Ornamental Engravings

Ornate engravings with allegorical figures and floral designs, showcasing intricate craftsmanship in printmaking, often used for decorative and academic purposes.

In momentaneam felicitatem, Emblemata, Alciati, Andrea, 1492-1550, Unknown, Woodcut, 1551

Roller information with a herme at the bottom; Gott Hatt Uns am all lies (...); Cartouches of grotesken and rollerwork with German proverbs; Ornament leaf. The Herme at the bottom is flanked by two women with a palm branch in hand. Shaded background. One of 3 sheets from a series of 5.

Title card for the work by Adam I. Naramowski face of Sarmaticarum in the face of Polish Magniq n Vilnae 1724 printed academic Strachowski

Matthias I., Roman-German Kaiser Stecher: Kilian, Wolfgang

Adrianus Spigelius Spieghel, engraved titlepage of De humani corporis fabrica. Line engraving by F. Valesius, 1627, after O. Fialetti.

Frontispiece for 'Angélique des excellences de l'me' 1626 Charles Audran Frontispiece for 'Angélique: Des excellences et perfections de l'immortalité de l'me', written by Dom Polycarpe de La Riviere and published in Lyon by Antoine Pillehotte and Jean Cappin in 1626.. Frontispiece for 'Angélique des excellences de l'me'. Charles Audran (French, Paris 1594-1674 Paris). 1626. Etching. Prints

Philip IV Travelling to the French frontier. 17th century. Madrid, National Library. Author: FERNANDEZ CAMPO. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. FELIPE IV REY DE ESPAÑA.

Illustration at Canto VIII of TASSO's 'Gerusalemme Liberata'; Jerusalem relieves (part 3); Gerusalemme Liberata (part 3). Ornamental decorative frame with a plane with eight Italian fresh rules at the top. At the bottom of a representation at Canto VIII of TASSO's 'Gerusalemme Liberata'. The Saracenen attacked the Christian camp. Right State Prince Sweno, surrounded by soldiers, for a tent.

Allegory on the history of the Netherlands; Title page for: History of the Lower Landscher Ende Haerder Na-Buren Wars and Histories, to the IIRing M.Vi.XII., The Hague 1614.on Pedestal With Title Trouzs Personification from Southern Netherlands, Belgica, Sitting Between Symbols of Trade , Arts and Sciences. Two Obelisks On Either Side. Under a Basement With Two Figures That Symbolize War and Pigeon With Olive Branch As a Symbol of Peace. Title Printed With Separate Plate.

Large coat of arms showing the title, surmounted by the bull Europa The coat of arms is surmounted by the trumpet-blowing Fama and flanked by Pictura and Optica nude female figures and Assidhus and Labor putti At the bottom of the representation the text: Fructus Laborum Title-print of the later edition of the first part of a series of 72 artists' portraits, 36 of which were made by Hendrick Hondius I, the others by Robert de Baudous, Simon Frisius and Andries Jacobsz Stock, Coat of arms and personifications Theatrum honoris in quo nostri apelles, saeculi on object, print maker: Hendrick Hondius (I), publisher: Johannes Janssonius, (mentioned on object), Amsterdam, 1618, paper, etching, h 238 mm × w 148 mm

In momentaneam felicitatem, Emblemata, Alciati, Andrea, 1492-1550, Unknown, Woodcut, 1551

Illustration at Canto XX of TASSO's 'Gerusalemme Liberata'; Jerusalem relieves (part 3); Gerusalemme Liberata (part 3). Ornamental decorative frame with a plane with eight Italian fresh rules at the top. At the bottom of a performance at Canto XVII of TASSO's 'Gerusalemme Liberata'. Altamore, the king of Sarmachand, kneels for Godfried of Bouillon that is on horseback for him. A struggle takes place in the background for Jerusalem.

Man and woman on fish market; Quod Perdidit, OPTAT. A man and woman, both richly dressed and accompanied by a dog, watching a table with a winding eel on top of which the head has been cut off. A hand with a chopper sticks out of a cloud. In the background a cityscape with market hall and water pump. On the four corners a vignette: above two images with Adam and Eva, bottom left a woman with a grayish and a boy and at the bottom right a man who simplifies a lightning bolt. From the print in letterpress verses in Latin, above the title of the emblem.

