Nature Studies and Ruins

Artworks featuring studies of trees, ruins, and figures in nature. The pieces convey a sense of reflection and simplicity with monochromatic tones and detailed textures.

Ruin in a landscape, Aegidius Sadeler (II), After Roelant Savery, 1597 - 1629 print Ruin with a traveler. In the background an inn. The fourth print of a six -part series with landscapes in Tyrol Prague paper engraving landscape with ruins (+ city(-scape) with figures, staffage). inn, coffee-house, public house, etc. Tyrol

Étude pour 'L'Enfant Prodigue' , Biblical events, Trees, Prodigal son Parable, Alphonse Legros (1837-1911)

Ruin in a landscape, Aegidius Sadeler (II), After Roelant Savery, 1597 - 1629 print Ruin with a traveler. In the background an inn. The fourth print of a six -part series with landscapes in Tyrol Prague paper engraving landscape with ruins (+ city(-scape) with figures, staffage). inn, coffee-house, public house, etc. Tyrol

La liseuse: La lecture sous les arbres , Trees, Alphonse Legros (1837-1911)

. Ruin with a traveler. In the background a inn. The fourth print of a six-part series with landscapes in Tyrol

Jean Baptiste Camille Corot, Little Shepherd, 1st Plate (Le Petit Berger), 1855 Little Shepherd, 1st Plate (Le Petit Berger)

La liseuse: La lecture sous les arbres , Trees, Alphonse Legros (1837-1911)

Sotto a Ponte Lupo a Tivoli. Dated: 1790. Dimensions: plate: 37.2 x 28.1 cm (14 5/8 x 11 1/16 in.) sheet: 49.2 x 39.2 cm (19 3/8 x 15 7/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Wilhelm Mechau.

A California Forest. Mary Nimmo (American, 1842-1899); Thomas Moran (American, born England, 1837-1926). Date: 1888. Dimensions: 297 x 203 mm (image); 325 x 223 mm (plate); 469 x 322 mm (sheet). Etching and roulette on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with the Leviet that the robbed traveler finds, Raphaël Sadeler (II), After Paul Bril, 1594 - 1632 print A forest landscape. In the foreground on the right, the robbed and wounded traveler is found by a Levite. The Leviet walks along the traveler. The priest walks in the background. München paper engraving / etching a priest and/or a Levite passing by without attending to the wounded man ~ parable of the Good Samaritan. forest, wood

Mount Palatine, Sir George Howland Beaumont seventh Baronet, 1753-1827, British, 1783, Graphite and gray wash on moderately thick, slightly textured cream laid paper mounted on card, Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.9 cm), Contemporary drawn border: 8 15/16 x 12 1/16 inches (22.7 x 30.6 cm), and Mount: 14 x 19 7/16 inches (35.6 x 49.4 cm), Grand Tour, landscape, ruins, trees, Monte Palatino, Rome

Study for Three Trees. Artist: John Crome (British, Norwich 1768-1821 Norwich). Dimensions: Sheet: 8 9/16 x 6 7/8 in. (21.8 x 17.5 cm). Date: January 12, 1812.Crome made this drawing to create a soft-ground etching, using it to transfer the image to a printing plate. A leader of the Norwich School (artists based near that Norfolk town who developed a distinctive local landscape style), the artist was one of the first in 19th-century Britain to use etching as an expressive medium, anticipating the later Etching Revival. Museum: Metropolitan Museum of Art, New York, USA.

Two figures in a moored rowing boat on a waterfront, c. 1825 - c. 1829 Page 48 Recto from a sketchbook with 95 sheets. paper. pencil sailing-ship, sailing-boat. landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

Souvenir de la Villa Pamphili 1871 Camille Corot. Souvenir de la Villa Pamphili. Camille Corot (French, Paris 1796-1875 Paris). 1871. Cliché-verre. Prints

Landscape with plank over a river, Alphonse Legros (attributed to), 1847 - 1911 print France paper etching / engraving river. landscape with bridge, viaduct or aqueduct - II - ideal landscapes

Domek na wzgórzu, w głębi mała figurka oracza. Morgenstern, Carl Ernst (1847-1928), graphic artist

Bliżej Kultury Artistic and Literary Circle Publishing House

Banks of the Saint-Pre (Rive du Saint-Pre). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Ker-Xavier Roussel, Woman Seated beside a Pond, lithograph on paper.

A Young Mother at the Entrance of a Wood, original impression 1856, printed in 1921. Jean Baptiste Camille Corot (French, 1796-1875). Cliché-verre; sheet: 36.6 x 28.5 cm (14 7/16 x 11 1/4 in.); image: 34 x 26 cm (13 3/8 x 10 1/4 in.).

