Ornamental Designs

Detailed prints and sketches of ornamental patterns and vignettes featuring flora, figures, and decorative styles from the Renaissance.

Aldegrever, Heinrich, Germany, Leaf tendrils with two masks and two dolphins, verso bottom center - handwritten, Surface decoration with a candelabrum of leaf tendrils. at the bottom, legumes hang from the tendrils. at the top, they end in masks and dolphins., print, ornamental print, prints, 29, height 144 mm, width 40 mm, German, 1502 - 1561, print maker, printmaker, 1530 - 1530, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Vignette with vase and plant tendrils. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Ornament met vaandeldrager.Design for a sheath. The lower half is decorated with leaf references on a shaded background. Above it is a standard bearer.

Three sphinxes climbing a vine, from 'Ornaments or Grotesques' (Ornamenti o Grottesche) ca. 1650-56 Stefano della Bella Italian. Three sphinxes climbing a vine, from 'Ornaments or Grotesques' (Ornamenti o Grottesche). Ornaments or Grotesques (Ornamenti o Grottesche). Stefano della Bella (Italian, Florence 1610-1664 Florence). ca. 1650-56. Etching

Ornamental drawings (recto) blank (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. Ornamental drawings (recto) blank (verso) 362623

Frisian with leaf raft. Frisian with leaf drinks that flow into a full end to the ends.

Aldegrever, Heinrich, Germany, Leaf tendrils with two masks and two dolphins, verso bottom center - handwritten, Surface decoration with a candelabrum of leaf tendrils. at the bottom, legumes hang from the tendrils. at the top, they end in masks and dolphins., print, ornamental print, prints, 29, height 144 mm, width 40 mm, German, 1502 - 1561, print maker, printmaker, 1530 - 1530, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Arch of Septimius Severus, panel, elevation (recto) blank (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. Arch of Septimius Severus, panel, elevation (recto) blank (verso) 362604

Ontwerp voor een schede met onthoofding van Johannes de Doper.Design for a dull sheath. The lower part is decorated with leaf raft. Above the executioner, standing with one foot on the dead body, holds the head of John the Baptist.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Eichel, Emanuel, Rocailles, verso - stamped, Six rocaille ornaments with leaf motifs. Publisher number 301., print, ornament print, prints, ornament prints, height 254 mm, width 195 mm, 1717 - 1782, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Frisian with the triumph of Neptunus. Different fable animals are distorted. On the left, Neptune rides a hippocampus, on the right a mermaid with peacock feathers in her hand.

Arabsken puts Medaillons, Laurent Guyot, After Pierre Thomas Le Clerc, 1810 print Arabic with a feminine semi -figure with wings and a male semi -figure with horse legs and a Thyrsus on either side of a round medallion with a sitting woman and putto. Below that arabesks with a face with winged helmet and two lions on either side of a medallion with men's portrait and Profil. Paris paper etching ornament ~ arabesque. ornament ~ medallion

Etching by François Perrier from 1645 showing reliefs featuring Proserpina in classical mythological settings, with figures and allegorical motifs.

Nicoletto da Modena (Italian, active ca. 1500 - ca. 1512). Ornament Panel with a Bird Cage, 16th century. Engraving.

Design for a Gilt Leather Panel. Artist: Anonymous, Dutch, 17th century. Dimensions: Sheet: 4 7/8 × 3 1/4 in. (12.4 × 8.3 cm) cropped within plate mark. Date: ca. 1660-70.Design for a gilt leather panel showing an all-over pattern with a wreath in its center. The design can be divided in four parts along the vertical and horizontal axes, and each contains a putto holding flowers and other types of vegetal attributes in their hands. Strewn across the print are other loose motifs from the world of flora and fauna. They appear to have allegorical significance in this pattern, with elements pertaining to the Four Seasons and Four Elements. Museum: Metropolitan Museum of Art, New York, USA.

Munich. drawing of floral ornament in church window. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Leaf rights with three children; Flat decorations with leaf raft and children. In the middle of the bottom, a child holds two leaf rights. Two other children are climbing in the volutes. From series of 16 sheets.