Oliver Cromwell te paard; Titelpagina voor: Ferdinand de Galardi, a tyrannie heureuse ou Cromwel politique, 1671.Oliver Cromwell as commander on horseback with the beheading of Karel I of England in the background. The show has been faced in a frame with top and among cartouches with texts in Latin. Along the sides of the frame ten circles with texts in Latin inside.

Juno sucks the young Hercules; Love, anger and jealousy of Juno; Amori Sdegni et Gielosie di Giunone. Juno sucks the young Hercules. Right is Minerva. Under a four-line verse in Italian. The show is caught in a decorative frame with putti and sphinxes.

Portrait of Philip II, King of France, Jost Amman, 1598 print Nuremberg paper etching historical persons. ruler, sovereign. scrollwork, strapwork ~ ornament

Address of De Drukker, Jacob Cornelisz van Oostsanen, 1520 print Printed from two blocks. Ornamental frame around Cartouche with the address of printer do Pietersz. paper ornament ~ cartouche

Cartouche with series title and on the sides a man on horseback and a crying woman, Jacob van der Heyden, 1608 print Numbered in the bottom right: 1. paper engraving ornament ~ cartouche. riding a horse, ass, or mule; rider, horseman. weeping. 'album amicorum', 'Stammbuch'

Title print in Cartouche for a series with different insects, Wenceslaus Hollar, 1646 print paper etching insects. insects: butterfly

Karl IV. The beautiful, king of France.

Title page: Disegni Varii; Disegni Varii. On top of the cartouche with the title is a rooster. From series of 10 sheets with designs for vertical panels with leaf refrences, figures and animals; Mainly on top-facing copies of the series: Disegni Varii di Polifilo Zancarli. Obachi copy to B. 43.

Weapon with lions and ears of corn; Tzy in feeding owes in Rouwe, Godt and TVaderland faithful; Weapon of Gillis van Breen. Family crest (twice a cross with a lion, twice three ears of corn) in oval. Around the oval an inscription in Dutch in mirror image. In TIB identified as the weapon of Gillis van Breen, probably mainly on the basis of the portrait on the downside of the medallion. However, the identification of the portrait of Breen is not full.

Rhetoric; Retoriqve; The sciences, proposed by women; Ornament with rhetorica. The rhetorica with a palm branch and a writing table, standing under a bow of leaves with two horns of plenty in front of a building. From series of 6 sheets.

London, Wilmsonius, Henricus, Title page for: Johannes Kunckel, Utiles observationes sive animadversiones De salibus fixis et volatilibus, 1678, Observatioum et Animadversionum Chymicarum Tractatus duo, Men in library and workshop with oven, verso - stamped, Various scenes around a cartouche with title. At the top fish is being smoked and something is being prepared on a spit. On the left middle a man is standing in a workshop by an oven, on the right middle a man is sitting in a library. At the bottom a man is riding an insect., print, engraving, title page, prints, engravings, height 126 mm, width 71 mm, print maker, printmaker, 1678 - 1678, paper, etching, etchings, Publication (Event), Publication, publisher

Quote from Seneca 'NON EXIGUUM TEMPORIS HABEMUS, SED MULTUM PERDIMUS' (we lack no time, but often squander it) in cartouche. At top left and right is a child whose buttocks protrude through the scrollwork. On the cartouche are four mascarons. Shaded background. From series of title page and 12 sheets of cartouches with quotations from classical writers in a frame of scrollwork with grotesques, mascarons and garlands, Square cartouche with a quotation from Seneca Variarum protractionum (...) (series title), print maker: Frans Huys, Hans Vredeman de Vries, publisher: Gerard de Jode, Netherlands, (possibly), 1555, paper, etching, h 163 mm × w 138 mm

