Ornamental Ceiling Designs

Intricate etchings of ceiling designs, featuring floral motifs and allegorical figures, showcasing baroque and classical stylistic elements.

Lucas van Leyden (Netherlandish, 1489-1494 - 1533), Two Cupids Seated on Clouds in Two Circles, 1517, engraving

Ceiling design; Le Pautre, Jean (1618-1682), Sandrart, Susanna Maria von (1658-1716); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Print (France)

Part of Fries Op Schouw in Mayor's council chamber of the Town Hall on Dam, Hubert Quellinus, After Artus Quellinus (I), 1663 print Part of Fries on one of the two fireplaces in the mayors of the town hall on Dam Square in Amsterdam. On that Frisian, of which this performance is part, you can see the weapon of Amsterdam in the middle, which is crowned by two putti. On both sides of different putti of which some of which have been presented as a virtue. On this part on the left part of a putto as a personification of justice (Justitia). In the middle a putto with a dog like allegory on faithfulness. On the right a putto with fruits and grains. Nummered at the bottom left: 2. At the bottom of the middle marked: P. See also RP-P-AO-22-2P-1. paper etching / engraving coat of arms (as symbol of the state, etc.) (+ city; municipal). cupids: 'amores', 'amoretti', 'putti'. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Faithfulness, 'Bona Fide'. Frankness,

Ceiling with round performance of the Olympus, 1661 print Ceiling with variants for three times an eighth part of the edge. Leaf from series of 6 blades with large quarters of ceilings in classic style, some with variants for the edges. From the first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Ceiling with round representation of the Olympus; Grands Carts The ceilings a la romaine. Ceiling with variants for three times an eighth portion of the edge. Leaf from series of 6 sheets with large quarters of ceilings in classical style, some with variants for the edges. From first edition.

Lucas van Leyden (Netherlandish, 1489-1494 - 1533), Two Cupids Seated on Clouds in Two Circles, 1517, engraving

Jupiter and Juno discuss the question of which of the sexes the lust in love is greater; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. Jupiter and Juno are next to each other, for a long table that is exactly sided, and discuss the question of which of the sexes the lust in love is greater. Jupiter states that the privilege of the woman is, Juno contradicts him. In the performance two times two fresh rules in Latin. The print is part of an album.

Putti around a frame with lionvel, Pierre Elle, After Louis Testelin, 1619 - 1689 print France paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. attributes of Hercules (with NAME)

Allegorical performance with Pegasus, Claude Duflos, After Nicolaas Verkolje, 1735 print print maker: Francepublisher: Amsterdampublisher: Amsterdam paper etching / engraving symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). Intellect, Intelligence; 'Intelletto', 'Intelligenza' (Ripa). Pegasus, the winged horse

Ceiling decoration with olympic gods, naked figures and ornament; Collection of gods at the Olympus.Part of the Ceiling Decoration by Giovanni Lanfranco in the villa Borghese in Rome, with two Lunetten with mythological Performances and representations of the Olympus Gods, Naked figures and ornament.

Alkoof, Jean Lepautre, c. 1656 - C. 1657 print Alkoof with a group standing in front of a bed flanked by two terms and two doors with medallions with emperor portraits above it. Possibly the story of Titus and Berenice. Numbered at the bottom right. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Campania Caserta Carditello Plazzo Reale1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Apollo in De Muzen, Alexandre Bettou, After Francesco Primaticcio, 1622 - 1693 Decoration of a pendentive. Print is part of an album. Fontainebleau paper etching Decoration of a pendentive. Print is part of an album. Fontainebleau paper etching

Design for a Panel with Two Variants containing a Satyr and a Sphynx, from: Panneaux d'ornement. Artist: Jean Le Pautre (French, Paris 1618-1682 Paris). Dimensions: sheet: 5 1/2 x 7 15/16 in. (14 x 20.1 cm)plate: 5 5/16 x 7 11/16 in. (13.5 x 19.5 cm). Publisher: Jacques Van Merlen (Flemish, Antwerp 1616-1682 Paris). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Print, Plate 24, from Grotteßco: in diverßche manieren (Various Grotesques); Designed by Hans Vredeman de Vries (Dutch, 1527 - ca. 1606); Published by Gerard de Jode (Flemish, 1509 - 1591); Etched by Jan van Doetechum the Elder (Netherlands), Lucas van Doetechum (Dutch, after 1584); France; etching on laid paper.

