Nautical Prints and Scenes

Features detailed etchings of sailing ships, harbors, and riverscapes, capturing maritime life and idyllic landscapes from the 17th to 18th centuries.

Rotterdam, Groenewegen, Gerrit, River view, verso - stamped, River view with a rowing boat in the foreground and with some pollard willows on the shore on the left. Various ships in the background., print, prent, prints, height 130 mm, width 170 mm, 1754 - 1826-08-07, print maker, printmaker, 1764 - 1826, paper, papier, etching, etchings, engraving, engraving (printing process)

Harbor with two large sailing ships, 1656 print Haven scene with two large Dutch sailing ships in a setting sun. Netherlands paper etching gulf, bay. harbour. sailing-ship, sailing-boat

River face, Gerrit Groenewegen, 1793 print On the river you can see a barge loaded with tons. On the left is a two -master with an English flag. In the foreground on the left you can see a few people, including a man with a long cloak and a woman whose luggage is brought out of a boat. This print is part of a series of five prints with different sailing ships. paper etching ships (in general)

Rotterdam, Groenewegen, Gerrit, River view, verso - stamped, River view with a rowing boat in the foreground and with some pollard willows on the shore on the left. Various ships in the background., print, prent, prints, height 130 mm, width 170 mm, 1754 - 1826-08-07, print maker, printmaker, 1764 - 1826, paper, papier, etching, etchings, engraving, engraving (printing process)

Sailing ships at sea, Gerrit Groenewegen, 1786.

Artist: Claude Gellée, called Claude Lorrain, French, active Rome, 1604-1682, Seaport with RuinedTower, ca.1638, Etching, 12.7 × 19.1 cm (5 × 7 1/2in.), Made in France, French, 17thcentury, Works on Paper -Prints

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), a hassle that arrives in the port and several boats full of people. Eighth issue of a suite of eight navies. (A. de Vesme 1109 (Refer to 817); Dutuit 110) (Main title), 1639. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Disagnated sailing ship, Reinier Nooms, 1652 print A large sailing ship lying in a rocky bay is dismantled by men. Netherlands paper etching sailing-ship, sailing-boat. building a ship, ship under construction (+ dismantlement of products)

Turbulent Sea with a warship on the right, Anonymous, 1675 - 1711 print Amsterdam paper etching

Renier Zeeman (around 1623-1667). Some river ports n ° 4: View of an estuary with fishermen (Hollstein 107). Eat, 1656. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Six sailing ships on the high seas, Reinier Nooms, 1650 - 1664.

Drawing by Hendrik Meijer showing a winter landscape with ice skaters before a city, executed in pen with gray and black wash.

The sinking of the man-of-war 'Unie' under command of Captain-Treasurer Louis Marie Count van Welderen in the North Sea on October 19, 1782., The sinking of the ship de Unie, 1782 Illustration of the capsizing of the 's land ship of war d'Unie, in the North Sea, which occurred on October 19, 1782, having been commanded by Captain Count van Welderen , print maker: Hendrik R. van Rossen, (mentioned on object), Hendrik R. van Rossen, (mentioned on object), Netherlands, 1782, paper, etching, engraving, h 220 mm × w 323 mm

Arrival of King Jacobus II in France, 1689, 1689 print Arrival of the fled English king Jacobus II at Ambleteuse near Calais on the French coast, January 4, 1689. Plate o In the 'Engelants Schouwtoneel' series about the Glorious Revolution and events from the previous years 1685-1689 (first part). With captions in Dutch and French. Amsterdam paper etching arrival and return ~ travelling Calais. Ambleteuse

View of Several Houses Facing the Port. Dated: probably c. 1654/1655. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

. Seascape in the rain, with different ships and a sloop with six figures. In the background a church tower and a number of trees.

View of Fortifications, from Views of the Port of Livorno. Stefano della Bella; Italian, 1610-1664. Date: 1654-1655. Dimensions: 240 x 352 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various landscapes, naval fight. Fourth issue of a suite of 4 rooms (A. de Vesme 752. Dutuit 78) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Marine Scene with Amsterdam in the Distance, 1701. Ludolf Backhuysen (Dutch, 1631-1708), Ludolf Backhuysen (Dutch, 1631-1708). Etching; sheet: 22.3 x 29.3 cm (8 3/4 x 11 9/16 in.); platemark: 17.8 x 23.5 cm (7 x 9 1/4 in.).