Umbria Terni Acquasparta Palazzo Cesi6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Panels with putti playing and with canvas, Carl Albert von Lespilliez, after François de Cuvilliés (Sr.), 1745 print Two vertical panels filled with arabesks. Left with masks, musical instruments, dragons and in the middle two flying putti with a cloth. On the right with dolphins, fountains, codes and three playing putti in the middle. Germany paper etching ornament ~ arabesque. mask, mascaron ~ ornament. musical instruments; group of musical instruments. dragon. cupids: 'amores', 'amoretti', 'putti'. dolphin ~ ornament. merman

Ornament with two sphinxes; Ornament with two female saters.

Putti with garlands at a winch / putti carrying killed hare.two Performances on a Leaf.

Disegni Varij di Polifilo Zancarli (Friezes). Artist: Polifilo Giancarli (active in Venice ca. 1600-1625); Odoardo Fialetti (Italian, Bologna 1573-1637/38 Venice). Dimensions: Plate: 5 1/16 x 17 9/16 in. (12.8 x 44.6 cm). Published in: Venice. Date: ca. 1625.Design for a frieze filled with a meandering acanthus scroll and various figures. On the right of the frieze a figure group consisting of a satyr and a naked woman is dipicted. The satyr embraces her but it appears she is trying to escape. Interspersed between the acathus scroll a snake, a lion a putto and a griffin can also be noted. Museum: Metropolitan Museum of Art, New York, USA.

Tuscany Siena Montalcino S. Agostino69. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper engraving by Israhel van Meckenem depicting a cross filled with seven birds, created in the last third of the 15th century.

Blackwork Print with Foliate Scrolls in an Oval at Center, from a Series of Blackwork Prints for Goldsmiths' Work. Artist: Etienne Carteron (French, born Chtillon-sur-Seine, ca. 1580). Dimensions: Sheet: 4 7/8 × 3 1/2 in. (12.4 × 8.9 cm). Date: 1615.Blackwork design with a large oval at center with foliate scrolls with flowers and pea-pod elements growing from the bottom center. At top and sides, symmetrical foliate scrolls. At bottom, two small ovals. Plate 5 from a series of eight plates published in Chtillon-sur-Chalaronne (Ain) with blackwork designs for goldsmiths' work. Museum: Metropolitan Museum of Art, New York, USA.

Frisian with grotesken, on the left are two winged tritons with masks op.on the right are two sphinxes with a vase. Shaded Background.

Drawing, Design for a Painted Frieze; Netherlands; graphite, brush and gray watercolor, chinese black on paper; 6.4 × 9.7 cm (2 1/2 × 3 13/16 in.); 1896-14-10-1

Leaf, two saters, two children and a dragon; Disegni Varii. Saters and children try to overpower the dragon. Series of 10 blades with vertical panels full of leaf raft, figures and animals.

Frisian with the skull of an animal, c. 1500 - c. 1600 print Two putti hold a laurel wreath around the skull. Germany (possibly) paper engraving

Two wild boar heads below, a deer head above, a bow and arrow in center, from 'Ornaments or Grotesques' (Ornamenti o Grottesche) ca. 1650-56 Stefano della Bella Italian. Two wild boar heads below, a deer head above, a bow and arrow in center, from 'Ornaments or Grotesques' (Ornamenti o Grottesche) 397823

Pilasterdecoratie met dieren en twee kinderen; Varii zophori, figuris animalium ornati.Leaf drink with flowers, between bottom to top to see the following figures: a bear, a wolf, a cat and two children.

Different ornaments made of foliage and tape mechanism, sheet 6 from the episode "Gantz New Invintes Foliage and Bandelwertick first part". Different ornaments made of foliage and tape work, sheet 6 from the episode "Gantz New Invintes Foliage and Bandelwertick first part of the part, serving in front of sculptor Mahler Goldschmidt and Silverstakers, Invendirt and drawn by JJB and coached in Augspurge Bey Ioh. Andreas Steisslinger KupfferTecher A. 1736 .