Two prints on one sheet in ornamental frame. On the left, Isaac lying on his bed giving his blessing to his son Jacob who is kneeling beside the bed. Standing in the doorway is Rebekah (Gen. 27:27). On the right a sleeping Jacob and four angels descending from heaven via a ladder (Gen. 28:12). In the margins caption in Dutch. Third and fourth prints (c and d) from a series of six with scenes from the life of Jacob, Isaac blesses Jacob / The dream of Jacob Scenes from the life of Jacob (series title)., Hans Janssen, (mentioned on object), print maker: anonymous, Amsterdam, 1615 - 1651, paper, engraving, h 91 mm × w 40 mm × h 90 mm × w 39 mm

Medallon with the twelve characters of the zodiac, Anonymous, After Crispijn van de Passe (I), After Maerten de Vos, 1574 - 1687 print Medallon with the series title in Latin and a ring with the twelve signs of the zodiac. The print has a frame with Ceres, Bacchus, Boreas and Venus with Amor that symbolize the four seasons. Copy in mirror image to the print of the same name of Crispijn van de Passe (i). unknown paper engraving year divided into four seasons (+ ways of representing seasons and months). zodiac; the twelve zodiacal signs together. (story of) Ceres (Demeter). north wind, 'Aquilo', 'Boreas', 'Septentrionarius' (one of eight directions). (story of) Bacchus (Dionysus), Liber. (story of) Venus (Aphrodite)

Kerkermeester, Jost Amman, 1573 print print maker: Neurenbergpublisher: Frankfurt am Main paper riding a horse, ass, or mule; rider, horseman

Blazon of the Christians (Diest), 1561; That Christ's eye of Diest. Blazon of the Christians, Rederijkerskamer in Diest. For the land jewel of Antwerp in 1561.

Passio, Mors, et Resurrectio, Dn. Nostri Iesu Christi, title page for a series on the Passion ofChrist. Publisher: Philip Galle, Flemish, 1537-1612Engraver Alternately attrib.: Jan Collaert II, Flemish, ca. 1561-ca. 1620 After: Stradanus (Jan van der Straet), Flemish, 1523-1605

Two Angels Holding a Coat of Arms. Dimensions: overall (approximate): 25.5 x 17.6 cm (10 1/16 x 6 15/16 in.). Medium: pen and black ink with gray wash over chalk on two joined sheets. Museum: National Gallery of Art, Washington DC. Author: JOST AMMAN.

Southern Netherlands, Galle, Cornelis (I), Title page of: JJ Courvoisier, L'Autriche Saincte, Maximilian of Pongau and Leopold III of Austria, recto - manuscript in brown ink, The two patron saints of Austria Maximilian of Pongau and Leopold III of Austria stand next to a cartouche with the title of the book. Below the coat of arms of Austria, on either side of it two recumbent lions with sword, sceptre and orb., print, engraving, title page, prints, engravings, verso - stamped, Aux PP ... de Tournaij, height 188 mm, width 138 mm, 1576 - 1650-03-29, print maker, printmaker, 1610 - 1650, paper, engraving (printing process)

Title print for print series 'The Life of Maria', Jacques Callot, 1633 - 1634 print Latin text on a tablet on either side of which angels are on pedestals. Above the text a medallion with portrait of Maria. Below a coat of arms and two putti. This print is the title page for a series of thirteen prints with scenes from Maria's life. print maker: Nancypublisher: Paris paper etching title-page. the Virgin Mary. angels

March The young men go hunting Date: 1523

Failed to revive Dead artists. The winged fame revived dead artists. On the right in a row the female personnifications of architecture, the sculpture and painting. Down Latin text in a cartouche.

Friedrich Brentel, known as Brenten the father (1580-1651). Charles Third Funeral Pump, Duke of Lorraine, made in Nancy the year 1608, frontispiece by Matthaüs Merian (the old) (1593-1650) (Le Blanc 2 page 516; Andreas Andresen 10 (1), volume 4, page 193). Etching. 1609. Museum of Fine Arts of the City of Paris, Petit Palais. 99610-21 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), thesis ornament in honor of Blessed François Solano (A. de Vesme 79. Dutuit 66) (Main title), 1639. Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Round cartouche between two mascaroons; Cartouches in a picture frame with grotesken, mascarons and garlands. At the top Three mascarons hang in the form of animal heads, wardromatons hang along the bottom edge. From series of 17 sheets.

