Ornamental Vases

Elegant designs of decorative vases featuring intricate reliefs, cherubs, and classical motifs, often associated with garden art.

Netherlands, Marot, Daniël (I), Garden vases from Paleis Het Loo, Vase with the triumph of Amphitrite, Vase on an octagonal base with lid. On the cylindrical body of the vase the triumph of Amphitrite. In the lower margin a Latin text. Copy after a sheet from the series Vasses de la Maison Royalle de L'oo. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 261 mm, width 179 mm, print maker, printmaker, 1703 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, Work conception, 1663 - 1752-06-04, after a design by

Design for a Sacred Vase, Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Gabriel Huquier, French, 1695-1772, Engraving on paper, Incensor., Europe, France, 1695-1750, Print, Print

At the Minerva at Rome, Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain, after Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain, Published by Isaac Taylor, 1730-1807, British, undated, Etching and line engraving on moderately thick, moderately textured, beige laid paper, Sheet: 8 11/16 x 5 13/16 inches (22.1 x 14.8 cm), Plate: 7 5/16 x 5 1/16 inches (18.6 x 12.8 cm), and Image: 6 11/16 x 4 5/8 inches (17 x 11.7 cm), chalice, cherubs, children, cup, decoration, decorative arts, garlands, Grand Tour, heads, putti, rams (animals), religious and mythological subject, still life, wings, Rome

Vase with the triumph of Amphitrite; Garden vases from Palace Het Loo. Vase on an octagonal base with lid. On the cylindrical body of the vase the triumph of Amphitrite. A Latin text in the undermaster. Copy by leaves from the Vasses de la Maison Royal de l'oo series. From series of 6 sheets.

Vase with Diana and Cupid in Oval; Garden vases from Palace Het Loo. Vase on a square feet with bass relief with four cariatides on the corners of the vase. In between oval bass reliefs, the front with Diana and Cupid. A Latin text in the undermaster.

Netherlands, Marot, Daniël (I), Garden vases from Paleis Het Loo, Vase with the triumph of Amphitrite, Vase on an octagonal base with lid. On the cylindrical body of the vase the triumph of Amphitrite. In the lower margin a Latin text. Copy after a sheet from the series Vasses de la Maison Royalle de L'oo. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 261 mm, width 179 mm, print maker, printmaker, 1703 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, Work conception, 1663 - 1752-06-04, after a design by

Design for a candelabrum 18th century () Attributed to Anonymous, British, 18th century British. Design for a candelabrum 363293

Bokaal Decorated with large pomegranates, Albrecht Altdorfer, c. 1506 - 1538 print Jar with lid. The trunk has a nodus, decorated with three pomegranates. From a series of 22 sheets with vases, jugs and jars. Germany paper etching mug, beaker, goblet

Siervaas Met fantasy, Jakob Gottlieb Thelott, after Christian Friedrich Rudolph, 1718 - 1754 print A decorative vase with rocaille ornaments. Around the vase a rocaille frame with fantasy animals on the right. Augsburg paper etching vase ~ ornament. fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa). rocaille ornament

Design for a Candlestick 1548-49 Jacques Androuet Du Cerceau French This design for a candlestick was made by the French artist Jacques Androuet Du Cerceau who was a proliferous designer of architecture, ornament and the decorative arts. His style and works are mainly known through the prints and books he produced and published in Orléans. In his works he combines French and Italian elements into heavily ornate designs which were very popular at the time. In 1548-1549 he published a series of candlestick designs of which three are known today. This design contains several classical elements which are most likely based directly on Italian examples. The base, for example, seems to have been inspired by a drawing by Giulio Romano. The curled-up ornaments in the layer above the lions feet are motifs particular to France however and relate back to the court style disseminated from the castle of Fontainebleau starting from the late 1530s. Through his prints, Du Cerceau himself played an imp

Vase with two female figures, 1714 print Numbered top left: no. 77. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching vase ~ ornament. female sex; woman. ornament ~ festoon, garland

Golden cup of the Hague Schutterij; Image of a delicious golden present-beeche.a gold cup by Stadhouder Willem IV promised to the Schutterij in The Hague and after his death presented by Princess Anna on May 8, 1753. The cup is decorated with horns dupencies, seed beads, garlands, rocaille cartouches with Putti and Rocaille cartouches with texts. The lid has been awarded a crowned lion with a crowned coat of arms with the Text Honi Soit Qui Mal y Pense.