Clock tower, from St. James' Park , Parks, Clock towers, Trees. Joseph Pennell (1857-1926). Prints and Drawings

Le petit mendiant , Beggars, Trees, Alphonse Legros (1837-1911)

Bramble and Ivy. Eugène Blery; French, 1805-1887. Date: 1845. Dimensions: 257 × 196 mm (plate); 358 × 274 mm (sheet). Etching and drypoint on ivory wove chine collé on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Top of the Hill (Le haut de la colline). Medium: drypoint and (etching). Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Landscape (with buildings). Alphonse Legros (French, 1837-1911). Etching;

J.P. Moeller (1783-1854), Skovinterioer, (1829)

Souvenir of Italy Made 1866 France. Etching on paper . Jean Baptiste Camille Corot

The Turret Made 1879 England. Etching on zinc printed on cream laid paper . Francis Seymour Haden

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Hilly Landscape with Cows and Shepherds in Foreground. Attributed to Carlo Antonio Tavella; Italian, 1668-1738. Date: 1688-1736. Dimensions: 294 × 198 mm. Pen and iron gall ink on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Le Bac, souvenir des Iles Bezons. 1850. Daubigny, Charles François, 1817-1878. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

St. Jerome beside a Pollard Willow 1648 Rembrandt (Rembrandt van Rijn) Dutch. St. Jerome beside a Pollard Willow. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). 1648. Etching and drypoint; fourth of four states. Prints

"Etching by Jean Jacques Le Veau showing a landscape with fishermen, including boats, water, figures, and natural surroundings from 1750 to 1786."

Sappho 1871 France. Transfer lithograph printed in reddish-brown on cream China paper laid down on white wove paper . Jean Baptiste Camille Corot

Man with a Walking Stick by a Waterfall, Man by a Waterfall, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, intermediary draughtsman: F. Bosch, Vaassen, 1834 - 1835, paper, etching, h 135 mm × w 218 mm

Landscape with church tower, Ernst Willem Jan Bagelaar, 1798 - 1837 print Netherlands paper etching / drypoint landscapes in the temperate zone

The Wayside Inn - Oaks in Spring (Sudbury, Massachusetts). Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 10 1/8 x 7 7/8 in. (25.7 x 20 cm)Sheet: 15 7/16 x 11 3/16 in. (39.2 x 28.4 cm). Date: 1926. Museum: Metropolitan Museum of Art, New York, USA.

Winnegance Willows. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 10 1/8 × 12 7/8 in. (25.7 × 32.7 cm)Plate: 8 3/16 × 10 13/16 in. (20.8 × 27.5 cm). Date: 1900-1925. Museum: Metropolitan Museum of Art, New York, USA.

Peasant Washing Her Feet (Paysanne se lavant les pieds). Dated: 1860. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Rotterdam, Plattner, Lodewijk, unknown, Petit, Siméon Joseph, Tree in landscape, A tree in a landscape with a blunt church tower in the background on the right (possibly from Rotterdam)., print, prints, height 423 mm, width 349 mm, Northern Netherlands, 1752 - 1814-02-02, print maker, printmaker, 1809 - 1809, paper, papier, lithography (technique), maker, manufacturer, German, 1767 - 1842, printer

Etching by Giovanni Francesco Grimaldi depicting a landscape with the Flight into Egypt, produced between 1630 and 1680.

Drawing woman and lying man in a landscape, Joseph Israëls, 1834 - 1911 drawing paper. ink. pencil pen draughtsman at work - CC - out of doors

La Bucheronne. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1874. Prints; etchings. Etching

Autumn afternoon, Easthampton , Trees, Cemeteries. Childe Hassam (1859-1935). Prints and Drawings

Pater; Schadow, Albert Dietrich (1797-1869); 1821 (1821-00-00-1821-00-00);Berlin - Kolekcj, Berlin - Kolekcja, Library of the Royal Academy of Arts, Prater, Schadow, Teka Schadow I

Carl Wilhelm Weisbrod created an etching in 1775 showing people returning to a rural farm with animals and buildings.

The Monarch. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 24 3/4 × 18 1/8 in. (62.8 × 46 cm)Plate: 21 5/8 × 15 5/8 in. (55 × 39.7 cm). Date: 1909-1925. Museum: Metropolitan Museum of Art, New York, USA.

Etching and copper engraving by Reinier Vinkeles depicting destroyed houses at the Gracht Rapenburg in Leiden following the 1807 catastrophe.

Garden view with decorations, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. pencil brush garden

Trees at a fence. Draughtsman: Gerard ter Borch (I) (mentioned on object). Dating: c. 1620 - c. 1625. Place: Zwolle. Measurements: h 198 mm × w 153 mm. Museum: Rijksmuseum, Amsterdam.

Hohenlinden, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, engraver's proof, touched

Souvenir of Fampoux (Souvenir de Fampoux). Dated: 1854. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Camille Corot.

