Old Testament Battles

Dramatic etchings depicting battles from the Old Testament, featuring warriors and significant biblical figures portrayed in historical contexts.

Rome, Salamanca, Antonio, Italy, Romano, Giulio, Bandinelli, Baccio, Abigail's Offering, Abigail kneels before King David and his army. Abigail and her maids bring the men food and drink. Verse in four columns in Latin in the lower margin., print, prints, height 295 mm, width 429 mm, print maker, printmaker, 1543 - 1543, paper, papier, engraving, engraving (printing process), Work conception, 1493 - 1560-02-07, after a design by, Italian, 1499 - 1546-01-11, Publication (Event), Publication, 1478 - 1562, publisher

Plate 4: Moses Ordering the Israelites to Attack the Ethiopians, from 'The Battles of the Old Testament' ca. 1590-ca. 1610 Antonio Tempesta Italian. Plate 4: Moses Ordering the Israelites to Attack the Ethiopians, from 'The Battles of the Old Testament'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-ca. 1610. Etching. Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

Umbria Terni Amelia Palazzo Petrignani0. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sheet 3: Trophies of War, from The Triumph of Julius Caesar 1598-99 Andrea Andreani Italian. Sheet 3: Trophies of War, from The Triumph of Julius Caesar. Andrea Andreani (Italian, Mantua 1558/1559-1629). 1598-99. Chiaroscuro woodcut from four blocks in gray-green ink. Prints

Rome, Salamanca, Antonio, Italy, Romano, Giulio, Bandinelli, Baccio, Abigail's Offering, Abigail kneels before King David and his army. Abigail and her maids bring the men food and drink. Verse in four columns in Latin in the lower margin., print, prints, height 295 mm, width 429 mm, print maker, printmaker, 1543 - 1543, paper, papier, engraving, engraving (printing process), Work conception, 1493 - 1560-02-07, after a design by, Italian, 1499 - 1546-01-11, Publication (Event), Publication, 1478 - 1562, publisher

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, Surprise attack on the Roman camp on the Moselle, Dutch soldiers carry out a surprise attack on the Roman camp on the Moselle. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Trojans are captured Sinon, 1663 print A Trojan soldier, seen on the back, pulls the trapped sinon to his hair. Behind Sinon a group of Trojan soldiers. In the background the horse of Troy. Left King Priamus who points to Aeneas with his scepter. Numbered: I. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching (story of) Aeneas. Sinon, a Greek pretending to be a deserter, is brought in

Achilles Removing Patroclus' Body From the Battle Léon Davent French After Giulio Romano Italian ca. 1547

The Martyrdom of St. Erasmus 1506 Lucas Cranach the Elder German. The Martyrdom of St. Erasmus 622930

Soldiers with war trophies in the triumphal tour of Caesar and Pilaster, Andrea Mantegna (school of), after Andrea Mantegna, 1486 - 1492 print paper engraving triumph of Caesar. private soldier. trophy ~ battle, war

Absalom killed by Joab, Antonio Tempesta, 1613 print Joab kills Absalom who hangs on his hair defenseless in a tree. He pierces him with a spear. Fleeing soldiers in the background. Title and caption in Latin in the lower margin. print maker: Italypublisher: RomeRomeItalyItaly paper etching Joab stabs Absalom with three spears

Italy, Billy, Nicolo, Testa, Pietro, Adoration of the Shepherds, verso - stamped, The Holy Family sits before a stable and is surrounded by shepherds and angels who adore the Christ Child. In the background on the left the Annunciation to the shepherds by an angel., print, prent, prints, height 204 mm, width 278 mm, Italian, 1612 - 1650, intermediary draughtsman, after a drawing by, 1650 - 1750, paper, papier, etching, etchings, print maker, printmaker

Julius Caesar seated in his chariot, from the series The Triumph ofCaesar. Woodcutter: Andrea Andreani, Italian, 1558/59-1629 After: Andrea Mantegna, Italian, ca. 1431-1506 Artist Intermediary draftsman: Bernardo Malpizzi, Italian, 1553-1623

Lot liberated by Abraham, Antonio Tempesta, 1613 print Abraham and his army (of 318 people who grew up in his house) contrary to Kedorlaomer and his allies to free Lot. Title and caption in Latin in the lower margin. paper etching Abraham liberates Lot, recovers the stolen goods and returns in triumph

