall of the niche. Framing line., Rome, Italy, 1820-1850, Drawing, Drawing

Fish Shop, Venice 1879-80 James McNeill Whistler American. Fish Shop, Venice 365879

Drawing (Italy); Designed by Felice Giani (Italian, 1758-1823); pen and brown ink with brown wash (iron gall ink)

Photo production of the painting Il Miracolo di San Marco by Jacopo Tintoretto. .

Musicians at a tree.

L'heure tendre. prints, lithographs, works on paper

Ink drawing by Andries Both depicting an unknown scene, possibly showing a figure in front of a dish, executed in brown ink.

Allegorical mythological scene, reading, Jurriaan Andriessen, 1752 - 1819, paper, ink, graphite (mineral), brush, h 155 mm × w 177 mm

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Photograph of Jan Matejko's painting Stephen Báthory at Pskov Szubert, Song (1837 1919)

"Pencil and brown pen drawing by Johann Peter Nepomuk Geiger showing a figural composition, possibly depicting a biblical scene with figures and gestures."

The bale scene. Drawing by Fritz von Dardel. Nordic

The Charmers of the Age. Hogarth, William, 1697-1764. 1782. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Woman with Ton in a stable with two cows, Jan Stobbaerts, 1848 - 1879 print On a part of a table with wine prices. paper etching / letterpress printing stall, stable. cow. adult woman. wooden container: barrel, cask, bucket

The guitariste, circa 1900, by Charles Conder. Gift of Sir John Ilott, 1969.

Figures in Antique Dress Grouped About a Pagan Tomb. Artist: Lorenzo Baldiserra Tiepolo (Venice 1736-Madrid 1776). Dimensions: 8 x 12 in. (20.3 x 30.5 cm). Former Attribution: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Date: mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Sketch of five standing men, Bernard Picart, 1683 - 1733, draughtsman: Bernard Picart, 1683 - 1733, paper, pen, h 130 mm × w 170 mm

Announcer in a market square, Gerard ter Borch (II), c. 1630 - 1635, draughtsman: Gerard ter Borch (II), Haarlem, (possibly), c. 1630 - 1635, paper, brush, h 106 mm × w 205 mm

A brown pen and gray lavated drawing depicting a kitchen maid punishing a cavalryman with a fish bite, observed by a guest, executed with graphite pencil on paper with minor brown stains and edge folds.

Street face with sitting man and a woman who sands a kettle, Adrien Joseph Verhoeven-Ball, 1847 print Man sitting on a couch in front of a house, with a dog next to him and a child in a high chair for him. A woman sands a kettle. paper etching / drypoint kitchen-utensils (with NAME). street

Life class , Artists' models, Classrooms, Art education, Drawing. George Bellows (1882-1925). Prints and Drawings

Group of standing persons, seen from the back, Bernard Picart, 1683 - 1733, draughtsman: Bernard Picart, 1683 - 1733, paper, pen, h 118 mm × w 70 mm

Irish Dance 1835-1882 England. Black crayon, with brush and gray and red wash and touches of red pencil, heightened with white gouache, on tan wove paper . Hablot Knight Browne

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