Ornamental Title Prints

Decorative prints featuring allegorical figures and elaborate frames including titles and coats of arms, merging art with text in historical contexts.

Zenteprent with exile by Hugo de Groot, Ornament print with a bust portrait by Thomas Erpenius and below his coat of arms. In the middle a six-line poem in Dutch about the exile of Caecilius Metellus Numidicus from Rome with above it a depiction of the exile of Hugo de Groot, flanked by Athens and Mercury, (story of) Minerva (Pallas, Athena), (story of ) Mercury (Hermes), Hugo de Groot, Thomas Erpenius, Cornelis de Jonker (mentioned on object), Gorinchem, 1791, paper, h 359 mm × w 199 mm

Zenteprent with exile by Hugo de Groot, Ornament print with a bust portrait by Thomas Erpenius and below his coat of arms. In the middle a six-line poem in Dutch about the exile of Caecilius Metellus Numidicus from Rome with above it a depiction of the exile of Hugo de Groot, flanked by Athens and Mercury, (story of) Minerva (Pallas, Athena), (story of ) Mercury (Hermes), Hugo de Groot, Thomas Erpenius, Cornelis de Jonker (mentioned on object), Gorinchem, 1791, paper, h 359 mm × w 199 mm

Title print with text, allegorical figures, coat of arms, garlands, ornament heads and putti, Gaspare Oselli, 1569 print Italy paper engraving cupids: 'amores', 'amoretti', 'putti'. ornament ~ festoon, garland. coat of arms (symbol of sovereignty)

Title print with CARATIDEN, Putti and Dogs in a frame, Michel Dorigny, After Simon Vouet, 1644 print France paper engraving / etching ornament derived from objects - AA - stylized. caryatids ~ architecture. cupids: 'amores', 'amoretti', 'putti'. dog

Title page: Cartouche in frame of rollerwork with children, fruitsGuirlands and four men; Molding change of cavity of cavity (...) Libro Primo. Cartouche in framework of rollerwork with children, fruitsGuirlands and four men. Title in Catouche: Ghedruckt at Hieronymus Cock, 1556. Leaf A from series of 12 sheets, numbered a-m.

Karta z dedykacją dla konsula brytyjskiego Josepha Smitha, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Baroni, Angela (fl. 1735), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

Copper engraving by Cornelis Galle the Younger depicting Ferdinand of Spain and Portugal, created between 1627 and 1678, showing royal portraiture on horseback.

Alexander de Grote te paard; Titelpagina voor: Quintus Curtius Rufus, Historia Alexandri Magni, 1664.A cartouche with the title above that Alexander the Great on horseback. Below the horse lies a fallen figure and a globe. FaMa blows on a trumpet on the top.

Judgment of Paris; QVANTVM FORMA / FVGAX, QVANTVM / VENVS IMPROBA POS (...); Comperimentorum quod vocant plywood genus .... Paris judgment in a frame of rollerwork with female hermen, mascarons, putti and garlands. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken.

Title in ornamental frame with symbols that refer to the first and final phase of people, 1598 - 1602 print Title print with the title of the series: Theatrum Vitae Humananae on an epitaph. The ornamental frame is decorated with symbols that references to the first and final phase of man. On the left a baby and a cartouche with a mother who sucked her child. For her, a child plays on a hobby horse. On the right a man with glasses and a stick. In the cartouche on the right, an old man heats himself by a fire. Above the title the personification of time with a winged hourglass on his head and the sun and moon on his chest. In his hands the head of a baby and the head of an old man. Furthermore, including garlands, fruit baskets and birds. In the lower margin six verse rules in Dutch and French. The print is part of an album. paper engraving the ages of man. title-page. ornament derived from architectural details. nursing, suckling. old man. open fire, fire-place, stove (in kitchen). all

Print, Plate XIV, from the "Exercitatio Alphabetica"; Designed by Clément Perret (1569/71-), Hans Vredeman de Vries (Dutch, 1527 - ca. 1606); Engraved by Cornelis de Hooghe (-1583), ATA; Netherlands; engraving on white laid paper; 22.5 x 28.9 cm (8 7/8 x 11 3/8 in.)