Dirty bride or the wedding of Mopsus and Nisa, Pieter van der Heyden, after Pieter Bruegel (I), 1570 print Mopsus, the groom with feathers on his hat, picks up his tough bride Nisa at a ragless tent. A little boy walks next to the tent with a piggy bank in his hand. On the right a musician with a basket as a hat on his head, who makes music with a knife and a coal shovel. In the background a castle with moat between the trees. Under the performance a caption in Latin. Antwerp paper engraving comedy. dancing at wedding feast. tent

Allegory around the Batavian rebellion, Romeyn de Hooghe, 1704 - 1706 print Allegory around the Batavian rebellion, with the shield elevation of Brinno and the conspiracy of Claudius Civilis. With caption of two lines in one line. Netherlands paper etching / engraving Netherlands

The Martyrdom of SaintMatthew. Artist: Lucas Cranach the Elder, German, 1472-1553

Jacques Callot, French (1592-1635), The Re-embarkation of the Turks, c. 1614, engraving on laid paper restrike

Troje horse is brought in; Scandit Equus Ruptos Fatalis Machina Muros; Wanderings of Aeneas; L'ENEA Vagante Pitture Dei Caracci. A group of Trojan soldiers brings the Troje's horse in the city. Other figures along the entry playing musical instruments. Numbered: II. The print originally belonged to Liber 22 of the Atlas of Michiel Hinloopen (seem to book 10).

Abraham brings Lot and his family to his own country, Antonio Tempesta, 1613 print Abraham and his army bring Lot and his possessions and women back to their country. Title and caption in Latin in the lower margin. print maker: Italypublisher: RomeRomeItalyItaly paper etching Abraham liberates Lot, recovers the stolen goods and returns in triumph

Nabot's stoning; History of Achab and Nabot. Nabot is stoned for the city's ports. He kneels on the floor and young men throw stones on his back. Right two men come with a new basket with stones. By the city gate you can see how Nabot is being taken.

Lucas Cranach the Elder, Christ Taken Captive, in or before 1509 Christ Taken Captive

Den Haag, Hondt, Pieter de, Hoet, Gerard (I), Amsterdam, Blois, Abraham de, The Battle of Israel against the Amalekites, Battle of Israel against the Amalekites., The Hague, verso middle - stamped, In the battle of Israel against the Amalekites, Joshua defeats Amalek. Moses sits on the mountain and holds up his arms with the help of Aaron and Hur. Below the image is the title in six languages., print, book illustration, prints, height 357 mm, width 218 mm, - 1717-10-06, print maker, printmaker, 1679 - 1717, paper, engraving, engraving (printing process), 1648-08-22 - 1733-12-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Plate 30: Cerialis Driving the Dutch into the Rhine, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas) 1611 Antonio Tempesta Italian. Plate 30: Cerialis Driving the Dutch into the Rhine, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

The Betrayal. Dated: 15th century. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Netherlandish 15th Century.

Apollo and Diana kill the children of Niobe, Antonio Tempesta, 1606 - 1638 print Apollo and Diana, both with arrow-and-bow, kill the children of Niobe. Several children lie dead on the floor, others try to flee. Title in Latin in STUDMARGE. paper etching Apollo and Diana kill Niobe's children

Section G: martyrs holding palm branches, from The Triumph of Christ. Artist: Andrea Andreani (Mantua, 1558/1559-1629); After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90-1576 Venice). Dimensions: Sheet: 15 7/16 × 13 11/16 in. (39.2 × 34.7 cm). Publisher: Callisto Ferranti (Italian, active Rome, 1626-47). Date: 1836.Pasted together with 22.73.3-146. Museum: Metropolitan Museum of Art, New York, USA.

