Old Men Portrait Series

A series of print artworks featuring aged men, each characterized by unique expressions and attributes, rendered in a classical style.

Venice, Senate of Venice, Piazzetta, Giovanni Battista, Pitteri, Giovanni Marco, Apostles, Sanctus Thaddaeus, Apostle Judas Thaddeus, verso - stamped, Numbered bottom right: XI., print, prints, height 450 mm, width 352 mm, Italian, 1702-05-24 - 1786-08-04, print maker, printmaker, 1712 - 1786, paper, engraving, engraving (printing process), 1682-02-13 - 1754-04-29, after, after a painting by, grantor of privilege

Man with a knife, Richard Houston, after Rembrandt van Rijn, 1731 - 1757 print paper the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff

Opera Museum / N ° 4 / Charles Garnier in 1852 / Drawing enhanced by P. Baudry

Head of an old man, Jean Baptiste Pierre Michiels, After Karel Ooms, c. 1880 print paper. etching old man. beard

Head of an old man with glasses, Anthonie van den Bos, 1778 - 1838 print Amsterdam paper eyeglasses, spectacles

Portrait of Whistler, Henri Charles Guérard, 1846-1897, French, after James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), ca. 1888, Etching, drypoint, and mezzotint, printed in brown ink on moderately thick, moderately textured, beige laid paper, Sheet: 16 7/8 x 12 5/8 inches (42.8 x 32 cm), Plate: 12 15/16 x 8 7/8 inches (32.9 x 22.6 cm), and Image: 8 3/4 x 7 5/16 inches (22.2 x 18.5 cm), artist, collar, costume, hat, man, portrait, self-portrait

The drinker (dummy title)

Study for "Toning the Bell". Dated: c. 1874. Dimensions: sheet: 33.66 × 26.35 cm (13 1/4 × 10 3/8 in.). Medium: brush and brown ink wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Walter Shirlaw.

Portrait of an unknown man with hood; Supreme master. Portrait bust to the left of an unknown man with hood.

Venice, Senate of Venice, Piazzetta, Giovanni Battista, Pitteri, Giovanni Marco, Apostles, Sanctus Thaddaeus, Apostle Judas Thaddeus, verso - stamped, Numbered bottom right: XI., print, prints, height 450 mm, width 352 mm, Italian, 1702-05-24 - 1786-08-04, print maker, printmaker, 1712 - 1786, paper, engraving, engraving (printing process), 1682-02-13 - 1754-04-29, after, after a painting by, grantor of privilege

Drawing reproduction: Feliks Cichocki (1861-1921), old man's head; Z: "Kłosy", 1890, No. 1296, p. 280; Husnik & häusler (Praga; Reprography Department; 1888-1936), Kłosy (Warsaw; magazine; 1865-1890); 1890 (1890-00-00-1890-00-00);

Cup of a larse farmer. .

Bliej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

A Hanoverian prince on his deathbed. Gouache, 1794 ().

Anton Spreng after Adriaen Brouwer, A Peasant Eating A Peasant Eating

Aux armes, citoyens!”. Artist: Paul Gavarni, French, 1804-1866

Portrait, Karl Wiener -, artist

Étude de tête d'homme , Alphonse Legros (1837-1911)

Old woman's head. / 10 (dummy title) | Sketch and pochades in the ink by Charlet. (Set of all)

Artist: Jean-Pierre Norblin, French, 1745-1830, Self-portrait, ca.1778, Etching, platemark: 13.7 × 14.9 cm (5 3/8 × 5 7/8 in.), Librarytransfer, French, 18thcentury, Works on Paper -Prints

Apostel Tomas, Giovanni Marco Pitteri, After Giovanni Battista Piazzetta, 1712 - 1786 print Numbered below: V. Venice paper engraving the apostle Thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones

A Deceased Friar, ca. 1915, by the Fratelli Alinari (1852-1920), Italian photographers. Reproduction from a painting, currently attributed to Daniele Crespi, which was reproduced by various photographic firms from late 19th century onwards. It depicts Simón de Rojas (1522-1624), a saint from Valladolid (Spain) of the Trinitarian Order. Gelatin paper, 253 x 191 mm. Archive of the Prado Museum. Madrid. Spain.