Frontispiece from "Collection of Portraits" 1714-41 Etienne Jehandier Desrochers. Frontispiece from "Collection of Portraits". Etienne Jehandier Desrochers (French, Lyons 1668-1741 Paris). 1714-41. Engraving. Gilles Edme Petit (French, Paris 1694-1760 Paris). Prints

Title print of the series about the seven planets and the seven ages, Adriaen Collaert, After Maerten de Vos, 1581 print In an oval the Latin title, description and the address of the publisher. On either side of the oval the four personifications of the four temperaments and the symbols for the four elements. At the top right of Venus as a Sanguis, at the top left Diana as Phlegma, below an older nun as Melancolia and below Minerva as Cholera. Between these allegorical figures four cartouches with the symbolic animals of the four elements: the chameleon stands for air, the dolphin for water, the mole for earth and the salamander for fire. The print is the title print of a series about the power of the seven planets about the seven ages of man. paper engraving air (one of the four elements). earth (one of the four elements). fire (one of the four elements). water (one of the four elements). choleric temperament. sanguine temperament. phlegmatic temperament. melancholic temperament

Cartouche with calligraphy, above two birds and two horses, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1569 print Sheet VI. Cartouche with text: Dieu hait ces six choses .... link and bottom right a man with trident. On the rolling work next to them a frog. From series of 21 numbered cartouches with calligraphy in a frame of rolling and fittings with grotesken, garlands and mascarons. print maker: Netherlands (possibly)print maker: Netherlandsafter design by: Netherlands (possibly)publisher: Antwerp paper engraving ornament ~ cartouche. calligraphy. birds. horse

Ornament with assignment to Andries Schoemaker and Christoffel Beudeker, Anonymous, 1731 print An ornament with around medallion in which an allegory of affordable friendship. A canvas with the assignment is on the ornament to Andries Schoemaker and Christoffel Beudeker. Two angels with draperies decorate the ornament with a garland. paper engraving ornaments ~ art. ornament ~ medallion. Friendship; 'Amicitia' (Ripa)

Frontispiece from "Collection of Portraits" 1688-1741 Etienne Jehandier Desrochers. Frontispiece from "Collection of Portraits". Etienne Jehandier Desrochers (French, Lyons 1668-1741 Paris). 1688-1741. Engraving. Prints

Title page for: Cornelius Curtius, Virorum Illustrium ex Ordine Eremitarum D. Augustini Elogia, Antwerp: 1636. Stone table with the title of the book. Two female images on either side. On the left a woman writing with a feather in a book. Perhaps a personification of the historiography. On the right a woman with helmet and wooden sword. Above the table a Januskop and two putti.

Cartouche with calligraphy, left and right a man with banner; Exercitatio Alphabetics Nova et utillisima .... Leaf XXIII. Cartouche with the text Xaramagos Encendidos y Espinos .... Left and bottom right hangs a wreath of leaves to a niche in the batter. In the left niche is a man, in the judge a woman. From series of 21 numbered cartouches with calligraphy in a picture frame of roller and fitting work with grotesken, garlands and mascarons.

Oval cartouche with a quote from Valerius Maximus, print maker: Frans Huys, Hans Vredeman de Vries, Gerard de Jode, 1555

Title print with allegorical figures of honor, drawing and labor; Varie Figvre Academic (...) / Diversche Figvren Wt de Academia. Now first by a meeting naert life, with great moyte and oncost, Seer bequaem for all ion girds that practice them in the teek-const, int lightly cured by peeter the Ide Plaetsnyder from Antwerp. 1629. On a cartouche on a piastal the title in Italian and Dutch. On the Piesteastal, the personification of honor is (honore) with a laurel wreath as a symbol for fame and in her other hand a cornucopia as a symbol for abundance. On the left is the drawing (Disegno) with compass and mirror and on the right the labor (labore) with a spade. Below the Piewasher two rules in Dutch. Title Print for a series of drawing examples. This print is part of an album.

Title Page: Mobile Waterfontein and Water Bashes in Cartouches; Mobile Waterfontein and Water Bassins in Cartouches. Bassin and mobile Waterfontein in Cartouche with variant before the right helft.

