Ornamental Architectural Designs

Detailed illustrations of vases, pillars, and chandeliers featuring intricate floral and mythological motifs, showcasing elegance and craftsmanship in design.

Candlestick design (No. 6), draughtsman: Abraham Meertens, 1767 - 1823, paper, brush, h 179 mm × w 94 mm

Vase with arabesken; B Iie Cahier d'Arabesques. A vase from which Arabesken sprouted with two pigeons at the top, at the bottom a mask.

A 1517 woodcut by Albrecht Dürer depicting a large pillar with a satyr sitting on a chapter, showing architectural and mythological elements.

Design for a Chandelier. Artist: Anonymous, French, 18th century. Dimensions: sheet: 23 1/8 x 14 3/4 in. (58.8 x 37.4 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Edward L Loper, Weather Vane, c 1936 Weather Vane

Design for a Candelstick, Joseph Anton Seethaler II, German, 1799-1868, Pen and ink, brush and washes, graphite on paper, AUGSBURG, Germany, Germany, 1820, Drawing, Drawing

Candlestick design (No. 6), draughtsman: Abraham Meertens, 1767 - 1823, paper, brush, h 179 mm × w 94 mm

Jessé tree, Rue des Precheurs

Driearmige Swiss, 1771 print An ornamented three -armed girandole. Paris paper etching / engraving Chandelier, a candlestick

Design for a Chandelier. Artist: Anonymous, French, 19th century. Dimensions: sheet: 16 7/8 x 9 1/8 in. (42.8 x 23.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Ceiling decoration. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Modern Roman jewellery.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Jewelry , Roman+

Design for Curtains. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 14 5/8 x 10 3/8 in. (37.2 x 26.3 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA.

Stand for Incense Burner. Dated: c. 1938. Dimensions: overall: 50.9 x 38.3 cm (20 1/16 x 15 1/16 in.). Medium: watercolor, gouache, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Walter Hochstrasser.

Cracow. Wymella from the 17th century; Odrzywolski, S Awomir (1846-1933), Salb, Marcin (Kraków; Litographic Zak 1865-Post 1890); around 1890 (1885-00-00-1895-00-00);

Persius Reinhold (1835-1912), essay: views, details. Pencil on paper, 28.4 x 16.3 cm (including scan edges)

Cornice with acanthus leaves and floral motifs; R Cahier de Bordures et de Corniches d'apartment (...). A cornice with leaf motifs and acanthus leaves around floral motifs.

BUCK; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Kazimierz (Kraków - district), Lesser, Aleksander (1814-1884), Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Weapons, former weapons, Buły, Dar (provenance), Church of St. John (Vilnius), Craft, artistic crafts, military

Gerald Bernhardt, Andirons, 1935 1942 Andirons

Candlestick. Dated: c. 1937. Dimensions: overall: 28.9 x 22.5 cm (11 3/8 x 8 7/8 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Janet Riza.

Two Tuscan terms; Etliche Zierliche und underscheidliche terms. Second edition of series.

The wooden hood of the tower of the old church in Amsterdam; The hood of d'Oude Kerks Tooren.The Wooden Construction of the Tower of the Old Church in Amsterdam, with two clocks. There is a man under the big clock.

Album sheet with a cut-out print of a necklace, Album sheet with a cut-out print of a necklace., print, ornament print, album sheet, prints, ornamental prints, height 430 mm, width 292 mm, print maker, printmaker, 1500 - 1599, fourth quarter 16th century, 17th century, paper, engraving, engraving (printing process), pasting

Print, Two Furniture Leg Designs; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: C. Le Meunié (French, active 1770-1786); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

French crown, Paris, Esnauts & Rapilly, Willemin, Nicolas Xavier, F VIe Recueil De Vases, D'Ornemens & De Figures, Tirées De L'Antique, Drievoet and vase, verso - stamped, On the left a tripod with winged mermaids. On the right a narrow vase with garlands and leaf motifs on a pedestal with a putto and sphinxes., print, engraving, ornamental print, title print, prints, engravings, ornamental prints, height 143 mm, width 103 mm, French, 1763-08-05 - 1839-01-25, print maker, printmaker, 1775 - 1797, paper, papier, etching, etchings, aquatint, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Bour Female Warshp, Berthop, Bread Charles defilles, in 1771 print Two candlesticks with garlands, leaf motifs and left with a ramskop. Paris paper etching / engraving Chandelier, a candlestick. Ram's Head ~ Ornament

Deraisme, Pierre -Georges (n.1859 - D.1932), Manche (main title), 1898. Graphite, ink and watercolor on white cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

'Sketch of a Painting of a Shell-Shaped Saucer for the Raphael Ceremonial Dinner and Dessert Services from the Tsarskoye Selo Palace'. Russia, St Petersburg, 1890. Dimensions: 37,6x29,1 cm. Museum: State Hermitage, St. Petersburg. Author: Sergey Romanov.

