Ornamental Engravings

Detailed prints featuring intricate floral and grotesque designs, combining elements like angels, vases, and elaborate patterns from historical art.

Frieze, from the set, 'Ornemens à la Mode', Jacques Androuet Du Cerceau the Elder, French, ca. 1515 - after 1584, Engraving on laid paper, Three friezes; top: with a head supporitng a flower basket; center: with a woman's mask; bottom: wiht a foliated mask. With 'Fait par du Cerceau' and Langlois's address, 'rue St. Jacques a la Victoire', France, ca. 1650, ornament, Print, Print

Keyhole plate, c. 1710 print There is an owl between the leaf vines, the leaf vines run left and right in winged figures. Smaller ornamental motifs are depicted in the corners. Leaf 9 from series with batter, key hole plates, forging, keys, door knockers and door buttons. Third edition. paper engraving

Grotesque ornament with two horn blowing angels in the middle; Grotesque ornaments. .

Flower ornament with vase and human heads, c. 1602 - c. 1670 print paper engraving / etching

Ornament with Arabesques Designed 1526-1530 Germany. This playfully grotesque ornament represents a candalabra-like concoction that is reflected on a vertical axis, with slight differences in the fantastic creatures on either side. The ì64î scratched into the plate at lower left marks this impression as a later one, published in a compiled edition of Hopferís prints in 1684.. Etching in black on ivory laid paper . Daniel Hopfer, I

Bookplate: Perruggi. unknown, graphic artist

Frieze, from the set, 'Ornemens à la Mode', Jacques Androuet Du Cerceau the Elder, French, ca. 1515 - after 1584, Engraving on laid paper, Three friezes; top: with a head supporitng a flower basket; center: with a woman's mask; bottom: wiht a foliated mask. With 'Fait par du Cerceau' and Langlois's address, 'rue St. Jacques a la Victoire', France, ca. 1650, ornament, Print, Print

Hert under a tree struck by a lightning bolt, Caspar Luyken, 1705 print The image of the deer is caught in an ornamental frame with floral motifs, deer and objects that relate to hunting. Amsterdam paper etching hoofed animals: deer. accidents with lightning. hunter (+ hunting weapons, equipment, outfit)

Two wide candelabers on either side of a narrow, anonymous, after Jacques Androuet, c. 1500 - c. 1600 print The left candelabria is made up of a pedestal, a narrow frieze, a squatted satar on a vase, and two winged seahorses on the edge of a bowl. France (possibly) paper etching

Diverses Pieces de Serruriers, page 10 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. In the center of the design is a grey-shaded key hole that is surrounded by coiling vines of leaves, flowers, and composite man and plant figures. On top of the key hole is an owl that is flanked above by two other birds. At each corner of the design is a diverse foliage element.. Diverses Pieces de Serruriers, page 10 (recto). Jean Berain (French, Saint-Mihiel 1640-1711 Paris). ca. 1663. Engraving

Design for the hilt of a sweetheart in a role frame. Hosted from a side with a Sater, which holds two women at the hair. On the sides rollerwork with fruit and praise in the middle.

Two flying ducks at the top. Sheet from series with decorations for silver cups.

Spits with a women's head, Anonymous, After Hans Janssen, 1631 print At the top two flying ducks. Leaf from series with decorations for silver cups. Amsterdam paper etching

Ornamental Masks, Jean Mussard, 1673 print Leaf from a series of six consisting of eight ornamental flared designs for goldsmiths, of which the middle four consist of masks. paper engraving ornaments ~ art. foliage ~ ornament. mask, mascaron ~ ornament

Frieze, from the set, 'Ornemens à la Mode', Jacques Androuet Du Cerceau the Elder, French, ca. 1515 - after 1584, Engraving on laid paper, Three freizes; top: with a plant in an escutcheon; center: with an escutcheon in heart shape; bottom: with a female mask in an escutcheon. With du Cerceau's name and the address, ' rue St. Jacques a la Victoire.', France, ca. 1650, ornament, Print, Print