Children enter your pligt, print The five senses depict in five medallions, surrounded by ranks and animals. Under the show a six -line verse in two columns. Numbered at the top right: no 8. Amsterdampublisher: Amsterdamprint maker: Netherlands paper letterpress printing the (five) senses

Title page: Cartouche in frame of rolling work with children, fruitguirlandes and four men, 1556 print Cartouche in frame of rolling work with children, fruitenguirlandes and four men. Title in Cartouche: Ghedruckt at Hieronymus Cock, 1556. Leaf A from series of 12 magazines, numbered A-m. Netherlands (possibly) paper etching scrollwork, strapwork ~ ornament. foliage, tendrils, branches ~ ornament

Moses and De Koperen Snake, Crispijn van de Passe (I), 1574 - 1637 print Medallon with Moses and the copper snake and an edge in Latin. At the bottom a reference to Num. 21. unknown paper engraving scrollwork, strapwork ~ ornament (+ framing decorations). the brazen serpent (Numbers 21:4-9)

Copper engraving by Sébastien Le Clerc between 1665 and 1706 depicting an allegorical text cartridge, showing decorative motifs and symbolic elements.

Print, Grotesque with Deities. Plate 01 Saturne” 2nd state; René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550); France; black ink on white paper; Sheet: 28.9 x 18.8 cm (11 3/8 x 7 3/8 in.) Platemark: 17.3 x 10.9 cm (6 13/16 x 4 5/16 in.); 1945-70-5

Cartouche with calligraphy, bottom left a child with two insects; Exercitatio Alphabetics Nova et utillisima .... Leaf XI. Cartouche with text: Huyse de Godless Inks ... At the bottom right is a child with a butterfly and a bird. From series of 21 numbered cartouches with calligraphy in a picture frame of roller and fitting work with grotesken, garlands and mascarons.

Raccolta di Varii Cappricii, 1646, Etchings, 9 1/4 x 7 5/16 in. (23.5 x 18.5 cm), Paper / Sheet 9 1/2 x 7 1/2 in. (24.2 x 19 cm), Cream laid

Bound Print, Title Page; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Franz Xaver Andreas Jungwierth (German, 1720-1790); Germany; etching and engraving on white laid paper; 34.4 x 22.2 cm (13 9/16 x 8 3/4 in.)

Stairs of the old age; Consider early, ô youth! The states of life, / from stairs to stairs: you will be given this printing tang (...). A staircase of the age: a parent staircase. On the stairs of the stairs, in the form of a bridge, men and women are aged at the age of 0 to 100 years. Under the bridge a representation of the last judgment. Left a putto and the front right. Under the image a fresh in two columns. Signature at the top right: AA.

Frisian with arabesks with two winged women's figures and cartouche with text, Giovanni Battista Pittoni (I), 1561 print print maker: Italypublisher: Venice paper etching ornaments ~ art. foliage ~ ornament. fabulous beings with wings - AA - female human figure. ornament ~ cartouche

Allegory at the golden wedding of Adriaan van Loon and Cornelia Hunthum, 1706, 1706 print Allegory at the Golden Wedding of Adriaan van Loon and Cornelia Hunthum on November 21, 1706. Architectural space with a verse with a verse with the explanation of the memorial topen in honor of the jubilee, with this verse the elderly couple Philemon and Baucis. Allegorical figures and weapons on either side. This plate includes a separate leaf with a fresh. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving golden anniversary. (story of) Philemon and Baucis

Smiling, ô Kindren! To make the fashion that the utensils bragt to job / with a rig so very mocked as' there always have (...). Leaf with a big show (cartoon) of a group of adults, all with a yo-yo in hand, and a child with a tspop. Above them a garland with children's toys. A verse in two columns in the undermaster. Numbered at the top right: No. 186.

Title Page. Dated: probably 1665. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: François Le Febvre.

Bataven break down the bridge over the IJssel, 69-70; Civilis Fait Couper Le Pont de la Nabalia / Planche XXXV; Copies to Tempesta's Batavian rebellion. Batava will be scared and break down the bridge over the IJssel to be able to negotiate with Cerialis. Print 35 in a series about the Batavian rebellion, copied to the Series Batavorum Cum Romanis Bellum by Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'après César; Corneille Tacite, Aux Dépens The Marc-Michel Rey, Amsterdam 1770. Performances printed in a large ornamental picture frame in which a tasting title and at the bottom of a caption was stuck in French.

WolvenShuid flanked by fame and father time; Vestigi delle Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. Title Print with the name of the series on a wolves skin, stuck on a stone wall or ruin and flanked by two hermen or atlants. Left for a gate is fama with two bazing and a globe; On the right the winged father time with Zeis and hourglass. On the ground there are a map, books, a part of a column and a capital. The print is part of an album.