Figure 25: Not an expression of pain 1854-56, printed 1862 Guillaume-Benjamin-Amand Duchenne de Boulogne French. Figure 25: Not an expression of pain 623042

Gapende Man, Johannes Josephus Aarts, 1881 - 1934 print Head of a man with wavy hair and open mouth. paper. pencil etching yawning

Ludwig van Beethoven, 1921. Emil Orlik (Czech, 1870-1932). Etching, drypoint, roulette, stipple and mezzotint;

James McNeill Whistler (American, 1834 - 1903), Becquet, 1859, etching

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Caricature of a baldingman, Pen and ink, Wove paper (corners cropped), 41 3/4 × 37 in. (106 × 94cm), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Giorgione , Giorgione da Castelfranco, Maler, Ferdinand Wolfgang Flachenecker, Lithographer

Portrait of Jan Kuiper, Reinier Vinkeles (I) (attributed to), after Jacob Houbraken, after Jan Maurits Quinkhard, 1745 - 1816 print Portrait of Jan Kuiper, nicknamed Jan Practize. Amsterdam paper engraving / etching

Portrait of Morose Man in Half-Length. Artist: Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591-1666 Bologna). Dimensions: sheet: 8 3/16 x 3 11/16 in. (20.8 x 9.4 cm). Date: 1591-1666. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Willem I, Count of Nassau Dillenburg. Portrait of Willem I. Above left his name and titles. At the top right of death and death.

Mönches Kopf. Wetteroth, Heinrich (Monachium ; zakład graficzny ; fl. 1860-1925), printing house, Bud, Walter (1890-1915), graphic artist

Plate 12: A young man leaning on a staff looking outward, with an old man behind to his right; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta 1743 Giovanni Cattini Italian Cattini engraved a set of 15 plates (frontispiece plus 14 numbered plates) after Piazzetta, entitling them: Icones ad vivum expressae. Most copies of the set are dated 1754 on the title page. A fine early set in the Mariette album of Piazzetta engravings in the Biblioteque Nationale is dated 1743. Moschini and Palluchini refer to a title page of 1763. Teodoro Viero reissued a reduced set of 8 plates plus title page in 1767. Several prints in the set were also copied by Johann Lorenz Haid of Augsburg (1702 - 1750), 1743-1750 and by Franz Xavier Jungwirth of Munich (1720-1790) in 1753 (see: George Knox, Piazzetta, exh. cata., National Gallery, 1983, no. 25; Maria Wiel, L'eredità di Piazzetta, 1996, no.81, p.53).. Plate 12: A young man leaning on a staff looking outward, with an old man behind to his

Pinard / The Crapaud (Vendom Hide) / N ° 19

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"1. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Face of Christ 1849 France. Etching with roulette on ivory China paper, laid down on ivory wove paper . Charles Meryon

Portrait of the Artist (Selbstbildnis). Artist: Käthe Kollwitz (German, Kaliningrad (Königsberg) 1867-1945 Moritzburg). Dimensions: Plate: 5 1/2 × 3 7/8 in. (13.9 × 9.9 cm)Sheet: 12 15/16 × 9 5/8 in. (32.9 × 24.5 cm). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

Bust of broad smiling boy with beret, Michael Sweerts, 1656 print Portrait of a smiling boy with beret, turned slightly to the right. Brussels paper etching smiling

Figure 45: Pain and despair. 1854-56, printed 1862 Guillaume-Benjamin-Amand Duchenne de Boulogne French. Figure 45: Pain and despair. 623049

GILBERT KEITH CHESTERTON writer Date: 1874-1936

Shadows of the past, by Trevor Lloyd.