Vovert, Joannes, Quewellerie, Guillaume de la, Various ornaments, Oval ornament surrounded by eight ornaments, Next to the oval is a flower on both sides., print, ornament print, prints, ornament prints, height 90 mm, width 83 mm, Work conception, Northern Netherlands, after a design by, 1600 - 1699, 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Germany, Funck, David, Hopfer, Daniel (I), Flat decorations, left half of a candelabrum, right a trophy of arms, On the left half of a candelabrum is visible with a decoration of leaf tendrils and grotesques on the right. A satyr sits on the foot. On the right a trophy of arms. At the top Callisto is seduced by Jupiter., print, ornament print, prints, ornament prints, height 220 mm, width 154 mm, 1470 - 1536, print maker, printmaker, 1480 - 1536, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Sater mask and leaf vines that run out in animal heads, 1866 print In the middle below is the mask of a saat, in the middle of the top is a monkey. At the top left: 1st partie, at the top right: A. N ° 19., bottom right: 89. Liège paper

Design for a Decorative Vase, Unknown, Brush and brown wash, pen and brown ink on paper, mounted on cardboard, An amphora, seen diagonally. Around the body and the neck an ivy branch. At the end of the handles a satyr mask. The background tinted light brown; the shadow is indicated. On the back written in pencil: 'con matteo nosselli 12.', Rome, Italy, 1750-1800, ornament, Drawing, Drawing

Bellona, 16th century, Étienne Delaune, French, about 1518/19-1583, 3 3/16 x 2 11/16 in. (8.1 x 6.83 cm) (image)4 7/8 x 3 7/8 in. (12.38 x 9.84 cm) (sheet), Engraving, France, 16th century, Étienne Delaune worked in the tradition of the Fountainebleau school, named for the decorative program begun in the 1530s at Francis I's palace near Paris. The principal artists were Italian, well versed in ancient grotesques. Delaune used their ideas to develop a unique serpentine style of grotesque, packed with his own marvelous hybrid creatures. This print of Bellona, the Roman goddess of war, would have provided the design (likely inlaid with silver or gold) for armor or a gunstock.

Design for a Candlestick, Graphite; pen and brown ink; brush and sepia watercolor on off white paper, Base has two dolphins surrounding a shell. Above, on either side two mermaids seated back to back with arms linked, heads tilted back with mouths open looking at bunches of grapes hanging from the socket. Sketched is an alternate for the upper portion of their bodies., Italy, 1840-65, lighting, Drawing, Drawing

Fries met bladrank, c. 1668 - c. 1689 print Leaf vank sprouting from rosette. Leaf 4 from series of 12 blades. print maker: Romeafter design by: France (possibly)publisher: Rome paper engraving

Two Ornaments, 1666 - Before 1678 This print is part of an album. after design by: Wemdingpublisher: Neurenberg paper engraving auricular ornament, lobe style ~ ornament

Design for Silverwork with Garlands, Birds, and Grotesque Motifs ca. 1568-1633 Hieronymus Bang German Ornament design with a bird standing on a bushel of fruit, facing left. At left and right border, winged female figures. From a set of ten plates.. Design for Silverwork with Garlands, Birds, and Grotesque Motifs 423382

Copper engraving by Martin Schongauer depicting a thistle ornament, created in the last third of the 15th century, showing detailed botanical and decorative elements.

Five Motifs for Ornamental Arabesques, Etienne de Lavallée-Poussin, French, 1735-1802, Pen and brown ink with ink wash, graphite on three pieces of paper, Above, arabesque motifs of two arms joined by a half figure in the center, and upon which two nude figures sit. The figure in the center holds up a line with garlands. Center left, an arabesque terminating in a nude standing warrior with spear and shield. Center right, a flying nude figure holding a medallion from which is suspended two garlands and a lamp. Lower left, a corner motif of a ceiling decoration with arabesques, sphinxes and winged genii. Lower right, a vertical arabesque panel that includes a siren from which is suspended an oval medallion, and above, a standing putto holding two draperies. Ink framing lines., France, ca. 1770, ornament, Drawing, Drawing

Two burning candles on volutes of leaf vines, Christoph Jamnitzer, 1573 - 1610 print The volutes of leaf vines spring from a breast kuras with a helmet and arm protectors and end in horse bodies. Leaf from a series of flat decorations with grotesken, cartouches, oval, mascarons, putti and fantastic creatures. The series consists of three title magazines, two text magazines with the assignment and the preface and 60 magazines, spread over three books. Germany (possibly) paper etching

Nuremberg, Solis, Virgil, Design for a pendant with a bird and a snail, verso - stamped, print, ornament print, prints, height 83 mm, width 56 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

