Narrative Scenes in Prints

Engravings portraying narrative scenes from literature and mythology, showcasing interaction between characters in lush, detailed environments.

Coypel, Charles-Antoine, Picart, Bernard, Amsterdam, Don Quixote mistakes a peasant woman for Dulcinea, verso under - stamped, Don Quixote is deceived by Sancho Panza and mistakes a peasant woman for Dulcinea. The peasant woman sits on her donkey and tries to knock him away from her with a branch. In the margin a caption in French., print, book illustration, prints, height 220 mm, width 161 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1732 - 1733, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, French, 1694-07-11 - 1752-04-16

Moses put in a basket on the Nile, Charles Macé (attributed to), after Giovanni Benedetto Castiglione, 1641 - 1665 print print maker: Francepublisher: ParisFrance paper etching / engraving Jochebed makes an ark (or basket) of bulrushes daubed with pitch and puts Moses in it

TuinConcert, Bernard Picart, 1709 print A concert in the open air. On the left are two pairs. At the bottom of the margin verses in French. Paris paper etching / engraving more than one musician with instrument - CC - 'concert champíªtre'. garden

Jacob and Rachel. Christian Ernst Stözel (German, 1792-1837); after August Richter (German, 1803-1884). Date: 1833. Dimensions: 179 × 249 mm (image); 222 × 284 mm (plate); 333 × 506 mm (sheet). Engraving in black on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Christian Ernst Stözel.

Coypel, Charles-Antoine, Picart, Bernard, Amsterdam, Don Quixote mistakes a peasant woman for Dulcinea, verso under - stamped, Don Quixote is deceived by Sancho Panza and mistakes a peasant woman for Dulcinea. The peasant woman sits on her donkey and tries to knock him away from her with a branch. In the margin a caption in French., print, book illustration, prints, height 220 mm, width 161 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1732 - 1733, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, French, 1694-07-11 - 1752-04-16

Landscape with women and putti at statue. A landscape with a group of women and putti around a picture of Venus. Numbered at the bottom right: No. 3.

Hendrik Goudt after Adam Elsheimer, Tobias and the Angel (The Little Tobias), 1608 Tobias and the Angel (The Little Tobias)

William III honored as lord of Friesland, 1328, Anonymous, after Pieter Tanjé, after Louis Fabritius Dubourg, 1749 - 1799 print Count William III on a shield raised and honored as Lord of Friesland, 1328. Netherlands paper etching / engraving new ruler raised on the shield Netherlands

Tuinconcert.A concert in the open air. On the left are two pairs. Bottom in the margin for verses in French.

Pilgrimage to the Island of Cythera. Nicolas Henri Tardieu (French, 1674-1749); after Jean Antoine Watteau (French, 1684-1721). Date: 1733-1735. Dimensions: 545 × 760 mm. Etching and engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Louis Joseph Masquelier after Jean Michel Moreau, Mirabeau arrive aux Champs Élisées, 1792 Mirabeau arrive aux Champs-Élisées

Moses and the daughters of Reüel (Jetro) at the Put, Simon Henri Thomassin, after Charles Le Brun, 1709 print On the right, Moses comes to the rescue of the seven daughters of Reüel (Jetro) and drives the shepherds at the well. Reüel's cattle in the background drinks from the well. print maker: ParisParisafter painting by: Francepublisher: Paris paper etching / engraving Moses drives away the shepherds who wanted to prevent Jethro's daughters from watering their father's flock. cattle. well

The Death - Fox Hunting - A Landscape Scene 1787 Thomas Rowlandson British. The Death - Fox Hunting - A Landscape Scene 407360

The adventures of Mambrino's helmet , Horses, Jousting, Quixote, Don Fictitious character, Cervantes Saavedra, Miguel de, 1547-1616. Don Quixote. William Hogarth (1697-1764). Prints

