Ornamental Patterns and Designs

A variety of decorative motifs including floral and geometric patterns, textile designs, and historical ornamentation suitable for wallpapers and prints.

Tarz -coral relief with the presentation of the Virgin Mary from the 17th century from the collections of the National Museum in Warsaw in 1925 - general view; Not after 1925 (1925-00-00-1950-00-00);

Byzantine ornament

Ornamentics and Uilen, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Ceiling Medallion (USA); block-printed on paper

Albrecht Dürer, The Fourth Knot (combining seven circular groups of knots with black centers), probably 1506 1507 The Fourth Knot (combining seven circular groups of knots with black centers)

Textile, Baummarder (Pine Marten); Designed by Koloman Moser (Austrian, 1868-1918); Made for Wiener Werkstätte (Austria); silk

The Fourth Knot (combining seven circular groups of knots with black centers). Dated: probably 1506/1507. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Albrecht Dürer.

Medallions with animals between band work, anonymous, 1550 - 1650 print Medallions with animals between braided tires or ribbons. Fragment of a larger leaf. paper. ink ornaments ~ art. ornament derived from animal forms. animals

Drawing, Design for a Floor Covering; Lelia Huffman; Student at Cooper Union Art School; USA; black ink, water color, on paper. red seals.

Reproduction of painting Paul Klee, Lilly Samuel, 1938 photograph Amsterdam photographic support gelatin silver print Amsterdam

Tarz -coral relief with the presentation of the Virgin Mary from the 17th century from the collections of the National Museum in Warsaw in 1925 - general view; Not after 1925 (1925-00-00-1950-00-00);

Decorative design. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 200 mm × w 138 mm. Museum: Rijksmuseum, Amsterdam.

Ornamentation and Crowned Lion (Nobel), Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Jacobsthal Johann Eduard (1839-1902), grammar of the ornaments (without dat.): Completion of a rectangle, issue 3. Sheet 8 .. Lithography on paper, 72 x 56.4 cm (including scan edges) Jacobsthal Johann Eduard (1839-1902): Grammatik der Ornamente

Embroidery example with seven flower -shaped motifs, Albrecht Dürer, after Leonardo da Vinci, 1507 - 1521 print Black disk with four bulges, filled with white moresken, including in the form of seven flowers. This print is part of a series of 6 ornament prints with Moresken. Nuremberg paper ornament ~ geometric motifs

Pompeian ornament

Design for the Decoration of Firearms. Culture: French, Versailles. Designer: Workshop of Nicolas Noël Boutet (French, Versailles and Paris, 1761-1833). Dimensions: 6 3/4 x 3 1/2 in. (17.1 x 8.9 cm). Date: ca. 1795-1805. Museum: Metropolitan Museum of Art, New York, USA.

Ornamental design with Lions, Carel Adolph Lion Cachet, 1874 - 1945 drawing tracing paper. pencil brush ornament derived from animal forms. beasts of prey, predatory animals: lion

Border, 18th-19th century, 44 x 6 1/4 in. (111.76 x 15.9 cm), Silk; passementerie, 18th-19th century

International exposition of decorative arts and modern industry Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris 1925. Polish Hall - sgraffito under the extended roof of the atrium, design by Wojciech Jastrzębowski. Photo REP (Paryż ; studio fotograficzne ; fl. 1925), photo agency

Campania Caserta Sessa Aurunca S. Pietro (Duomo)48. Hutzel, Max 1960-1990 Medieval: Architecture (c. 1103), architectural sculpture, pavement (12th century), pascal candle, baptismal font with re-used Roman fragments. Post-medieval: Frescoes (13th century) Baroque interior (c. 1758), sculpture Object Notes: Site restored 1980 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Knoblauch & Wex, conversion and expansion department store Erich Jordan, Markgrafenstr. 102-107, Berlin-Kreuzberg: Markgrafenstraße 107: Details Oberlicht der main stairs 1:20. Pencil, ink on transparent, 28.2 x 52.8 cm (including scan edges)

Peonies and Plum Blossoms, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Outlines of peonies and their leaves spread across the center of the stencil as silhouettes of plum blossoms become the backdrop of a tiny stylized iris motif. Silk threads was added to support the stencil structure., Japan, late 18th - early 19th century, textile designs, Katagami, Katagami

