Ornamental Designs

A collection of intricate patterns and designs for architectural elements, emphasizing floral motifs and detailed engravings common in historical illustrations.

Two bunches of fruit and a cherub, in profile Ornaments with cherubs and bunches of fruit (series title), in profile. Numbered bottom right: 19. The print is part of an album, ornaments, art, fruits, cherubs, i.e. children's heads with wings, anonymous, 1601 - 1650, paper, etching, h 53 mm × w 92 mm

Ornamental design for a door panel, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. pencil pen / brush door

Print (France)

Wilkinson Tracing, Design for a section of scrolling, floral ornament, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Domus Aurea, unidentified, grotteschi, details (recto) blank (verso). Dimensions: sheet: 8 5/16 x 2 7/16 in. (21.1 x 6.2 cm). Draftsman: Drawn by Anonymous, French, 16th century. Series/Portfolio: Goldschmidt Scrapbook. Date: early to mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing for Ceiling Decoration. Artist: Anonymous, Italian, 17th century. Dimensions: sheet: 11 15/16 x 7 5/8 in. (30.4 x 19.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Les Singuliers et Nouveaux Portraicts... page 48 (verso). Binder: Chambolle-Duru (French, 19th century). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm). Publisher: Jean Le Clerc , Paris. Sitter: Frontispiece portrait of Henri III, King of France and Poland (1551-1589); Portrait of Louise de Lorraine-Vaudemont (French, Nomény 1553-1601 Moulins) , Queen of France. Date: 1588.Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design is printed upon and grid and is decorated in the center with a motif formed by 2 triangles, a circle, and a candle stick, all of which are all superimposed by the other. Surrounding this central element are curving vines of leaves and flowers, among which are 2 winged putti, birds, and flying insects. Museum: Metropolitan Museum of Art, New York, USA.

Instrument chinois dont on ignore le nom, tir ... du duc de chaulnes; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Vases and scale, Pierre-Nicolas Beauvallet, 1820 Ornament print with two vases and a bowl with lid. Part (15th CAH. F.LE 18) of the Prentalbum with two series of a total of 138 ornament prints by Beauvallet and Normand, 'Fragmens d'Ortuens dance le style antique'. paper etching vase ~ ornament

Print (France)

Design for the Gallery ceiling, Richmond House, Whitehall, London 1760 Sir William Chambers British, born Sweden. Design for the Gallery ceiling, Richmond House, Whitehall, London 362933

Design for a Frame 1743-1800 Office of Sir William Chambers British, born Sweden. Design for a Frame 364353

Print (France)

Design for the Decoration of a Frieze, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Nuremberg, Weigel, Johann Christoph, Decker, Paul (I), Duitsland, Beger, Lorenz, Groteschgen Werk vor Mahler Goldschmidte Stucato, Grotesques, Grotesques with weapons and musical putti, Germany, verso - stamped, The upper print contains a large medallion with laurel, musical putti and animals such as squirrels and birds. The lower print contains, among other things, an enthroned Minerva under a canopy, flanked by animals, armor and smoke barrels., print, ornament print, prints, ornament prints, height 110 mm, width 155 mm, height 322 mm, width 200 mm, 1663 - 1735, print maker, printmaker, 1687 - 1725, paper, papier, etching, etsen, 1677-12-27 - 1713-11-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, German, 1661-07-15 - 1726, publisher

Print

Fire Screens, in Chippendale Drawings, Vol. I 1754 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CXXIV in the 1754 and 1755 editions, and renumbered as plate CLVI in 1762 edition.. Fire Screens, in Chippendale Drawings, Vol. I. Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). 1754. Black ink, gray wash

Gerrit van Honthorst, Decorative Motifs with Garlands (verso), 1620s Decorative Motifs with Garlands (verso)

Rand ornament with two birds, 1551 - 1650 print Rand ornament with two birds. The print is part of an album. paper etching ornaments ~ art. birds

