Ornate Architectural Designs

Intricate designs and frescoes representing decorative art, featuring floral and geometric patterns in colorful and historic styles.

Pietra Dura stone and jewel inlay cut in marble frescoes at Tomb of Etimad Ud Doulah, 17th Century Mughal tomb built 1628, Agra, India

Pietra Dura stone and jewel inlay cut in marble frescoes at Tomb of Etimad Ud Doulah, 17th Century Mughal tomb built 1628, Agra, India

Sidewall (USA); machine-printed; 91 x 59 cm (35 13/16 x 23 1/4 in.); 1973-19-2

Drawing, Design for a Wall; Italy; gouache; 32.3 × 47.5 cm (12 11/16 × 18 11/16 in.)

Design for a ceiling second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling 388255

Vera Van Voris, Hand carved Cabinet, c 1937 Hand-carved Cabinet

Design for the decoration of a coffered ceiling ornamented with the name "Racine" and entwined letters: DD. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 8 3/8 x 10 13/16 in. (21.3 x 27.4 cm)image: 7 3/8 x 8 3/8 in. (18.8 x 21.2 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Two alternative designs for the painted decoration of a panel (one with the intertwined initials CL) 19th century Jules-Edmond-Charles Lachaise French. Two alternative designs for the painted decoration of a panel (one with the intertwined initials CL) 386015

MODEL OF STORE FOR THE GREAT HOTEL Ordered by Maison Sajou Anonymous. Store model for the big hotel commissioned by Maison Sajou. Black stone, gouache on layer.

Sidewall, Machine-printed paper, Japonaiserie pattern of rectangular panels of various sizes containing vases of flowers, assymetric format. Printed in olive green, black, plum and yellow., USA, 1880-90, Wallcoverings, Sidewall

Preparatory study for an oval neo-classical style snuffbox in enamelled gold or silver with allegorical figures and acanthus leaves; allegory of the arts in the central medallion. Paris, ca 1760, Jean-Charles Delafosse (1734-1789). France, 18th century.

GSELL-Laurent workshop. Album n ° 1. Vitrail project for the Saint Quentin church: Annunciation. Ink and gouache. Paris, Carnavalet museum. 37249-9 Announce, Annunciation, Biblical, Catholic, Chretian Chretian, Church of Saint Quentin, Ink, Gouache, New Testament, Project, Religious Scene, Glass

Cabinet Design with Renaissance style Ornament and Red Interior. Artist: Anonymous, British, 19th century. Dimensions: sheet: 5 1/8 x 7 3/16 in. (13 x 18.3 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Double Door and Overdoor, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, With the right door folding. It has above and below a high rectangular panel, the upper one with the representation of the figure of a standing woman, the lower one with a hermae, both in the center of scrolls. A small oval representation, framed above by festoons, is in the interval. The overdoor consists of an oblong, divided into a central lozenge, with the figure of a standing woman and four pentagons. The lateral frame consists, at right, of a pilaster with a stem of leaves springing from a vase, and a capital with an oval medallion, at left of a fluted gaine in front of a band. On top the cornices of an entablature. The wall is colored., Rome, Italy, 1780-1790, interiors, Drawing, Drawing

Design for a Double Door with Overdoor, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of the scheme of -1662. In the center of the door folding is a lozenge with the figure of a standing woman, causing a correlated shape of the upper and lower panels. They are decorated with floral candelabra. The panel of the overdoor is divided into a central lozenge, with two goddesses upon clouds and four triangles with a palmette. The cornices of the entablature are supported by two consoles. In front of the entablature, in the center, is a shell with a head, framed above by a garland, the ends of which are supported by bowknots. Usual background., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Drawing, Design for Arabesque Panel; France; pen and ink with sepia wash; 16.3 × 3.6 cm (6 7/16 × 1 7/16 in.)

Boucheron, Etui (main title), 1945. Graphite, ink and gouache on the front, pastel fat on the back on layer. Petit Palais, Museum of Fine Arts of the City of Paris.

Drawing, Design for Stained Glass Window; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and watercolor, white gouache, graphite on paper; 18.1 × 3.6 cm (7 1/8 × 1 7/16 in.); 1914-38-91-b

Drawing, Design for a Wall Panel; Attributed to Pierre Ranson (French, 1736-1786); France; pen and ink, brush and sepia, watercolor on paper

Vault paintings from the Antiquarium of the Munich Residenz, 16th century. Gewoelbemalerei aus dem Antiquarium der Koeniglichen Residenz, Muenchen. Chromolithograph by Karl Gebhardt from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1896.