Wedding of Cloris and Roosje, Pieter Tanjé, After Cornelis Troost, 1752 - 1761 print Cloris and Roosje dance at their wedding. On the increase two violin players, whose woman lifts the glass. On the right the partygoers and a man who gives a speech from a ton. Scene from the singing game the wedding of Cloris and Roosje. Amsterdam paper etching / engraving dancing at wedding feast - DD - out of doors. violin, fiddle

Simon Francois Ravenet I and Victor Marie Picot after William Hogarth, The Pool of Bethesda, 1772 The Pool of Bethesda

Titus Manlius Torquatus lets his son behead, Ludwig Gottlieb Portman, after Jacobus Buys, 1794 print The son of Titus Manlius Torquatus ignores the command of his father not to fight with the enemy. To show the army that he is a commander and his son subordinate leaves Titus Manlius Torquatus his son. The executioner is about to shake off the boy's head with his ax. Amsterdam paper Torquatus has his son beheaded because he has fought an enemy in single combat against the strict orders of his father

Tobias and the angel at a river. Tobias and the angel Rafael cross a river. A dog follows them. In Tobias' hands a large fish. Tobias will use the fish to heal its fathers blindness later. In the background a shepherd and his herd. The print has a Latin caption. To a painting by Adam Elsheimer

Etching by Johann Elias Ridinger showing suspended relays, a technique in hunting depicting the exchange or pause of hunting dogs during a hunt, with precise animal and equipment details.

Bliżej Kultury Falck, Jeremias (ca 1610 1677), Bloemaert, Abraham (1566 1651)

French crown, Watteau, Jean Antoine, France, Audran, Benoît (II), Bon voyage, Afvarende Reizigers, verso - stamped, print, prints, height 208 mm, width 243 mm, 1698 - 1772-01-09, print maker, printmaker, 1708 - 1772, paper, papier, etching, etchings, French, 1684-10-10 - 1721-07-18, after, after painting by, granter of privilege

Saenredam, Jan, work, Foolish virgins dance, (1000 - 2003), copper engraving, graphics, leaf width 36.7 cm, leaf height 26.7 cm

Marco Ricci, Landscape with Classical Ruins, 1720s Landscape with Classical Ruins

A gray feather drawing by Johann Heinrich Tischbein depicting Armin placing Roman trophies on an oak tree after the Battle of the Teutoburg Forest, created after 1767.

Crying woman in an army camp, Reinier Vinkeles (I), 1781 print Amsterdam paper etching / engraving weeping. (military) camp with tents

. Jungle with Indian temples and fakirs that chesting herself in various ways. There are numbers that belong to the legend. In the margin the legend in French.

Willem III lands on the English coast, 1688; Syn Kon: Hoogheyt Lant to Exmouth Bay den 15 November: 1688; Englants Schoules Distributing the Glorieuse voids with the croons of William III and Maria II to King and Queen of Great Brittany and Vrankryk and Yrlant, etc. II part .. Prince Willem III comes to land at Exmouth Bay in England, November 15, 1688. Plate D In 'Engeants spectreous' series over the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French.

Young monkeys playing on the seesaw and climbing a tree in the forest Part of a series consisting of a title print and plates depicting monkeys as people in various scenes of everyday life The print has a two-line verse in Dutch, Apen op een wip en in een boom Apenspel in de wereld 't Aapenspel in de Werelt , print maker: Leonard Schenk, (possibly), print maker: Matthijs Pool, (possibly), publisher: Leonard Schenk, (mentioned on object), Amsterdam, 1720 - 1767, paper, etching, h 164 mm × w 194 mm

Diana turns Actaeon into a deer, Jean Charles Le Vasseur, After De Troy, 1749 - 1816 print With three -faced caption in French. Paris paper etching / engraving hoofed animals: deer. Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

A number of deceased philosophers and writers discuss with each other, Bernard Picart, 1727 print Allegorical representation with deceased philosophers and writers who argue with each other in the Elysium. On the left in the foreground the Greek Lierdichter Anakreon in conversation with Aristotle. In the middle Homer and Aesop, Alexander the Great and the Courtisane Phryne. In the background even more historical figures. In the margin a three -faced caption in French. Amsterdam paper etching / engraving Elysium, Elysian Fields; Islands of the Blessed. debate, discussion (~ meeting)

Untitled. Date/Period: 1701/1733. Author: UNKNOWN.