Entertain your eyes, youth! in seven planetes. / Every running in his circle / one finds them met / Saturn, Jupiter, Mars, Sol and Venus, with / mark hour and Luna, here on stairs Neèr. Leaf with a large representation of a staircase with planets' personifications. A staircase with seven stairs with Mercury, Mars, Luna, Sol, Jupiter, Venus and Saturn. Under the show a verse in two columns. Numbered at the top right: No. 213.

Jakob receives the paternal blessing of Isaac and the marriage of Jakob and Lea, Cornelis Cort, after Frans Floris (I), 1563 print Ornament for dish edge. Upper half: Isaac is in bed and gives his blessing to his son Jakob who kneels in front of the bed. Rebekka looks on the right. Left in the doorway Esau. Bottom half: on the right the meal for the marriage of Jakob and Lea. On the left a glimpse to a bedroom with the birth of Lea's child. Both halves with Latin caption in Cartouche. print maker: unknownpublisher: Antwerp paper engraving Isaac lying in bed blesses Jacob who, disguised in Esau's clothes, brings food to his father; Jacob's hands and neck are covered with goatskins. the wedding-feast; Laban substitutes Leah for Rachel. ornament ~ cartouche

. Centrally an empty cartouche where the title belongs to come. On either side of the Mercurius cartouche and write art. Under the cartouche two writing students. Above two ovals with left face on Amsterdam and right view of horn. Central at the top of the portrait of Lucas Fopsz Lely, bust to the left. The print is a proof of the title page of Lucas Fopsz Lely's Jeughts Nutlijck A.B.C.

Print, Dedication page, from Neüw Grotteßken Buch (New Grotesque Book); Designed by Christoph Jamnitzer (German, 1563 - 1618); Germany; engraving on laid paper; Platemark: 15.4 × 19 cm (6 1/16 × 7 1/2 in.)

Title page, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Engraving on laid paper, Vertical rectangle showing title and dedication within a cartouche composed of interlacing lines. At top center, the Longuet coat-of-arms and mask. At bottom, a lion mask and landscape., France, 1662, albums (bound) & books, Print, Print

Cartouch Met Minerva a Mercurius, August Soul, 1758 print Minerva with lands and shield and mercury sitting on merchandise flanking a cartouche with title. At the top left is a crowned eagle with coat of arms. Detail of a map of Brandenburg in Germany. paper etching ornament ~ cartouche. (story of) Minerva (Pallas, Athena). (story of) Mercury (Hermes) Brandenburg

Sorbait, Paul of.

Illustration at Canto I of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Ornamental decorative frame with a surface with eight Italian verses at the top. At the bottom of a performance at Canto I of Tasso's 'Gerusalemme Liberata'. Godfried van Bouillon on horseback, surrounded by knights on horseback. An angel appears in the background. In the background, troops drive towards Jerusalem. Italy paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. ornaments ~ art. ornament ~ cartouche

Wish letter with tow barge, 1838 print Wish letter with described cartouche within a decorative framework with a representation of a river with a barge. In small medallons representations of skating and slaying people, people in the rain and a walking family. Handwritten message in calligraphy (New Year's letter) by Jantje Duives to his grandmother and aunts. Numbered at the top right: No. 4. publisher: Amsterdamprint maker: Netherlands paper. ink etching / pen human types. tow-boat, towing-barge

Title page of Daniel Heinsius, Rerum Ad Sylvam-Ducis Atque Alibi in Belgio Aut A Belgio Anno 1629 Gestarum Historia, 1631; Rerum Ad Sylvam-Ducis Atque Alibi in Belgio Aut A Belgio Anno 1629 Gestarum Historia. Allegorical title page of Daniel Heinsius, Rerum Ad Sylvam-Ducis Atque Alibi in Belgio Aut A Belgio Anno 1629 Gestarum Historia, the report of the topping and conquest of Den Bosch by the state army among Frederik Hendrik, between 1 May and September 17, 1629. Two standing personifications, left the city memorching of Den Bosch, on the right the city memorch of Wesel with the freedom lance with hat. At the top of a representation of ships for a coast, probably the conquest of the silver fleet, at the bottom of the coat of arms of Frederik Hendrik between two emblems.