Titelblad: new book of all kinds of orfeuries ouurages receipt of the mayylers of this time, Balthazar Moncornet, after Francois Lefebure, 1665 print Cartouche with title in French and German, hanging on a mask and consisting of flowers, jewelry, trophies of musical instruments and tools of goldsmiths. From series of 12 magazines with designs of jewelry for goldsmiths and enamelers. Third edition. print maker: France (possibly)publisher: Paris paper engraving / etching

Man and Woman, representing sun and moon, on either side of a title field, Crispijn van de Passe (II), 1617 print Above the title of small portraits of Rembert Dodoens and Carolus Clusius. This print is part of a book. paper engraving Apollo as sun-god, i.e. Sol (Helius), Titan. Diana as moon-goddess, i.e. Luna (Selene). title-page. flowers

Allie on war and fair with emperors, Christian Romstet, 1672 print A two -headed eagle with crown, sword, government apple and cartouche with title in the middle. On both sides are, in architectural accompaniment, Emperor Theodosius II and Emperor Justinianus. Above and below cartouches with different symbols of war and peace. paper engraving double-headed eagle. emperor

Stoicism: above, the suicide of Seneca; middle, Zeno and Chrysippus; below, the suicides of Socrates and Cato. Engraving by W. Hole, ca. 1614.

Quote: PRIVS QVAM INCIPIAS CONSVLTO: ET VBI CONSVLVERIS, MATVURE FACTO OPVS EST in cartouche. On the cartouche are four mascarons. A fruit cluster hangs in the lower left and right. Shaded background. From series of title page and 12 sheets of cartouches with quotations from classical writers in a frame of scrollwork with grotesques, mascarons and garlands, Cartouche with a quotation from Sallustius Variarum protractionum (...) (series title), print maker: Frans Huys, Hans Vredeman de Vries, publisher: Gerard de Jode, Netherlands, (possibly), 1555, paper, etching, h 171 mm × w 130 mm

Nehalennia altar, Hendrick Danckerts, After Hendrik van Schuylenburgh, 1647 print Altar of the Roman goddess Nehalennia. paper etching / engraving other foreign deities included in the classical Pantheon (with NAME) Walcheren

Jacques Callot, La belle jardiniere, 1619 La belle jardiniere

FIESTAS DE LA STA IGLESIA EN SEVILLA. Author: FRANCISCO HERRERA THE YOUNGER. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. FERNANDO III EL SANTO CASTILLA / LEON. SAN FERNANDO (REY).

Jacques Callot (1592-1635). "Frontispiece of" Holy Apocatastase "(Lieure 511, Meaume 198). Eau-tie. 1620-1623. Museum of Fine Arts of the City of Paris, Petit Palais. 99594-14 Etching, engraving

In front of a throne under a canopy, the personification of the emperorship kneels before an altar In her left hand she holds the coat of arms of the Habsburgs Beside the throne the portraits of the emperors Leopold I, Joseph I, Charles VI and Charles VII Below four river gods depicting the Danube, Moselle, Neckar and Rhine rivers At right, a poem of praise in German and Latin with obverse and reverse of a coin, possibly minted to mark the election of Francis I Stefan as Emperor of the Holy Roman Empire, Allegory of the Roman-German Emperorship, print maker: Elias Baeck, (mentioned on object), I.F.W. Schael, (mentioned on object), publisher: Elias Baeck, (mentioned on object), print maker: Augsburg, Hanau, publisher: Augsburg, 1745, paper, etching, h 292 mm × w 185 mm, h 290 mm × w 187 mm