Jozef tells his dreams to Jakob, Jan Harmensz. Muller (workshop of), After Lucas van Leyden, 1675 - 1726 print Joseph who enters the room through the door opening and Joseph surrounded by seven of his eleven brothers, talking to Jakob and Rachel. Part of a series of five prints of the history of Joseph. The hand numbered at the bottom right: 1. Part of an album with mainly Christian performances. paper engraving Joseph's dreams

Drawing, Design for a Candelabra; Italy; pen and ink, brush and wash on paper

Print (France)

Print (France)

Les Singuliers et Nouveaux Portraicts... page 45 (verso). Binder: Chambolle-Duru (French, 19th century). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm). Publisher: Jean Le Clerc , Paris. Sitter: Frontispiece portrait of Henri III, King of France and Poland (1551-1589); Portrait of Louise de Lorraine-Vaudemont (French, Nomény 1553-1601 Moulins) , Queen of France. Date: 1588.Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design is printed upon a grid and illustrates the personification of the Moon with her bow and arrows, accompanied by 2 deer. This central image is encircled by curving vines of leaves and flowers, 2 winged female nudes, birds, and rabbits at the bottom. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Pedestal, Pen and brown ink, brush and brown wash on cream laid paper, Elevation of a tapering pedestal with paw feet. A floral garland hangs from a ribbon at front center. A mask in a panel above this., Italy, 1760-1790, furniture, Drawing, Drawing

New Modelbüch (Page 46v). Designer: Andreas Bretschneider (German, Dresden ca. 1578-ca. 1640 Leipzig). Dimensions: Overall: 12 x 8 1/16 in. (30.5 x 20.5 cm). Printer: Henning Gross the younger , Leipzig. Date: 1615.Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Design for inlaid decoration, 1818-90. Ink and pencil on coarse wove paper. Designer: Unknown

Album magazine with a print with an ornamental triumphal wagon, Anonymous, After Cornelis Bos, 1500 - 1599 print Album magazine with a cut ornament print with a performance of a triumphal wagon with a few. The ornamental car is pushed by Saters. paper engraving (other) ornaments derived from objects (with NAME). satyr(s) (in general). couple of lovers

Arthur-Joseph Guéniot (1866-1951). Resurrected Christ appearing to the holy women in the tomb. Feather. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Print, Plate 2, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two); Designed by Hans Collaert the Elder (Flemish, ca. 1530 - 1581); Engraved by Adriaen Collaert (Flemish, ca. 1560 - 1618); Published by Philips Galle (Flemish, 1537 - 1612); Netherlands; engraving on paper, laid and gilded

Print, Arabesque Ornament Design; Designed by Charles Pierre Joseph Normand (French, 1765 - 1840); Published by François-Étienne Joubert; France; etching on laid paper

Corner ornament with Hercules in a boat, 1584 Corner ornament with bunches of fruit and birds. In addition, a rolling cartouche with Hercules in a boat. The ornament is a fragment of a map of Carpetania, Gipuzkoa and Cadiz. The print is part of an album. Antwerp paper engraving Corner ornament with bunches of fruit and birds. In addition, a rolling cartouche with Hercules in a boat. The ornament is a fragment of a map of Carpetania, Gipuzkoa and Cadiz. The print is part of an album. Antwerp paper engraving

Wind instrument and other instrument, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. musical instruments; group of musical instruments Royal Palace

Inlaid marble altar frontal 17th century Anonymous, Italian, 17th century Italian. Inlaid marble altar frontal 353459

Print (France)

Nine Designs for Decorated Plates 1845-55 Alfred Henry Forrester Alfred Crowquill British. Nine Designs for Decorated Plates 394828

Jakob meets Rachel, Anonymous, After Maerten de Vos, 1580 - 1621 print At the source in Haran meets Jakob Rachel, who gives her fathers to drink sheep. Jakob embraces Rachel. In addition, the sheep drink at the well, from which Jakob removed the cover stone. Under the performance a reference in Latin to the Bible text in Gen. 29. Part of a series of 4 prints of the history of Jakob and Esau. Numbered below: 4. Part of an album with mainly Christian performances. paper engraving Jacob kisses Rachel and is moved to tears