Vase with kariatides; Candlesticks. Candlestick with a round foot on which a base is decorated with birds, garlands and mascarons. On the base, Kariatides are wearing the vase-shaped candle holder. Horizontal shaded background. Obodiac copy to candlesticks engraved by Enea Vico.

Rome, Piranesi, Giovanni Battista, Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegn. ed incisi dal cav. Gio. Batta Piranesi, Vases, candlesticks, gravestones, sarcophagi, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi, Antique often, verso - stamped, A marble vase with a motif of grapevines. Text above the image. Dedication in the bottom margin., print, prints, height 530 mm, width 386 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1778 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Design by Virgil Solis; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 25.1 x 13.3 cm (9 7,8 x 5 1,4 in.)

Wierokbrander Met Zeenimfen en sats; Different kerkelijke voorerpen; Different Drawings Evented and Delineates by Twin Drawings by Forled.numbered Uppper Left: No. 58.

Siervaas Met fantasily; Siervazen en-cans; Some vases with modern mounts (...). On ornamental vase with rocaille ornaments. Around The Vase A Rocaille Frame With the Right Fantasy Animals.

Design for an Urn on a Pedestal. Artist: Anonymous, French, 19th century. Dimensions: sheet: 13 13/16 x 8 15/16 in. (35.1 x 22.7 cm) uneven. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Vase with two ears in the form of fish that stand on a claw; VASA A Polydor (...). The belly of the vase is decorated with a Frisian with dancing men and women. There are two lions and a mascaroon above that. Obachi copy to RP-P-1964-2383.

Ornamental Vase, 1500s. Wenzel Jamnitzer I (German, 1508/09-1585). Etching; sheet: 24.1 x 15 cm (9 1/2 x 5 7/8 in.); platemark: 23 x 14 cm (9 1/16 x 5 1/2 in.).

Vase with the triumph of Amphitrite; Vasses de la Maison Royal de l'oo. Vase on an octagonal foot with bass relief with a britain's personification. The handles are supported by female terms. The lid is decorated with Fleur-de-Lis and awarded an English crown. Series of 6 blades with garden vases from Palace Het Loo.

Kelk; Different Kerkelijke Voorwen; Different drawings invented and outlined by Giovanni Gardens from Forlì.Numbered Upper Left: No. 6.

Print (France)

Antique Ewer with a Handle in the Shape of a Lioness, from Vases after the Antique 1543 or after Enea Vico Italian Antique ewer with a handle in the shape of a lioness. The ewer is further covered with various antique motifs including a bovine skull and garlands suspended from lion-shaped masks. From a composite series published by Antonio Lafreri with vase designs after the antique by Enea Vico and Agostino Veneziano. The Vico prints were first published by the artist in 1543, the Lafreri edition is dated circa 1573 based on its presence in Lafreris catalogue, but may have been issued earlier.. Antique Ewer with a Handle in the Shape of a Lioness, from Vases after the Antique 397599

New drawings by Guéridons whose feet its own for crosses, after 1650 - Before 1692 print Three candle carriers, the middle one with a foot made up of three winged boys on tails of dolphins. From series of 6 magazines, first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Etching by Albrecht Altdorfer from circa 1520-1525 depicting a lid cup decorated with three pomegranates, showing detailed motifs and ornamental design on metal surface.

Plate 78. Vessel. Germain, Pierre, 1703-1783. Prints. 1748. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decoration and ornament, Goldwork , France

Jar with grotesque decoration; Vases, jugs and jars. A jar with a lid, decorated with grotesken and leaf raft. The foot consists of three sphinxes. On the belly of the jar a winged fantasy. From a series of 22 sheets with vases, jugs and jars.