Blazoen van de Rederijkerskamer 'De Witte Angieren' in Haarlem, Jan Pottey, 1630 print Christ sits next to his bride in an oval. He has a cross in his hand, she a book on her lap. Two weapons of Haarlem in the upper corners, on which Anjers were hung. In a vase in the foreground also white carnations. Behind it a banderole with the spell of the room: in Liefd Ghetrou. Among them two lines of poetry, in which the spell of the room occurs again. Haarlem paper engraving Church" as bride of Christ (the Lamb), "the Church of the Bride of God ',' Spide-Bride. Flowers: carnation. Chamber of Rhetoric (Dutch: 'Rederiijkerskamer') Haarlem

Allegory of the history of the Netherlands, Willem Jacobsz Delff, 1614 print On pedestal with title, personification of Southern Netherlands, Belgica, sitting between symbols of trade, arts and sciences. Two obelisks on both sides. Under a basement with two figures that symbolize war and pigeon with olive branch as a symbol of peace. print maker: Delftpublisher: The Hague paper engraving symbols of the state (in general)

Bernardino Corio, 1503. Italy, Milan, early 16th Century. Woodcut;

Antwerp, Galle, Theodoor, Sterre, Johannes Chrysostomos van der, Cornelis (II), Title page for Vita S. Norberti canonicorum praemonstratensium patriarchae Antverpiae Apostolo, 1622, Vita Activa and Vita Contemplativa with the portraits of four popes, recto top left - written, In an oval frame the title of the book. On either side of the frame the personification of the Vita Contemplativa (left) and the Vita Activa (right). Both are looking at the Christ Child who is depicted above the title. In each corner of the print the portraits of the popes who were important in the life of Saint Norbert: Innocent II, Honorius II, Calixtus II and Gelasius II., print, book illustration, title page, prints, 306, height 162 mm, width 95 mm, Southern Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1622 - 1622, paper, engraving, engraving (printing process), 1591 - 1652, writer, Publication (Event), Publication, 1571 - 1633, publisher

Clodwig I., King of the Franconia Stecher: Solis, Virgilius (the elderly) Factist place of origin: Nuremberg

Illustration at Canto XVII of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Ornamental decorative frame with a surface with eight Italian verses at the top. At the bottom of a performance at Canto XVII of Tasso's 'Gerusalemme Liberata'. The caliph of Egypt is on a throne on the right. He looks out over his troops. Italy paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. ornaments ~ art. ornament ~ cartouche

Etienne Delaune (aka Étienne Delaune) (French, ca. 1519-1583). Jurisprudence (La Jurisprudence), . From The Sciences. Engraving.

Painter and female model in Atelier, Anonymous, After Adriaen Pietersz van de Venne, 1625 - 1635 print A painter stands behind his easel, palette and brush in the hand. On the donkey the portrait of an elegant dressed lady who, on the right, is posing in front of him. Behind her a table on which some Bozetti and two antique heads. There are different panels on the floor. On the left, an elegant gentleman with a dog enters the departure. Behind the painter a young man and a dog. Middelburg paper engraving / letterpress printing painter at work, in his studio. model, sitter ~ painting

The good Samaritan helps the man who has been robbed and beaten. Engraving, 1793, after stained glass window at Healey Hall, Lancashire.

Helena with coat of arms in Rolwerk Schijsting, Virgilius Solis, 1524 - 1562 print Nuremberg paper engraving / etching St. Helena (one of the nine worthiest women)

Red and black venison table, like occupation, foxes and venison feathers ...; 18th century (1700-00-00-1800-00-00);

Muscarum scarabeorum ... varie figure. Plate 1. Title plate., 1646, Flanders, by Wenceslaus Hollar. Gift of Bishop Monrad, 1869.

Netherlands, Cornelisz. van Oostsanen, Jacob, Frame from a Biblia Pauperum, Cornelisz van Oostsanen, verso lower left - stamped, Lower part of a frame from a Biblia Pauperum. Two angels with a cartouche with text in Latin. Right and left the foot of a column on a base with a depiction of a bird feeding young from its own breast (symbol of Christ)., print, prent, prints, enten, height 210 mm, width 362 mm, Noord-Nederlands, 1475 - 1533, print maker, prentmaker, 1518 - 1522, first quarter 16th century, paper, papier, houtsnede

Allegory with Apollo and Diana and three personifications of pharmacy, Moyses van Wtenbrouck, Isaac Elzevier, 1626

. The history of Lazarus and the rich man in one large and five small performances. As a central show, the meal of the rich man is displayed.