Wide ship or lighter, 1670 - 1726 A wide ship or lighter on the water. The print is part of an album. Amsterdam paper etching / engraving A wide ship or lighter on the water. The print is part of an album. Amsterdam paper etching / engraving

Two men look to be over sailing ships; The vessel.

River landscape, Jurriaan Cootwijck, after Hendrik Kobell, 1771 print River landscape with boats and the bank print maker: Amsterdamafter drawing by: Rotterdam paper river (+ landscape with figures, staffage). river bank (+ landscape with figures, staffage)

Copy in mirror image. Rough sea with four plaice barges, a tjalk-like fishing vessel, Plaice barges Seascapes and pictures of ships (series title), print maker: anonymous, Reinier Nooms, publisher: Bernardus Kleynhens, Netherlands, c. 1730 - 1760, paper, etching, h 128 mm × w 247 mm

Hoeker on Nering, ca. 1725; A double bodied beach or sea Schuyt on the Neeringh / A Double Shore or Sea Boar upon The Herring Fishing Place; Groote Vissery. A double sea hand raises at sea to herring, ca. 1725. Part of the series about herring catch. Printed on the same sheet as no. 8.

Fishing boats at sea and walkers on the shore A third clyner as the painting by A: Storck. , print maker: Carel Frederik Bendorp (I), (mentioned on object), intermediary draughtsman: Jacob van Strij, (mentioned on object), after: Abraham Storck, (mentioned on object), Dordrecht, 1785, paper, etching, h 330 mm × w 409 mm

Rest and supply of a corner for the herring catch, ca. 1725, 1720 - 1730 Resting and supplying a double sea barge for the herring catch, ca. 1725. Part of the series about the herring catch. Printed on the same leaf as No. 7. print maker: Northern Netherlandspublisher: Amsterdam paper etching Resting and supplying a double sea barge for the herring catch, ca. 1725. Part of the series about the herring catch. Printed on the same leaf as No. 7. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Jacques Callot, French (1592-1635), Ship Navigating Near Rocks, etching

. Seascape with three-master and other ships. Left on the beach is a number of figures with a boat. This print is part of a series of six prints with different sailing ships on the water. At the bottom of the margin: 3.

Charging place at River, 1696 print Men load wine barrels on board small moored boats, using a hoist system. Numbered in the top left and top right: 26. print maker: Italyafter design by: Italypublisher: Rome paper etching river. ships (in general)

Whitby, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Mezzotint

Five sailing ships on a rough sea, Sailing ships on rough sea Different seascapes and landscapes (series title), print maker: anonymous, Reinier Nooms, (attributed to), publisher: Pierre Drevet, (mentioned on object), 1650 - 1738, paper, etching, h 125 mm × w 227 mm

Haringvisserij, Mathias de Sallieth, After Hendrik Kobell, 1780 print On September 28, 1295, the herring fishing will be mentioned for the first mention. This performance shows Dutch fishing boats that fish on herring in the 18th century at sea. Rotterdam paper etching sea and coastal fishery North Sea

A large sailing ship lying in a rocky bay, is dismantled by men, Dismantled sailing ship Quelque navieres (series title) Some sailing ships (series title), print maker: Reinier Nooms, (mentioned on object), Reinier Nooms, Netherlands, 1652, paper, etching, h 121 mm × w 207 mm

Zeeslag, Matthieu van Plattenberg, 1617 - 1660 print Seascape with fighting between ships. On the right a sunken ship and survivors in lifeboats. Paris paper etching battle (+ naval force)

Four sailing ships on Stil Water, Gerrit Groenewegen, 1795 print Four sailing ships on silent water. There is a fishing boat with two figures on shore, on the left a fishing net is drying. Next to the fishnet, a man is smoking a pipe and is a figure. This print is part of a series of six prints with different sailing ships on the water. At the bottom of the margin on the right: 6. Rotterdam paper etching ships (in general)

Jacques Callot, The Large Rock, probably c 1630 The Large Rock

Flee from Jacobus after his defeat at De Boyne, 1690; The antler King Jacobus flight, after his defeat by De Revier Boyne in Waterford Uyt Ireland. Ao. 1690; History of revolution in England 1688-1691 in 20 plates. Flight from King James to France on July 12, 1690 after his defeat against the army of Willem III in the Battle of the Boyne. The king goes on board a ship in Waterford. Plate 16 in a series of 20 plates over the Glorious Revolution in England in the years 1688-1691.