De Evangelist Marcus Met Leeuw, Giovanni Marco Pitteri, After Giovanni Battista Piazzetta, 1712 - 1786 print Venice paper engraving Mark (Marcus) the evangelist, and bishop of Alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll

Caricature of Laferri�re, Adolphe, (Av. 1800-1877), (actor) Anonymous. Caricature of Laferri�re, Adolphe, Av. 1800-1877), actor. Visit card. Draw on albuminum paper. 1860-1890.

Fig. 14.

Antonio Machado Ruiz (1875-1939). Poeta español. Dibujo.

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Corsican wife, Lodewijk Schelfhout, 1921 print A Corsican woman with headscarf. A courtyard in the background. paper drypoint veil. courtyard Corsica

Schiller, Frederick von.

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. 1854-56, printed 1862 Guillaume-Benjamin-Amand Duchenne de Boulogne French. Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. 623048

A Study Head Robert Frederick Blum (American, 1857-1903). , n.d. Etching on cream-colored Japan paper, sheet: 15 3/8 x 10 7/16 in. (39.1 x 26.5 cm). American Art n.d.

Girls head. Gotard, Jan (1898-1943), draughtsman, cartoonist

Figure 19: Suffering 1854-56, printed 1862 Guillaume-Benjamin-Amand Duchenne de Boulogne French. Figure 19: Suffering 623037

Siegfried Wagner; Greiner, Otto (1869-1916); 1900 (1900-00-00-1900-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, wagner, siegfried (1869-1930), heads (portraits), modernism (style), portraits of artists, Men's portraits

"Phil May's Bust. Has he" ca. 1882 Phil May British. "Phil May's Bust. Has he" 363867

The Fieschi head the day after its execution, painting of Brascassat. (IT)

Caricature of Sardu Victorian, (1831-1908), (dramatic author) Anonymous. Caricature of Victorian Sardou, (1831-1908), dramatic author. Business card (front). Anonymous photography. Draw on albuminum paper, 1860-1890.

Laurence Sterne. Drawing, c. 1789.

Head of a monk, from before, Auguste Danse, After Constantin Emile Meunier, 1892 print paper etching / drypoint monk(s), friar(s)

Leyden, Lucas van.

Gabriel D'Annunzio(). Dated: c. 1910. Dimensions: plate: 17.5 × 17.1 cm (6 7/8 × 6 3/4 in.) sheet: 21.4 × 21 cm (8 7/16 × 8 1/4 in.). Medium: etching with monotone wiping, printed in dark brown on buff wove paper. Museum: National Gallery of Art, Washington DC. Author: ADOLFO DE CAROLIS.

Le Drageoir aux épices by J. K. Huysmans: p. 109, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

Domenichino .

Portrait of P. Barabara. Artist: After Guillaume Thiemet (French, active ca. 1781/88). Dimensions: Sheet: 11 1/8 × 7 7/8 in. (28.3 × 20 cm)Plate: 7 5/8 × 5 7/16 in. (19.3 × 13.8 cm). Date: second half of 18th century.This print is bound in an album made up of sixteen early impressions and one later impression of La Live de Jully's "Recueil de caricatures", etched ca. 1754 after drawings by Jacques François Joseph Saly, eight caricatures etched after Thiemet, and two anonymous prints of a standing man and standing woman. Museum: Metropolitan Museum of Art, New York, USA.

Caricature portrait of Jan Gerard Smits. Draughtsman: Elchanon Verveer (mentioned on object). Dating: 1850 - 1899. Measurements: h 485 mm × w 328 mm. Museum: Rijksmuseum, Amsterdam.

Jodelet.

Love. / 66.

Portrait of Sabia, illustration to the article by Adam Guda "The Polish Carpatians" in London's "The English Illustrated Magazine"; Witkiewicz, Stanis AW (1851-1915); 1888 (1875-00-00-1915-00-00);Giełgud, Adam Jerzy (1832-1920), Giełgud, Adam Jerzy (1832-1920). In the Polish Carpatians, Sabała (Jan Krzeptowski- 1809-1894), Sabała (Jan Krzeptowski- 1809-1894)- iconography, The English Illustrated Magazine- illustration, highlanders, illustrations for the press, Poland (culture), portraits, men's portraits, men Polish drawings

FRESCOS DEL DESCUBRIMIENTO - EL PENSAMIENTO DEL NAVEGANTE - DETALLE DE CRISTOBAL COLON -1930. Author: DANIEL VAZQUEZ DIAZ (1882-1969). Location: MONASTERIO DE LA RABIDA. PALOS DE LA FRONTERA. Huelva. SPAIN. CRISTOBAL COLON (1451/1506).