Title print for press series De Ruiterschool, Jacques de Gheyn (II) (workshop of), After Jacques de Gheyn (II), 1599 print A Latin text in a cartouche. On the left next to a figure in harness (a rider, according to the lines that he holds in his hand), a soldier without harness right next to it; Under the text a skull. This print is part of a series of 22 numbered prints: a title print, 20 prints on which one or a few different types of (most harnessed) riders are displayed, and a print with a rider fight. print maker: Leidenprint maker: Netherlandspublisher: Leiden paper engraving warfare; military affairs (+ cavalry, horsemen). death's head, skull (symbol of Death)

Façade with personifications of five population groups, Anonymous, 1627 print A façade of a building with a tablet with the book title at the bottom. Five personifications of population groups around pedestals and niches: a Roman, a Brit, a sax, a Dane and a Norman with accompanying coats of arms. paper engraving façade (of house or building). Europeans

The Madonna with the Clock. Dated: c. 1490. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem.

Twelve scenes with martyrdom of apostles in rectangular frame with architecture Ornaments, Anonymous, 1580 - 1629 print Prague paper engraving the twelve apostles ~ other themes

Promotyprent van Ludovicus Nicolaus Le Tellier in Ludovicus Franciscus Le Tellier, Jean Baptiste de Poilly, After Pierre Mignard (1612-1695), 1684 print Bottom half of the print, with the theses on it. paper engraving Doctoral Thesis. Harp. Cupids: 'Amores', 'Amoretti', 'Putti'

Tomb and Medals of Pope Sixtus V 1630 Engraved by Matthaeus Greuter German. Tomb and Medals of Pope Sixtus V 383505 Artist: Engraved by Matthaeus Greuter, German, Strassburg ca. 15661638 Rome, Tomb and Medals of Pope Sixtus V, 1630, Engraving, plate: 13 1/8 x 9 in. (33.3 x 22.8 cm) sheet: 16 1/16 x 10 in. (40.8 x 25.4 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 (56.515.103)

Jacques Callot (1592-1635). Voyage to the Holy Land, Frontispiece. First issue of a suite of 47 pieces (Lieure 306, Meaume 455) (main title). Etching. 1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99596-10 Etching, engraving

Rocaille puts Mercurius en Putto, Pierre-Edmé Babel, After François-Thomas Mondon, 1736-1762 print Print is loose in the album, after the page with object number RP-P-2002-279 of which the print is a later state. The print is also punctured on the most important lines to be able to copy the show. paper etching rocaille ornament. (story of) Mercury (Hermes). cupids: 'amores', 'amoretti', 'putti'

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), thesis ornament in honor of Blessed François Solano (A. de Vesme 79. Dutuit 66) (Main title), 1639. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Woodcut 'Three Good Christians' by Hans Burgkmair the Elder, 1516-1519, framed by Hans Weiditz, showing three figures symbolizing Christian virtues.

Minerva and two chained figures, Reinier van Persijn, 1650 print Minerva is on a piercing stable and holds a man and an angel to footcuffs. A wolf in the background. The chains explore their arms to a (world) sphere on which the title in Latin. In the cartouche an imprum in Latin. Print Maker: GoudaPublisher: Leiden paper engraving (story of) Minerva (Pallas, Athena). prisoner; in fetters. globe. beasts of prey, predatory animals: wolf

Jacob Aertz Colom, De Vyerighe Colom, klaer vertoonende de XVII Nederlantsche Provinciën, ca. 1660

Dialectics and rhetoric, Marin Bonemer, 1563 - 1573 print Paris paper 'Dialectica' (~ trivium); 'Dialettica' (Ripa). "Rhetoric ',' eloquence '(~ trivium); "Rettorica '(Ripa)

Cartouche with a quote from Cicero; Vararum Protractionum (Vulgo Compartmenta Vocant) (...); Cartouche with the inscription: vt Improbo, et stul-to et inerti nemi-ne bene esse potest. Quote: Vt Improbo, ET STVLTO, Et Inerti Nemini Bene Esse Potest ... in cartouche. Left and bottom right is a man on his knees, the upper body caught in rollerwork on which a child is sitting with sticks on 's mans buttocks. Shaded background. From series of title page with 12 cartouches with quotes from classic writers in a frame of rollerwork with grotesken, mascarons and garlands. Second edition.