Opdracht met wapenschilden van Anna van Hannover en Willem V.Ornamental frame with a cloth on which the assignment in Dutch. The picture frame has been awarded the coat of arms of Anna van Hannover, Princess of Oranje-Nassau, her son Willem V, Prince of Orange-Nassau, and the Dutch lion. On the corners the freedom (libertas) and caution (prudentia). Down Hercules and Neptune as children.

Print (France)

Portraits of doctors; Title page for: Caspar Bartholin and Thomas Bartholin, Institutions Anatomicae, 1641. A cartouche with title. Around round medallion portraits of Hippocrates, Andreas Vesalius, Casparus Bauhinus, Pieter Pauw, Claudius Galenus, Jean Riolan, Adriaan van den Spiegel, Otto Heurnius and the writer Caspar Bartholin. A anatomical lesson given by Adrianus van Valckenburg on the underside.

Envoys from Cologne bring civilis gifts, 69-70, 1768 - 1770 print Envoys from Cologne bring civilis gifts. Print 21 in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series of Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Netherlands

The world is a play theater, 1720, 1720 The world is a play theater. On a stage under a throne sky, wind traders are received by the devil, in the clouds the gods at a column gallery with the Wapen van Amsterdam, in the foreground all kinds of personifications. Left and right smaller scenes of the wind trade in different regions and cities. At the top left of slave Africans at the Mississippi Company. Also at the top right, left and bottom right representations with regard to slavery. At the bottom of a verse from Philadelphus. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Mississippi The world is a play theater. On a stage under a throne sky, wind traders are received by the devil, in the clouds the gods at a column gallery with the Wapen van Amsterdam, in the foreground all kinds of personifications. Left and right smaller scenes of the wind trade in different

Selinde is greeted by three admirers, Johann Esaias Nilson, in or before 1764 print On the street, Sel is greeted by her three admirers. On the left, Huldreich takes his hat, on the right in harness is kunz and in the background Göz is. Around the show a surramement with rocaille ornaments and leaf motifs. A five -line German text in the lower margin. Augsburg paper etching / engraving saluting. rivalry of men for the love of a woman; trying to get the skirt; 'Rivalità' (Ripa). specific works of literature

. Leaf XXV. Cartouche with the text Zanganos y Moscas Muertas .... At the bottom, two saters are sleeping on volutes of batter. From series of 21 numbered cartouches with calligraphy in a picture frame of roller and fitting work with grotesken, garlands and mascarons.

Print, Title Page: Heraldic Achievement Designs; Print Maker: Nicolas Guérard (French, ca.1648 - 1719); France; etching on laid paper

Plate 18: Illustration to Canto XVIII, from Torquato Tasso's 'Gerusalemme liberata III'. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet (Trimmed): 10 13/16 × 8 1/16 in. (27.5 × 20.5 cm). Date: ca. 1590-1630. Museum: Metropolitan Museum of Art, New York, USA.

A. Uno de'Fianchi dell'urna, in cui sembra rappresentasi il consiglio di vendetta, tenuto tra i Sabini e gli altri Popoli, dopo il ratto delle loro zitelle, satto da Romani, deliberando di portarsi coll'armi contro d'essi per distruggerli , Sarcophagi, Vases, Archaeological sites, Tombs & sepulchral monuments, Severus Alexander, Emperor of Rome, 208-235, Julia Mamaea, -235. The Antonio Cardinal Tosti Collection

Allegories in Honor of the Birth of the Dauphin ca. 1638 Abraham Bosse French. Allegories in Honor of the Birth of the Dauphin 416830

Vignet Mum Herbergscene, Jacob Van the Skley, 1739 drawing Design for a print. paper. chalk. pencil. ink pen / brush pavement, terrace in front of inn or restaurant

Friedrich, Markgrave of Brandenburg-Bayreuth Designer: Nilson, Johannes esaiStecher: Nilson, Johannes EasaiSverleger: Nilson, Johannes Esaiasdatting: 1736 / 1788Factable genesis: Augsburg

Leopold III., Markgrave of Austria, Saint.