Trapping wild bulls, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. Hunters on horseback lasso a bull, foreground, with the performance repeated in the background. At lower right: 'Ioan. Stradanus invent. / Ioan. Collaert Sculp. / Phls. Galle excudit.' Below: 'SARDI EQUITIES HAS TIS TAUROS SECTANTUR AGRESTES.', Netherlands, ca. 1595, figures, Print, Print

Battle Scene, Tempesta, Antonio, 1555-1630, 1601 - 1650, Engravings, approx. 3 5/8 x 10 9/16 in. (9.2 x 26.9 cm), Paper / Sheet approx. 4 1/16 x 11 in. (10.3 x 28 cm), Cream laid

Karel V victory over Frans I at Pavia, 1525, 1614 print Charles V's victory over Frans I, King of France in the Battle of Pavia in 1525. The soldiers of Charles V beat the French soldiers in fight. On the right in the background a city on a coast. With caption of four lines in Latin. This print is part of a series of eight prints, each representing a triumph from Karel V. paper etching / engraving battle (+ cavalry, horsemen) Pavia

Yacht on ties; Hunting scenes; In Quibus Omnen Genus Venationis, Aucupij, Piscatusque. Hunters dig off badga sturches. The ties are then killed with stones or bitten by dogs. The print has a Latin caption and is part of a 43-part series about hunting.

A circa 1503/04 woodcut by Albrecht Dürer depicting the little Kalvarienberg, showing detailed figures, landscape elements, and early 16th-century printmaking techniques.

Sea battle of the Romans. Draughtsman: Perino del Vaga (possibly). Dating: 1511 - 1547. Measurements: h 96 mm × w 304 mm. Museum: Rijksmuseum, Amsterdam.

The Triumph of Caesar: the Elephants 1470-1525 Giulio Campagnola Attributed by Bartsch to Giovanni Antonio da Brescia, Italian, active ca. 1490-ca. 1525. The Triumph of Caesar: the Elephants 416017

Prise de la Ville de Bone (Capture of the City of Bonne), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles) 1614-20 Jacques Callot French According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.. Prise de la Ville de Bone (Capture of the City of Bonne), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles). La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis. Jacques Callot (French, Nancy 1592-1635 Nancy). 1614-20. Engraving; first state of two (Lieure). Prints

Alexander the Great beats the Thracians, Matthäus Merian (I), after Antonio Tempesta, 1622 print paper engraving hand-to-hand fighting (~ battle). battles of Alexander

The Triumph of Scipio 1525-1535 Italy. Engraving, printed in black, on paper . Master of the Die

Jacques Callot, Taking of Bone, c 1614 Taking of Bone

Bacchanal of children, Philips Galle, 1547 - 1570 print Central dancing different children in the round. Others sit on a donkey and play a game. Some children play music. In the background, Bacchus, depicted as a child, is on his characteristic Wijnton. In his hand a bowl of wine. Children displace each other to be the first to tap out of the Wijnton drink. The print has a Latin caption. Antwerp paper engraving children's bacchanal

Lucas Cranach the Elder's woodcut depicts the martyrdom of St. Peter, emphasizing figures, gesture, and narrative religious detail.

A gray-brown pen drawing by an anonymous artist depicting the martyrdom of Saint Veit, laved with white highlights, created between 1735 and 1740.

Second pretext: the new herd; Similarity of a wedding party. The King's messenger comes to the second guest and invites him to the wedding party. The guest apologizes itself with the pretext that he bought a new herd cattle. The man points to the herd in the background. The print has a Latin caption and is part of a six-part series about the parable of a wedding party.

David stands in simple clothing before the Philistine Goliath. In his right hand he holds his shepherd's staff and the garland. They are in conversation with each other, while both armies look on. In the margin a one-line caption in Latin from 1 Sam. (erroneously referred to as 1 Kings in the print), Confrontation between David and Goliath Story of David and Saul., print maker: anonymous, Maarten van Heemskerck, publisher: Hieronymus Cock, print maker: Low Countries, publisher: Antwerp, publisher: Antwerp, 1555 - 1633, paper, engraving, h 201 mm × w 248 mm

Hooghe, Romeyn de, Netherlands, Allegory around the Eighty Years' War, Allegorical representation around the Eighty Years' War and the Spanish tyranny and the persecution of religion. In the center a gate with the coats of arms of the seventeen provinces. With a caption of two lines in one line., print, prints, Frederik Muller Historieplaten, height 170 mm, width 295 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1704 - 1706, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by

Battle with a Cutlass. Artist: Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome); After Giulio Romano (Italian, Rome 1499-1546 Mantua). Dimensions: sheet: 12 11/16 x 18 1/16 in. (32.2 x 45.8 cm). Date: ca. 1515-27. Museum: Metropolitan Museum of Art, New York, USA.