Mord on Floris v, Pieter Tanjé, AFTER Louisi FAIIUS Dubbourg, 1747 - 1759 print Floris V murdered by Gerard van Velzen, 26 June 1296. The count who is tied up on his horse is killed with a sword by Gerard van Velzen. Amsterdam paper etching / engraving violent death, being killed; being mishandled and maltreated; seeking death

Jacob Prostrates Himself before Esau, after Etienne Jeaurat 1744 Michel Aubert. Jacob Prostrates Himself before Esau, after Etienne Jeaurat. Michel Aubert (French, 1700-1757 Paris). 1744. Etching. Prints

DRUSUS Subjects Germania; entry from Ferdinand in Ghent in 1635 (no. 29); Nomen druso germania fecit / germania à druso subacta; II. Tabula. Germania à DRUSO Subacta. DRUSUS Subjects Germania. The Roman surrender drusus on horseback at the overcome Germanic peoples. With this he deserves the right to wear the germanicu name. Presentation on the rear of the triumph port Arcus Caroli on the Friday market. Leaf no. 29 In a set of 42 plates that illustrate the publication of the description of the arrival of the Cardinal Infant Ferdinand in Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

. A company of two men and two women plays the game Pied de Boeuf. It was originally a child's play where the players put their hands together. In the margin a six-line poem, in two columns, in French.

Men gathering around an ancient relief in a landscape outside Paris with a view of a castle in the distance. Etching by Goyrand.

The guarantors of public bliss / dedicated to the King ... (IT)

Patriotic Refrains (IT)

Corals - an illustration to the poem by Władysław Syrokomla; from: "Kłosy", 1871 (I) 184; Dmochowski, Władysław (1838 or 1841-1913), Zajkowski, Andrzej (1851-1914), Kłosy (Warsaw; magazine; 1865-1890); 1871 (1871-00-00-1871-00-00);

Alexander visiting the tomb of Achilles 1769 Simon Francis Ravenet, the elder. Alexander visiting the tomb of Achilles. Simon Francis Ravenet, the elder (French, 1706-1774). 1769. Engraving. John Boydell (British, Dorrington, Shropshire 1720-1804 London). Prints

Amsterdam, Schenk, Leonard, 't Aapenspel in de Werelt, Apenspel in de wereld, Dansende apen, verso - stamped, Dancing monkeys. Part of a series consisting of a title print with 16 unnumbered plates from ca. 1720 in which monkeys appear as people in all kinds of scenes from daily life. Each print with a two-line verse in the caption., print, prints, Frederik Muller Historical plates, height 165 mm, width 198 mm, Northern Netherlands, 1696-02-26 - 1767-06-11, print maker, printmaker, 1720 - 1720, paper, etching, engraving, engraving (printing process), Publication (Event), Publication, publisher

Artist: Giovanni Domenico Tiepolo, Italian, 1727-1804, The Holy Family Passing Near a Statue, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt), Etching, platemark: 19.1 × 24.6 cm (7 1/2 × 9 11/16 in.), Italian, 18thcentury, Works on Paper -Prints

Winter, A. de, Rubens, Peter Paul, Bolswert, Schelte Adamsz., Landscape with men and women dancing, verso lower left - stamped, print, prints, height 126 mm, width 186 mm, Work conception, Southern Netherlands, 1586 - 1659-12-12, after print by, 1596 - 1709, paper, engraving, engraving (printing process), print maker, printmaker, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Wonderful Fishing, Simon Henri Thomassin, After Rafaël, 1697 - 1741 print paper etching the miraculous draught of fishes (before the Resurrection) on the Lake of Gennesaret (Sea of Galilee); James and John helping to bring in the nets (Luke 5:1-11)

The complicated wedding (print). In a garden for a classic portal there is a man next to his young wife amidst their six sons. Under the show four lines of Dutch text that appoints the relationship between the woman and the boys / gentlemen in the show in the form of a mystery. From the corresponding text printed on a separately leaf becomes clear how the relationships in this Nijmegen family Brakel are exactly.