Reliquary Design. Artist: Anonymous, French, 19th century. Dimensions: sheet: 13 3/8 x 8 1/16 in. (34 x 20.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Tribute offered to King William III by the Dutch youth on his silver jubilee in 1874 Sculpture in the form of an Orange tree with a bell at the top carried by angels Around the trunk of the tree a procession of children carrying a young girl the Dutch Youth with the tribute certificate in her hands on their shoulders Below, seated allegorical figures between which scenes during the reign of King William III Recognizable is the king's visit to the flood stricken area in 1861 Compare the photo of an earlier - rejected - design, Huldebewijs aangeboden aan koning Willem III door de Nederlandse jeugd bij zijn zilveren regeringsjubilee 1849-1874 Huldebewijs, ZM Koning Willem III aangeboden door de Nederlandsche Jeugd, ter gelegenheid van het Zilveren Kroningsfeest , print maker: anonymous, printer: Amand, (mentioned on object), print maker: Netherlands, printer: Amsterdam, 1874, paper, h 610 mm × w 480 mm

Tripod on a base with reliefs; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. An antique tripod on a base with reliefs with hunting putti, masks and naked figures on dolphins wearing garlands. Assignment above show. Text under proposing.

Design for a Fountain with Two Basins One on Top of the Other and Statues of Venus and Putti on the Top. 1608-65 Francesco Fanelli Italian. Design for a Fountain with Two Basins One on Top of the Other and Statues of Venus and Putti on the Top. 344881

Golden Cup of the Haagse Schutterij, Jacob van der Schley, After Philippe Métayer, 1753 print A golden cup by Stadholder William IV promised to the Haagse Schutterij and after his death presented by Princess Anna on May 8, 1753. On this show De Beker as a whole. The cup manufactured by Philippe Métayer in Amsterdam. print maker: Amsterdamafter design by: Amsterdampublisher: The Hague paper etching / engraving cup

Ornate goblet 1642 Wenceslaus Hollar Bohemian View of an ornate goblet, with heads of bearded men on the stem, supported on animal's legs and ornate base; embracing naked couple on the finial of the lid, four naked women in an oval below; after Hans Holbein.. Ornate goblet 361680

Zaar Carl (1849-1924), table attachment. Monthly competition May 1877 (05.1877): View of the candlestick. Pencil watercolored and white heighted on paper, 59 x 44.7 cm (including scan edges) Zaar Carl (1849-1924): Tafelaufsatz. Monatskonkurrenz Mai 1877

Drawing, Project for an Oil Lamp with Alternative Suggestions; graphite, brush and sepia, watercolor on paper

Speculum Romanae Magnificentiae: Decorated capital and base in the Temple of Jupiter, Rome ca. 1537 Attributed to Monogrammist G.A. & the Caltrop Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never

The triangular saltcellar is supported by sphinxes. The pepper section standing on top is in the form of a vase. From a series of 12 sheets, pepper and saltcellar Vas cuius pars inferior sali / superior vero piperi inseruiet Pottery like jugs, pepper and saltcellars and a drinking dish (series title)., print maker: Johannes of Lucas van Doetechum, Hans Vredeman de Vries, publisher: Hieronymus Cock, Netherlands, (possibly), 1563, paper, etching, h 197 mm × w 134 mm

Candelaber; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. A marble candelabler with representations of goddesses on the base. Assignment in undermarge.