Drawing, Design for a badge of the Military order of St. Maurice; Italy

Noordelijke Nederlanden, Hem, Carel van der, De nette Grote Van de Goude Sleutel welke de Plenipotentiaries to the Council of States of the General Government of the Austrian Netherlands in the Name of their Imperial Majesty Charles III, King of Spain, have honored the Government and Citizens of the city with the following as a sign of their loyalty: Golden key offered by King Charles III of Spain to the citizens of Leuven, 1710, Northern Netherlands, The golden key offered by King Charles III of Spain (Archduke Charles of Austria) to the citizens of Leuven, as a reward for their performance and loyalty during the French attack on the city by Desmoulins on 5 August 1710., print, engraving, historical object representation, prints, engravings, Frederik Muller Historieplaten, height 363 mm, width 170 mm, print maker, engraving maker, 1710 - 1710, paper, papier, etching

Studies of a crash helmet, firearms and musical instruments; verso: landscape study, 4 studies of figures in 18th century costumes. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

Skała (woj. małopolskie). Słup podcieniowy domu miejskiego. Poprzęcki, Szymon (ok. 1864-1942), draughtsman, cartoonist

Skillet. Dated: c. 1935. Dimensions: overall: 29 x 22.9 cm (11 7/16 x 9 in.) Original IAD Object: 13" in diameter; 39" long. Medium: pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Rollington Campbell.

Group picture.

Print (France); Print Maker: Augustin Nicolas Foin (French, 1726-c. 1759)

Design for a chandelier. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 22 3/16 x 15 1/16 in. (56.3 x 38.2 cm)Other (Design): 17 3/16 x 10 15/16 in. (43.7 x 27.7 cm). Maker: Possibly Tiffany Glass and Decorating Company (American, 1892-1902); Possibly Tiffany Studios (1902-32); Possibly Tiffany Glass Company (1885-92). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

'Relics of Prince Charles Edward. The Great Pretender', (1878). Artist: Charles Lawrie.

Child's Bench. Dated: c. 1936. Dimensions: overall: 30.5 x 22.7 cm (12 x 8 15/16 in.) Original IAD Object: top: 14x9 inches. Base: 16x9 in. 10 1/4" high. Medium: watercolor, graphite and some heightening on paper. Museum: National Gallery of Art, Washington DC. Author: Albert Camilli.

Door Knocker. Dated: c. 1936. Dimensions: overall: 29.8 x 23 cm (11 3/4 x 9 1/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Arsen Maralian.

Kandschar; Armschiene aus Eisen; Gürtel; Gürtel; Armschiene.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Drawing, Design for a Coffee Urn; Designed by Joseph Anton Seethaler II (German, 1799-1868); Germany; pen and black ink, brush and gray, black wash on wove paper; 40.5 x 30.9 cm (15 15/16 x 12 3/16 in.)

Giesenberg Edgar (1851-1892), Royal Opera in Berlin. () (Without Dat.): Detail, view of a candlestick. Pencil on cardboard, 25.1 x 13.9 cm (including scan edges) Giesenberg Edgar (1851-1892): Königliche Oper, Berlin ()

Plate V. Thomas Annan (Scottish,1829 - 1887)

Studies in helmet, firearms and musical instruments; Verso: Landscape study, 4 characters in the eighteenth -century costumes; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);Weapons, white weapons, musical instruments, mandolin (musical instruments), headgear, nocturnes, landscapes, city landscapes, wigs, pistols, hunting horns, crafts, costumes, historical costumes, women's costumes, men's costumes, eighteenth -century costumes, studies (sketches ), Studies to paintings, character studies, female characters studies, men's studies, studies of dresses, a study of characters in historical costume, dresses, decorative art, city views, purchase (provenance), goldsmith

Giacinto Capelli, Butter Churn, c 1940 Butter Churn

Brackets. Dated: c. 1937. Dimensions: overall: 35.6 x 28.2 cm (14 x 11 1/8 in.) Original IAD Object: 5 1/2" high; 2" wide. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Dana Bartlett.