Two Designs for Friezes with Acanthus Scrolls from: Frises, Feuillages ou Tritons Marins à la romaine ca. 1640-82 Jean Le Pautre French. Two Designs for Friezes with Acanthus Scrolls from: Frises, Feuillages ou Tritons Marins à la romaine 399406

Man fighting with dragon; Verschyde Praiscing and other celebrating. Frisian. The man sprouts from a wreath of leaves.

Italy, Tempesta, Antonio, Frisian with putti making wine and offering to Priapas, verso - stamped, print, prints, height 88 mm, width 380 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings

Design for a Panel with Two Variants containing a Satyr and a Sphynx, from: Panneaux d'ornement 17th century Jean Le Pautre French. Design for a Panel with Two Variants containing a Satyr and a Sphynx, from: Panneaux d'ornement 399257

Cybele on victory cart pulled by Leeuwen, Augustin Jacques Renard de Saint-André, After Charles Le Brun, 1695 print Paris paper etching Diana and her nymphs surprised by satyrs. cupids: 'amores', 'amoretti', 'putti'. Atalante and Hippomenes changed into lions: when they profane the temple of Cybele, Atalante and Hippomenes are changed into lions by the goddess (Ovid, Metamorphoses X 689). (story of) Cybele, Rhea Cybele, Great Mother of the Gods (Berecynt(h)ia)

Cartouche with a woman on a sea monster, 1564 print Cartouche with a woman on a sea monster and a man wearing a fish on his back. In the middle at the top, a harnessed man puts his upper body through the rolling work. Two figures blow on a horn to the left and right. At the bottom of a mascaron flanked by dogs. Shaded background. Part of series with title page and 12 magazines. Antwerp paper engraving ornament ~ cartouche. fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa). dog. scrollwork, strapwork ~ ornament

Plate 17, from Grotteßco in diverßche manieren (Various Grotesques), Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel with a representation of Marcus Curtius leaping into the a gulf. On either side, a military trophy., France, 1564, ornament, Print, Print

Zeegeod and Tritons in Water, Anonymous, Gabriel Weyer, 1571 - 1635 A naked sea god in the foreground, sitting at a jug from which water flows. In the water a triton that blows his horn and another that creates water. paper engraving / etching monsters of the sea

Lower part Pilaster I, from the Loggie Di Raffaele Nel Vaticano series; Volpato, Giovanni (1740-1803), Rafael (1483-1520), Teseo, Lodovico (1731-1782); 1774 (1774-00-00-1774-00-00);

Panel with two putti and a lion, Jean Lepautre, 1667 print Leaf 7 from series of 8 () Ornamental panels in the classic style. On each sheet there is a variant for the right half, indicated with the letter B in the upper margin. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching beasts of prey, predatory animals: lion. cupids: 'amores', 'amoretti', 'putti'

Frisian with a shield worn by a male and a female satyr ..

Amazonenslag, Gerard de Lairesse, c. 1670 print Theseus fight the Amazons who attack Athens. Antique relief scene put into print. paper etching Theseus' fight with the Amazons when they attack Athens

Decorations at the house of Mr. D.A. Bishop in Rotterdam, 1766. Decorations applied to the house of Mr. Dirk Anthony Bisschop in Rotterdam. Six panels with allegorical performances and emblems. On the occasion of the majority of Prince Willem v on March 8, 1766. Numbered at the top: XVII.

Relief with dancing women in draped robes; Borghese dancers; Roman sculpted reliefs; Icone et segment (...). Relief with five dancing women in draped robes. Print is part of an album.