Meleager gives the head of the Caledonian boar to Atalanta; Metamorphoses from Ovid. Meleager offers his beloved Atalanta the head of the wild boar. He is scared with his left foot. In the front, a figure with a hunting dog blows the hunting horn.

Fokke, Simon, Northern Netherlands, Boniface killed, in the year 755, Boniface murdered near Dokkum, 754, Boniface murdered near Dokkum on 5 June 754., print, picture, historical print, prints, Frederik Muller Historical plates, height 74 mm, width 10 mm, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1750, third quarter 19th century, paper, etching, etchings, Work conception, after own design by

Inauguration of Louis XV Square. June 20, 1763 (IT)

Der General Wolf.... Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Able Doctor, or America Swallowing the Bitter Draught May 1, 1774 Anonymous, British, 18th century British. The Able Doctor, or America Swallowing the Bitter Draught. Anonymous, British, 18th century. May 1, 1774. Engraving. Prints

Augsburg, Hertel, Johann Georg (I), Hueber, Four continents, Europe, verso - stamped, Allegory of the continent Europe. In a landscape, on the left, a man stands with a three-cornered hat next to a cannon. He gives the seated woman on the right a tuber or fruit. Behind her stands a woman with flowers in front of a tent. In the bottom margin a two-line German and Latin text. Publisher number 7., print, ornamental print, prints, ornamental prints, height 308 mm, width 364 mm, print maker, printmaker, 1705 - 1775, paper, etching, etchings, Work conception, after design by, Publication (Event), Publication, 1695 - 1775, publisher

Boerendans, Claude Lorrain, 1635 - 1639 print A company under a tree, two women and a man dancing. paper etching Group Dancing. Outdoor Gathering, 'dés in the countryside'

Alexander and Bucephalus. Artist: Anonymous, French, 17th century. Dimensions: 5 3/4 x 11 1/8 in. (14.6 x 28.3 cm). Former Attribution: Formerly attributed to Johan Carl Loth (German, Munich 1632-1698 Venice). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Festivities at the ruins of the cave of the Nymph Egeria, Jan van Ossbeeck, 1647 - 1655 print A party takes place for and in the ruins of the cave of the Nymph Egeria. A shelter was made with a cloth and a stick. People make music, dance, eat and drink. Tables with chairs have been set up under the remaining barrel vault. Rome paper etching festivities Grotta della Ninfa Egeria

Murder of Floris V, 1296, 1747 - 1759 print Floris V murdered by Gerard van Velzen, 26 June 1296. The count who is tied up on his horse is killed with a sword by Gerard van Velzen. Northern Netherlands paper etching violent death, being killed; being mishandled and maltreated; seeking death Netherlands

Village Festival, Etienne Fessard, After Peter Paul Rubens, 1762 print paper etching / engraving armorial bearing, heraldry. public festivities

The able doctor, or American swallowing the bitter draught , Politics & government, Feeding, Punishment & torture, Violence, Tea, Boston Port Bill, 1774, Britannia Symbolic character, United States, History, Revolution, 1775-1783, Mansfield, William Murray, Earl of, 1705-1793, North, Frederick, Lord, 1732-1792

Lot and His Daughters 1748 France. Joseph-Marie Vien made two etchings of this subject, both in 1748. The first was after his own painted copy of Jean-FranÁois de Troyís 1745 painting. In this second, more personal version of the subject, Vien suppressed the erotic elements of the earlier composition. He brought greater weight and dignity to the subject, showing Lotís seduction by his daughters in a realistic fashion.. Etching on ivory laid paper . Joseph Marie Vien, I

Eve emerges from sleeping Adam's side. Etching by J.E. Ridinger after himself, c. 1750.