Ornament with a kneeling putto and a rooster, Peter Hille (Possible), After Peter Hille, 1551 print paper ornament derived from plant forms. fowl (cock, hen, chicken, etc.). cupids: 'amores', 'amoretti', 'putti'

Architecture fantasy, a arched arch worn by four Hermen, c. 1530 - c. 1540 print Under the arch is a man who extends both arms to the Garirle hanging above him. From series of 20 magazines. Italy (possibly) paper etching / engraving

Amsterdam, Muntinck, Adriaen, Spitsen, Spes, Woman with bird in hand, Reverse copy of print with object number RP-P-1898-A-20102., print, ornamental print, prints, ornamental prints, height 131 mm, width 124 mm, Work conception, Northern Netherlands, after a design by, 1615 - 1700, first quarter 17th century, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Candelabra Grotesque with a Cat ca. 1545-60 attributed to Andrés de Melgar Spanish. Candelabra Grotesque with a Cat 337567

Antique-Style Ornamental Frieze Designs: Grotesques with Winged Infant, Masks, and Fantastic Animals. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: Overall: 13 1/2 x 6 1/2 in. (34.3 x 16.5 cm). Date: early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

unknown, Paris, Gantrel, Étienne, France, Lepautre, Jean, Liure de Panaux pour les Lambris, Left panel with child, right panel with child and vase, Third edition., print, ornament print, prints, ornamental prints, height 151 mm, width 267 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1656 - 1706, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1646 - 1706-11-01, publisher, granter of privilege

Designs for Mirror Frames and Sconces 1698-1765 Giovanni Battista Natali III Italian. Designs for Mirror Frames and Sconces 345745

Come with a landscape in an oval, Anonymous, After Paul Flind (De Jonge), 1594 - 1635 print Left and right is a vase with flowers. Passionate copies of the series mentioned under Orn Cat I-324.a. Title page and 14 partly numbered sheets from a series of 25. after design by: Germany (possibly)publisher: Northern Netherlands (possibly) paper

Unknown arms in oval, Michiel le Blon, c. 1611 - c. 1625.

Ornament with precious stones and sky globe. The print is part of an album.

Lion's head between two curled snakes; Das Neuw Grottesken Buch Nürnberg 1610; Lion head between two fantastic snakes. On his head, the lion bears a crown with a tree between two palm leaves and two volutes of leaf raft. Leaf from a series of flat decorations with grotesken, cartouches, ovals, mascarons, putti and fantastic beings. The series consists of three title sheets, two text sheets with the assignment and the preface and 60 sheets, spread over three books.

Germany, Zündt, Mathis, Design for jewellery, Designs for pendants, Pendant with four stones, At the top left in the scrollwork is a female satyr and at the top right a male one. At the bottom of the hanger, two men wearing caps hang prone in the scrollwork. One of five sheets with precious stones and pearls in settings of scrollwork and grotesques., print, ornament print, prints, ornament prints, height 78 mm, width 52 mm, print maker, printmaker, 1508 - 1572, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), etching, Work conception, German, 1498 - 1572-02-25, after a design by, Publication (Event), Publication, publisher

Panel with leaf vines that run out in a female torso, Johan Barra, after Nicasius Rousseel, 1623 print From series of 12 magazines with leaf ranks and grotesken, dedicated to George Henriot. London paper engraving

Designs of curling vegetal shapes intended for borders, corners. Prints. 1696. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Arabesques

Print (France)

Plate 5, from Die Folge der phantastischen Schmucksträße (Suite of Fantastic Ornamental Bouquets), Wendel Dietterlin the Younger, German, active 1610-1614, Etching on laid paper, Two grotesque birds flank the vase from which the nosegay rises., Germany, 1614, ornament, Print, Print

Design for an ex libris for the son of the artist. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 398 mm × w 286 mm. Museum: Rijksmuseum, Amsterdam.