Print, Design for a Fan, No. 1 from "Dessins d'Eventails et Ecrans"; Print Maker: Nicolas Loir (French, 1624 - 1679); etching with engraving on paper; Plate: 14.9 × 29.8 cm (5 7/8 × 11 3/4 in.) Paper: 19.9 × 31.4 cm (7 13/16 × 12 3/8 in.)

Frisian with a Sater Ten Halven Lijve, 1510 - 1550 print Sater between two putti and leaf vines. Shaded background. Publish copy of the print described under Orn Cat I-2495 (RP-P-OB-8090). Germany (possibly) paper engraving

Two wild boar heads below, a deer head above, a bow and arrow in center, from 'Ornaments or Grotesques' (Ornamenti o Grottesche). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 6 3/4 × 2 3/4 in. (17.1 × 7 cm). Series/Portfolio: 'Ornaments or Grotesques' (Ornamenti o Grottesche). Date: ca. 1650-56. Museum: Metropolitan Museum of Art, New York, USA.

Volute of leaf raft, ending in a flask with fruits; Frisians with leaf rafts.The Volute Comes from a Horn or Rollerwork.

Drawing, Project for the Decoration of a Frieze; Italy; graphite, pen and ink on paper

Flat decoration with leaf raft and naked man; Diverses Pièces de Serruriers.The naked man sprouts from the leaf rights. Leaf 3 from series.

Drawing, Design for a Painted Frieze; Netherlands; graphite, brush and gray watercolor on chinese black on paper; 6.6 × 9.7 cm (2 5/8 × 3 13/16 in.); 1896-14-9-1

Textile (France); Designed by Jean-Baptiste Marie Huet (French, 1745 - 1811); Produced by Oberkampf & Cie. (France); cotton; Height of repeat; 21 inches.; Purchase, General Funds; 1978-140-3

Man in a harness from which leaf drinks come. Flat decoration with the upper body of a man with helmet and breast kuras that come from two leaf refines that curl about the entire leaf symmetrically.

Ornamental composition with two sphinxes and a child. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Two ornament prints with a winged women's head and a lion's head on a wall, c. 1875 - c. 1900 photograph. photomontage cardboard. photographic support albumen print other fantasy ornament. ornament ~ hybrid animals. mask, mascaron ~ ornament

Ornament with leaf vines and putto, Bernard Picart, 1683 - 1733 print Amsterdam paper etching / engraving / letterpress printing foliage, tendrils, branches ~ ornament. cupids: 'amores', 'amoretti', 'putti'

Schede with Judith, 1529 print Judith holds the head of Holofernes in her hand. Shaded background. Germany (possibly) paper engraving Judith shows Holofernes' head to the people

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), ornanti di Fregi e Fogliami. Venus contemplates Cupid that sleeps. Seventh number of a suite of 16 rooms. (A. de Vesme 993; dutuit 138) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Amsterdam, Visscher, Claes Jansz. (II), Janssen, Hans, Lochom, Bartholomeus van, Flat decorations with hunting scenes, Falconer and page, Hunter with falcon in hand and page with rabbit in ornamental frame of leaves and animals on dark background., print, ornamental print, prints, ornamental prints, height 86 mm, width 36 mm, 1607, print maker, printmaker, 1625 - 1625, second quarter 17th century, paper, etching, etchings, Work conception, 1605, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Twee kandelabers, in or after 1648 print Leaf with two performances of Kandelabers. On the left a candle slor with helmets, shields and weapons. On the right a candle slick with helmets and weapons. The left performance is above the right show. Together they form one Kandelaber. print maker: Italyafter drawing by: Italypublisher: Rome paper etching ornament ~ candlestick

Leaf drink with winged woman between two children; Gifted aerethian moriss. The child on the left is breastfeeding. Leaf 5 Series with Dutch on-sided reduced copies of the Disegnii series Varii di Polifilo Zancarli.

August. 1559. Brun, Franz (German draftsman and engraver, active ca. 1559-1596). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Border (England); block-printed; 70 x 23 cm (27 9/16 x 9 1/16 in.)