Amsterdam, Danckerts, Cornelis (II), Netherlands, France, Lepautre, Jean, Ornamental panels, Rectangular frame with panel and laurel wreath, On the left an octagonal panel with a vase and a horn of plenty, supported by a sphinx; right a laurel wreath, a satyr and leaf tendrils., print, ornamental print, prints, ornamental prints, height 138 mm, width 196 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1696 - 1717, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1664-03-02 - 1717-07-22, publisher

Design for a panel, Gilles Paul Cauvet, French, 1731-1788, Pen and black ink on paper with brush and ink wash, Animal's heads support festoons of hides. Trophies of Dionysiac objects are suspended from the heads. Medallions with Bacchic Representations hang in the intervals. Framed by mouldings., France, ca. 1775, architecture, interiors, Drawing, Drawing

Alkoof with dying Germanicus, Jean Lepautre, c. 1656 - c. 1657 print Alkoof with Germanicus lying on a bed with draperies and angels with laurel wreath above it. There are sad soldiers around. Numbered at the bottom right. From the second edition. print maker: France (possibly)after own design by: Francepublisher: Paris paper etching

Design for a wall decoration with four performances, Lattanzio Gambara (Possible), 1540 - 1573 drawing paper. ink. chalk pen / brush

Part of Fries on Schouw in the Midwikskamer of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1663 print Part of Frisian on one of the two fireplaces in the Midwikskamer of the Town Hall on Dam Square in Amsterdam. On that Frisian, of which this performance is part, there are allegorical representations with regard to good advice ("good raedt"), or mind, insight and/or wisdom. See RP-P-AO-22-EQ-1 and RP-P-AO-22-EQ-3 for the other parts of the Frisian. The performance is explained in the register (RP-P-AO-22-2-2-2). Numbered at the bottom right: 2. At the bottom of the middle: Q. paper etching / engraving allegory, personification of good government. cupids: 'amores', 'amoretti', 'putti'. owls. beasts of prey, predatory animals: bear City Hall of Amsterdam (1655-1808)

Left under corner of a print of the scene of Cebes, Philips Galle, After Frans Floris (I), 1561 - 1596 print Allegory about the salvation road of man. Life as a city with three walled sites, with a temple in the middle. At the outer gate the souls of children are waiting, ready to enter adult life. Before entering, they get something to drink from temptation (seductio), which makes them ignorant. The first walled site shows all kinds of transfers and distractions, such as prejudice (opinion), desire (cupiduas), doubt (error) and ignorance (ignorantia). They prevent the youthful person from penetrating further to the next circle. Only by following the personifications of repentance (Poenitentia), Hope (Spes) and Good desire (Bonnnem Desiderium) can people gain access to the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven Artes Liberales and on the right various scholars debate. Man is put to the test in this circle and confronted with false

Daniël in the Leeuwenkuil, Crispijn van de Passe (I), After Maerten de Vos, 1591 print Daniël on the ground in a cave surrounded by lions. King Darius and his entourage watch. In the margin a two -way caption in Latin. Antwerp paper engraving Daniel's punishment and liberation: Daniel in the lion's den ~ King Darius

Relief with triumphal; Roman sculpted reliefs; Icone et segment (...). Relief with a procession of Romans who take the booty from the temple of Jerusalem towards a triumphal arch. Text in Latin in undermarge. Print is part of an album.

Putto on garland and ranks with acanthus leaves, 1640 print A Frisian with a putti sitting on a fruit guirlande. On both sides of Acanthus leaves. London paper etching cupids: 'amores', 'amoretti', 'putti'. ornament ~ festoon, garland. acanthus ~ ornament

Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet: 5 1/8 × 7 1/8 in. (13 × 18.1 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA.

Man fighting with dragon, anonymous, after Jean Lepautre, c. 1670 - c. 1702 print Frisian. The man sprouts from a wreath of leaves. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Frisian with leaf vines and figures, Heinrich Aldeglever, 1537 print Frisian with a woman and a man, both without arms and with lower bodies of leaf vines, flanked by two children. At the ends of the Frisian, ranks run on either side in a dog's head and a fish head. Germany paper engraving ornaments ~ art

Lazio Roma Rome Palazzo Corsetti5. Hutzel, Max 1960-1990 Views of 17th c. simple facade and courtyard withdetail views of mounted architectural and sculptural fragments. Interior views of coffers, painting, fresco painting, silver icon. Antiquities: Sculptural fragments General Notes: Views 111-152 are extracted from via di Monserrato sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

April, Etienne Delaune, before 1566 print Hunting scene with hunting dogs. The scene is framed by an ornamental list of dogs, attributes for hunting, hunters and at the top of the constellation bull. France paper engraving April and its 'labours' (+ with zodiacal signs). Taurus (zodiacal sign of April). hunt ~ hoofed animals. hunting dogs. hunter

Tritons, ninegend in Putti ..