Victoria surrounded by prisoners and trophies, French Floris (I), 1552 print Victoria surrounded by defeated for mercy -pleading enemies, prisoners and weapons. Allegory over the victory of Emperor Charles V in the Turks. The central figure victory (Victoria) or Pallas with blood dripping off the hands. This performance was also depicted on one of the panels on the Genoese triumphal arch at the entry of Philip II in Antwerp in 1549. Under image a six -line text in Latin. Low Countries paper etching 'Victoria'; 'Vittoria', 'Naval victory', 'Victory of antiqui' (Ripa)

Junius, Hadrianus, Heemskerck, Maarten van, Muller, Harmen Jansz, The eight beatitudes, Blessed are the peacemakers, David and Abigail, When a greedy farmer refuses to help David and his men, they threaten to punish him. Abigail, the farmer's wife, kneels before David and offers him and his soldiers food and drink. With that she pleased David. Print is part of a series about the eight beatitudes of Christ and illustrates the beatitude: Blessed are the peacemakers. On a square plaque at the bottom this text from Mat. 5:9 in Latin. At the bottom in the margin a verse in Latin about the beatitude and the representation. This print is part of an album., print, prent, albumblad, prints, prenten, height 214 mm, width 250 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1564 - 1568, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1498 - 1574, intermediary draughtsman, after a drawing by, 1511-07-01 - 1576-06-16, writer

Abduction of Helen. Artist: Anonymous, French, 16th century. Dimensions: Sheet: 4 5/8 x 6 15/16 in. (11.7 x 17.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Chalk drawing by Pieter Coecke van Aelst, circa 1535, depicting the biblical scene of the Jews crossing the Red Sea with brown and gray tones and white highlights.

Rome, Salamanca, Antonio, Italy, Vico, Enea, Scipio receiving gifts, verso - stamped, Scipio Africanus and his soldiers are seated on the right. The inhabitants of the city on the left bring their gifts and the keys of the city., print, prent, prints, height 299 mm, width 432 mm, Italian, 1523 - 1567, print maker, printmaker, 1542 - 1542, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, 1478 - 1562, publisher

Psyche admitted to the gods of the Olympus, François Perrier, After Rafaël, 1590 - 1650 print paper etching Psyche is carried up to Olympus by Mercury

Umbria Terni Amelia Palazzo Petrignani1. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sunnemitic woman on the way to Elisa, Hans Collaert (I), After Maerten de Vos, 1643 print In the foreground, the Sunnemitic woman leaves a donkey for Elisa. In the background she begs the prophet for help. The print has a Latin caption and is part of a series about Elisa and the Sunnemite woman. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper engraving the Shunammite woman rides out with her donkey to Elisha, bows down before him and taking hold of his feet, entreats him to come with her

Paul's shipwreck; Paulus Schipbrekenhe. On the way to Italy, the ship leads to Paul is transported as a prisoner. Paul appeals to the soldiers and other people's courage and gives their directions what to do. Paul and the Centurion of the soldiers are on the ship with a leg and step into the water with the other leg. Some soldiers are already on land.

Le triomphe de la Mort: Le départ , Death, Skeletons, Arrivals & departures, Crowds, Alphonse Legros (1837-1911)

Hercules kills Geryon and his dog, Cornelis Cort, after Frans Floris (I), 1563 print Hercules beats the three -headed giant Geryon and his two -headed dog. In the background you can see how Hercules catches the boar of Eymanthus and brings to the city. paper engraving (4) the Erymanthian boar is captured by Hercules. Hercules kills Geryon, the monster with three heads and three bodies, after having slain the herdsman Eurytion, and Orthrus, the two-headed watch-dog

De Koning and Diana receive a gift from hunters, Jean Duvet, 1540 - 1550 print In a landscape three hunters with dogs, one of which offers a gift to the king. This reaches with his hand to the gift. Diana, the goddess of the hunt sits next to him. First print from a series of six. France paper engraving king. (story of) Diana (Artemis). hunter

Junius, Hadrianus, Heemskerck, Maarten van, Amsterdam, Muller, Harmen Jansz, The eight beatitudes, Blessed are the peacemakers, David and Abigail, verso - stamped, When a greedy farmer refuses to David and his men help, they threaten to punish him. Abigail, the farmer's wife, kneels before David and offers him and his soldiers food and drink. With this she satisfied David. Print is part of a series about the eight beatitudes of Christ and illustrates the beatitude: Blessed are the peacemakers. On a square plaque at the bottom this text from Mat. 5:9 in Latin. At the bottom in the margin a verse in Latin about the beatitude and the representation., print, prints, height 213 mm, width 251 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1564 - 1568, paper, papier, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, author

Capricci di varie battaglie. Dated: 1635. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Wilhelm Baur.