Plate from Suite des Vases Tirée du Cabinet de Monsieur Du Tillot, Marquis de Felino, 1764, Ennemond-Alexandre Petitot; Etcher: Benigno Bossi, French, 1727 - 1801, 9 x 6 1/2 in. (22.86 x 16.51 cm) (plate, each varies)17 3/4 x 11 1/2 in. (45.09 x 29.21 cm) (sheet), Etching, France or Italy, 18th century

STAND FOR PICTURES. BY LEISTLER. 1851

Bronze weapon heads. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Earring Design, Three Entwined Snakes Holding Pearls, Pen and ink, graphite on paper, laid down, Design for an earring with three entwined snakes holding three dangling, teardrop-shaped pearls., Italy, ca. 1840, jewelry, Drawing, Drawing

Drawing, Study of corbels; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Print, Two Furniture Leg Designs; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: C. Le Meunié (French, active 1770-1786); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Journal of Luxury and Modes 1790, Volume V, T.9, Friedrich Justin Bertuch, 1790 Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching

ACenser. Artist: Martin Schongauer, German, ca. 1440/50-1491

Alfred Walbeck, Spur, c 1936 Spur

Amsterdam, Schenk, Pieter (II), Horst, Tieleman van der, Jan, Theatrum Machinarum Universale; Of Nieuwe Algemeende Bouwkunde, Technical drawings of stairs, verso - stamped, Technical drawings of double-shell stairs (numbers 62 and 63). Top and side views and details of stair gate., print, ornamental print, prints, ornamental prints, height 393 mm, width 501 mm, Northern Netherlands, 1698-02-09 - 1752-02-05, print maker, printmaker, 1739 - 1739, paper, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1693-02-15 - 1775-01-14, publisher

Design for a Pendant, Pen and black ink, brush and gray, red watercolor on light green paper, Jewelry design for a pendant. Six rows of disks are hanging from a 'roof' with an entablature. On top a knot, hanging from a red ribbon., probably Naples, South Italy, Italy, late 18th century, jewelry, Drawing, Drawing

Augsburg, Hertel, Johann Georg (II), Hauer, Johann Thomas, Fountains, Fountain with sphinxes, verso - stamped, Design for a fountain with two extensions in the form of sphinxes. In the middle of the fountain is a pillar with a bust of a figure with a laurel wreath and a round medallion with a face and Publisher's number 392., print, ornamental print, prints, ornamental prints, height 229 mm, width 155 mm, print maker, printmaker, 1770 - 1800, paper, papier, etching, etchings, engraving, engraving (printing process), Hungarian, 1748 - 1820, intermediary draughtsman, after a drawing by, Publication (Event), Publication, German, 1701 - 1800, publisher

Title head with jewelry ..

Irene M Burge, Candlestick, 1937 Candlestick

Cracow. A church of forged from the fourteenth century; Odrzywolski, S Awomir (1846-1933), Salb, Marcin (Kraków; Litographic Zak 1865-Post 1890); around 1890 (1885-00-00-1895-00-00);

Wall Pocket for Flowers. Dated: 1935/1942. Dimensions: overall: 30.8 x 22.5 cm (12 1/8 x 8 7/8 in.). Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Gertrude Lemberg.

Design for the Corner of a Cove. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Sheet: 5 7/16 x 7 1/2 in. (13.8 x 19 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Trivet. Dated: c. 1939. Dimensions: overall: 30.4 x 22.5 cm (11 15/16 x 8 7/8 in.). Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Hans Korsch.

Consoles with ramskop and medallion, in or after 1771 - 1784 print On the left a console with a ramskop and an oval medallion with putti. On the right a console with leaf motifs. Up above Z numbered, numbered below 3 numbered. Augsburg paper etching other architectural details (CONSOLE). ram's head ~ ornament. ornament ~ medallion

Two Tuscan terms, 1604 print Amsterdam paper engraving Tuscan order ~ architecture

Design for a Comb, Pen and sepia ink, brush and gray watercolor on paper, Design for a hair comb. Above nine tines, a pointed compartment formed by two entwined ribbons. Inside, two eagles stand beside a vase filled with stemmed flowers and fruits, two of which each the eagles are eating. A feather is fastened at the upper frame of the right part of the headpiece. Bevelled corners., probably Naples, South Italy, Italy, 1820-30, jewelry, Drawing, Drawing