Two motifs of leaf ranks, 1866 print At the top left is printed: 1re partie, at the top right: A. N ° 7., bottom right: 15. Liège paper

Design for the Verso of a Pendant with Grapevines Above Axe-Shaped Ornaments before 1573 Jan Collaert I Netherlandish Vertical panel with pendant design at center with a vegetal-arabesque pattern with three oval designs and grape vines. At bottom, two axe-shaped ornaments, possibly designs for earrings or buttons. The pendant hangs from a ribbon and has three pearls descending below. From a set of ten plates with pendant designs incorporating arabesque decoration. This plate belongs to the first edition, published by Hans I Liefrinck in Antwerp before 1573.. Design for the Verso of a Pendant with Grapevines Above Axe-Shaped Ornaments 425927

Design for Two Panels, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Left two putti sleeping; right putti with a staff., Germany, 1745, ornament, Print, Print

Vase from which leaf vines come, Heinrich Aldegrever, 1532 print Plat decoration with a vase from which leaf vines come that curl over the leaf in two volutes. Two flowers hang in the middle of each volute. Germany paper engraving foliage, tendrils, branches ~ ornament. vase ~ ornament

Triton sitting on a monster at the bottom, anonymous, After Polifilo Giancarli, c. 1655 - c. 1657 print The tail of the monster ends in a leaf vank in which two children play with a turtle and a dog. after design by: Italy (possibly)publisher: Paris paper etching

Air, Hans Janssen, 1615 - c. 1630

Groteske Plafonddekoration. Groteske Plafonddekoration mit vier verschiedenen Teilen mit Funck- Issue 130 aus der Folge work Hopferianae i.e. The shapes of some standing were two hundred and thirty have already had one ... excusum sold in David Funccius, Iconopolam Noribergensis.

Nicoletto da Modena, Italy, Ornament panels, Fragment of ornament panel with Mars, verso bottom center - stamped, Fragment of ornament panel with Mars crowned by two Faam figures. Two other Faam figures writing on a tablet. Two rearing horses are led by two men. Two men are tied up. Decoration with fantasy animals and figures, grotesques and plant ornaments. On top of a shield is the text MARS PRELIORVM DEVS., print, ornament print, prints, height 224 mm, width 130 mm, print maker, printmaker, 1507 - 1507, first quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Drawing (Italy); pen and brown ink with brown wash and traces of graphite support: off-white laid paper

Artist: Daniel Mignot, French, active ca. 1596-1616, Two designs for brooches with pearl drops (recto); Design for a brooch(verso), late 16th-early 17thcentury, Pen and bistre ink, image (irreg.): 8.5 × 14 cm (3 3/8 × 5 1/2 in.), Made in France, French, 16thcentury, Works on Paper - Drawings andWatercolors

Plate 5: a cartouche with a blank escutcheon at top center, a chimera to either side, their bodies ending in scrollwork and dragon tails, from 'Twelve cartouches' (Recueil de douze cartouches) ca. 1640-45 François Collignon French. Plate 5: a cartouche with a blank escutcheon at top center, a chimera to either side, their bodies ending in scrollwork and dragon tails, from 'Twelve cartouches' (Recueil de douze cartouches) 397482

Three Frisians with arabesks one above the other, Daniel Hopfer (I), 1480 - 1536 print There is a bird in the upper Frisian in the top left. Germany (possibly) paper etching

Large Pendant, Flora Standing, Holding a Fruit Garland, 1596, Large Pendants with Silhoeutted Grotesques Holl. 41-48, engraving, Hollstein, no. 43, State i/ii, Daniel Mignot (artist) German, active 1593/1596

Rand ornament with two dolphins, 1618 print From series of title page and 11 magazines. paper engraving

This copper engraving by Sebald Beham, 1524, shows a vase with two geniuses, depicting figures, posture, gesture, decoration, and compositional arrangement.

Left grotesques and an oval with Minerva under a canopy. Right grotesque with a cherub under a canopy. Belongs to a series of 4 sheets, Two tins with mouth. Halves of knives and mounts of scabbards, decorated with grotesques, candelabras and medallions on a black background , print maker: Theodor de Bry, (mentioned on object), Theodor de Bry, publisher: Theodor de Bry, (mentioned on object), Netherlands, (possibly), c. 1588, paper, engraving, h 73 mm × w 64 mm

Jost Amman, after Wenzel Jamnitzer I, Water, 1568 Water

Plate 19, from XX Stuck zum (ornamental designs for goblets and beakers) 1601 Germany. Punch engraving in black on ivory laid paper . Master A.P.