Plate Six from Various Embarkments. Stefano della Bella; Italian, 1610-1664. Date: 1630-1664. Dimensions: 69 x 168 mm (image); 73 x 170 mm (sheet, trimmed within platemark). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Views of the Port of Livorno Houses Overlooking a Port Made 1654-1655 Italy. Etching on paper . Stefano della Bella

Shipyard; Thirteen scenes with ships. Copy of a title page of a series of prints by sailor. Shipyard with men at work on the quay and three large sailing ships under construction in the yard. Large flag with text in Latin.

The Shipwreck ca. 1638-41 Claude Lorrain (Claude Gellée) French. The Shipwreck 384340

A drawing by Pierre Ozanne showing a harbor landscape, executed with pen and black brush wash.

Italy, Bella, Stefano della, Ships and harbours, Sea battle, verso - stamped, Seascape with men on sailing ships in battle. On the left a tilting ship. In the centre two sailing ships, smoke rises from one. In the foreground on the right a sloop full of men., print, prent, prints, enten, height 79 mm, width 185 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings

Jetty with rods, Pieter Bout, c. 1664 - c. 1719 print There is a man with a rod on a jetty in the harbor. Another man meets with his rowing boat. Larger ships sail on the other side of the jetty and in the water. On the quay is a car, the driver climbs the stairs from the quay to the jetty. paper etching / engraving harbouring. pier, quay, wharf. angling

No. 71. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

A work by Cornelis de Grient depicting sailing and rowing boats in a storm near a small island with tower ruins, executed in black chalk and watercolor.

Three moored sailing ships, Reinier Nooms, 1650 - 1664 print Three large sailing ships, recorded with ropes on three multi -poles in the water. Netherlands paper etching sailing-ship, sailing-boat. mooring-buoy, bollard

Kobell, Hendrik, Sallieth, Mathias de, Ships off the coast at Harlingen, verso - stamped, View of the coast at Harlingen with various ships., print, prints, height 355 mm, width 441 mm, Czech, Northern Netherlands, 1749 - 1791-11-29, print maker, printmaker, 1779 - 1779, paper, papier, etching, etchings, 1751-09-13 - 1779-08-03

Dutch Ships near the Coast. Dated: early 1650s. Dimensions: overall: 59.4 x 83.5 cm (23 3/8 x 32 7/8 in.) framed: 68.6 x 93.4 x 3.2 cm (27 x 36 3/4 x 1 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Willem van de Velde the Elder.

Port with merchants with cargo; Italian ports; Aliqui Pandus. Port with two merchants in the foreground, to the left of them a dog. To the right of them four foreign merchants at a fountain in the weather with tons. In the background a lookout tower on a hill. Ninth print from a series of twelve with Italian ports.

Copy in mirror image. Two ships at sea. A boyer seen from the side and a galleon from the front., Two ships: a galleon and a boyer A Galioot A Boeyer (title on object), print maker: anonymous, Reinier Nooms, 1652 - 1714, paper, etching, h 121 mm × w 208 mm

Zeilschip, Johan Philipp Aubry, After Anonymous, 1719 print A sailing ship with guns on the speech of a city. The various parts of the ship are literate from B to H. at the top right: Fig. 92. Frankfurt am Main paper etching sailing-ship, sailing-boat

Harbor with a Large Tower (Le Port de mer à la grosse tour). Dated: c. 1641. Dimensions: sheet (trimmed to and within plate mark): 13.2 x 19.8 cm (5 3/16 x 7 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Claude Lorrain.

Artist: Reinier Zeeman, Dutch, 1623-1663, Boats (Schol, Schuytues ofPinckies), Etching, sheet: 11.7 × 23.1 cm (4 5/8 × 9 1/8in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Two three-master for anchor; Peace - hope; Sailing ships. The print is part of a six-part series with performances of different sailing ships.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), maritime landscapes, a sea port. First issue of a suite of 6 pieces (A. de VESME 788. DUTUIT 93) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Harbor on the Sea in Gathering Thunderstorm. Brush and gray ink, gray wash, white bodycolor over graphite pencil. Author: Ludolf Bakhuizen.