Streli. Barel'ef na tserkvi Sv. Marka v Venetsii. Barel'ef na Dmitrievskom sobore vo Vladimire. Moneta kniazia Tverskago. Panagiia iz Zaraiskago sobora., 1871, Moskva, Publisher, Pechat. v lit. I. Medviedeva, Russia, Antiquities

Axe and cudgel,' a watercolor by Acad. F. Solntsev, produced between 1849 and 1853. This chromolithograph, published by Tip. A. Semena in Moscow, showcases the artistic style of Russian art during that period

Crucifixion (Rome) Ren� Marjolin (1812-1895). Crucifixion (Rome, Italy). Graphite and watercolor pencil. Paris, museum of romantic life.

Necklace, ring, needles and pendants found in a sarcophagus outside the Porta S Lorenzo 1, curved trumpet or lituus worn over the shoulder 2, tubice or straight trumpet on Trajan's Column 3, tintinnabulum or bell 4 with stick B, trumpet from Herculaneum 5, tube instruments from the Villa Albani 6, circle with rattles 7, triangle from a bas-relief of Justinian 8. Copperplate engraving by Domenico Pronti from his own New Collection Representing Religious, Civil and Military Costumes of the Ancient Egyptians, Etruscans, Greeks and Romans, Nuova Raccolta Rappresentante I Costumi Religiosi Civili e Militari, Rome, 1805.

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 31.5 x 21.6 cm (including scan edges)

Look for the 5th

Design for an Earring, Pen and black ink, brush and gray, red watercolor on paper, Jewelry design for an earring. The central diamonds of the disk and the drop are red, as is the diamond in the middle of the central part, framed by two vertically disposed scrolls of ribbons. Bevelled corners., probably Naples, South Italy, Italy, late 18th century, jewelry, Drawing, Drawing

Répresentation Exacte du Grand Collier en Brillants des Srs. Boëhmer et Bassenge ca. 1785 Nicolas Antoine Taunay This print shows a to-scale representation of the diamond necklace, central in the so-called 'Affair of the Necklace', which brought scandal upon the French Royal family and Queen Marie-Antoinette in particular in the years leading up to the French Revolution. The necklace had initially been commissioned by the French King Louis XV from the Parisian jewelers Bassenge et Böhmer for his mistress, Madame du Barry (Jeanne Bécu de Cantigny). The design for the necklace contained a total of 540 diamonds and King Louis XV died before the jewelers could complete the commission. Left in dept due to their great investment, and without a buyer for the exuberant piece, Böhmer and Bassenge offered the necklace to the new queen, Marie-Antoinette, who declined the offer. The necklace then became the protagonist in a scheme involving the Cardinal the Rohan (Louis-René-Édouard, prince de Roh

French Crown, Paris, Chéreau, Jacques-François, Lalonde, Richard de, Le Meunnié, C., C Cahier de Pieds de Furniture for various uses, Two furniture legs, verso - stamped, Two ornamented furniture legs with floral motifs, turned on the right at the bottom., print, ornamental print, prints, ornamental prints, height 375 mm, width 196 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Woodcut from circa 1425-1450 depicting Nuremberg healing tumors, showing figures, medical practice, gestures, and composition.

Two sabers in Szyków, including one will be in the past Nikola Zrinski (Miklosa Zrínyi); Lesser, Aleksander (1814-1884); 1845 (1845-00-00-1845-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Hungary, Zrinski, Nikola (Ban Croatia, Dalmatia and Sławonia - Ca 1508-1566), Zrinski, Nikola (Ban Croatia, Dalmatia and Sławonia - Ca 1508-1566) - iconography, weapons, white weapons, gift (provenance), rifles, militaria, militarian Craft, Sabers, Army, Hungarian Army, Ambrask collections (Vienna)

Book, L'oeuvre (Works)

Club and flail. Watson, Stewart, active 1843-1847. 1840. Watson, Stewart, active 1843-1847. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , Italy, Grand tours (Education), Arms & armament

Shchit trostnikovyi (Reed shield). Watercolor by Acad. F. Solntsev. Chromolithography by F. Dreher., 1849 - 1853., Moscow. Publisher, Tip. A. Semena. Art, Russian, Chromolithographs