Design for a Ewer, Jean-Charles Delafosse, French, 1734-1791, Pen and black ink, brush and black and grey wash, graphite, The handle is at left. Its bottom part consists of a satyr who is embraced by a mermaid seated on the shoulder of the ewer. A swan and two girls surround the neck of the vessel. The fluted body show festoons suspended from a faun's mask. S, France, ca. 1765, tableware designs, Drawing, Drawing

Table with candlestick, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The curved table is probably a console table. The legs are composed of three gaines with a lion foot and a female mask above, the body is fluted. They are connected below by boards, above by festoons. Above, the candlestick. The shaft is surrounded by eagles. Above is a burning oil lamp from which two branches spring in the shape of the neck and the head of a snake supporting with the mouth the burning candle. Usual background. Above, at left, part of a figure - 5 or 6, and 8., Rome, Italy, ca. 1795, furniture, Drawing, Drawing

Girandole Met Ruch Rénks, A. Coinet, After Jeani Franis Forty, 1775 - 1770 print An ornamented two -armed girandole with tendrils and flowers. Paris paper etching / engraving Chandelier, a candlestick. tendrils ~ ornament

Drawing, Design for a Pedestal and a Bowl, Intended for Execution in White and Rose Marbles for Marie Antoinette at St. Cloud; Unknown; Client: Marie Antoinette, Queen of France (French, 1755 - 1793); France; pen and chinese ink, brush and grey and rose watercolor, black ink on paper; 41.1 × 29.8 cm (16 3/16 × 11 3/4 in.); 1896-14-1

Paris, Crépy, Jean-Baptiste, Moithey, P. (l'ainé), Neoclassical vase with drapery, verso - stamped, Neoclassical vase with lid. The knob is in the shape of a sphere. The body is decorated with draperies, the foot with acanthus leaves. Numbered E at top left., print, ornamental print, prints, ornamental prints, height 187 mm, width 120 mm, print maker, printmaker, 1760 - 1780, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, printing in red, intermediary draughtsman, after a drawing by, Publication (Event), Publication, French - 1796, publisher

French Crown, Paris, Huquier, Gabriel, Bouchardon, Edme, Second livre de vases, Vase with mermen and mask, verso - stamped, A vase with two mermen with a hand in the mouth of a mask in the middle. Above, a young man is chasing a woman, on the right a river god., print, engraving, ornament print, prints, engravings, ornament prints, height 197 mm, width 141 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1729 - 1737, paper, papier, etching, etchings, Work conception, 1698-05-29 - 1762-07-27, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Drawing, Design for a Tureen; Attributed to Johann Nepomuk; Germany; pen and brown ink, brush and watercolor; 51.5 × 43.8 cm (20 1/4 × 17 1/4 in.)

Antique altar; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. A marble altar on a carved base with putti and a garland. The altar comes from the Villa Adriana in Tivoli, the basis comes from Palazzo Barberini in Rome. Assignment above show. Text in undermarge.

Image of the gold cup with loose lid donated by the States of Holland and West Friesland to Michiel de Ruyter on the occasion of the victory over the English during the Voyage to Chatham, 20-23 June 1667. On the cup, a depiction of the Voyage to Chatham. Without the version appearing on the other version with four gold marks in the corners., Gold cup with lid, donated to Michiel de Ruyter on the occasion of the Voyage to Chatham, 1667, print maker: jonkheer Barthold Willem Floris van Riemsdijk, Netherlands, 1870 - 1894, paper, etching, h 105 mm × w 70 mm

Can with an ear ending in a bird head, in or after 1551 - in or before 1580 print The abdomen of the jug is decorated with two winged saters. Horizontally shaded background. Leaf from series of 12 blades. paper engraving

Design for an Urn, Graphite, pen and ink on paper, Elevation of an urn decorated with three women, side handles and masks., Europe, 1775-1800, sculpture, Drawing, Drawing

Medici Vaas, c. 1650 print There are a number of figures on the body, under a fanning edge with a vine. From series of 13 magazines. print maker: France (possibly)publisher: Paris paper engraving

Medici vase. On the body, under an fanning edge with a vineyard, a number of classic figures, two with a staff. This print is part of an album.