Neptune stilling the tempest still image. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Neptune (Roman deity), Poseidon (Greek deity), Winds, Sea gods, Virgil. Aeneis

Master AD, French (active c. 1600), Les divers pourtraicts et figures XII, c. 1600, engraving

Vignet with allegory on the Middle East.Vignet with two men with shells in their hands. In the background a landscape with pyramids. Around a rocaille frame with trees and animals such as a lion, a camel, and a crocodile.

Lunette with putti, wolves and armor in the western gallery of the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1655 - 1665 print Lunette with crying putti, wolves, armor and bones in the northern part of the western gallery of the town hall on Dam Square in Amsterdam. This is the Lunette to the right of the statue of Mars. Marked in the middle: q (crossed out). Numbering at the bottom right by hand added: LXXXVII. Amsterdam paper. chalk. ink etching / engraving / pen attributes of Mars. attributes of Mars (with NAME). symbols, allegories of war; 'Guerra' (Ripa). cupids: 'amores', 'amoretti', 'putti'. weeping City Hall of Amsterdam (1655-1808)

Ceiling with rectangular representation in the middle; Grands Carts the ceiling. With variants for two quarter portions of the edge. Leaf 2 from series of 6 sheets with designs for ceilings, some with variants for the edges. From second edition.

Decorated arches with putti and a garland of fruit, Alexandre Bettou, after Francesco Primaticcio, 1622 - 1693 Albumblad contains two prints, a left and right part of a bow. The left part has serial number 7, the right part is numbered with a 2. Print is part of an album. Fontainebleau paper etching Albumblad contains two prints, a left and right part of a bow. The left part has serial number 7, the right part is numbered with a 2. Print is part of an album. Fontainebleau paper etching

Hell; Four last things. Hell with fire in the middle. Satan is sitting with a trident in hand with the tried-headed dog Cerberus above the Hellemond. Deactured are taned and tortured by devils and demons. Around the show a peripheral text in Latin. This print is part of an album.

German unity caricature on the revolution , Eduard Gustav May -, publisher

Kuropatnicki thesis, dedicated to Jan III Sobieski (Holl. 416); Kilian, Bartholomäus II (1630-1696), Lublinski, Martin Anton (1636-1690), Tyszkiewicz, Konstanty (1806-1868); 1858 (1858-00-00-1858-00-00), 1682 (1682-00-00-1682-00-00);

Print (France)

Passion show in list of flowers, birds and butterflies; Passion shows in lists with animals.

Tendrils met dansend figures, Israhel van Meckenem, 1455 - 1503 print Men in various costumes dance a morischen dance in the tibs of a spiky plant. There is a lady in the fork of the first two branches. At her feet there are a jerk and a musician; Between them is a dog. Bocholt (Germany) paper engraving Morris dance, 'Mauriskentanz'. plants; vegetation (+ ornamental variants of plants)

Sacrifice to Priapus, Anonymous, After Master of the Dice, in or After c. 1530 print In the middle is the fertility god priapus in the form of a Herme. Saters and Maenaden dance around him. Bacchus on the right and a figure blow on a double horn. At the bottom of the Herme, a ram of priapus is sacrificed. In the middle of a cartouche. Italy paper engraving Priapus-herm. Horn, trumpet, cornet, trombone, trumpet. Maenad (s), female Bacchant (es). Male Bacchant (es). Satyr (s) (in general). Animal sacrifice ~ Roman Religion

Print (France)

Print (France)

Paul conversion; Paintings of Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican; History of Petrus and Paul; Disegno della Loggia di San Pietro in Vaticano Dove Si da La Benedizione. A painting with Paul conversion, in an ornamental picture frame with putti and eagles. Paul is on the floor. He fell because he was shocked by the appearance of Christ in heaven. Print is part of an album.

Medallion with the Virgin, the child and John the Baptist; Ornamental panels.