View of the eastern part of Amsterdam, seen from the IJ. Ships sail in the foreground, with the outline of Amsterdam in the distance. In the margin the title in Dutch and French with the city's coat of arms in the center. View of the eastern part of Amsterdam, seen from the Y, Amsterdam vers le point de l'Est, prese du TY., print maker: Mathias de Sallieth, (mentioned on object), intermediary draughtsman: Dirk de Jong, (mentioned on object), publisher: Pieter Yver, (mentioned on object), Amsterdam, 1780 - 1787, paper, etching, engraving, h 261 mm × w 356 mm

Amsterdam, Schenk, Pieter (II), Laan, Adolf van der, Zee, Land, en Stroom Lust, Un Smack de Frise, et Ropsil du coté de l'Occident, Een Vriesche Smack, Nevens Ropsijl van 't Westen, A Vriesland Smack, with Ropsyl from the West, Smack on the water, verso - stamped, A smack on the water, behind it a rowing boat. In the distance more ships sail, on the right the shore with buildings. Print is part of a series of prints depicting various ships., print, prints, height 216 mm, width 342 mm, 1690 - 1742-05-09, print maker, printmaker, 1728 - 1761, paper, papier, etching, etchings, Publication (Event), Publication, Noord-Nederlands, 1693-02-15 - 1775-01-14, publisher

Four-Master (Left) and Two Three-Masters Anchored near a Fortified Island with a Lighthouse from The Sailing Vessels 1561-65 After Pieter Bruegel the Elder Netherlandish. Four-Master (Left) and Two Three-Masters Anchored near a Fortified Island with a Lighthouse from The Sailing Vessels 383062 Artist: After Pieter Bruegel the Elder, Netherlandish, Breda () ca. 15251569 Brussels, Artist: Frans Huys, Netherlandish, 15221562, Publisher: Hieronymus Cock, Netherlandish, Antwerp ca. 15101570 Antwerp, Four-Master (Left) and Two Three-Masters Anchored near a Fortified Island with a Lighthouse from The Sailing Vessels, 156165, Engraving; first state of three, sheet: 10 1/4 x 13 1/4 in. (26.1 x 33.7 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1928 (28.4(1))

River view with moored ships, ahead a large sailing ship and a city, River view with moored ships, draughtsman: Martinus Schouman, (mentioned on object), 1780 - 1848, paper, brush, h 310 mm × w 349 mm

Beach face near Scheveningen, Jan van Goyen, 1653 drawing paper. chalk brush beach. sea and coastal fishery Scheveningen

Later's relocation of the ship De Zon in the presence of Prince Willem V and Wilhelmina van Pruisen, Reinier Vinkeles (I), 1768 - 1772 print paper etching / engraving shipyard, shipdock. launching a ship Amsterdam

Four-Master and Two Three-Masters Anchored near a Fortified Island with a Lighthouse, from The Sailing Vessels Made 1560-1562 Flanders. The impressive detail and accuracy of the ships represented in this engraving suggest that Bruegel probably made studies of vessels in the Antwerp harbor. He carefully renders the intricacy of rigging, the geometry of masts, and curved hulls. Bruegelís interest in such vessels belonged to a wider fascination among Antwerp citizens with the shipping trade and naval power that had become so central to the cityís booming economy. Residents of this maritime hub took great pride in the engineering of its ships and the expertise of its sailors and navigators.. Engraving in black on ivory laid paper . Franz Huys

View of the Motława River from the Cow Bridge towards the Fish Market, chart 38 from the series 50 Prospecte von Danzig". Deisch, Matthaeus (1724-1789), graphic artist, Lohrmann, Friedrich Anton (ca 1735-ca 1800), draughtsman, cartoonist

Copper engraving by Pieter Bruegel the Elder showing an armed triad of ships with Daedalus and Icarus flying in the sky, created between 1561 and 1565.

Print made by Pierre Charles Canot, ca. 1710-1777, French, active in Britain, Marine Study No. 3, 1773. Line engraving and etching on moderately thick, moderately textured, cream laid paper.