Greeting letter with Mercury and Argus. Greeting letter with described cartouche within a decorative frame with a representation of Mercury and Argus. Handwritten message in calligraphy (New Year's letter) by Maria van Deen H ... to her father and mother.

unknown, Paris, Langlois, Nicolas (I), Loir, Alexis (I), Nouveaux desseins d'Ornemens de Paneaux, Lambris, Carosse &c., Title page: Nouveaux desseins d'Ornemens de Paneaux, The title is on a trapezoidal panel in the middle with two putti above it. Title page from the second edition., print, ornament print, title page, prints, ornament prints, height 162 mm, width 248 mm, French, 1640 - 1713-04-15, print maker, printmaker, 1670 - 1703, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1640 - 1703, publisher, granter of privilege

Praalgraf of commander Johan van Galen in the Nieuwe Kerk, 1653, 1653 - 1699 print Praal grave of commander Johan van Galen in the Nieuwe Kerk. Johan van Galen, died on March 23, 1653 on the injuries in the sea battle at Livorno during the first English war on March 14, 1653. On December 11, 1653 he was buried in the Nieuwe Kerk in Amsterdam. Under the image a representation of the Battle of Livorno with a four -line verse. Printed on the back with text in Dutch. Northern Netherlands paper engraving grave-building, monumental tomb. Battle of Leghorn new church

Copper engraving by Johann Sadeler the Elder from 1589 depicting a title leaf with scenes of the Passion, showing figures, gestures, and religious narrative.

Thisbe flight to the lioness at the Bron, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing Thisbe, fleeing from a lioness, drops her veil (the scene may be situated near a fountain). scrollwork, strapwork ~ ornament

Title print with a coat of arms with goat, flanked by fraud and envy, Antonio Tempesta, 1601 print Title print with a coat of arms with a goat flanked by the personifications of fraud and envy. Under a cartouche with assignment in Italian. In the background a battle scene with soldiers on horseback. paper etching the soldier; the soldier's life. warfare; military affairs (+ cavalry, horsemen). battle. Cheat, Deceit; 'Fraude', 'Inganno' (Ripa). Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. coat of arms (symbol of sovereignty)

Cartouche with calligraphy, with sequins in the Rolwerk, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1569 print Leaf XXVII. Cartouche with the text Note Glorifiques Ni Ensoberuezcas .... On the inside of the frame of rolling work there are volutes containing a chain of sequins. From series of 21 numbered cartouches with calligraphy in a frame of rolling and fittings with grotesken, garlands and mascarons. print maker: Netherlands (possibly)print maker: Netherlandsafter design by: Netherlands (possibly)publisher: Antwerp paper engraving

Title Prent Voor de Series: Il Callotto Resuscitato or Neü Introductive Dwords Cabinet, 1716, 1716 Title print for the series entitled: Il Callotto Resuscitato Oder Neü Eerkerichtes Zwerchen Cabinet. Emblem composed of a cartouche and a devil with a basket with small people on his head. Print printed within a decorative frame of a separate plate with monkeys and a small person as a picture seller. Numbered right: 1. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandsprinter: Amsterdam paper etching Title print for the series entitled: Il Callotto Resuscitato Oder Neü Eerkerichtes Zwerchen Cabinet. Emblem composed of a cartouche and a devil with a basket with small people on his head. Print printed within a decorative frame of a separate plate with monkeys and a small person as a picture seller. Numbered right: 1. Part of the

. The female personification of peace, with an olive branch. Attributes are attributes that symbolize the arts and science at her feet. A play is staged in the background. The show has a frame with a peripheral peripheral that is caught in a richly decorated cartouche. Eighth print from a series of eight with the cycle of human action.

Moscherosch, Johann Michael.

Title page of the cycle `Second Livre d'Ornements`. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Seven capacities / sees gy holding kick by staircase, / as the fogging, own to the virtue / and religion take them into eight, ô Youth!. Leaf with a big representation of a staircase of virtues. A staircase with seven steps with the personnifications of moderation, strength, caution, justice, love, hope and faith. Under the show a verse in three columns. Numbered at the top right: No. 101.

The father / landscape. / throw / game. Anti-orange-zin throw game. In the middle the empty general class with seven locks and the weapon of Holland. Around twenty medallions. The game rules in the sub-margin in two columns.

Trade card for James Figg 1790s Formerly attributed to William Hogarth British. Trade card for James Figg 416882

Deucalion and Pyrrha create a new human breed, Virgilius Solis, 1569 print Deolion en pyrrha print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. stones turning into men: stones thrown by Deucalion and Pyrrha, as directed by the oracle of Themis, turn into men (Ovid, Metamorphoses X 400)

Left three men with two goats; Designs for the edge of an octagonal dish, with scenes of country life. Right two figures with a castle in the background.