Venus in her triumphal wagon, including her planet children, Anonymous, Hans Sebald Beham, 1510 - 1550 print paper Venus and her children ('Planetenkinder')

Print (France)

Portrait of Marco Barbarigo and the Personifications of Peace and Goodness; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. Then a medallion with the portrait of Marco Barbarigo on the front. The Dogehoed is put on the head on the back. In addition, the text: DUX I. Publice Datus. The pedestal is flanked by two female personifications. On the left may be the personification of peace, with olive branch. She has a command stove in her hand. On the right is goodness next to a young tree, with a wreath on the head and in her arms a nest with a pelican and her boy. The print is part of an album.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), seen from the Villa of Pratolino near Florence. Two different drawings of a cave on the same board. Fourth issue of a suite of 6 rooms. (A. de Vesme 841; Dutuit 178) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Farewell to a soldier and husband approaches a seamstress, 1555 - 1631 print Two medallions with an ambiguous edge in German. On the left medallion, a crying woman says goodbye to her husband, who joins the army as a soldier. A dog between them. On the right medallion, a young woman is sewing in a sober room. In front of her is a farmer who hugs her and is about to kiss her. paper engraving sewing. embracing each other, kissing. sensuality. leave-taking (of soldiers). crying, shouting. dog. image of phallus, 'phallos'

Frisian with arabesken and a putto, 1561 print print maker: Italypublisher: Venice paper etching ornaments ~ art. Foliage ~ ornament. Cupids: 'Amores', 'Amoretti', 'Putti'

Cartouche with a weapon trophy in a frame of rolling work, above two winged lions, 1564 print Cartouche with a weapon trophy in a frame of rolling work. On the cartouche is a lion with eagle wings (Griffin) on the left and right. At the bottom of a mascaron and various fruit vuirles. Netherlands (possibly) paper engraving ornament ~ cartouche. griffin (lion/eagle); 'Griffo' (Ripa). ornament ~ festoon, garland. mask, mascaron ~ ornament

Design for a Symmetrical Frieze, Felice Giani, Italian, 1758-1823, Pen and black ink, graphite, brush and wash on paper, Two winged female figures holding wreaths, reaching to center, and two bulls, flank central vase., Italy, ca. 1805, figures, Drawing, Drawing

Left under corner of a print of the scene of Cebes, Philips Galle, After Frans Floris (I), 1561 - 1596 print Allegory about the salvation road of man. Life as a city with three walled sites, with a temple in the middle. At the outer gate the souls of children are waiting, ready to enter adult life. Before entering, they get something to drink from temptation (seductio), which makes them ignorant. The first walled site shows all kinds of transfers and distractions, such as prejudice (opinion), desire (cupiduas), doubt (error) and ignorance (ignorantia). They prevent the youthful person from penetrating further to the next circle. Only by following the personifications of repentance (Poenitentia), Hope (Spes) and Good desire (Bonnnem Desiderium) can people gain access to the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven Artes Liberales and on the right various scholars debate. Man is put to the test in this circle and confronted with false

Diana and Actaeon (the Metamorphosis of Acteon) 1544 Fontainebleau. Under the patronage of Francis I, the Royal Palace of Fontainebleau was decorated with paintings and stucco-work by Italian Mannerist artists. A print workshop was also established there to record and publicize the achievements of the masters working at the isolated palace. Jean Mignon was one of the principal printmakers of the Fontainebleau School; this splendid etching, based on a drawing by Luca Penni, displays the extreme elegance and refined, attenuated figures of the Fontainebleau style.When the young hunter Actaeon stumbles upon the bathing Diana in Ovidís Metamorphoses, he surprises the chaste goddess, who subsequently splashes water upon him. This print depicts the ensuing moments, in which Actaeon, on the left, is transformed into a deer, and Dianaís nymphs, on the right, attempt to shield their goddess. Based on a drawing by Luca Penni, this etchingís graceful lines and attention to decoration aptly demonst

Print made by Oliverio Gatti, 1568-1651, Italian, Studies for the Instruction of Painters, two suites. Rome, c. 1630, undated. Line engraving on medium, slightly textured, cream laid paper.