Flower Studies (Four Designs for Circular Ornaments), Samuel Colman, American, 1832-1920, Recto: Brush and watercolor, graphite on beige laid paper Verso: Graphite on paper, Horizontal view of ornaments composed of two petals and leaves at left; of two boughs with maple leaf seeds at right; in the top row of two leaf boughs, at left, of several boughs with leaves and a petal at rght in the bottom row., Verso: A big castle on top of a hill, at center, sloping downward toward the right and the foreground, where two men with spears are shown., USA, 1880-90, ornament, Drawing, Drawing

Design for the Decoration of a Frieze. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Cartouche with a hare under a bridge Cartouches with animals in landscapes (series title), Rolwerk cartouche with a landscape in which a hare sits under the ruin of a bridge. The print is part of an album, ornament, cartouche, landscape with bridge, viaduct or aqueduct, rodents: hare, Georg Hermann, Ansbach, 1595, paper, engraving, h 61 mm × w 74 mm

Vases and Scales, Charles Pierre Joseph Normand, 1820 Vases and scales. Part (24th CAH.ER F.LE 72) of the Prentalbum with two series of a total of 138 ornament prints by Beauvallet and Normand, 'Fragmens d'orbes dance le style antique'. paper etching vase ~ ornament. garden vase

Design for Coronet, Pen and ink, brush and sepia wash, graphite on paper, Horizontal rectangle. Design for a small crown or tiara. From two converging branches with leaves and buds are springing upward alternatively stems with a bead and a big oak leaf. A row of beads curved like a pediment connects the stems. In the center is a round diamond, framed by a row of beads. Hanging is a pear-like diamond at center. Framing graphite line., Italy, mid- 19th century, jewelry, Drawing, Drawing

Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies. Pencil, ink, mounted in album, 48.3 x 29.5 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Four photo productions of drawings of fountains, c. 1875 - c. 1900 photograph Left (379) a fountain with Poseidon and sea monsters, in the middle (381) a fountain with Caratives, in the middle (380) a fountain with a peeing putti, right (382) a fountain with saters, putti and a goddess. Europe cardboard. photographic support albumen print drawing, sketch. ornamental fountain. cupids: 'amores', 'amoretti', 'putti'. (story of) Neptune (Poseidon) Europe

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 45). Artist: After Georges Reverdy (French, active Lyon, 1529-57); After Jacob Floris (1524-1581). Dimensions: Sheet: 7 7/8 × 10 5/16 in. (20 × 26.2 cm)Plate: 5 1/8 × 11 13/16 in. (13 × 30 cm)Overall: 8 1/4 × 10 5/8 in. (21 × 27 cm). Publisher: Carlo Losi (Italian, 1757- after 1805). Date: 1773.Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point. Museum: Metropolitan Museum of Art, New York, USA.

Pencil, ink, and silver bronze drawing by Dagobert Peche from 1912 depicting an exhibition design for Alfred Hofnmangs. The work emphasizes architectural and decorative elements.

Graphite sketches of the decoration in a vault field at San Giovanni in Laterano, Rome, executed on fine paper.

Páginas (3) de un manuscrito y con dibujos árabes, miniaturas de motivos florales y geométricos (117 y 116).