Venus en mars betrapt door Vulcan Virgil, 1569 print Vulcanus catches the adulterous Venus and Mars with a net. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Mars and Venus surprised by Vulcan; he catches them in a net. Mars and Venus, caught in a net by Vulcan, are exposed to the ridicule of the assembled gods

Facade and seal, Hendrik Altmann, Langenhuysen, 1830 - 1863 print On the facing brick there are a frost with a rich apple, a bishop and a kneeling figure. On the seal a city gate with the river Rotte vertically underneath, on which a bridge is located. This is held by two climbing lions. Numbered at the top right: pl. Vi. print maker: Rotterdamafter design by: Rotterdamprinter: The Haguepublisher: Rotterdam paper stone tablet in façade. orb (symbol of sovereignty; sphere with cross on top). seal, stamp

Two painted decorations on the gate of the Gasthuis in Vlissingen, 1772, Noah van der Meer (II), After P. Janssens, 1772 - 1773 print Two painted allegorical representations, on panels on the gate of the Gasthuis in Vlissingen, at the celebration of 200 years of freedom in Vlissingen, April 6, 1772. Each performance with a four -grate verse. Numbered left and top right: pl. VII and pl. VIII. Part of a group of nine plates numbered I-X of the decorations at this party. print maker: Northern Netherlandspublisher: Flushing paper etching / engraving public festivities (+ decorated staff, portable structure ~ festive activities) Flushing

Title print for a series of Roman ruins, Jacques Androuet (attributed to), afterononymus cock, 1551 - 1584 print Title print for a series of Roman ruins. Title on a cartouche that is placed in a brick wall. This print is part of an album. France paper etching title-page

TITELBLAD VOOR 'Skilled and truthful relationship of everything that happened during the seat of Vienna etc.', Romeyn de Hooghe, 1684 print Title page for 'Relation Succinte et Veritable de Tout Ce Qui S'est Passé Pendant Le Siege de Vienne etc.' On pedestal an allegorical figure of the Habsburg Empire that tramples a turban, symbol of the Turks who were defeated at the Battle of Vienna. Amsterdam paper etching / engraving Vienna

Commission assignment; Dem wool ehrnuesten (...); Ein Neues Buch von Allhand Gold-Arbeit. The assignment is surrounded by leaf raft, decorated with diamonds. Leaf 2 from series of 17 sheets.

Mars begs Jupiter to make Romulus immortal, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Mars implores Jupiter to make Romulus immortal

Title print with text on marble block in Italian landscape; VEDUTE VARIE. Landscape with a marble block with text. A ruin in the background. Numbered at the top right: 1.

Twenty-eight motives for watchmakers; Second Liure d'Orgheries. Motives including five watch cases, two snuff boxes and four stamp rings. From series of 6 blades with copies to prints from the Second Liure d'Orgeries series, published by Daniel Marot.

Sailwagen from Simon Stevin (right plate), 1602, Willem Isaacsz. van Swanenburg, after Jacques de Gheyn (II), 1652 print The sailing wagon of Simon Stevin (right plate), 1602. Prince Maurits, together with a group of friends, makes a trip on the beach from Scheveningen to Petten in the sail car built by Simon Stevin, April-May 1602. A small sailing car, probably a prototype, with Some people on board. Elegant spectators and some fishermen on the beach. On the cartouche at the top of a text in French. Right plate of a large performance consisting of three parts. print maker: Leidenpublisher: Amsterdam paper engraving sailing-car

. Justice at a seat in an architectural niche, flanked by two parrots with a rope in their beak to which all kinds of books. Under the seat the portrait of Emperor Justinianus. In the context, the title and the Imprint in Dutch.