Dish with four children and two putti, 1500 - 1600 print Dish with a group of four children, two of whom wear a putto on their shoulders, in an edge of leaf vines with three medallions. Women's heads are depicted in the medallions. The edge has an shaded background. One of 11 magazines. Germany (possibly) paper engraving

Bas-relief with the Sabijn's virgin 'senior; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bas-relief with the Sabijn's virgin 'senior. Left a soldier grabs a Sabini virgin. Right fighters with horses. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Two elongated Frisians with different birds, Anonymous, After Virgilius Solis, 1649 print The upper Frisian is numbered at the top left and bottom right, the lower Frisian is numbered at the top left and bottom right. paper engraving birds

Designs for decorations of snuff boxes: four allegorical representations. Design for a print.

Frontispiece: Hercules Fighting the Hydra, Print made by Francesco Curti, 1610-1690, Italian, after Giovanni Guercino, 1591-1666, Italian, Published by Giovanni Domenico de Rossi, active 17th century, Italian, ca. 1633, Line engraving on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm) and Binding: 9 inches (22.9 cm)

Paris, Duchange, Gaspard, Lesueur, Eustache, Picart, Bernard, Duflos, Claude Augustin, The paintings of Charles le Brun and Eustache The Sueur who is in the house of the President Lambert, Diana and Callisto, verso - stamped, Grisaille, depicting the goddess Diana discovering the pregnancy of the nymph Callisto, in the corner of the ceiling of the Chambre des Bains in the Hôtel Lambert. The representation of Diana and Callisto is flanked by a river goddess and a river god, each with a water jug. In the middle below two putti with coral. Print is part of a series of prints after paintings in the Hôtel Lambert in Paris., print, prints, height 263 mm, width 675 mm, 1700-05-10 - 1786-02-27, print maker, printmaker, 1740 - 1740, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), Northern Netherlands, 1673-06-11 - 1733-05-08, supervision, French, 1617-11-19 - 1655-04-30, after, after painting by, Publication (Event), Pu

Orpheus on the Onderwereld, Virgil, 1569 print Orpheus has descended into the underworld and plays his winch to move Pluto to give him his wife Eurydice back. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. through his music Orpheus induces Pluto and/or Proserpina to let Eurydice go. Hades, the Underworld. Charon, the ferryman

Fresco in the Sixtine Chapel in Vatican City, representing the prophet Jonah, Edizione Brogi, c. 1875 - In or Before 1907 photograph Part of photo album with recordings of sights and artworks in Italy. Sixtine Chapel (Vatican) photographic support gelatin silver print Jonah is swallowed by a great fish, (sea)monster, whale, dolphin, or the like

The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I, Simon Gribelin, 1662-1733, French, active in Britain, after Sir Peter Paul Rubens, 1577-1640, Flemish, 1720, Line engraving on Moderately thick, moderately textured, cream laid paper, Sheet: 12 1/2 x 18 1/4 inches (31.8 x 46.4 cm), abundance, allegory, arch, architectural subject, banquet hall, columns, cornice, cornucopia (motif), costume, fruit, gold, peace, religious and mythological subject, Banqueting House, City of Westminster, England, Europe, Greater London, London, United Kingdom, Whitehall

Trophy with angel, flags and weapons, Charles Nicolas Cochin (I), After Jean Bernard Honoré Turreau, 1698 - 1754 print A trophy with a female angel with a shield and a trumpet. She stands on a high pedestal under a canopy with draperies held by putti. There is an old man on either side of the pedestal. Around the men's flags, armor and weapons. At the bottom a cartouche flanked by fantasy animals. Paris paper etching trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. angels. (military) flags and standards. weapons

The Fall of Icarus, from Landscapes with Old and New Testament Scenes and Hunting Scenes. Adriaen Collaert (Flemish, c. 1560-1618); after Hans Bol (Flemish, 1535-1593); published by Anna van Hoeswinckel (Flemish). Date: 1584. Dimensions: 143 × 200 mm (image/primary support, trimmed within plate mark); 176 × 238 mm (secondary support). Engraving in black on cream laid paper, laid down on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA. Author: Adriaen Collaert, II.

Conspirators are punished; Conspiratores in Medicissen Suppliciis Mulctandi; Scenes from the life of Pope Leo X. The conspirators are subject to the punishment of the Medici family. Links a group of soldiers on horseback that contains conspirators. Title in undermarge. Numbered in the middle of: 8.