Feather and wash sketch by an anonymous artist showing the battle between Lapiths and Centaurs, executed with red and washed chalk, emphasizing figures and action.

Boerenfeest, Anonymous, Hans Sebald Beham, c. 1534 print paper public festivities

Sea battle between the Trojans and the Greeks. Sea battle where the Trojans fight with the Greeks. Left Try the four hippocampuses from Neptune to stay above water.

Leeuwenjacht, anonymous, after Jonas Suyderhoef, after Peter Paul Rubens, c. 1644 - 1702 print Horsemen hunt lions. A lion falls one of the riders and bites him in the shoulder. A man is in death on the ground. Amsterdam paper engraving lion hunt

De Wakkere Leeuw, 1615, 1615 print Allegory of the situation in the Netherlands in the year 1615 with a call to remain vigilant. The Dutch Virgin (Belgica) is in the Dutch garden, decorated with flowers and the emblem of the bundle of arrows, with binoculars in one hand and a crane in the other hand. In the middle Prince Maurits with the Dutch Lion (with eagle's head) armed with a sword on the chain. On the left a wild bull behind a fence, behind it a tower with beacon. In the background, princes (including Archduke Albrecht and Isabella) dance to the pope and drums of the pope. A Jesuit with a bucket picks up a war clean from a well. At the top left hunters, including Spinola, who hunt a weasel (the city of Wesel). The performance also refers to the Gulik-Kleefse issue. Northern Netherlands paper etching personifications of countries, nations, states, districts, etc.. fenced or walled garden; 'Hortus Conclusus' Antwerp. Amsterdam

The Triumph of Love, from "The Triumphs of Petrarch" 1480-1500 Francesco Rosselli Italian This representation of Love's conquest is based on Petrarch's 'Triumphs', a poem that had already been illustrated in manuscript illuminations, paintings, and in at least four other series of engravings. In his description of Cupid's procession, Petrarch compares the winged nude boy to a Roman victor who, bow in hand, is mounted on a chariot of fire pulled by four snow-white steeds. The poet's enumeration of Love's prisoners includes the hero Herculesshown here carrying his columnand the philandering Jupiter, who is chained to the front of the chariot.. The Triumph of Love, from "The Triumphs of Petrarch" 357116

Illustration at Canto XII from Gerusalemme Liberata II; Illustration at Canto II of TASSO's 'Gerusalemme Liberata'; Jerusalem is relieved (part 2); Gerusalemme Liberata (part 2). On the left the kneeling Clorinda is baptized by a man who stands next to his horse. On the right the dead body of Clorinda, surrounded by soldiers. In the background, the Christian fighters attack Jerusalem. Italian rules by tasso in two columns in undermarge.

Horsemen hunting ostriches with spears and dogs. The print has a Latin caption and is part of a 43-volume series on hunting, Hunting ostriches Hunting scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, w 297 mm × h 212 mm

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia28. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pieter van der Heyden after Pieter Bruegel the Elder, The Battle of the Moneybags and the Strongboxes The Battle of the Moneybags and the Strongboxes

Sea battle between the Trojans and the Greeks, Giovanni Battista Scultori, After Giulio Romano, 1538 print Sea battle in which the Trojans fight with the Greeks. On the left, the four hippocampuses of Neptune try to stay above water. paper engraving / etching the Trojan war (94C - 94H). battle

Allegory with Zeeland, Romeyn de Hooghe, 1704 - 1706 print Netherlands paper etching personifications of countries, nations, states, districts, etc. Zeeland

This 16th-century copper engraving by Monogrammist AC depicts a mythological battle among sea gods, emphasizing dynamic composition, figure interaction, and marine elements.