Album of Firearms Ornament Containing Approximately Five Hundred and Forty Inked Impressions of Engraved Firearms Locks and Mounts, and Forty-Two Original Pen and Ink Designs on Forty Double-Sided Leaves ca. 1840-80 Belgian and French "Pulls" are images made by applying ink to an engraved metal object, pressing paper over it, and then "pulling" an impression from it. In the nineteenth century, gun engravers sometimes used this technique to record their work or to collect examples from other engravers. Ephemeral and utilitarian by nature, relatively few compilations like this album survive today. It is an invaluable record composed of over five hundred pulls from firearms decorated by leading gun engravers, mostly in Liege and Paris, plus forty-two original pen-and-ink designs.. Album of Firearms Ornament Containing Approximately Five Hundred and Forty Inked Impressions of Engraved Firearms Locks and Mounts, and Forty-Two Original Pen and Ink Designs on Forty Double-Sided Leaves 35676

Two Polish sabres from the 17th century from the collection of the Historic Museum of Dresden. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Drawing, Design for brooch; Italy; 1940-86-171

Hilten, Jan van, Jansz., Jan, Keyser, Hendrik de (I), Regola delli Cinque Ordini d'Architettvra Di M. Giacomo Barozzio da Vignola. Con la nuova aggionta di Michel-Angelo Buonarot, Pulpit with ceiling, Right half, elevation. Bottom center: O. Sheet XXIII., print, ornamental print, prints, ornamental prints, height 338 mm, width 244 mm, Work conception, 1565-05-15 - 1621-05-15, after a design by, 1575 - 1629, fourth quarter 16th century, first quarter 17th century, second quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher, Dutch

Four Amulettes, Gerardus Emaus de Micault, 1847 print The amulets are numbered. Three birds are depicted on the middle amulet. printer: Tielpublisher: Culemborg paper amulet, talisman

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print View of a city on a water (Antwerp). Above that, as on a canvas, a floor plan for part of a fortress, fort or reinforcement. In the corner at the top right, the number 37 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching / engraving fortifications, military engineering. mathematics. prospect of city, town panorama, silhouette of city. landscapes with waters, waterscapes, seascapes (in the temperate zone). ships (in general) Antwerp

Fragment of statue of Notre-Dame.

A sphere, a mariner's compass, a protractor, two compasses, an alidade, and a branch. Colored background. Date: 1780-1800. Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Tournament helmet with coat of arms on rear from the mid-15th century. From the collection of Prince Karl Anton of Hohenzollern-Sigmaringen. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C.R. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

The Lord Baltimore Monument.. Prints. 1777 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Calvert, Leonard, 1606-1647 , Monuments

How the hose fire spray and pump should be stored in the fire spray house after use, approx. 1750, 1700 - 1799 print A representation of how the hose fire spray and pump should be stored in the fire spray house after use, approx. 1750 Belongs to the incentives at the fire spray book by Jan van der Heyden. Northern Netherlands paper etching fire-extinguishing equipment

Plate showing plaster casting studio, tools and creations. Engraving from Denis Diderot, Jean Baptiste Le Rond d'Alembert, L'Encyclopedie, 1751-1757. Entitled Sculpture.

Etching by Jacques Callot depicting a battle scene in the middle of the Arno River in Florence, created after 1619.

Grandfather Clock. Dated: c. 1936. Dimensions: overall: 35.7 x 27 cm (14 1/16 x 10 5/8 in.) Original IAD Object: 89 1/2"high; 17 3/4"wide; 10"deep. Medium: pen and ink and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Jr. Ernest A. Towers.

Pa. German Butter Mold. Dated: c. 1938. Dimensions: overall: 33.8 x 25 cm (13 5/16 x 9 13/16 in.) Original IAD Object: 4 5/8" in diameter. Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Charlotte Angus.

Arms of the XVIth Century 1865 Jules-Ferdinand Jacquemart. Arms of the XVIth Century. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1865. Etching, second state of three (Gonse). Prints

Armchair. Dated: c. 1936. Dimensions: overall: 29.2 x 22.8 cm (11 1/2 x 9 in.) Original IAD Object: 39 1/2"high, 26 3/4"wide, 18"deep.. Medium: watercolor, colored pencil, graphite, and some heightening on paperboard. Museum: National Gallery of Art, Washington DC. Author: Rolland Livingstone.

Teller; Gefäß in Form eines Vierfüßlers; Schalenboden; Halbe Kreuzfliese; Schalenboden; Gefäß in Form eines Löwen; Schale.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

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