Castle on a mountain, Johann Eckhard Löffler, 1681 print Cologne paper etching / engraving mountains. castle. the soldier; the soldier's life. Abstract Ideas and Concepts (+ emblematical representation of concept)

Print, Diverse Trophies; Giovanni Battista Galestruzzi (Italian, 1615 - 1669); Italy; etching; 1987-90-24

Cartouche with calligraphy, below a child with two insects, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1569 print Sheet XI. Cartouche with text: Inden Huyse des Godloosen ... at the bottom right is a child with a butterfly and a bird. From series of 21 numbered cartouches with calligraphy in a frame of rolling and fittings with grotesken, garlands and mascarons. print maker: Netherlands (possibly)print maker: Netherlandsafter design by: Netherlands (possibly)publisher: Antwerp paper engraving ornament ~ cartouche. insects

Cartouche and chandelier and candlestick with Fama and Bacchants, Anthonie de Winter, 1696 - 1717 print Three prints on a leaf. Left: a cartouche of ranks worn by a man and a woman. The serial title in the cartouche. Middle: a candlestick with two layers with putti and an angel blindly on a trumpet (possibly fama). Right: a two -armed wall candlestick with three bacchands. Amsterdam paper etching / engraving ornament ~ cartouche. Chandelier, a candlestick. Report as a Roman personification. Male Bacchant (es)

TITELBLAD: New designs of Ornemens de Paneaux, Lambris, Carosse & c., Alexis Loir (I), after c. 1670 - Before 1703 print The title is on a trapezoidal panel in the middle with two putti above it. Title page from the second edition. Paris paper engraving

Frame with justice sitting on the Hollandse Leeuw., Noah van der Meer (I), 1760 print An ornamental frame with coats of arms, trophies and a cartouche with justice sitting on the Dutch lion. Behind her are caution with mirror and snake, Minerva with lance and shield and an allegorical figure with column and dog. On the right is a kneeling woman. At the top of the frame two trumpets blowing women with laurel wreath and a cartouche with figures kneeling and standing in front of a throne man. paper etching / engraving / letterpress printing Justitia (justice) as Roman personification. ornaments ~ art (+ framing decorations). symbols of particular nations, states, districts, etc.

Vignette with interior of a library. A library or study with a writing table can be seen through a frame with floral motifs. Two men stand with a book for a bookcase, whose curtain has been slid open. Probably a print mark.

Title plate, from Grottesco in diversche manieren (Various Grotesques), Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel with the title in an escutcheon: 'Grottesco: in diversche manieren / Zeer Chierln¨ck bequaem en oirboorln¨c / voor Schilders, Glaesschrnüers, Beeldsnüdesr / En al die de Chierln¨cke ornamenten der / Antiquen beminnen, ghemackt bn¨ / Johans vredeman vriese, voth ghegheuen / duer Geraert de Ieûde.', Antwerp, Belgium, 1555-1571, ornament, Print, Print

The world is a play theater, 1720, 1720 print The world is a play theater. On a stage under a throne sky, wind traders are received by the devil, in the clouds the gods at a column gallery with the Wapen van Amsterdam, in the foreground all kinds of personifications. Left and right smaller scenes of the wind trade in different regions and cities. At the top left of slave Africans at the Mississippi Company. Also at the top right, left and bottom right representations with regard to slavery. At the bottom of a verse from Philadelphus. Print 19 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper etching financial panic. theatre, theatrical performance. slavery; serfs and the enslaved. slave-trade. slaveholder ~ enslaved person Mississippi

Maria Josefa, Princess of Bavaria.

Print, Title plate of "Divers Desseins de grands Eventails, Ecrans, et autres Ornemens"; Engraved by Alexis Loir; After Nicolas Loir (French, 1624 - 1679); France; etching with engraving on white laid paper; Platemark: 22.4 x 43.7 cm (8 13/16 x 17 3/16 in.) Sheet: 35.1 x 44.4 cm (13 13/16 x 17 1/2 in.); 1944-16-6

Print made by Thomas Milton, 1743-1827, British, Queen Margaret Resigning the Duke of York, 1811. Etching and line engraving on thin, slightly textured, cream wove paper.

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Frontispices et Trophées, Fronton with arms, verso - stamped, Design for a semicircular fronton with crowned cartouche with halo surrounded by cannons, spears, lances and swords. Two vases on the left and right. Publisher's number XXXII., print, ornament print, title print, prints, ornament prints, height 151 mm, width 228 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1780 - 1780, paper, etching, engraving, engraving (printing process), Work conception, after own design of, seller

La loi lunaire, No 1 (Lunar Law, No 1) 1856 Charles Meryon French. La loi lunaire, No 1 (Lunar Law, No 1) 378017

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