Bowl on a Stand, Graphite, pen and black ink, brush and gray wash on paper, Vase on an animal leg stand. The body of the vase is decorated with gadrooning and a frieze of classical nudes., Italy, 1775-1800, tableware designs, Drawing, Drawing

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, K Consoles, l'Angleterre, England, verso - stamped, An ornamented console with volutes and a panther skin, above helmets, weapons, a torch, masks and a rectangular frame with a mermaid and an eagle surrounded by clouds, a cross, coins, a cross and the papal tiara. Print number 42., print, ornament print, prints, ornament prints, height 379 mm, width 229 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Firebox with vase; Chenet; 25th Cahier AA Cayer de 6 Grilles de Chenets et de Feux de Cheminées; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). An ornamented firebox with a vase with figures and a garland.

Drawing (Italy)

Coffee-pot and Stand from, Giovanni Giardini, Italian, 1646 - 1721, Maximilian Joseph Limpach, Czech, active the 1st half of 18th century, Engraving, etching Support: white laid paper, Rome, Italy, Italy, 1714, metalwork, Print, Print

Romans Kapiteeel, Arnoud Schaepkens, 1831 - 1904 print paper etching capital (~ column, pillar)

Parijs, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, Q Piedestaux et Socles, L'Asie et l'Afrique, Asia and Africa, Paris, verso - stamped, A pedestal with cow skulls. On the pedestal are weapons, ears of corn, snakes, an elephant's head, fruit, a caduceus, shields with a lion and a camel and a censer. Print number 6., print, ornamental print, prints, ornamental prints, height 379 mm, width 236 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Vase with two twisted ears, starting and ending in the same mascaron; VASA A Polydor (...). The belly is decorated with a frieze on which two groups of people worship a god in the middle. Obachi copy to RP-P-1964-2384.

Rome, Piranesi, Giovanni Battista, Vasi, candelabra, candlesticks, sarcophagi, tripods, lucerne, etc. antique ornaments designed and engraved. and incisions in the cavity. Gio. Batta Piranesi, Vases, tombstones, lamps and ornaments designed and engraved by Giovanni Battista Piranesi, Candelabrum, verso - stamped, A candelabrum with rams' heads, putti and sphinxes. Text and dedication left and right of the representation., print, prints, height 643 mm, width 412 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1778 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Vases and Vessels, nos. 248-254 ("Designs for Various Ornaments," pl. 44) July 17, 1782 Michelangelo Pergolesi These designs for footed vessels are numbered from 248 to 254. The print comes from a group that Pergolesi made and published serially in London between 1777 and 1792. There is no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The complete set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in Roman numerals at first, then with Arabic numbers). In 1801, after Pergolesi's death, four additional plates of designs were published by a bookseller Dulouchamp (or Dulonchamp).. Vases and Vessels, nos. 248-254 ("Designs for Various Ornaments," pl. 44). Michelangelo Pergolesi (Italian, active from 1760-died 1801). July 17, 1782. Etching and engraving

Two large and six small chandeliers, Daniël Marot (I), Anonymous, Anonymous, after 1703 - before 1800

Bokaal with a winged ball, Albrecht Altdorfer, c. 1506 - 1538 print Bokaal on a foot, the trunk is decorated with acanthus leaves, on the lid is a winged ball. From a series of 22 sheets with vases, jugs and jars. Germany paper etching mug, beaker, goblet

The Medici Vase 1600-1799 England. This ancient marble vaseódepicted by an unknown artist working in Italyówas owned by the Medici family and became a popular work for draftsmen to copy. Stefano della Bella made a famous etching after the same piece (1972.776).. Pen and brown ink, with brush and brown wash, over black chalk, on cream laid paper . Unknown artist

Design for a Dagger Sheath, with Cain and Abel. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 15 7/16 × 3 5/8 in. (39.2 × 9.2 cm). Date: 1539. Museum: Metropolitan Museum of Art, New York, USA.