Giovanni Pietro Birago and Zoan Andrea (Italian, active c. 1475-1519), Ornament Panel: Three Children Blowing Horns, c. 1505-1515, engraving

Michel Alfred (1843-1913), Ornament Friese, Klein (approx. 1864-1868): Two ranken ornamental freestyle with aid, vary and acanthus () Motifs, in the right still arabesque representations of snake, lizard and butterfly. Coal and pencil on cardboard, 42.6 x 33.1 cm (including scan edges) Michel Alfred (1843-1913): Ornamentfriese, klein

Flat decoration with a sea horse. At the bottom right of a sea horse, leaf raft and grotesken. Both left and right half of a vase is visible. At the top left is a putto on the leaf raft.

Five Shields. Artist: Anonymous, German, 19th century. Dimensions: sheet: 7 13/16 x 12 15/16 in. (19.8 x 32.9 cm). Date: ca. 1780-1820. Museum: Metropolitan Museum of Art, New York, USA.

Umbria Terni Acquasparta Palazzo Cesi0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Frieze with Fruit, Foliage and Putti Climbing through Strapwork. Artist: Anonymous, Netherlandish, 16th century; formerly attributed to Hans Speckaert (Netherlandish, Brussels ca. 1540-1577 Rome). Dimensions: 3 5/8 x 10 5/16 in. (9.2 x 26.2 cm). Date: late 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Kandodelaber with triton and violin; Ornament panels.Candelaber made up of a triton with violin at the foot of a base with vase flanked by two satyrkids with spraying. In addition, breast kuras surrounded by leaf refrices and awarded two children and eagle.

Frisian with two putti riding with horns on seaheds, 1510 - 1544 print Shaded background. Germany (possibly) paper engraving

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa39. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

London, Foster, George, Gole, Corneille, Ornamented designs for goldsmiths, watchmakers and other artists, Six friezes and two round representations, verso - stamped, Six friezes decorated with arabesques, a satyr's head, fantasy figures and sea creatures. Left two round representations decorated with a scene at sea and Adam and Eve in the Garden of Eden. With French description., print, ornament print, prints, ornament prints, height 180 mm, width 288 mm, 1657 - 1712, print maker, printmaker, 1737 - 1737, paper, engraving, engraving (printing process), Work conception, after own design of, seller

Watercolor by Adolf Böhm showing a border decorated with yellow flowers, applied with cover colors over traces of black chalk, dated February 18, 1897.

Print (France)

Print, Frieze: Trophies of Arms and Putti; Print Maker: Jean Le Pautre (French, 1618-1682); France; etching on paper; 9.3 × 29.9 cm (3 11/16 × 11 3/4 in.)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), collection of twelve cartridges. Third issue of a suite of 12 rooms. (A. de Vesme 1047; Dutuit 125) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Design by Aldegräver; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 6.5 x 13.8 cm (2 9,16 x 5 7,16 in.)

Ornament with cherubs, hares and fruit. 1501 - 1600. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Plate 6: a triton and a siren fighting at center, their legs as scrollwork, a swan to right, the grotesque head of an old man below, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques) ca. 1638-43 After Stefano della Bella Italian. Plate 6: a triton and a siren fighting at center, their legs as scrollwork, a swan to right, the grotesque head of an old man below, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques) 397814

Design for a Knife Handle with a Couple Gathered Around a Fire at Bottom 1580-1600 attributed to Johann Theodor de Bry Netherlandish Panel with a knife handle design. At top, sections of ornament with a crane; below, a rectangle containing a scene with figures facing towards a fire at left and holding a bull. At bottom, a man and a woman gathered around a fire at left.. Design for a Knife Handle with a Couple Gathered Around a Fire at Bottom 425030

Frisian above the entrance to the ship's room with an alight and reward and punishment; Secunda pars praecipuarum (...) / The second part of the precursor stods and cieraten (...). Frisian with a horn with criminal pitches on the top and a cornucopia at the bottom. At the top right and bottom left the all-seeing eye. Middle L numbered.