Albert Christoph Dies, Ponte Lupo a Tivoli, 1792 Ponte Lupo a Tivoli

Rembrandt van Rijn, Sheet with Two Studies a Tree, and the Upper Part of a Head of the Artist Wearing a Velvet Cap, c 1642 Sheet with Two Studies: a Tree, and the Upper Part of a Head of the Artist Wearing a Velvet Cap

Thomas Moran, A Tower of Cortez, Mexico, 1883, etching on wove paper.

Alphonse Legros, Top of the Hill (Le haut de la colline) Top of the Hill (Le haut de la colline)

Swan and Iris (Sketch after Cecil Lawson's "Swan and Iris") 1883 James McNeill Whistler American Whistler's etching is based on an unfinished painting by the British landscapist Lawson, a member of the Idyllists. The tranquil riverscape is composed of a flowering iris in the foreground, and a swan with outstretched wings moving across an expanse of water, perhaps the River Thames, towards a bank in the middle distance. The composition is framed by the wide span of an arched bridge. The print was commissioned as an illustration for a posthumous biography of Lawson written by Edmund Gosse and published in 1883, a copy of which is in the Museum's collection (17.3.2983). Lawson's wife, Constance Lawson, was the elder sister of Whistler's wife-to-be Beatrice Philip Godwin, whom he married in 1888.. Swan and Iris (Sketch after Cecil Lawson's "Swan and Iris") 372601

Pencil drawing by Josef Theurich depicting a Weidling boat, showing boat structure, oars, water, and surrounding landscape, 1859.

Alphonse Legros, In the Forest of Conteville (Dans la foret de Conteville) In the Forest of Conteville (Dans la foret de Conteville)

A Dell, Helmingham Park, Suffolk. David Lucas (England, 1802-1881). England, 1830. Prints; mezzotints. Mezzotint

Le petit juif errant , Tramps, Trees, Wandering Jew, Alphonse Legros (1837-1911)

Titian, design for a picture. Photo reproduction of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 11.

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, ca. 1780, Etching

Sheep by a Statue of Pan, plate five from Paysages Dédiés à M Warelet 1764 Switzerland. This charming etching from a series of mythological landscapes by the German Romantic-era printmaker Gessner suggests the artist was familiar with Claude Gillotís Pan etching on view nearby (see 1969.280). This print depicts a goat fondly raising its horned head toward a herm with a bust of Pan. While the flock of sheep seem uninterested in the moss-covered column, this antiquarian-enthusiast beast is drawn to the bust as if aware of the godís oath to protect all cloven-hoofed creatures. The Roman marble Head of Pan seen nearby is similar to the type of bust that the goat is appraising in the picture.. Etching on cream laid paper . Salomon Gessner

Heuvellandschap with Baadster, Willem Matthias Jan van Dielen, 1815 - 1867 print Netherlands paper etching low hill country. bathing (movement in water) - AA - female human figure

Swan andIris. Artist: James McNeill Whistler, American, 1834-1903

Arthur-Joseph Guéniot (1866-1951). Walker by the water under the trees. Feather. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Le jardinier et la jeune femme , Gardening, Alphonse Legros (1837-1911)

Print made by James T. Willmore, 1800-1863, British, Mercury and Argus, 1841. Etching and line engraving, second state on thick, moderately textured, beige wove paper with cream chine-collé.

Las pod Torgau, ilustracja do cyklu "Friedrich II., von Kugler". Menzel, Adolph (1815-1905), graphic artist, Kretzschmar, Eduard (1807-1858), graphic artist

Abbotsford, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1841, Etching and engraving

Rijn, Rembrandt van, Hieronymus at the pollard willow, verso central, print, prints, Rembrandt f. 1648, lower left, height 178 mm, width 132 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1648, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

South Brent, from Picturesque Selections. James Duffield Harding, (English, 1798-1863); Published by W. Kent and Co. Date: 1860. Dimensions: 283 × 382 mm (image, primary support); 430 × 560 mm (secondary support). Lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Cypress Grove, between 1880 and 1883. Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper.

Shooting a Woodcock 1864 Charles Jacque. Shooting a Woodcock. Charles Jacque (French, Paris 1813-1894 Paris). 1864. Etching. Prints

Alphonse Legros, Tornado (Le typhon), French, 1837 - 1911, drypoint

Thirty-six Peaks of Mount Huang Recollected. Artist: Shitao (Zhu Ruoji) (Chinese, 1642-1707). Culture: China. Dimensions: Image: 81 1/16 x 31 in. (205.9 x 78.7 cm)Overall with mounting: 126 x 38 in. (320 x 96.5 cm)Overall with knobs: 126 x 41 1/2 in. (320 x 105.4 cm). Date: ca. 1705.Among the wide range of styles developed by Shitao is this splattered ink technique, which the artist once described as "ten thousand ugly ink dots." In this monumental work, Shitao re-created the scenery of Yellow Mountain from memory with bold brushstrokes "written" in the robust calligraphic style of Yan Zhenqing (709-785).For Shitao, the ultimate mountain scenery was represented by the incomparable peaks of Mount Huang, the Yellow Mountain in Anhui Province. Here, the artist recalls himself as the tireless traveler searching for exciting scenery; the seal following his signature reads: "I search out all the strange peaks to make designs for my paintings.". Museum: Metropolitan Museum of Art, New York, U