The Fall of Troy and the Escape of Aeneas mid-1540's Giorgio Ghisi Italian. The Fall of Troy and the Escape of Aeneas 367400

This late 15th-century copper engraving by Andrea Mantegna depicts the burial of Christ in a detailed religious composition.

Artist: Heinrich Aldegrever, Germany, 1502-1555/61, Lot Prevents the Inhabitants of Sodom from Violence, from the series The Story ofLot, Engraving, 11.2 × 7.9 cm (4 7/16 × 3 1/8in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

After: Andrea Mantegna, Italian, ca. 1431-1506, Triumph of Caesar: Soldiers CarryingTrophies, Engraving, sheet: 21.3 × 26 cm (8 3/8 × 10 1/4in.), Italian, 15thcentury, Works on Paper -Prints

The Trojans Bringing the Wooden Horse into TheirCity. Artist: Jean Mignon, French, active 1535-ca. 1555 After: Luca Penni, Italian, ca. 1505-1556

Alexander the Great as third king from the vision of Daniel; Rise of four world riches and four rulers from the vision of Daniel; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Alexander the Great rides a horse, in his hand a flag with the image of a mountain goat (Greece). Horse tramples King Cyrus from Persia and Ninus from Babylonia. A cityscape in the background. In addition to Ninus, a four-member leopard with wings emerged from the sea, a reference to a vision of Daniel about the rise of four kingdoms in the world. Under the show a reference in Latin to the Bible text in. 7. This print is part of an album.

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Collaert, Adriaen, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneid Expressae, History of Abraham, Abraham and Lot departing for Canaan, Abraham leaves with his family, slaves, female slaves and cattle for Canaan. In the foreground in the landscape Abraham, his wife Sarah and his nephew Lot are walking. Below the representation a reference in Latin to the Bible text in Gen. 12. This print is part of an album., print, prent, albumblad, prints, prenten, height 200 mm, width 265 mm, Zuid-Nederlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, papier, engraving, graveren (drukprocedé), Zuid-Nederlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Copper engraving from 1520-1550 depicting Emperor Trajan being crowned by Victoria, showing figures, gestures, and ceremonial attire.

After Maerten van Heemskerck, David's Brother Relating to Him Goliath's Challenge, c1556 David's Brother Relating to Him Goliath's Challenge

Fightings with spectators, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing wrestling (sport). fighting

Triumph of Tobias; Triumph of the livelihood; Patientiae trivmphvs. In the foreground Tobias, moving on a donkey. In his left hand a cross with a banner. In the field of four firesters, with the symbol of mercy, a fountain in the form of a woman in the middle. His wife (with a mess) and blind poverty (Cecas paupertas) follow behind Job. The print has a Latin text of six lines on a separate piece of paper and is part of an eight-language series about the triumph of the livelihood.

Netherlands, Ewoutsz., Jan, Sustris, Lambert, Scorel, Jan van, The lion hunt, Hunter on horseback, verso lower left - stamped, Second block of six that together form a frieze with a lion hunt. Man without a saddle on horseback with spear in right hand., print, prints, verso middle - stamped, height 275 mm, width 365 mm, Northern Netherlands, 1495-01-09 - 1562-12-06, print maker, printmaker, 1540 - 1545, second quarter 16th century, paper, woodcut, Italian, 1515 - 1591, 1511 - 1564

The Story of the Dead King and his Three Sons, 1500-03. Master MZ (German). Engraving;

Elephants in the triumph procession for Julius Caesar, Robert van Audenaerd, after Andrea Mantegna, 1692 print Elephants also walk along in the triumph in the honor of Julius Caesar. The elephants each wear a candlestick with fire on their backs and a basket with flowers and fruit on their heads. They are decorated with richly embroidered rugs and chains with bubbles. print maker: Romeafter painting by: Mantuapublisher: Rome paper etching / engraving triumph of Caesar. trunked animals: elephant

Saint Philip, from The Martyrdom of the Apostles 1507-1517 Germany. Woodcut in black on ivory laid paper . Lucas Cranach, the Elder

Copper engraving by Cornelis Cort from 1564 depicting 'The Triumph of Modesty (Humilitas)' from 'The Circulation of Human Life', showing allegorical figures and symbols.