Print (France)

Three decorative paintings - Dessus de Chiminée; unknown, Marot, Daniel (1661-1752; st.); around 1712 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, decoration - design, fireplaces, flowers, ornaments, fruit, panneaux, designs, birds, putta (iconogr.), Vases, interiors

Allegory on the heavenly Jerusalem; Title page For: the main truths of the naturally Leyken God's service, in ten discourses, Leiden 1758. Allegory on the heavenly Jerusalem in cartouche. Female personification with incense vessel sitting at image of the great city of God, held by small angels. On background silhouette of Jerusalem city. Frame with animals such as a lion, snake, squirrel and birds sitting on ornaments derived from plant forms

Umbria Perugia Trevi Collegio Etiopico Pontificio5. Hutzel, Max 1960-1990 The three exterior views of the Renaissance building (16th century) include the Carrara coat-of-arms and a plaque above the portal which indicate that this collegio was formerly the Palazzo Carrara and later also the residence of Cardinal Johannes Hais. Most views, however, are of the frescoed ceilings by Zuccari and Pietro da Cortona. Subjects include landscapes, allegorical figures, Apocryphal and Old Testament stories (Susanna and the Elders, Samson and Delilah, Joseph and Potiphar's wife, Daniel), saints, landscapes, putti, and illusionistic frames. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesq

Maria on her deathbed surrounded by grieving followers, Pieter Feddes van Harlingen, 1612 print paper etching the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming)

Maps of the Spanish Armada (16 and 21 July 1588), 1739 print Two maps (I-II) with the Spanish fleet in the canal under the coast of Cornwall and Devon, within an ornamental framework. At the top in the context a medallion with the portrait of Queen Elizabeth I, flanked by the personifications of history and fame, seated between weaponry (spears, shields, banners). Under the medallion is a cartouche with the anchor of hope, the weapon of the English admiralty, surrounded by the four winds. Below that, Neptunus pulled in his car by two horses and accompanied by two men with fish tails. In the right corner of the left card, Britannia is sitting with two putti near a rock on the water. One of the two putti overlooks the sea with binoculars. On the right card Minerva and a putti with the coat of arms of Charles Howard. The show is part of a book about the Spanish Armada and the carpets that were made about it on behalf of Howard. paper engraving / etching battle (+ naval force). personific

Drie Putti Met Het Wapen Van Kardinaal Filippo Guastavillani, Lorenzo Loli, After Giovanni Andrea Sirani, 1622 - 1691 print Two putti wear the weapon of Cardinal Filippo Guastavillani. A third putto points to the weapon and looks at the viewer. A wall and a drapery in the background. Italy paper etching cupids: 'amores', 'amoretti', 'putti'. coat of arms (symbol of sovereignty)

Cartridge with slaughtering view. Gift by Justus Brinckmann

Arrival of Giovanni de 'Medici in Florence, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Giovanni de 'Medici arrives in Florence on horseback, where he is met by a group of people. On the left a horizontal river god. Title in the end margin. Numbered in the middle below: 2. print is part of an album. paper etching / engraving cardinal. arrival and return ~ travelling Florence

Design for Ceiling Decoration. Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Allegory of the Faith, Hope and Charity (Three Theological Virtues). Ditmaer, Jan (ca 1538-1603), graphic artist, Vos, Maerten de (1532-1602), draughtsman, cartoonist

Marches Macerata Castelsantangelo sul Nera S. Stefano2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Martyrdom of Saint Christopher, "Secondo Quadro" 1776 Giovanni David Italian. The Martyrdom of Saint Christopher, "Secondo Quadro". Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa). 1776. Etching; second state. Prints

Battle between the centaurs and lapithen on the wedding of Perithoüs and Hippodamea, Jan de Bisschop, after Giulio Romano, 1638 - 1671 drawing paper. chalk. ink pen / brush fight of Lapiths and centaurs at the wedding of Pirithous and Hippodamia. fight of Lapiths and centaurs at the wedding of Pirithous and Hippodamia

Kronos pulls a cloth aside, Daniel Nikolaus Chodowiecki, 1780 print paper etching (story of) Saturn (Cronus). cupids: 'amores', 'amoretti', 'putti'

Party nymphs and saters for a statue of Faunus, Claude Gillot, 1683 - 1722 print paper etching Faunus. thiasos, i.e. Bacchus' revel-rout, bacchanal without Bacchus

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