Rich man and Lazarus; Title page for: Herman Hillers, the Gelykenis van den Ryke Man and Lazarus, 1697. The history of Lazarus and the rich man six performances. As a central show, the meal of the rich man is displayed.

Allegory on victory over the slake, 1631; God's Bannier, at Ghereecht Ter Ghedtenisse Van de Wonderbaerlicke Victorie, Deregneghen on September 13, 1631, by the HM Heeren States Generael, Derenighed Nederlanden under the front-visible policy of the spelled, Hoogh-Gheboren frost Frederick Heyndrick, Prince of Oragin etc .. allegory on the victory over the lettuce, sea battle between State and Spanish fleets, 12-13 September 1631. Central a show of the sea battle with orange branches and the weapons of Frederik Hendrik and the seven provinces, flanked by Mars and Minerva with palm branches and laurel wreath of victory. Left Aaron and Chur who support Moses's arms and staff while praying on the rock that allows the Israelites to beat the Amalekites under Joshua (right). In the caption 4 columns with circular text.

Love (Charitas) with two children in medallion in rectangular frame. The medallion has an inscription in Latin., Love (Charitas) with two children in medallion, print maker: Nicolaes de Bruyn, (mentioned on object), Nicolaes de Bruyn, publisher: Claes Jansz. Visscher (II), (mentioned on object), Netherlands, 1581 - 1656, paper, engraving, h 78 mm × w 65 mm

OPERA HORACIO - PARIS - 1519. Author: BADE JOSE. Location: VICTORIA AND ALBERT MUSEUM. LONDON. ENGLAND.

Portrait of Louis, Count of Nassau. Portrait of Louis in an oval with peripheral.

Penelope, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Penelope, the wife of Odysseus and the queen of Ithaka, weaving. Text in STUDMARGE. Paris paper etching Penelope. ruler, sovereign - BB - female ruler

Mars and portrait tacitus; Title pagina for: Publius Cornelis Tacitus and Johannes Teachool, of the memorial historiener der Romynen, 1645.Mars trouble on a pedestal with title. AROUND HIM AAR BOUNCE. Below A Portrait of Publius Cornelius Tacitus in Cartouche flanked at Two Roman Soldiers.

Figures in a cloth with a head of a Sater, Jan van de Velde (II), 1728 - 1761 print Two sitting farmers and two elegantly dressed pairs with a cloth with a head of a satar on which the title. Title print of part four of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching satyr(s) (in general)

Cartouche with a quote from Publilius Syrus, Anonymous, After Jacob Floris, 1556 print The cartouche supports the bottom left and bottom of the breast images of women with hoods. Leaf belongs to 15 sheets with title page from a series of 24 sheets. Woodcuts. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Antwerp paper

Frontispiece: a monument decorated with the Medici coat of arms at top in center, flames at top to either side, a hooded figure on right side of monument with a weasel below, a figure to left side wearing a papal crown, a scene of a monk chasing away demons with a cross on base of monument, from 'Frontispiece and four scenes from the life of Saint John Gualbert' (Frontispice et quatre vignettes pour une vie de Saint Jean Gualbert). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 7 5/8 x 5 7/16 in. (19.4 x 13.8 cm)Mount: 8 1/8 x 6 in. (20.7 x 15.3 cm). Series/Portfolio: 'Frontispiece and four scenes from the life of Saint John Gualbert' (Frontispice et quatre vignettes pour une vie de Saint Jean Gualbert). Date: 1640. Museum: Metropolitan Museum of Art, New York, USA.