Reproduction to chalk drawing with portrait of Prince Karam de Kapurthala. .

Grotesques by Aubrey Beardsley. Facsimile Platinum Prints by Frederick H. Evans from the Twelve Original Drawings in His Collection with a Portrait Frontispiece. Artist: Frederick H. Evans (British, London 1853-1943 London); After Aubrey Vincent Beardsley (British, Brighton, Sussex 1872-1898 Menton). Dimensions: Sheet: 9 9/16 × 7 1/2 in. (24.3 × 19 cm)Plate: 4 × 3 1/16 in. (10.2 × 7.7 cm)Image: 1 11/16 × 1 5/16 in. (4.3 × 3.3 cm). Date: 1910s. Museum: Metropolitan Museum of Art, New York, USA.

The smell; Olfactus; The five senses. The sense of sense. A man smokes a pipe and blows a ring from smoke. The print is part of a series of the five senses.

female portrait, Karl Wiener -, artist

Aged Okinawan. This image depicts artwork of an Okinawan native having his portrait painted. Sketch by combat artist Herman B. Vestal.

Self-portrait by Jan Kupecky, Oil on cardboard, 1667-1740, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 24x17

Zelfportret: B-1-1, 13 februari. Zelfportretten van Cor van Teeseling (series title). Draughtsman: Cor van Teeseling. Dating: 13-Feb-1942. Place: Weteringschans (Amsterdam). Measurements: h 35.5 cm × w 27.0 cm. Museum: Rijksmuseum, Amsterdam.

Dürer, Albrecht.

So the month of March 12 year of 1803 Nicholas of Roever rested. R.i.p., Jan Veth, 1893 print Portrait of Nicolaas de Roever on his deathbed. paper historical persons

Portrait of Sabała, illustration to an article by Adam Giełgud `In the Polish Carpathians` in `The English Illustrated Magazine`. Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

Figure 36: Scornful laughter and scornful disgust. Artist: Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806-1875); Adrien Tournachon (French, 1825-1903). Dimensions: Image (Oval): 28.2 × 20.5 cm (11 1/8 × 8 1/16 in.)Sheet: 29.6 × 22.3 cm (11 5/8 × 8 3/4 in.)Mount: 40.2 × 28.1 cm (15 13/16 × 11 1/16 in.). Date: 1854-56, printed 1862. Museum: Metropolitan Museum of Art, New York, USA. Author: ADRIEN TOURNACHON. Guillaume-Benjamin-Amand Duchenne de Boulogne.

Rembrandt van Rijn (1606-1669), Hollander painter. Strong waters. Rembrandt van Rijn (1606-1669), Dutch painter drawing Rembrandt van Rijn (1606-1669), Hollander painter. Strong waters. Rembrandt van Rijn (1606-1669), Dutch painter drawing. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Portrait of the painter Anton Mauve. Draughtsman: Willem Witsen. Dating: c. 1885. Measurements: h 198 mm × w 130 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of an unknown man, Auguste Danse, After Anthony Van Dyck, 1890 print paper etching / drypoint Africans

Les liliacées, Frontispiece Pierre Joseph Redouté, peintre de fleurs. Prints, Frontispieces, Portraits. 1805 - 1816. Rare Book Division. Leaves, Flowers, Botany, Lilies, Redouté, Pierre Joseph, 1759-1840

Pijproking Man, Anonymous, After Petrus Staveenus, After Jan Verkolje (I), 1660 - 1800 print The sense smell. A man smokes a pipe and blows out a ring of smoke. The print is part of a series with the five senses. Delft paper smell, smelling (one of the five senses). pipe ~ tobacco