Composition with ostaches. Poster motif: Symphonic concert of the Harmony Orchestra Base, Jan (1878 1917)

Quast Ferdinand von (1807-1877), Dalmatica and other bishopsattribute of the Arnold I to Trier (without date): View of the floral pattern of the tunicella in purple and golden yellow, frieze with palmette, dragon and other animal motifs, two views of the Bish. Pencil on paper, 34.7 x 29.6 cm (including scan edges) Quast Ferdinand von (1807-1877): Dalmatica und weitere Bischofsattribute des Arnold I. von Trier

Design for Painted Decoration of a Wall, Brush and gouache, watercolor on paper, A dado is shown at the bottom, a frieze with wreaths hanging around a molding and an entablature above. The decoration of the panel is white upon blue. Ribbons, consisting of rows of petals, rise alternatlely in oppostie directions. In the resulting ovoidal compartments alternate circular wreaths with rosettes, between two petals, and palmettes between two petals., Austria, 1835-50, wallpaper designs, Drawing, Drawing

Bookplate of O.J. Larsen. Munthe, Gerhard (1849-1929), graphic artist

Lazio Roma Albano Laziale Santa Maria della Rotonda6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The six knots, woodcut by Albrecht Durer, historical, digital improved reproduction of an old woodcut..

The international exhibition of decorative arts and modern industry Exposition Internationale des Arts Décoraratifs et Industriels Modernes, couples 1925. Polish Pavilion - Sgraffito with the Gniezno coat of arms in the arcades of Atrium, project of Wojciech Jastrz Photo Rep (Paris; Studio Photographic; Fl. 1925); 1925 (1925-00-00-1925-00-00);Gniezno (coat of arms), Jastrzębowski, Wojciech (1799-1882), International exhibition of decorative art in Paris, 1925, coats of arms, painting, wall painting, sgraffito, art, art Polish art

Arthur G Merkley, Carpet, c 1939 Carpet

Ocean Wave Hexagons, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Ocean wave (seikaiha) hexagons (kikko) form this geometric motif. During the feudal period, samurai would wear armor constructed with plates inspired by tortoise shells. In Japan, ocean wave symbolizes strength and the ebbs and flow of water and life., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Drawing, Textile Design: Himmelbrand (Velvet Dock); Designed by Valerie Wieselthier (Austrian, 1895-1945); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.4 × 20.3 cm (2 1/2 × 8 in.) Mat: 31.8 × 45.6 cm (12 1/2 × 17 15/16 in.)

Stencil 19th century Japan. Stencil 69228

Stencil with Baskets 19th century Japan. Stencil with Baskets 69232

Window with Moresken, Anonymous, After Balthazar van den Bos, 1528 - 1580 print Middle piece of a leaf with two windows and a triangle with moresken. One of 15 magazines from a series of 23 with title page. Netherlands (possibly) paper engraving

ORNAMENT FROM THE TITLE-PAGE OF AN OLD MANUSCRIPT OF THE KORAN,IN THE LIBRARY OF THE VICEROY AT CAIRO. Egypt, engraving 1879

Example of Kant, c. 1890 photograph paper cyanotype lace

Campania Napoli Naples S. Lorenzo Maggiore78. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Mosaic depicting the Ages of Man. Unknown

Textile (France); cotton

Door Panel, 14th century, 65 x 25 1/2 x 2 in. (165.1 x 64.77 x 5.08 cm)7 1/2 x 13 1/2 x 29 1/2 in. (19.05 x 34.29 x 74.93 cm) (base), Wood and ivory, Egypt, 14th century, Mamluk artisans in Cairo were excellent woodworkers whose creations included window grilles, cupboards, doors, and furniture for both secular and religious buildings. These panels most likely served as doors within the spectacular decorative screens that partitioned spaces inside the standard Mamluk mosque. Islamic craftsmen devised geometric compositions in wood, ivory, stone, and tile. These panels are composed of three major zones evolving from an eight-pointed star. Symmetrically arranged polygons of ivory inlay enrich each of these stars, and the theme recurs in each of the zones. Typical of Islamic architecture in general, the entire effect, though highly decorative, retains a sense of geometric logic and order.