Boarding of the Petaccio. Dated: 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Two rowboats near a sailing ship anchored in a bay, draughtsman: Willem van de Velde (I), (possibly), 1621 - 1693, parchment (animal material), pen, h 126 mm × w 177 mm

The port of Aden, 1613, 1646 print The ship of Van den Broeck lying for anchor in the port of Aden, August 1613. Part of the illustrations in the report of the trips of Pieter van den Broecke to East Indies, 1605-1640, No. 3. Northern Netherlands paper etching / engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions

Bruegel, Pieter (I), Sailing ships, Sailing ship and sloop with soldiers, verso - stamped, A sailing ship with leeboard full of soldiers. On the right in the foreground a sloop with soldiers. On the left a rowing boat with two figures. On the far left a city., print, prent, prints, prenten, height 227 mm, width 328 mm, print maker, prentmaker, 1600 - 1625, paper, papier, engraving, engraving (printing process), Work conception, South Netherlandish, 1525 - 1569-09-05

Pont with cattle at a fort in a river landscape; Landscapes; Amenissimae Aliquot Requculae. A ferry with a figure and two cows at a fort in a wide river landscape. Originally print of a series of in total sixty prints with landscapes, spread over five parts of each twelve prints.

Sailing ships on open water during a storm A Fresh Gale , print maker: Mathias de Sallieth, (mentioned on object), after: Willem van de Velde, (mentioned on object), 1764 - 1791, paper, etching, h 224 mm × w 265 mm

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Jacques Callot, Ship Navigating Near Rocks Ship Navigating Near Rocks

Costumes and views of China, T.I . Three vessels at L, anchor in the ning po river Simon S., Alexander, William (1767 1816), Department the skin

Winter landscape with a wagon February The twelve months (series title), print maker: Izaak Jansz. de Wit, (mentioned on object), intermediary draughtsman: Jacob Cats (1741-1799), (mentioned on object), Haarlem, 1805 and/or 1807, paper, etching, h 202 mm × w 235 mm

The journey from the English king Charles II over the Thames to Sheerness and Chatham on 27 August 1681. Draughtsman: Willem van de Velde (I). Dating: 27-Aug-1681 - 31-Dec-1681. Measurements: h 160 mm × w 479 mm. Museum: Rijksmuseum, Amsterdam.

Print made by Sir Frank Short, 1857-1945, British, Shipping at the Entrance of the Medway, 1896. Etching with mezzotint printed in brown ink on medium, slightly textured, cream wove paper.

Sailing ships on turbulent water, Johannes Christiaan Schotel, 1816 drawing Sailing ships on turbulent water, with a few figures on the pier in the foreground. paper. watercolor (paint). pencil brush / pen sea (seascape). sailing-ship, sailing-boat

A man in a rowboat on the open sea with a sailing ship in the background. Bottom center: bl. 165. Man in a rowing boat with a sailing ship in the background The lord of couve , print maker: Philippus Velijn, (mentioned on object), after: Johannes Hermanus Koekkoek, (mentioned on object), publisher: G.J.A. Beyerinck, Netherlands, 1830, paper, etching, engraving, h 115 mm × w 75 mm

Dutch Men Of War At Anchor. Artist: Willem van de Velde I (Dutch, Leiden 1611-1693 London). Dimensions: sheet: 7 11/16 x 12 5/16 in. (19.6 x 31.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Dock Scene: Boats and Ships of Various Sizes; Ship-Building; Pully-like Machines with Operators, Joseph Cartwright, c.1789-1829, British, undated, Pen, in brown ink and graphite on moderately thick, moderately textured, beige, laid paper, mounted on moderately thick, smooth, beige, wove paper, Mount: 14 3/8 × 16 3/4 inches (36.5 × 42.5 cm) and Sheet: 2 5/8 × 3 13/16 inches (6.7 × 9.7 cm)

View of the port of Brielle, Gaspar Bouttats, after Jan Peeters (1624-1678), 1674 print Numbered at the top: 32. paper etching / engraving / letterpress printing harbour (+ number of persons ~ traffic and transport). ships (in general) Brielle