British, Palladian, 'William Kent' frame, Unknown framemaker, 2nd quarter of 18th century, Carved wood, later gilding over original gilding

One painted panel. Unknown

Design for painted wall decoration in the Chteau de Lude, Sarthe second half 19th century Jules-Edmond-Charles Lachaise French. Design for painted wall decoration in the Chteau de Lude, Sarthe 384802

Design for the decoration of a ceiling with rinceaux. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 5/8 x 8 3/8 in. (27 x 21.3 cm)image: 5 3/4 x 4 9/16 in. (14.6 x 11.6 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Wellington Blewett, Wooden Panel, c 1936 Wooden Panel

Six Corinthian pilasters for the Triumph, from The Triumph of Julius Caesar 1598 Andrea Andreani Italian. Six Corinthian pilasters for the Triumph, from The Triumph of Julius Caesar. Andrea Andreani (Italian, Mantua 1558/1559-1629). 1598. Chiaroscuro woodcut from two blocks in light brown ink, the four pilasters are left pasted to the sheet. Prints

Luc-Olivier Merson (1846-1920). Zodiac: the ram. Museum of Fine Arts of the City of Paris, Petit Palais. 37956-12 Insham, foliage, greyness, medallion, decorative painting, zodiac sign

Panel; wood, carved, painted, gilded

Design for a room with wood panels inset with paintings and a heavily-carved double door. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 3/8 x 14 3/4 in. (26.4 x 37.5 cm)image: 6 7/8 x 11 5/16 in. (17.5 x 28.8 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Wall Cupboard. Dated: 1935/1942. Dimensions: overall: 34.9 x 24.4 cm (13 3/4 x 9 5/8 in.) Original IAD Object: Height overall: 37 1/2", width overall: 26". Gr. depth: 16". See d.s.. Medium: watercolor, colored pencil, gouache and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Samuel W. Ford.

Vestigia delle Terme di Tito. Sordino decoration in room 29; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Brenna, Vincenzo (1741-1820), Mirri, Ludovico (1738-1786); 1776 (1776-00-00-1776-00-00);DESA - collection, Mercury, Rome, Italy, town, Terme di Tito, Umiastowski, Roman, collection, Golden House of Nero, antique, architecture, archeology, leather, decorations, lens, purchase (provenance)

Woman sitting near a pond 17th century British. Woman sitting near a pond 228943

Wall painting on white ground: candelabrum, from the imperial villa at Boscotrecase. Culture: Roman, Pompeian. Dimensions: Overall: 66 x 15 1/4in. (167.6 x 38.7cm). Date: last decade of the 1st century B.C..Wall painting on white ground, with red and black plinth; part of a candelabrum supporting a vase. In black predella, bird and fruit. Museum: Metropolitan Museum of Art, New York, USA.

Wall painting above a door in the monastery courtyard in Saint Mary above Minerva, Rome, 16th century. Klosterhof bei Sta Maria sopra Minerva, Rom, XVI Jahrh. Chromolithograph by A. Kips from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1896.

Window with two trumpet -blazing angels who stop a reverse ton above the shield, anonymous, 1700 - 1900 Weapon window with ornaments in Grisaille. Above the coat of arms two trumpet -blowing angels who stop a reverse ton. glass. lead (metal). Weapon window with ornaments in Grisaille. Above the coat of arms two trumpet -blowing angels who stop a reverse ton. glass. lead (metal).

Interlacing folial designs from a German Bible Date: 12th century

Carved and painted wooden door from Luneburg town hall, 15th century. Two hommes sauvages, bearded men in green animal skins, hold a heraldic shield. Inside a stone painted archway. Porte a l'Hotel de Ville de Lunebourg (Hanover). Chromolithograph by Thurwanger after an illustration by H. Soltau from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Drawing, Design for Stained Glass Window; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and watercolor, white gouache, graphite on paper; 23.3 × 16.1 cm (9 3/16 × 6 5/16 in.); 1914-38-91-a

Door panel () second quarter 18th century French. Door panel () 189395 French, Door panel (), second quarter 18th century, Walnut, 102 56 in. (259.1 142.2 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.116)

Historical coat of arms on the Fuerstenbau, Juliasspital, three, lattice helmets, helmets, Wuerzburg, Lower Franconia, Franconia, Bavaria, Germany, Europe

Dubufe, Georges (n. - d.), Ceiling project with five caissons for the Lobau gallery at the town hall (main title), 1891. Pencil, watercolor and golden gouache on spinned paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Pilaster V, from the Loggie Di Rafaele Nel Vaticano series; Volpato, Giovanni (1740-1803), Rafael (1483-1520), Teseo, Lodovico (1731-1782); 1775 (1775-00-00-1775-00-00);

Ceiling with decoration and wooden beams, room in Villa Arconati, Castellazzo di Bollate, Lombardy, Italy, 18th century.

Below is the door opening with a molded frame. Above is a rectangular frame with a female figure, with a bird in her lap, upon clouds; possibly "JUNO" with the peacock. Beside, at right, parts of the dado and the panel of the wall. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1780-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing, Section of wall, Guard Room, Palace of Fontainebleau; Frederick Marschall; USA; brush and watercolor, tempera on heavy paper; 53.9 x 24 cm (21 1/4 x 9 7/16 in.)