Various Designs of Strapwork and Grotesque Figures (recto); Grotesques with Term Figures (verso) ca. 1545-60 attributed to Andrés de Melgar Spanish. Various Designs of Strapwork and Grotesque Figures (recto); Grotesques with Term Figures (verso) 337563

Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 8 (recto) ca. 1532 Alessandro Paganino Italian Published by Alessandro Paganini, Italian, active 16th century.Embroidery design decorated with curving vines that come together and form a leaf upon which is a human face. Each vine also terminates in a leaf with an animal or human face. The very bottom of the design ends in an ornamental element. This is the same design printed on page 6, but instead of being printed in white, it is printed in black.. Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 8 (recto) 659838

Varieties of Leaf Ornament, nos. CCCCLV-CCCCLIX ("Designs for Various Ornaments," pl. 68) 1801 After Michelangelo Pergolesi These designs for leaf ornament, numbered CCCLV to CCCLIX were published by Dulouchamp in 1801. The latter was a bookseller who inherited Pergolesi's series of ornament designs published in London between 1777 and 1792 and added to them. The series has no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The earlier set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in both Roman and Arabic numerals).. Varieties of Leaf Ornament, nos. CCCCLV-CCCCLIX ("Designs for Various Ornaments," pl. 68). After Michelangelo Pergolesi (Italian, active from 1760-died 1801). 1801. Etching. Dulouchamp (British, active ca. 1801)

Frieze projects; Le Pautre, Jean (1618-1682), Stapf, Johann Ulrich (CA 1642-1706); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Candelabra Grotesque with a Winged Female Term on a Pedestal. Artist: Anonymous, Italian, 16th century; After Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510-before 1566 Groningen). Dimensions: sheet: 9 1/2 x 6 11/16 in. (24.2 x 17 cm). Date: 1540 after.Candelabra grotesque, copied after a print published by Cornelis Bos around 1540. The design is characterized by a pedestal with stairs on either side, upon which a winged female term has been placed. She holds onto acanthus scrolls which meander towards the left and right side of the page. The term is flanked by sphinxes with wreaths of fruit on their heads. Aside from the decoration of the pedestal, the print has been copied in full. Museum: Metropolitan Museum of Art, New York, USA.

Cartouche with two lion heads, c. 1645 - c. 1647 print From the second edition. print maker: France (possibly)after design by: Italy (possibly)publisher: Paris paper etching

Letter A Alphabet (series title), print maker: anonymous, anonymous, publisher: anonymous, Netherlands, (possibly), c. 1600 - c. 1699, paper, engraving, h 57 mm - w 56 mm

Design for goldsmith work with flowers and animals. Design for goldsmith work with flowers and animals. At the bottom of a deer hunt, left and right flowers. Leged by the bottom right: 5. One of four Oblong designs for goldsmiths, decorated with animals, flowers and figures (nrs 2, 3, 5, and 6 and from a series of 7).

Large Pendant with Three Drops Below. Dated: 1593. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Oval with stylized tiflines in which figures are incorporated, c. 1615 - c. 1630 print There are two naked women and a bird, among other things. Amsterdam paper etching

Leaf vank with seven animals on it, 1866 print At the bottom, a fantasy animal puts his claw on a snail. At the top left: 1re partie, at the top right: A. N ° 8., bottom right: 19. Liège paper

Three flat decorations on a leaf; Three ascending Frisians in the middle two winged horses. Left and right a candelabé with leaf raft. A candelabster with grotesken in the middle. At the bottom left and the bottom right is a triggering horse.

Letter O.Letter o against a background with braid.

Twee gekruiste palmtakken / Springende berggeit; Volente / Ad Nos Laudis Amor; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above two crossed palm branches. Under a goat on top of a mountain. The inventions of Godfried of Bouillon and Baudouin I of Jerusalem.

Oirband with a female satyr, leaning over scrollwork (left). In the center, a mouthpiece with a seated satyr below. To the right, the button of a sword. One of 3 sheets, each with three ornaments, Oirband with a satyr Knobs of swords and fittings of scabbards with grotesques (series title), print maker: anonymous, Cornelis Bos, 1516 - 1556, paper, engraving, h 110 mm × w 187 mm

Print

Copper engraving by Monogrammist AC from the first half of the 16th century depicting an ascending ornament with two dolphins, designed as a decorative motif.