Marine Study No. 1, Print made by Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after Willem van de Velde the Elder, (), ca. 1611-1693, Dutch, active in Britain (from 1672), after Willem van de Velde the Younger, (), 1633-1707, Dutch, active in Britain (from 1672), Published by John Boydell, 1720-1804, British, 1773, Line engraving and etching on moderately thick, moderately textured, cream laid paper, Sheet: 12 5/16 x 13 7/8 inches (31.2 x 35.3 cm), Plate: 8 7/8 x 10 3/8 inches (22.6 x 26.3 cm), and Image: 7 7/16 x 9 7/8 inches (18.9 x 25.1 cm), boats, clouds, coast, flags, galleons, genre subject, labor, marine art, masts, men, men-of-war, oars, poles, rowboats, rowing, sailboats, sails, sea, seamen, ships, shore (landform), workers, working

seascape, draughtsman: Hendrik Rietschoof, Ludolf Bakhuysen, 1697 - 1746, paper, pen, brush, h 239 mm × w 336 mm

Copper engraving by Jacobus Neeffs depicting warships and galleons, created in 1636, showing naval vessels, masts, sails, and rigging in a maritime setting.

Ships off a coast, 1585 - 1588 print A large ship for a coast. In the background another sailing ship, with clouds of smoke (or a wave) at the stern. The sun breaks through the clouds at the top left. Print Maker: Haarlem Publisher: Amsterdam paper. deck paint sea (seascape)

Harbour Scene, John Thomas Serres, 1759-1825, British, 1803, published 1806

Plate Four from Various Embarkments Artist's working dates 1630-1664 Italy. Etching on ivory laid paper . Stefano della Bella

Two men sitting to right, one man is smoking, five men standing in center, the bow of a ship on shore to right, two other ships to left in the background, from 'Set of eight nautical landscapes' (Suite de huit Marines) 1639 Stefano della Bella Italian. Two men sitting to right, one man is smoking, five men standing in center, the bow of a ship on shore to right, two other ships to left in the background, from 'Set of eight nautical landscapes' (Suite de huit Marines) 412393

Hendrik Kobell drawing showing sailing boats caught as storms approach, executed in gray brush, watercolor, and graphite.

Artist: Wenceslaus Hollar, Bohemian, 1607-1677, The Brussels Packet, no. 9 of 12 in the series Navium Variae Figurae etFormae, Etching, platemark: 14.6 × 24.1 cm (5 3/4 × 9 1/2in.), Made in Bohemia, Czech Republic, Bohemian, 17thcentury, Works on Paper -Prints

Sailors on the waterfront and men load a donkey, Anthony van Zijlvelt, after Johannes Lingelbach, 1650 - 1695 print In the port of Genoa, three people speak with each other in a ton. A number of men load a pake -up. In the background ships. Amsterdam paper etching harbour. ass, donkey. sailing-ship, sailing-boat

Plate 7: merchandise loaded onto a boat, two galleys in the background to right, from 'Various Embarkations' (Divers embarquements). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Plate: 2 15/16 × 6 5/8 in. (7.4 × 16.9 cm)Sheet: 3 1/16 × 6 3/4 in. (7.7 × 17.2 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Various Embarkations' (Divers embarquements). Date: ca. 1646-47. Museum: Metropolitan Museum of Art, New York, USA.

Ship in Droogdok in Vlissingen, 1717 - 1755 print Ship in a dry dock, probably the 'Dok van Perry', built in 1704-1705 in the East or Dokhaven, in Vlissingen. Workers are busy with shelves and pitch. To the right of the performance a legend of A-H. At the top left numbered: page: 143. No. 2. Leiden paper etching / engraving dry-dock, floating-dock. shipyard-workers. building a ship, ship under construction Flushing

The Corsican Fishermen 1767 After Joseph Vernet. The Corsican Fishermen. After Joseph Vernet (French, Avignon 1714-1789 Paris). 1767. Engraving. Robert Daudet (French, 1737-1824). Prints

In and around the city of Danzig Series of 14 numbered prints, Aegidius Dickmann, Frederik de Wit, 1605 - 1705

Port to Mediterranean art; Quelque Navieres Desseigner & Graver Par Remÿ Seman; Some sailing ships. Title page of a series of eight prints with sailing ships. A harbor with a number of koopers and sailors on the quay with their goods.

Wintering on Nova Zembla, 1596-1597. Four numbered scenes from the wintering on Nova Zembla, 1596-1597. The crew is attacked by polar bears (1); shooting a polar bear from retained Huys and skin skin (2); the ship stuck in the ice (3); Preparing the boats before departure (4).

View of the Surroundings of the Port of Toulon ca. 1750-1800 After Joseph Vernet. View of the Surroundings of the Port of Toulon. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1750-1800. Engraving. Giavaranni (active 18th century). Prints

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