Stem book Voladers from Watzdorf

Fan Design recto. Dated: probably 1906. Dimensions: overall (lunette): 24.1 x 46.8 cm (9 1/2 x 18 7/16 in.). Medium: graphite on green paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Six designs for panel fillings with attributes of Eendracht, caution, fear, love, vigilance and freedom, Bartholomeus Zijnsenis, 1772 - 1820 drawing paper. ink pen / brush Ornaments ~ art. Freedom, Liberty; 'Freedom' (Ripa). Alertness, vigilance; 'Guardia', 'Vigilance', 'Supervision to defend yourself & oppose others' (Ripa). Symbols, Allegories of Peace, 'Pax'; 'Pace' (Ripa). Prudence, 'Prudentia'; 'Prudence' (Ripa) ~ One of the Four Cardinal Virtues. Agreement, Unity; 'Concordia', 'unsurpassed Concordia', 'Military Concordia', 'Concordia di Pace', 'Civil Union' (Ripa)

Vruchtentros.Ornament with fruit noise. Left below numbered: 3. The print is part of an album.

Rolling with Fruit and three masks, Jacques Androuet, 1520 - 1584 print Cartouche of Rolwerk. In the middle hangs a mascaron with a beard and a mustache that is hung over the rolling work like a ribbon. At the bottom are fruits. paper etching scrollwork, strapwork ~ ornament. fruits and vegetables ~ ornament. mask, mascaron ~ ornament

The Tomb Erected by Maximilian for His Father; and The Imperial Treasure; with Portraits of Maximilian's Ancestors and Relatives, from the Arch of Honor, proof, dated 1515, printed 1517-18 1515 Albrecht Dürer The depictions of Maximilian are by Albrecht Altdorfer; the portraits are by Hans Springinklee; and the columns are by Albrecht Dürer.. The Tomb Erected by Maximilian for His Father; and The Imperial Treasure; with Portraits of Maximilian's Ancestors and Relatives, from the Arch of Honor, proof, dated 1515, printed 1517-18. Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). 1515. Woodcut and letterpress. Prints

Opera Nova Universali intitulata Corona di racammi, page 13 (recto) 1530 Giovanni Andrea Vavassore Italian Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 3 vertical columns: left is very narrow and is illustrated with a line of small black diamonds, middle is illustrated by alternating image of a lion and tree, right is illustrated with 2 dogs flanking a central fountain.. Opera Nova Universali intitulata Corona di racammi, page 13 (recto) 358316

Ceiling with octagonal design, Anonymous, After Daniël Marot (I), After 1703 - Before 1800 print In the middle a medallion is depicted under a canopy. Passionate copy to sheet from the Nouveau Liure De Placfond series published by Daniel Marot. Netherlands (possibly) paper etching

Drawing, Two Winged Genii with Laurel Wreath; Italy; black crayon on paper

Title Plate, Livre Nouveaux de Paneaux à divers usages (Book of New Panels for Various Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on off-white laid paper, Folio 2, title, plate 1 of series of 6. Second page of frontispiece of book. Within rectangular framing lines, a cartouche in Rococo style with winged putti at top and bottom, the putto figure at lower left supporting a crowned coat of arms. Printed text within cartouche., Munich, Germany, 1738-45, albums (bound) & books, Bound print, Bound print

Cartouche with coat of arms of Russia, Johannes Christiaan Janson, 1778 - 1823 print Cartouche with the coat of arms of Russia, above which a wreath, surrounded by rays. On either side of the cartouche, a cannon, shield, Turkish banners, spears and a horn of abundance. paper etching coat of arms (as symbol of the state, etc.). ornament ~ cartouche

Decorative design, Carel Adolph Lion Cachet, 1874 - 1945 drawing ink. pencil pen

Drawing, Design for a necklace; Designed by Giovanni Sebastiano Meyandi (Italian, active 1762 - 1794); Italy

A column in the giant of the city; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Sketchbook of ornamental and decorative designs, 18th century, pencil, pen, and wash drawings, Late 18th century, The sketchbook of an unidentified artist, French school, likely dating to the late eighteenth century, contains ornamental and decorative designs for friezes, grotesques, paneling, sections of chimneys, and vases.