Goodwood Races: the Steward's Cup, 1862. 'The Stewards' Cup, which was run for on the first day, and won by Captain Christie's Lady Clifden, is a silver vase from the manufactory of Mr. C. F. Hancock...in imitation of an ancient one in majolica-ware, the property of A. Barker, Esq. The form is triangular: three richly-chased grotesque masks form the handles, and on the body of the vase are three bas-reliefs representing ancient battles. The foot is composed of lions' claws and classical ornaments, and the stand of the cup on which it is raised is also ornamented with masks, shields, &c., i

Death of General Montgomery, Johan Frederik Clemens, after John Trumbull, 1776 - 1798 print paper etching / engraving commander-in-chief, general, marshal Québec

Cartouche flanked by two children; Cartouches in role frames with grotesken, garlands and mascarons. The children hold a canopy high with their one hand and wear a wind instrument in their other. State in the cartouche: n ° 22 / lutetiae.

Can with ear, worn by three figures, 1548 print The jug is worn by three figures who look with their heads through one collar stuck on the belly of the jug. A child hangs through the ear. Coming from a series consisting of a title page and 20 magazines. Netherlands (possibly) paper engraving

Vaas puts Draperieën, Unknown, Jacques-François Chéreau, After Jean Charles Delafosse, 1771 print An ornamented vase with rings and draperies. Paris paper etching / engraving vase ~ ornament

Chandelier, 1714 print Numbered in the top left: no. 48. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching chandelier, candelabrum. candle

Scale, formed by the lower jaw of a sater with a dog head; Vases, jugs and scales with grotesken. The scale rests on a snail house that is clamped between the backs of a man and a woman. The woman supports the bowl with her hands. The man wears the Sater on his shoulders. Coming from a series consisting of a title page and 20 sheets.

Lectern. Draughtsman: anonymous. Dating: c. 1750 - c. 1770. Place: Southern Netherlands. Measurements: h 321 mm × w 176 mm. Museum: Rijksmuseum, Amsterdam.

Column bases, overproof, consoles, decorative p Yciny - decoration designs of the Sion House castle; Finnie, Alexander (fl. Ca 1770-1778), Adam, Robert (1728-1792); 1773 (1773-00-00-1778-00-00);

Seventeen Designs, Anonymous, After Daniël Marot (I), After 1703 - Before 1800 print Four Guéridons, three boxes, a mirror, two candlesticks and dishes. Netherlands paper etching

. The belly of the can be decorated with an animal skull between leaf refrences. From series of 14 partially numbered sheets. The vases have probably had antique vases as a starting point.

Vase with a satyr pair on the lid, the body decorated with dancing naked men and dressed women, above ram's heads and skulls with garlands, Design drawing for a vase with a satyr pair on the lid, draughtsman: anonymous, Bologna, (possibly), c. 1750, graphite (mineral), brush, h 170 mm × w 102 mm

Drawing, Design for a Decorative Ewer; Manufactured by Jean-Charles Delafosse (French, 1734-1791); France; pen and black ink, brush and wash, graphite on white laid paper; 25.5 x 15.2 cm (10 1/16 in. x 6 in.)

Book, L'oeuvre (Works)

Bust of the Egyptian idol Canopus, god of water, in basalt found in the Canopus of Hadrian's Villa at Tivoli. Copperplate drawn and engraved by Giacomo Bossi from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Two Torchères 1692 Juan Dolivar Spanish Etching and engraving with designs for two torchères, created by Juan Dolivar after designs by Jean I Berain. Entrusted with drawings for costumes, stage sets, and royal ceremonies at the 'Academie Royale de la Musique' since 1680, Berain's ingenious creations took acanthus and laurel leaves, palmettes and grotesques, mixing them with dancers, acrobats, monkeys and satyrs, to create his own, imaginative, theatrical world. His designs were multiplied and disseminated by means of engravings, his design motifs and manner objects becoming highly influential in the closing years of the seventeenth century. On the left part of the sheet stands the first torchère in this print, with acanthus and laurel leaves, grotesques, and allegorical figures. The base is made up of large scrolls on which the candelabra stands, framed by scrolling acanthus leaves. In the center, a shell motif flanked above by a small ornamental vase holding a grotesque, whose hair is

Project: A Prelate's Escutcheon, Charcoal, pen and ink on paper, Vertical composition of a prelate's escutcheon with a scrollwork frame flanked by two women. On top is a bat and spirals of rope. Framed with two lines. By the same designer as -1731, Italy, 1600-1625, architecture, Drawing, Drawing