Northern Netherlands, Hooghe, Romeyn de, Siege of the City of Haarlem by the Spanish Ao. 1573; and the withdrawal of Captain Kenauw, Kenau Hasselaer on the Haarlem walls, 1573, Kenau Simonsdochter Hasselaer standing in front of a group of armed women with banners with the coats of arms of Haarlem and Vive les Geux on the Haarlem walls during the Spanish siege, 1572-1573., print, history print, prints, Frederik Muller History plates, height 190 mm, width 245 mm, print maker, printmaker, 1700 - 1799, 18th century, paper, etching, etchings, Work conception, 1645-09-10 - 1708-06-15

Moses is found by the daughter of Pharaoh, Augustine Terwest (I), After Paolo Veronese, 1680 - 1690 print Moses is presented to the daughter of Pharaoh, after he has been taken out of the piping basket. One of the guards looks at the empty piping basket. Amsterdam paper etching Moses is pulled out of the water by the servants

Diana bathed with her nymphs, Pieter van den Berge, after Antoine Coypel, c. 1694 - in Or Before 1737 print Diana takes a bath with her nymphs. She is sheltered between rocks by a water and one of the nymphs loosens the straps of her sandal. Another nymph offers her fruit. Diana is wearing her moon moon Diadem on her head. Diana can be seen during the hunt. paper engraving / etching Diana bathing with her nymphs

Meeting between Oranje and Mondragon, 1573; Gy yeast enough, o hero! What Nassau hoped could / had king phlips a heart like that of Mondragon; Scenes from the life of Prince Willem I, 1568-1584. Meeting between Willem van Oranje and Mondragon for an army at Middelburg, 1573. Eleventh vocals.

Discussion between the cake bakers; Adventures of Gargantua and Pantagruel. The Cake bakers from the Lerné region and the land of the Reus Gargantua are engaged in a fierce discussion. The standing baker has raised his bat, the bakery on horseback keeps his whip. The pair is surrounded by figures that scores the scores. In the margin is a line of text in French, lower right: L.1. CH. XXV.

Venice, Leonardis, Jacopo, Carpioni, Giulio (I), Landscape with women and putti by a statue, verso - stamped, A landscape with a group of women and putti around a statue of Venus. Numbered lower right: No. 3., print, prints, height 358 mm, width 491 mm, Italian, 1723 - 1797, print maker, printmaker, 1762 - 1762, paper, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, 1613 - 1679, after, after a painting by, Publication (Event), Publication, publisher

Forward balance, ca. 1600; Soo won / soo reserved. Forward balance, ca. 1600. Drinking and dancing poor farmers and beggars for an inn. With caption of 2 times 4 lines in Dutch.

Boerenfeest for an inn, Jacques-Philippe Le Bas, after David Teniers (II), c. 1747 print Paris paper etching public festivities (+ dancing ~ festive activities). armorial bearing, heraldry

Naval Triumph, or Favors Conferred November 13, 1780 Thomas Rowlandson British. Naval Triumph, or Favors Conferred. Thomas Rowlandson (British, London 1757-1827 London). November 13, 1780. Etching. John Harris (British, ca. 1740-1812). Prints

The Rustic Orpheus. Artist: After Francesco Casanova (Italian, London 1727-1803 Brühl); François Godefroy (French, 1743-1819). Dimensions: Sheet (trimmed): 7 3/8 × 9 3/16 in. (18.8 × 23.3 cm). Date: late 18th, early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Tobit and the Angel, Print made by John Smith, 1652-1743, British, after Adam Elsheimer, 1578-1610, German, Published by Alexander Browne, active 1659-1706, British, undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 4 7/8 × 6 3/8 inches (12.4 × 16.2 cm) and Image: 4 1/2 × 6 1/4 inches (11.4 × 15.9 cm), angel, boy, crossing, dog, fish, healing, horse (animal), instructions, livestock, men, Old Testament, reflection, religious and mythological subject, river, staff, stones, traveling, trees

Exposing the adulterous woman and her lover. An adulterous woman and her lover are dropped off by a company in a rowboat on a unwoned island. In the background, the woman buried the young child who got on the island of her lover.