Print (France)

Pantheon. The god Nilus binding up the throne of the king with water plants, emblematic of his dominion over Upper & Lower Egypt. Nilus Hapy binding the throne of a king.. Wilkinson, John Gardner, Sir, 1797-1875. Prints, Illustrations. 1841. Rare Book Division. Egypt , Antiquities, Agriculture , Egypt, Civilization , Egypt

Vijf oren, twee ogen en een mond.Five ears, two eyes and a mouth. At the top right numbered: 4. The print is part of an album.

Young farmer, Christoph Krieger, After Cesare Vecellio, 1598 paper paper

Design for room decorations with two panels with a window in yellow and green, Abraham Meertens, 1767 - 1823 drawing Design for a wall decoration. paper. watercolor (paint). deck paint. pencil. ink pen / brush wall-covering

Four Alternate Designs for a Vault 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Four Alternate Designs for a Vault. Anonymous, Italian, Piedmontese, 18th century. 1700-1780. Pen and brown ink, brush with gray wash and watercolor, overlead point or graphite, with ruled and compass construction. Traces of red chalk; framing outlines in pen and brown ink. Drawings

Design for parts of lists, including with a passer and a globe, anonymous, c. 1735 - c. 1750 drawing France graphite (mineral). ink brush

Carol in a Huge City. Makowski, Tadeusz (1882-1932), graphic artist

Relic holder with putti with flowers, 1714 print Numbered in the top left: no. 13. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching relics (and reliquaries). cupids: 'amores', 'amoretti', 'putti'

Design for a Painted Wall, Graphite, pen and ink, brush and watercolor on paper, Elevation of a room with overdoor tablets featuring classical figures. Painted onto the wall is a trompe-l'oeil view of a landscape through pillars. Below, a townscape. Portion of paper missing at lower right., Italy, ca. 1825, interiors, Drawing, Drawing

Panel ca. 1770 French This panel, carved with a stag head, a horn, hunting rifle and sword, as well as other references to the hunt, an autumn pastime, may have been part of a decorative scheme symbolizing the four seasons. The vine-leaves and grapes, allude to fall as well, and together with the thyrsus (staff with pine cone on top), are associated with Dionysus or Bacchus, the god of wine.This panel was once part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels with the rest of the decorators seventeenth and eighteenth century objects to the Metropolitan Museum of Art in 1907.. Panel 189447 French, Panel, 18th century, Wood, painte

Two rosettes, monogramemist DL, 1776 drawing Rome paper. chalk

Three photo productions of drawings of ornaments, presumably wall decorations, c. 1875 - c. 1900 photograph Left (139) Two decorations with people and animals, center (140) A sketch for decorations, right (141) two decorations with people and animals. Europe cardboard. photographic support albumen print print, e.g.: engraving, etching, lithograph. ornament derived from architectural details. birds. cupids: 'amores', 'amoretti', 'putti' Europe

Design for a Sleigh with a Mermaid Holding a Vessel with Fruit 18th century Attributed to Anonymous, German German. Design for a Sleigh with a Mermaid Holding a Vessel with Fruit 383343 Artist: Attributed to Anonymous, German, Design for a Sleigh with a Mermaid Holding a Vessel with Fruit, 18th century, Red chalk, sheet: 6 7/8 x 9 5/8 in. (17.5 x 24.4 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Fund, 1954 (54.648.5)

Gaeta's woman, Christoph Krieger, after Cesare Vecellio, 1598 paper paper

Ancient young man, Christoph Krieger, after Cesare Vecellio, 1598 paper paper

Citella Nobile (Franchese), Christoph Krieger, After Cesare Vecellio, 1598 paper paper

Drawing, Design for a Console Table; Italy; pen and brown ink, brush and brown wash, traces of graphite on cream laid paper

Two bunches of fruit, two fruit bowls and a cherub; Ornaments with cherubs and bunches of fruit.garland with two bunches or fruit. Bye and two fruit bowls and a cherub. Leged at the bottom right: 23. The print is part of an album.

Dionisio Mantuano / 'Project for a cupola interior (two sheets)'. XVII century. Grey-brown wash, Pencil, Grey-brown ink on paper attached to canvas, laid paper. Museum: Museo del Prado, Madrid, España.