Amsterdam, Paetz, PJ, Antwerp, Maes, Joseph, Ornaments, XVIIIe Siècle, Reproduction of a print of ornaments with plants and flowers, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, ORNEMENTS composed by, recto - printed, LITT. O. - PL. 10, JJvY, height 344 mm, width 232 mm, photographer, 1876 - 1881, paper, papier, photolithography, fotolithografie, Belgian, 1838 - 1908, cliché maker, Work conception, after a print by

Ornament with leaf vines, scrollwork, strapwork, ornament, Bernard Picart (workshop of), Amsterdam, 1683 - 1733, paper, letterpress printing, h 32 mm × w 171 mm

Decorative page header. From the book Knaresburgh and its Rulers, published 1907.

Hentschel Gustav (1883-1914), grille of a front door Friedrichsgracht 58, Berlin. (From: Architecton. Sketches from Alt-Berlin, ed. Akad. Architects Association, 3rd F., H. 30, Berlin 19 (1909-1909): View, Details. Light printing on paper, 34.5 X 24 cm (including scan edges)

Design for the Right Pauldron of a Parade Armor ca. 1555 Attributed to Jean Cousin the Elder French This design represents the front of the main plate on the right pauldron (shoulder defense) of an elaborately decorated armor. It is part of a large series of original drawings that are attributed to Etienne Delaune or Jean Cousin the Elder, artists employed by Henry II, King of France, from at least 1552 to 1559. Several armors and shields exist which were made from these drawings. Although not identical, this pauldron design is extremely similar to the decoration of two surviving armors: one made for the Holy Roman Emperor, Maximilian II (preserved in the Kunsthistorisches Museum, Vienna) and another made for Henry II, now in the Metropolitan Museum's collection (acc. no. 39.121a-n). On the armors Delaune's designs were delicately embossed in steel and then further embellished with gold and silver highlights alternating with areas of blued steel.. Design for the Right Pauldron of a Par

Paris, Langlois, Nicolas, France, Le Nôtre, André, Gardens with parterres, Parterre with embroidery motifs, recto below - handwritten in pen and brown ink, The left half is a counter-print of the right half., print, ornament print, prints, ornament prints, A Paris chez N Langlois rüe S. Jaquez; with privilege., recto lower - handwritten in pen and brown ink, Parterre de broderie avec un massif contourné enforme de coupe., height 220 mm, width 324 mm, Work conception, 1613 - 1700-09-15, after a design by, 1670 - 1680, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publicatie, publisher

Wallpaper Panel 1700-1730. Wallpaper Panel 9670

Alphabet (ornamental letters N, O, P). One of eight leaves with three ornamental letters of the alphabet: "Treasury, all kinds of deferred Latin vnnd Teutsch Allen Cantzleyen ... from Neuen in Strainer so produced. Through Paulum Francids of GfRes Aus the Voigtlandt Burger ... of Memmingen, printed to Nürmberg , By Katharina Dieterichin, in laying Conradauern ... 1601 ".

Plat decoration with two blindfolded women at the bottom, 1510 - 1527 print Two blindfolded women wear back to a candle slicer of vases and leaf vines. On top is a putto. One of 2 sheets. Germany (possibly) paper engraving

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa3. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Plate, from Le Jugement Universal, Tommaso Piroli, Italian, 1752 - 1824, Michelangelo Buonarroti, Italian, 1475-1564, Etching on paper, Plate 10, Europe, 1808, Print, Print

Frame work with prophets, Lucas van Leyden (Possible), 1525 - 1530 print Seven fragments of the frame around Biblical scenes on a leaf from a Biblia Pauperum. All seven stuck on one leaf. Eight prophets. paper other groups of prophets

Lazio Roma Rome Palazzo Venezia, Museo. Hutzel, Max 1960-1990 Post-medieval: Tapestry collection in the "Sala Regia" Object Notes: Occupying the rooms of the Balbo apartment, where Paul II lived and gathered together his collections. German and French tapestries of the 16th century, all manufactured at Brussels, and five Italian tapestries by Riviera after cartoon drawings by Giov. Franc. Romanelli in 1637-42. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Böhmer & Petrich, official apartment of the Reich Foreign Minister Joachim von Ribbentrop, Berlin-Mitte. Conversion: Ornament Detail (template for forging work). Light break on paper, 60.8 x 151.1 cm (including scan edge).