Ablation of a horse Equestrianism (series title), print maker: Johann Elias Ridinger, (mentioned on object), Johann Elias Ridinger, (mentioned on object), Augsburg, 1708 - 1767, paper, etching, h 233 mm × w 346 mm

Cow's urine used as a medical treatment in India: a sick man is held over a cow's hindquarters, so that the cow's urine streams onto his face. Engraving by C. du Bosc after B. Picart, ca. 1730.

View of the Boslaan with the three bridges in front of the Ter Nieuburch house in Rijswijk, 1697, Adriaen Schoonebeek, 1697 print Boslaan with the three bridges with carriages and a large audience in front of the Ter Nieuburch house in Rijswijk. Part of the series of fifteen prints about the Ter Nieuburch house in Rijswijk and the peace negotiations held there. print maker: Amsterdampublisher: The Hague paper etching palace House Ter Nieuburch

Wilhelm Heuer (1786-1886); C.A. Lorentzen (1746-1828), Ulysses of Ithacia, II Act, 9. Scene, Before 1815

. Romulus, left under a canopy, commissiones to rob the daughters of the tabines.

Satire op de schilderkunst en de Franse Academie. Le Triomfe du Vangeur d'Homere (title on object). Draughtsman: anonymous. Draughtsman: Isaac de Moucheron. Dating: c. 1700 - c. 1800. Measurements: h 373 mm × w 551 mm. Museum: Rijksmuseum, Amsterdam.

Mercury changes battus into a stone; Metamorphoses from Ovid. Mercury stole the herd of Apollo. Battus broke his promise to keep this secret on which Mercury changed the liar in a stone. In the margin a four-line caption, in two columns, in Latin.

Romulus and Remus and the foundation of Rome. A priest points to the gods Jupiter and Venus in the clouds above the twins and their parents Faustulus and Acca Larentia. Fondation de Rome. Copperplate engraving by Joseph Stöber after a design by Hubert-François Gravelot from Professor Joseph Rudolf Zappes Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millots Abrege de lHistoire Romaine.

Agitators and pacificers. (IT)

'King Lear', Act V, Scene III, Francis Legat, 1755-1809, British, after James Barry, 1741-1806, Irish, 1792, Engraving on thick, moderately textured, cream, wove paper, Sheet: 21 13/16 × 28 inches (55.4 × 71.1 cm), Plate: 19 7/16 × 25 1/16 inches (49.4 × 63.7 cm), and Image: 16 9/16 × 23 5/16 inches (42.1 × 59.2 cm)

Dorpsfeest, Jacques-Philippe le Bas, After David Teniers (II), 1751 print Numbered bottom left: no 60. Paris paper etching / engraving public festivities. village square, place

Dauberval and Mademoiselle Allard dancing in a forest, Jean-Baptiste Tilliard, After Louis de Carmontelle, c. 1750 - 1797 print Man and woman dancing in a landscape print maker: Franceafter drawing by: Francepublisher: Parispublisher: Paris paper etching / engraving opera. performance. opera-singer (male). opera-singer (female)

Mistreatment of the corpse of pastor P. van den Bosch in Zoetermeer, 1787, Reinier Vinkeles (I), After Jacobus Buys, 1798 print Mistreatment of the corpse of Leiden Remonstrant Patriotse Pastor P. van den Bosch by Oranjeklanten in Zoetermeer, November 1787. Northern Netherlands paper etching / engraving violation of the corpse Zoetermeer

Tableau Vivant with the marriage of Peleus and Thetis; Alius Nascetur Achilles; Displays in the visit of Queen Henrietta Maria van England. Allegorical tableau vivant with the gods meal and the wedding of Peleus and Thetis as parallel to the marriage between Willem II and Maria Stuart in 1641. The Tableau Vivant was performed in the Theaterpoort, founded on Dam Square. At the bottom of the margin two four-line texts in Latin. Print is part of a series about the impressions during the visit of the English Queen Henrietta Maria to Amsterdam from 20 to 22 May 1642.