Women & Spose, Christoph Krieger, After Cesare Vecellio, 1598 paper paper

Lazio Roma Poli Palazzo dei Conti4. Hutzel, Max 1960-1990 Exterior views of 12th. c. palace, completely redone in 16th. c., including flank, palace chapel and long portal leading to courtyard. Several views of courtyard fountain and loggia, including ceiling frescoes. Many views of the salon and its frescoes. Views of private chapel, with altar painting by Cavaliere d'Arpino and alabaster statues. Many views of entrance hall and its frescoes. Antiquities: Two views of Roman sarcophagus used as water basin. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city,

Wonderful human figures and deformed animals, Anonymous, 1665 - 1667 print Two pasted prints with wonderful human figures and deformed animals. On the left a man with an elephant head and deformed man (fig. VIII-ixi). Nummered at the top left: 36. Right four deformed animals (fig. III-VII). Up to the top left: 37. On a smaller format sheet of paper. Part of the seventh album with drawings of reptiles, amphibians and natural history ensembles. The seventh of twelve albums with watercolors of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French. paper engraving monsters of mixed human and animal shape; 'Mostri' (Ripa). monsters with parts in greater number than normal

A sacrifice to Priapus. A young hero makes offerings to a flame on a column decorated with a Priapic phallus. Un Sacrifice a Priape. Copperplate engraving from Pierre-Francois dHarcanvilles Monumens du Culte Secret des Dames Romaines, Sabellus, Capri (Monuments to the Secret Cult of Roman Women, Leclerc, Nancy) 1780. Based on imaginary Spintria, medals and cameos.

Design for room decoration with two panels with a window in yellow and green. Draughtsman: Abraham Meertens. Dating: 1767 - 1823. Measurements: h 195 mm × w 314 mm. Museum: Rijksmuseum, Amsterdam.

Füssen (Germany). Castle - fragment of plafond entablature. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Design for a stained glass window, c. 1901 Page 13 Recto from a sketchbook with 79 sheets. chalk work of applied art (+ types of art)

. A medallion is shown under a canopy in the middle. Obachiep-sided copy to magazine from the Nouveau Liure series de Placfond published by Daniel Marot.

Title Blad: Differential new festival of flowers and fruits, Anonymous, after Friedrich Jacob Morisson, 1699 print The title is on a banderole, including a festival of flowers hanging on a chain. paper etching

Stone Vessel Supported on Legs in the Form of Fauns, with a Metal Lid second half 19th century Anonymous, British, 19th century British. Stone Vessel Supported on Legs in the Form of Fauns, with a Metal Lid 386729

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Ceiling, Ceiling with floral motifs, verso - stamped, Design for a ceiling with ornaments and floral motifs in the middle and in the corners. Publisher's number 33., print, ornamental print, prints, ornamental prints, height 171 mm, width 224 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1758 - 1820, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, seller

Honoré porcelain sample catalog, Honoré (Firm), 19th century, watercolor, gouache, ink, graphite, ca. 1800-1820, The manuscript sample catalog presents seventy-four wares produced by the Parisian porcelain manufacturer Honoreì. The hand-colored illustrations are accompanied by annotations regarding the available sizes, types of decorations, and prices of the porcelain.

Designs for Gothic Hinges, Keyplates and Doorstraps, Augustus Welby Northmore Pugin, 1812-1852, British, Augustus Charles Pugin, 1762-1832, French, undated, Graphite and pen and black ink on medium, moderately textured, beige wove paper with one fold mark, Sheet: 12 7/8 × 21 inches (32.7 × 53.3 cm), architectural subject, architecture, design, doors, hinges, keys

Geroglifici esistenti nel tempio di Tentira.. Denon, Vivant, 1747-1825. Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel, Bas-reliefs , Egypt, Temple of Hathor (Dandara, Egypt), Gods , Egyptian

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