Waesemann Hermann Friedrich (1813-1879), ceiling in the area of the city councilor of the town hall, Berlin. (From: Architectural sketchbook, H. 1115/4, 1872.) (1872-1872): View. Lithography colored on paper, 35.3 x 25.3 cm (including scan edges)

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo90. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for shaved trijp pocket, fillings and seat coverings from SS. Johan de Wit -Zeemeerminnen, Carel Adolph Lion Cachet, 1874 - 1945 print Carrier: Paper. List: Wood (Plant Material)

Deraisme, Pierre -Georges (n.1859 - D.1932), brooch (main title), 1900. Graphite, watercolor and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Unknown architect, Villa Schumann in Berlin. Ceiling painting (without date): ceiling view. Pencil watercolor on the box, 27.5 x 20.9 cm (including scan edges) N.N. : Villa Schumann, Berlin. Deckenmalerei

Vignette with monogram WS, Reinier Willem Petrus de Vries (1874-1953) (Possible), 1901 photomechanical print paper printing block magic mathematical figures; magic numbers, words, monograms

Constant Will I Ever Be (valentine) 1860-1864 England. Collaged elements on cut and embossed (designed) ivory wove paper . Thomas Wood

Drawing (Italy)

Design from Proposed Portfolio. Dated: 1935/1942. Dimensions: overall: 35.5 x 27.9 cm (14 x 11 in.). Medium: gouache on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Wentzel Emil, chapter (without dat.): View. Pencil on paper, 104 x 48.5 cm (including scan edges) Wentzel Emil : Kapitell

Snow Crystal. Artist: Wilson Alwyn Bentley (American, 1865-1931). Date: 1890s-1920s. Museum: Metropolitan Museum of Art, New York, USA.

Carpet Fragment 13th-early 14th century This fragment, one of the oldest surviving examples of Turkish carpet weaving, is related to a group of early carpets found in mosques of central Anatolia. Originally, the pattern consisted of rows of dark blue hexagons, one of which is still partially visible here.. Carpet Fragment 452621

Ex libris Ludwig Saeng Darmstadt 1902; Riquer Inglada, Alejandro de (1856-1920); 1902 (1902-00-00-1902-00-00);

Stencil Japan. Stencil 69991

Umbria Terni Amelia Palazzo Petrignani4. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stencil 19th century Japan. Stencil 69287

Two aureols; copy of the Fresku from Dunhuang; Zhang, Dingnan (Fl. Ca 1900-1950); 1952 (1952-00-00-1952-00-00);Sobecka, Chinese (culture), gift (provenance), graphic prints, Chinese art, Lucia (1919-1993), Łucja (1919-1993)-collection

Decorative design, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil brush

Mandala, Vector Mandala, floral mandala, flower mandala, oriental mandala, coloring mandala. Oriental pattern, vector illustration. Islam, Arabic, Indian, turkish, pakistan, chinese, ottoman motifs

Daniel Mignot, Two Brooches with Bird and Winged Snake at Top and Griffins with Vases at Bottom, 1596 Two Brooches with Bird and Winged Snake at Top and Griffins with Vases at Bottom

Stencil 19th century Japan. Stencil 69263

Drawing, Textile Design: Goldstickerei (Gold Embroidery); Designed by Maria Likarz-Strauss (Austrian, b. Poland, 1893-1971); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 28.6 × 25.4 cm (11 1/4 in. × 10 in.) Mat: 71.1 × 54.6 cm (28 in. × 21 1/2 in.)

Border or flounce French 19th century

Renaissance ornament

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa5. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Band design for: Louis Couperus, Majesty, 1893. Fleur-de-lis between tree roots.

Japan, Utaba, Haikai, Nakakubo, Gurendô, Watanabe, Kazan, A gold coin, A large gold coin (ôban) on a piece of brocade decorated with peonies. The ôban was the largest of the five coins introduced in 1601 by Tokugawa Ieyasu (1542-1616). The ōban was about 150 x 90. With two poems. mm, print, prent, surimono, prints, Japan (collection), height 209 mm, width 179 mm, Japanese, 1793 - 1841, print maker, printmaker, 1822 - 1822, second quarter 19th century, paper, colour woodcut, polishing, poet, 1753 - 1829

Denkblatt , An Austria three most glorious days , under , Emperor Ferdinand I, Friedrich Berndt, Lithographer, after, Ferdinand Tewele, Draft, Eduard Sieger -, printer

Piece 18th-19th century Japan. Piece 67651

A floral border for pietra dura (marble inlaid with semi-precious stones). Gouache painting by an Indian artist.