Cortege of Janus by De Fehrt, A. J. (1723-1774) State Museum Arkhangelskoye Estate, Moscow 1764 Copper engraving 45,1x56,4 France Rococo Mythology, Allegory and Literature Graphic arts

A Moonlit scene depicting the Areopagite judged of Athens, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 8 1605 Willem van Swanenburg Netherlandish This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606.. A Moonlit scene depicting the Areopagite judged of Athens, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 8 650772

Putti study a map at a gun. Another putto signs various geometric figures with a passer. In the background a face on the Italian port city of Genoa.

Mida judgment, Nicolaes Jansz. Clock, after Karel van Mander (I), 1589 print A music competition between Pan, in the middle of the print, and Apollo, on the left under a tree. All gods have been collected to watch the competition. The mountain god Tmolus, seated on a throne, must make a judgment. He prefers Apollo's Lier above Pan's whistle. King Midas, who stands next to Pan,, however, protests. He is cursed by Apollo and must wear donkey ears for the rest of his life. print maker: Haarlemafter design by: Haarlempublisher: Northern Netherlands paper engraving contest between Apollo and Pan with the mountain god Tmolus as judge, i.e. judgement of Midas; Midas often represented with ass's ears

Omnia Vincit Amor. Amor in battle with pan in a landscape. On the right are two nymphs.

Figural (mythological on the terrace, against the background of the mountainous landscape, a group of women's characters (along with the goddess Minerva Strong from gems removed from the chest. unknown

Boniface Milled near Dokkum, 754, 1722 - 1750 print Boniface at Dokkum murdered on 5 June 754. Northern Netherlands paper etching martyrdom, suffering, misfortune, death of St. Boniface Dokkum

Punishment of a sodomite in Roman times. Historical representation of the punishment of a homosexual or sodomite according to the Roman law. A prisoner is led by two guards from prison with a bag over the head. In the foreground a large bag, dog, monkey, snake and rooster that, according to use, were tied together with the prisoner in one bag and drowned. On the right a picture of the flow god of the Tiber. Signature below: B.

Venetian carnival. A partying crowd on the street during the Venetian carnival. Different men and women wear masks. Two-legged Italian verse in undermarge.

Brown ink and gray wash drawing by Cornelis Dusart from 1685 depicting a lively village fair with visible horizontal fold marks.

Washing women and children, Gilles Demarteau, After François Boucher, 1732 - 1776 print Paris paper etching building or outbuilding where laundry is done. laundering

Don Quixote led by love and foolishness. Personifications of love and fools (with a narring stick in her hand) Don Quixote on his horse along unbalanied paths. The windmill in the background sees Don Quixote for a giant.

Putti and Woman with map of the German Empire, Jan Caspar Philips, 1736 print Putti with compass, portrait medallion by Charlemagne and the order chain of the Golden Fleece around a map of (part of) the German Empire. With them is a crowned woman with scepter. On the left is a jug with portrait medallions with rulers of the German Empire. In the middle a bust of a German prince, behind which are two Western Europeans. In the background on a city in a mountain landscape on the water. paper etching / engraving Maps, Atlases. Cupids: 'Amores', 'Amoretti', 'Putti' Germany

Mirabeau arrive aux Champs Élisées. The image shows Mirabeau arriving at the Champs Élisées where he hands a copy of the French Constitution to J.J. Rousseau as Benjamin Franklin reaches to place a wreath on his head. In the background Fenelon, Montesquieu, Voltaire, and Mably come to greet him while Demosthenes and Cicero talk together and Charon uses an oar to push his boat off from shore.

Title page for the Europische Mercury of 1714, 1714 print Title page for the Europische Mercurius, dl. XXV, first part of 1714. Various parties try the statue of the PAX-HISP. to pull her pedestal or to keep it up. print maker: Northern Netherlandspublisher: Amsterdam paper etching piece of sculpture, reproduction of a piece of sculpture (+ destroying a work of art)

Death of James Wolfe during the Battle of Quebec, William Woollett, After Benjamin West, 1776 print London paper etching / engraving violent death by firearms. battle (+ land forces). Native peoples of North America Québec

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