Siervaas Met Mascarons, Giovanni Battista Montano (Possibly), 1544 - 1621 drawing paper. ink pen

Sarcophagus of constantina and candlestick; Archaeological finds in and around Rome; Le Antichità Romane. Side view and cross section of the sarcophagus of Constantina. On the left a decorated candlestick. List of explanatory letters in undermarge. Numbered above: Tom. II. / XXV

Nautilusbokaal, resting on the back of a Sater, 1548 print The Sater wears two fish under his arms. The fish support the cup with their tail. A snail crawls between the legs of the satar. Coming from a series consisting of a title page and 20 magazines. Netherlands (possibly) paper engraving

Design for a Plumed Oil Lamp. Artist: Anonymous, French, 18th century. Dimensions: 6 13/16 x 8 7/8 in. (17.3 x 22.6 cm). Date: ca. 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

Double Goblet, after Altdorfer, Hieronymus Hopfer, German, active ca. 1520 - 1550, Albrecht Altdorfer, German, ca. 1480-1538, Etching on white laid paper, Vertical rectangle showing a double goblet decorated with gadrooning and acanthus leaves. At center, a mask. At the base, an interlaced design., Germany, 1528-1563, metalwork, Print, Print

Water fountain on dolphin -shaped legs, Jean Lepautre, After Anonymous, c. 1655 - c. 1678 print The fountain is depicted with the tap on the right. print maker: France (possibly)after design by: Netherlands (possibly)publisher: Amsterdam paper etching

Fire Bink in the form of a smoking vessel, Berthault, After Jean Charles Delafosse, 1771 print An ornamented firebok in the form of a smoking vessel with medallions with putti and rams heads. Paris paper etching / engraving andiron, fire-dog. incense-burner ~ scents, perfumes

With relief decorated column, Carlo Naya (attributed to), c. 1880 - c. 1900 photograph paper. photographic support. cardboard albumen print

Pencil sketch by Emerich Alexius Swoboda depicting a study of a candlestick, showing its form, details, and structure.

Two Saters, each with one arm bound to the trunk of a cup, Anonymous, After Cornelis Bos, 1516 - 1556 print The lid of the jar is formed by a temple with a woman capable. Leaf from series of 9 sheets. paper engraving satyr(s) (in general). cup. ornament ~ grotesque

Drawing of 17th century silver belonging to an album, draughtsman: anonymous, Amsterdam, c. 1725 - c. 1728, paper, drawing, h 356 mm × w 245 mm

Altdorfer, Albrecht, Germany, Vases, jugs and goblets, Goblet with three small pomegranates, verso bottom center - handwritten, Goblet on a foot, with a lid. The stem is decorated with leaf tendrils and three small pomegranates. From a series of 22 sheets with vases, jugs and goblets., print, ornament print, prints, 97, height 222 mm, width 105 mm, 1480 - 1538, print maker, printmaker, 1506 - 1538, first quarter 16th century, second quarter 16th century, paper, etching, etchings, Work conception, after own design by

Drawing, Design for a Candelabrum; Possibly by Johann Jacob (ca. 1762-92); France; graphite, pen and black ink, brush and sepia wash, black ink on paper; 46.7 x 26.2 cm (18 3/8 x 10 5/16 in.)

Design for a silver candlestick decorated with two children, Louis Desplaces, After Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching candlestick

Candlestick. Dated: c. 1936. Dimensions: overall: 29 x 21.1 cm (11 7/16 x 8 5/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Ronau William Woiceske.

Clef de voute et couronnement d'un pilier dodécagône, sculptures de l'an 1518.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Titelblad: Various Italian vases, Anonymous, After Jean Lepautre, c. 1655 - C. 1678 print Mobile water fountain on a tripod, the title is at the bottom. print maker: Netherlands (possibly)after design by: Francepublisher: Amsterdam paper etching

Ornament Design with Krater and Cameos. Date: 1777. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

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