Annenkov, Yuri Pavlovich (1889-1974) Private Collection 1923 Lithograph Russian End of 19th - Early 20th cen. Russia

Piping man; the smell; The five senses. The sense of sense. A man smokes a pipe and blows a ring from smoke. The print is part of a series of the five senses.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Tête de Vieillard de face, c. 1860, Edgar Degas, French, 1834 - 1917, 11 1/8 × 8 3/8 in. (28.26 × 21.27 cm) (sight)20 1/8 × 17 × 1 1/8 in. (51.12 × 43.18 × 2.86 cm) (outer frame), Graphite pencil heightened with white gouache, France, 19th century, 'I assure you that no art was ever less spontaneous than mine. What I do is the result of reflection and the study of the Great Masters.

Giuseppe Marcantonio (Joseph) Baretti. Portrait of the Italian writer and critic Baretti (1719-1789). After a boisterous youth, Baretti went to England where he stayed from 1751 to 1760 and was admitted to the Royal Academy. He personally knew all major Englishmen. Joshua Reynolds painted him in the pose of attentive reader. The portrait was published in print on July 18, 1780 at the publisher Boydell in London.

Sketchbook William Merritt Chase (American, 1849-1916). Sketchbook, 1872. Graphite and black, red and white Conté crayon on cream and tan medium-weight, slightly textured wove paper, 11 7/8 x 9 7/16 x 11/16 in. (30.2 x 24 x 1.7 cm). William Merritt Chases knack for realistic characterization is evident in these deftly executed informal portraits, possibly representing his fellow students at the Royal Academy in Munich. This sketchbook contains numerous other portraits, as well as figure studies from a life class, rendered with different approaches—the linear style seen here and a softer, tonal one used on other pages. American Art 1872

Rembrandt, Harmensz van Rijn, (1606 - 1669), painting, ""Self-portrait"", circa 1650, oil on oak wood, 25,7 x 21,3 cm, Museum der bildenden K™nste, Leipzig,

Portrait of Peter Paul Rubens. Bust portrait of the painter Peter Paul Rubens. The portrait is caught in a window. In the margin the name of the person portrayed.

Terrour or Fright (from "Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun") 1765 Anonymous, British, 18th century British. Terrour or Fright (from "Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun") 386122

Friedrich Wilhelm Heinrich Alexander von Humboldt, 1769-1859, German naturalist, woodcut, 1888, historic engraving

Hermann Katelhon, The Artist Etching, c. 1910, etching on wove paper.

AUTORRETRATO - 1932 - LAPIZ NEGRO/PAPEL SEPIA 61X47,5 CM. Author: VICTORIO MACHO ROGADO (1887-1966). Location: PRIVATE COLLECTION.

Spanish School. Esope (detail). Esopo. Madrid, Prado museum. Author: DIEGO VELAZQUEZ (1599-1660). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Adam Bernard Mickiewicz, born December 24, 1798 in Zaosie near Nowogrodek, Russian Empire, died November 26, 1855 in Constantinople, Ottoman Empire was a Polish poet of Romantic. It is considered the most important of the three bards of Polish romance in a time of the non -existence of a Polish nation state and as a national solid poet of Poland, historically, digitally restored reproduction of a template from the 19th century, Record Date Not Stated

Artist Georgia O'Keeffe (November 15, 1887 - March 6, 1986) sits at her home on the Ghost Ranch in Abiquiu, New Mexico. 1971. O'Keeffe was a major modern artist, whose work ranged from the abstract to the representational, and often blended the two.

Portrait of Miko Aja Kopernik; Care, Ignacy (1865-1941); 1923 (1923-00-00-1923-00-00);Copernicus, Mikołaj (1473-1543), Copernicus, Mikołaj (1473-1543)-iconography, astronomers, Polish graphics, Poland (culture), busts, portraits, male portraits, men

Portrait of Jan Steen, Pieter Willem van Baarsel, 1926 print Man Ten Halven, with long hair and a mustache, to the self -portrait of Jan Steen from 1626. Japanese paper (handmade paper). printing ink

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