Monogrammist L (engraver, Netherlands), Leiden, Nul bien sans peine, Couple in love, verso lower left - stamped, Circle with representation of couple in garden. Above circle cartouche with proverb. Below the circle two coats of arms, one with the arms of Leiden and one with an L, written in pen., print, prent, prints, prenten, height 78 mm, width 65 mm, print maker, prentmaker, 1522 - 1522, first quarter 16th century, paper, papier, houtsnede, Work conception, Nederlands

Judgment of the Court ... delivered on said Jean Chastel, executed on Thursday, December 29, 94. / Portrait of the pyramid drawn up in front of the door of the palace in Paris 1597. (IT)

Wolfgang The Goldsmith after Master ES, The Madonna and Child with the Abbot Ludwig von Churchwalden, 1477 The Madonna and Child with the Abbot Ludwig von Churchwalden

Tail-piece. Cap. XXIII, Academiæ Picturæ Nobilis. Farnese Hercules.. Prints. 1683. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Angels, Hercules (Roman mythology), Relief (Sculpture)

Tegenspoed leert ons God dienen; Tegenspoedt leert ons Godt dienen; Voorwinckel van Patientie in den droeven tegenspoedt.Page from a book (p.81) with text on verso. In an oval cartouche a street face. In the foreground a maid comes back from the market. In her hands she carries a heavy basket full of ingredients and a dead rooster. She goes towards a house where a lackei and a coachman are waiting outside. Through a window we see the interior of a house, where a company celebrates. Above the cartouche The title (motto) of the print and a quote from the Bible (Ephesians 6: 5). Under the print a caption: "who does docks, gives." And a description that declares the print. Services, servants and skiing, bright and leg complain about the tough work that they must perform in the service of their Lord. However, those who spend this work and will not complain will be loved by his master and rewarded. Comparable man should tolerate all the adversity on earth, because the rewards will be all the

The museum. / 18. (Registered title) | Almanach useful and pleasant from the lottery of the Royal Military School. (title of all)

Title print of a series about female hermits; Female hermits; Solitvdo Sive Vitae Foeminarvm Anachoritarvm. Central De Doornenkroon with the title of the series in the middle. On the left the allegorical figure with as attributes a crucifix, a rod and a grid with a fish. On the right the allegorical figure of love (Caritas) with the pelican's attribute who feeds his boy with his own blood. The print has a Latin top and caption and is the title print of a series with the subject of female hermits.

Gerard van der Aa.gerard van der Aa Graftombe, Jonkheer van Randenrode, in the Large or Sint-Jacobskerk in The Hague. Van der Aa is in Harness on a plateau worn by two putti. Above Him Nine Coats or Arms, Incuding That Of His Family.

Karl I, King of England.

LIBRO ARQUITECTURA EN ROMANCE. Author: BOLONES S. Location: COLEGIO DE ARQUITECTOS. MADRID. SPAIN.

Theurerdanck's Ship Endangered by Hail and Storm, from Theuerdanck. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Melchior Pfintzing (German). Dimensions: Sheet: 14 7/16 × 9 15/16 in. (36.7 × 25.2 cm). Publisher: Hans Schönsperger. Date: 1517. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

Liendl Schnekenfist des Ienerischen Nachtkinigs Magazin-Visirer, Ambts fuhren Inspector und material Verwalter, Pl. 46. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

Dahlberg, Erik Jönssen, Swidde, Willem, Suecia Antiqua et Hodierna, Regis Magni Conditorium in Templo Wretensi, Tumulus Regis Magni in Templo Wretensi, Chapel and tombstone of King Magnus Nilsson in the Vreta monastery church, verso - stamped, The print is part of an album., print, album sheet, prints, height 266 mm, width 165 mm, Northern Netherlands, 1661 - 1697-06, print maker, printmaker, 1692 - 1692, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Vignette with interior of a library. A library or study with a writing table can be seen through a frame with floral motifs. Two men stand with a book for a bookcase, whose curtain has been slid open. Probably a print mark. Above the decepticle text in letterpress.

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