Katagami stencil for decorating boy's kimono; ryu-to-kiku pattern (dragon and chrysanthemum). unknown, author

Vignettes with animals and monograms and an initial J, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 print. photomechanical print paper printing block magic mathematical figures; magic numbers, words, monograms

Template with three -pointed shape, Anonymous, 1800 - 1909 Japanese template (Katagami) with a geometric pattern with three -pointed shapes against a stock of contiguous stones. Japan paper cutting ornament ~ geometric motifs

Stencil early 19th century Japan. Stencil. Japan. early 19th century. Paper. Edo period (1615-1868). Stencils

Design for window in the Noordertransept in the Dom in Utrecht, c. 1934 drawing cardboard. chalk brush

The deity of the book - a divine bird with shields book; the beginning of the 20th century (1900-00-00-1910-00-00);Jabłoński, Witold (1901-1957) - collection, gift (provenance), Estampaż, Chinese art

Drawing, Textile Design: Nuance; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.4 × 8.9 cm (2 1/2 × 3 1/2 in.) Mat: 71.1 × 54.6 cm (28 in. × 21 1/2 in.)

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature on top. The panel shows vertical rows of two intertwined waved bands which are formed by boughs with leaves. For these is alternatively suggested to color those at left of the bands white and those at right dark, or to color those of one band white and those of the other dark. Purple stripes are beneath the entablature., Austria, 1850-60, wallpaper designs, Drawing, Drawing

Abruzzo L'Aquila L'Aquila S. Giusta2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Medieval section: all exterior views Hutzel collection: interior views of naves, chapels, frescoes, sacristy and paintings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Deraisme, Pierre -Georges (n.1859 - D.1932), pins (main title), 1900. Graphite, gouache on block leaf laminated on gray cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Nicolai Abildgaard (1743-1809), draft a geometric decoration of a dome; outside the sign, 1743-1809

Drawing, Textile Design: Distel (Thistle); Designed by Mathilde Flögl (Austrian, b. Czech Republic, 1893 - 1950); Made for Wiener Werkstätte (Austria); brush and gouache, graphite on paper; 10.2 × 15.9 cm (4 in. × 6 1/4 in.) Mat: 45.1 × 31.8 cm (17 3/4 × 12 1/2 in.)

Design for a ceiling second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling 388286

Greek Ornament and Etruscan Ornament

Sabatosrug. Maker: Marion Larabee Volk, American, 1859-1925

Ornate mandala of peacock feathers and striped patterns, zen coloring page with various natural elements

Frieze, York Card & Paper Co., 1891, Machine-printed paper, A repeating pattern of alternating stylized onion-top and spearhead motifs, each one enclosing a similar delicate fleur-de-lis design. Upon a gray ground with an overleaf of a complementary fleur-de-lis design. Printed in gray, beige, cream, mica, bronze and gold., York, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Monogram of C. Schillemans, Reinier Willem Petrus de Vries (1874-1953) (Possible), 1884 - 1952 photomechanical print Monogram with the letters 'C' and 's'. paper printing block magic mathematical figures; magic numbers, words, monograms

Greek Ornament

Quilts, Pieced. Dated: 1935/1942. Dimensions: overall: 36 x 28.1 cm (14 3/16 x 11 1/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Florence Hastings.

Medieval ornament

Three designs for a board, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil brush dish, plate, saucer. work of applied art (+ ceramics ~ arts)

Campania Caserta Roccamonfina Santuario di Maria SS. dei Lattani4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (15th century). Post-medieval: Architecture, architectural sculpture, frescoes, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.

Renaissance ornament

Design for a decorative border with meander motif, draughtsman: Mathieu Lauweriks, 1910,

Illuminated letter S in a medieval style

Basilicata Matera Matera Duomo32. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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