Morning, Crossroads of the Forts de Marlotte. Louis Auguste Lepère; French, 1849-1918. Date: 1889. Dimensions: 233 × 152 mm (image); 281 × 184 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Road between ruins; Roman ruins and coastal landscapes (series 2). A road with ruins on either side. Left hangs on the wall a signboard. For this the silhouets of travelers, one of which is on horseback. Print is part of a series of Roman ruins and coastal landscapes to the prints of Willem van Nieulandt. This series is a copy of the series, who made Claes Jansz Visscher to Van Nieulandt.

Plate 25 from Blatt Baum und Landschafts Studien. Lorenz Ekemann Alesson; Swedish, 1791-1828. Date: 1805-1815. Dimensions: 320 x 230 mm (image); 475 x 320 mm (sheet). Lithograph on paper. Origin: Sweden. Museum: The Chicago Art Institute, Chicago, USA.

Claude Lorrain, Shepherd with Four Goats (Les quatre chèvres), c 1630 1633 Shepherd with Four Goats (Les quatre chèvres)

Alphonse Legros, Souvenir d'Italie, etching and drypoint on wove paper.

This etching and aquatint by Richard Teschner, titled 'Allotted', was executed in 1905, showing detailed composition and tonal variations through etching techniques.

Three figures on a bridge for a house, Hermanus van Brussel, c. 1800 - in or before 1815 print paper etching landscapes in the temperate zone. landscapes with waters, waterscapes, seascapes (in the temperate zone)

La Bourdelle, 1932 print Park face with different birds near a cage that contains two small birds, behind it three women with children at trees, left tools/toys and on the right a hill with a house. paper. printing ink etching / drypoint

Rest along the Banks of the River (Repos au bord de la riviere). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Souvenir de Jura , Sitting, Trees, Alphonse Legros (1837-1911)

Stones; Linke, Paul (1844-1917); 1902 (1902-00-00-1902-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Wrocław (Dolnośląskie Voivodeship)

Shepherd Struggling with a Goat (Berger luttant avec sa chevre). Dated: 1874. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

Rispah, plate 46 from Liber Studiorum Published 1812 England. Etching and engraving in brown on ivory wove paper . Joseph Mallord William Turner

Print, Plate 3, "Suite de douze Pêcheurs et Chasseurs"; Designed by Jean-Baptiste Pillement (French, 1728-1808); France; etching on paper; 39.5 × 28.3 cm (15 9/16 × 11 1/8 in.)

Ex libis Karl Vetter; Štáfl, Otakar (1884-1945); around 1910 (1905-00-00-1915-00-00);

Exodus of the Remonstrant pastors, 1619, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Exercise of the Remonstrant ministers. Stoet van Wagens with Remonstrant pastors who leave after their exile at the Synod of Dordrecht from The Hague to Waalwijk, July 6, 1619. Amsterdam paper etching banishment, exile The Hague. Waalwijk

Monument to Józef Poniatowski's book in Leipzig; around 1840 (1835-00-00-1845-00-00);Leipzig (Germany), Poniatowski, Józef (1763-1813), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), Napoleonic era (1799-1815) , German graphics, Reichenbach-Gerhard (Leipzig), parks (gardens), Poland (culture), monuments, death

Mort dOphélie (Act. IV. Sc. VII) (Death of Ophelia), from Shakespeares Hamlet. Artist: Eugène Delacroix, French, 1798-1863

Etching with light flat tone by Rembrandt van Rijn from 1657 depicting Saint Francis in contemplative posture, showing figure details and spiritual theme.

Landscape with ruin, Jan Baptist Weenix (attributed to), c. 1631 - c. 1659 drawing Netherlands paper. chalk

Vase with flowers for a nich, Bernhard Schreuder, after Jan van Huysum, 1767 - 1780 print Netherlands paper etching flowers in a vase

Rembrandt van Rijn (Dutch, 1606-1669), Sheet with Two Studies: a Tree, and the Upper Part of a Head of the Artist Wearing a Velvet Cap, c. 1642, etching

Angler (Le pêcheur à la ligne), 1877-1878, United Kingdom, by Alphonse Legros. Gift of Mrs Harold Wright, 1965.

SATAN IN PARADISE, BY GUSTAVE DOR. Gustave Dore, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, romanticism, colour, color engraving

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