Print (France)

Letter O in an ornamented frame. .

Design for a Trophy, Polidoro da Caravaggio, Italian, 1499 - 1543, Pencil, pen, brush and sepia on paper, Horizontal rectangle showing a design for a military trophy. At center, a helmet in the antique style with a harpy crest. Below are two large shields, at left with grotesque motif. Below are piled a variety of arms including spears and a battle axe. At bottom left, a rams head; at bottom right, a serpents head., Italy, 1775-1800, architecture, Drawing, Drawing

FLIGHT OF AN ARAB MOUNTED UPON A CAMEL; NIMROUD SCULPTURES, JUST RECEIVED AT THE BRITISH MUSEUM

Textile, Apotheosis of Franklin; England; linen warp, cotton weft

Arabian ornament

Fragment, Jean-Baptiste Marie Huet, (French, 1745-1811), Medium: cotton Technique: printed by engraved copper plate on plain weave, A toile Paul et Virginie” by Huet. Brown printed on a white ground showing two women with babies, a man approaching two children, a shipwreck, two men in a rowboat, and a boy and girl on shore. Many plant forms as background., Jouy, France, ca. 1802, printed, dyed & painted textiles, Fragment

Bound Print (France)

This late 15th-century copper engraving by the Master of the Sforza Hours depicts ornament strips featuring a triton and two fauns.

Two volutes of leaf vines, sprouting from both ends of Frisian, 1500 - 1600 print The volutes cross each other at the top, slightly to the right of the middle, and are tied together with ribbons. Shaded background. One of 11 magazines. Germany (possibly) paper engraving

Print (France)

Tailpiece, Franklin Booth, American, 1874-1948, Charles Scribner's Sons, New York, New York, USA, Black ink on paper, A symmetrical design composed of interlacing stems and flowers. Shown against a black-and-white background., USA, ca. 1910, graphic design, Drawing, Drawing

Title head with roosters ..

Nuremberg, Solis, Virgil, Stag Hunt, verso - handwritten in brown ink, print, prints, verso - stamped, 30, height 38 mm, width 167 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process)

Vignette with two leaf vines, Ornament with two leaf vines, ending in a volute. The leaf vines come from a horseshoe-shaped ornament in the middle., Ornament derived from plant forms, Heinrich Aldegrever (mentioned on object), Germany, 1512 - 1560, paper, engraving, h 14 mm × w 81 mm

Anglo -Saxon Kings, Anonymous, After Johannes Willemszoon Blaeu, 1650 - 1799 print Seven cartouches with scenes from the conversion of Anglo -Saxon kings to Christianity. The seven kings are Ethelbert, Sebert, Erpenwald, Edwin, Kengils, Peada, Ethelwolfe. Ethelbert is converted by Augustine; Sebert builds the churches St. Paul and St. Peter on the ruins of the temples of Diana and Apollo; The newly converted and baptized Erpenwald is murdered; Edwin gets a vision; Kengils is converted by Berinus; The converted Peada is murdered because of his faith by his mother's betrayal (or possibly his wife); Ethelwolf is baptized by Berinus. The print is the right part of a map of Great Britain in the time of the Anglo-Saxon kings. paper etching / engraving king. maps of separate countries or regions Great Britain

Tray with foliage and tape mechanism, leaf 3 from the episode "Gantz Neue inventions of different types of services of the Goldsmith art added to special benefit". Sheet 3 from the episode "Gantz Neue inventions of different types of services of the Goldsmith art ZuGenhanen at special benefit with Kayserl. Allerbest Freyhood on the day, and for sale brought by Johann Erhard Heiglen citizens, and goldsmith in salvation. Reichs instead of Augspurge . Züfunden Bey Johan Jacob Baumgartner.

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