Three flat decorations on a sheet, Lambert Hopfer, After Peregrino da Cesena, After Giovanni Antonio da Brescia, 1520 - 1530 print Left and right a candlestick with leaf vines. In the middle a candlestick with grotesken. Bottom and bottom right is a prancing horse. print maker: Germany (possibly)after design by: Italyafter design by: Italypublisher: Germany (possibly) paper etching

Cartridge with Two Fish, a Triton and A Siren; Twellve cartridges; New inventions the cartridges. .

Cartouche with River Landscape, Livre dornements (Book of Ornaments), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720-1790, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Design for upright symmetrical cartouche topped with urn full of flowers and surrounded by vegetal decoration. Within the frame, a riverscape scene with a boat upon the water. Shoreline at left and right with architectural buildings partially in view and in the distance., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Eichel, Emanuel, Rocailles with putto and eagle, verso - stamped, Five rocaille ornaments, with a putto with eagle in the middle. Publisher number 98., print, ornament print, prints, ornament prints, height 298 mm, width 193 mm, 1717 - 1782, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Four Designs for Buckles or Clasps 17th-18th century Anonymous, Italian, 17th or 18th century Italian. Four Designs for Buckles or Clasps 389400

Ornamenti o Grottesche (Grotesque Ornament), Stefano della Bella, Italian, 1610-1664, Etching on laid paper, Vertical rectangle showing a symmetrical design on the theme of the hunt. Two boards heads hang from a vertical spear. Below, a hunting horn and two stag heads., Italy, ca. 1653, ornament, Print, Print

Frieze projects; Le Pautre, Jean (1618-1682), Stapf, Johann Ulrich (CA 1642-1706); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Ein ney Furmbüchlein, Page 13, verso ca. 1525-29 Johann Schönsperger the Younger German. Ein ney Furmbüchlein, Page 13, verso 680097

Klein fries met ranken, bloemen, een slak en een vlinder.Small Frisian with tendrils, flowers, a snail and a butterfly. Number 4 from a series of sixteen '' undeclared work '' Ornament prints made for and by goldsmiths.

Card with ornaments projects: 5; Pfann, Wilhelm (Fl. 1650-1700); XVII century (1601-00-00-1700-00-00);

Design for a Frieze with Two Griffins 1650-1700 Anonymous, Italian, 17th century Italian. Design for a Frieze with Two Griffins 346314

Drawing (Italy); pen and brown ink with traces of graphite support: off-white laid paper

Plate 5: a cartouche flanked by Apollo and Pan, from 'Nouvelles inventions de Cartouches'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: sheet: 6 x 4 5/8 in. (15.3 x 11.7 cm). Series/Portfolio: 'Nouvelles inventions de Cartouches'. Date: ca. 1647. Museum: Metropolitan Museum of Art, New York, USA.

Two brooches, Matthias Zündt, German, 1498 - 1572, Engraving on paper, A bust with fantastical headgear is shown in the center of ovoidal medallion in the design, at left, a girl's mask in an escutcheon, in the right one. A bunch of fruit suspended from a brachet, top part of the interval, Germany, 1555, ornament, Print, Print

Master LCz, Gothic Ornament with a Lady and a Parrot, c 1495 Gothic Ornament with a Lady and a Parrot

Letter D, Anonymous, c. 1600 - c. 1699

CUL-The-Lampames Malkst, Jowbast print A CUL-de-Lampe in a triangle shape with two putti sitting on wine vines with a fruit guilland. paper etching cartoons. Ornaments ~ art. Cupids: 'Amores', 'Amoretti', 'Putti'

Ornament with bazuines and leaf refines.The print is part of an album.

Design for a Coat of Arms with Two Dragons and Initials ? in center (recto); Three Constructed Circles with Inscriptions (verso). Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 7-3/16 x 4-5/8 in. (18.3 x 11.7 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

New Modelbüch allen Nägerin u. Sydenstickern (Page 15v). Designer: Hans Hoffman (German, active Strasbourg, 1556). Dimensions: Overall: 7 5/16 x 5 5/16 in. (18.5 x 13.5 cm). Publisher: Jacob Frölich , Strassburg. Date: 1556.Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frlich, Strasbourg.Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publisher's information, and narrative scene on last page. Museum: Metropolitan Museum of Art, New York, USA.

Zes monogrammen in cartouches: I.T. - J.S., c. 1690 - c. 1702 print paper engraving

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