Italy, Romano, Giulio, Monogrammist IQV, Hector fighting the Greeks, verso - stamped, The Trojan hero Hector standing on his chariot in a landscape. He is fighting with Greek soldiers., print, prints, height 375 mm, width 600 mm, print maker, printmaker, 1500 - 1599, paper, papier, etching, etchings, Work conception, Italian, 1499 - 1546-01-11

Lercari, Giovanni Battista.

Conquest of Jerusalem by Charlemagne, Carolus Magnus or Karolus Magnus, Charles the Great, 742 - 814, King of the Franks. After a miniature from the 15th century manuscript ""Chroniques de Charlemagne"". From Science and Literature in The Middle Ages by Paul Lacroix published London 1878

Brown pen and gray brush drawing by Abraham van Diepenbeeck depicting the kidnapping of Proserpina with an empty text field on graphite pencil, minor brownish dirt in corners.

The shameful leak from the Spaniards front / the city of Locate. (IT)

Lorenz Froelich (1820-1908), illustration for Adam Oehlenschl�ger's poem "The two Kirketaarne", (1844)

Achilles beats the Trojans; Entry from Ferdinand in Ghent in 1635; ET Tanta Gessit Bella DVM Bellvm Parat. Achilles beats Telephos, parallel to the fight of Ferdinand. Presentation at the bottom left of the rear of the triumph port Arcus Fernandi on the Friday market. Leaf No. 16 In a set of 42 plates that illustrate the publication of the description of the arrival of the Cardinal Infant Ferdinand in Austria in Ghent on 28 January 1635 as the new governor for the Spanish Netherlands.

Famous and notorious Rijkaards, Philips Galle, After Maarten van Heemskerck, 1563 print A parade of famous examples of ancient rich people. At the front in the Pythius procession, with a vine made of gold and precious wine in his hand. Then Lucullus, the rich Roman magistrate and glutton. He wears a banner with a chicken pie. Behind him Crassus, who drinks from a cup. This is an allusion at its thirst for money and his death (stitched in melted gold). After Crassus, the dictator Sulla with a sword and a lance, Croesus as richly clad king and Midas with midasors come under his crown. The print has a Latin caption and is part of a series on the subject of the misery that wealth brings. PRINT MAKER: loudlers' loudlers designs by: lovlpubllisher: Averterphalimms paper engraving (story of) Croesus king of Lydia. (story of) Midas. (story of) M. Licinius Crassus. contemplating one's own riches. male persons from classical history (PYTHIUS). male persons from classical history (LUCULLUS). male

Recto: Lamentation over the dead Christ; Verso: Zeuxis painting Helen of Troy, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Black chalk, pen and brown ink, grayish-brown wash on laid paper, Recto: Christ is shown lying upon a sarcophagus. Two angels hold lighted candles near his head. The Virgin kneels beside it. Four other women, and an indistinct figure in the back, mourn the dead Christ. Below is a framing line, part of which is on -2648a. A few strokes at the lower edge belong to -2648a. Verso, vertically: Zeuxis uses a number of models to fashion an image of Helen of Troy. The study of the leg is above, at left. Zeuxis paints with his left hand after a girl standing upon a platform. Two of the others are seated, one takes her skirt off, the fourth stands in the right foreground. Framing line, at left. The line and strokes at the left edge belong to -2648b., Netherlands, ca. 1595, figures, Drawing, Drawing

The Rape of the Sabines, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper, Upper drawing of struggle between women and classically dressed warriors. Lower drawing of man crawling at center being slain by Romulus and Remus, one with spear other with sword. At middleground two warriors, one with shield, kneel before altar. Figures and city wall in background., Italy, Italy, 1821-22, figures, Sketchbook folio, Sketchbook folio

The Battle of Constantine, Pietro Aquila, Italian, d. 1692, Domenico Rossi, Raphael, (Italian, 1483-1520), Engraving on paper, One of four vertical plates, together making a horizontal composition. Raphael's Battle of Constantine, in the Vatican, conceived as a tapestry., Rome, Italy, ca. 1680-1700, Print, Print

The Dead King and His ThreeSons. Artist: Master M. Z., German, active 1500-1503

Holofernes before Nebuchadnezzar (Judith 2:4-13) 1587 Maerten de Vos Netherlandish. Holofernes before Nebuchadnezzar (Judith 2:4-13) 381624

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