Frieze, Block-printed on paper, Central area features urn with four doves sitting on it, underneath floral swags supported by swans, under urn are acanthus rinceau, acanthus banding runs along bottom edge. Printed in yellows and browns on a deep gray ground., France, 1790-1810, Wallcoverings, Frieze

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache on paper, mounted on illustration board; Image: 9.6 x 3.7 cm (3 3/4 x 1 7/16 in.) Sheet: 22 x 8.1 cm (8 11/16 x 3 3/16 in.)

'Cast Iron Panel from Mulheim', Germany, 19th century. Artist: John Burley Waring

Orphrey 16th century French. Orphrey 226961

Design for a door second half 19th century Jules-Edmond-Charles Lachaise French. Design for a door. Jules-Edmond-Charles Lachaise (French, died 1897). second half 19th century. Graphite, watercolor, and white heightening. Drawings

A 1772 colored copper engraving by Giovanni Ottaviani shows Raphael's loggias in the Vatican, featuring Pilastro III with butterflies and a deer on the left side.

King Louis XIV-style wall hanging. Satin valance, silk curtains, window with armchair. Planche 14. Croisee Louis XIV. Cantonniere satin, contre-fond velours, applications soie vieil or et argent. Rideau de desssous petite soie. Tenture murale satin laine et soie fantaisie. Chromolithograph by Henry Sicard et A. Farradesche after an illustration by Ernest Foussier from his Nouveaux Modèles de Tentures, Decorations de Fenêtres, New Models of Wall Hangings, Window Decorations, E. Thezard Fils, Librairie Speciale dArchitecture, Dourdan, France, 1900. Foussier (1859-1917) was a French architect and interior decorator who worked in Paris.

Decorated brick arch vault in the monastery courtyard in the church of Saint Mary above Minerva, 16th century, Rome. Rom. Sta Maria sopra Minerva. Gurtbogen im Klosterhof, XVI Jahrh. Chromolithograph after an illustration by A. Kips from Ernst Ewalds Farbige decorationen alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Saint Julien cathedral, Le Mans, France. 16th century relief in the sacristy

Mirror ca. 1710 Johann Valentin Gevers German This sumptuous mirror beautifully evokes the wealth of silver furnishings at the Versailles of Louis XIV (1638-1715) and, to a lesser extent, at other European Baroque palaces.1 Well documented in contemporary descriptions, the 167 pieces of silver furniture in Louis's state rooms, as counted by a Swedish architect, Nicodemus Tessin the Younger (1654-1728), were mostly made at the Manufacture Royale des Meubles de la Couronne at the Hôtel des Gobelins, in Paris.2 Symbolizing the glory and magnificence of the Sun King, this opulent furniture astonished and dazzled all who saw it. Foreign rulers sought to emulate the example set by Louis, and long after his silver furniture had been melted down to pay for his military campaigns, similar costly pieces were still ordered for the state apartments of princely and other aristocratic residences all over Europe.One of the most important centers for working precious metals was the German city of

Two Designs for Doorways with Alternate Overdoor Decoration second half 19th century Jules-Edmond-Charles Lachaise French. Two Designs for Doorways with Alternate Overdoor Decoration 345513

Wallpaper Design, Brush and gouache, graphite on white paper, Two pilasters standing upon a dado support an entablature, for the moldings of which ornamentation is alternatively suggested, at left. Alternative suggestions are also made for the capitals and for design and colorings of details of the pilasters. Circular medallion portraits framed by squares, upon and beneath which palmettes are shown, decorate the centers of the pilasters. A lilac panel is bordered by an entablature, for the decoration of which alternative suggestions were made. Alternative suggestions were also made for the palmette frieze hanging beneath the entablature. Upon it stands a base with semicircular frame between, containing griffons. Two women and two putti are represented in the lunette., Austria, 1820-30, wallpaper designs, Drawing, Drawing

Hector Jean-Baptiste d'Espouy (1854-1929). "The concert". Sketch for the Lobau gallery of the Paris City Hall. Oil on canvas, 1890. Museum of Fine Arts of the city of Paris, Petit Palais. 101605-8 SKETCH

Kruseman, AC, Haarlem, Emrik & Binger, Stained glass. (13th century), Stained glass, 13th century, Fragment of stained glass, head of a saint with a church building above it., print, picture, historical object representation, book illustration, prints, Frederik Muller Historieplaten, height 375 mm, width 292 mm, print maker, printmaker, 1857 - 1864, third quarter 19th century, paper, chromolithography, printer, Publication (Event), Publication, publisher

Frieze, Imperial Wallcoverings Inc., Machine-printed on paper, mica flakes, Flitter frieze with classically-styled motifs. Contains large scallop shells within half-circle deep red niches. Architectural molding with dentils along top edge. Egg and dart molding around niches. Molding along bottom edge with beading. A laurel wreath and ribbon with bowknot occupies the space between the niches. Printed in deep red, green and grisaille, with gold mica flake highlights., Glens Falls, New York, USA, 1907, Wallcoverings, Frieze

Wall panel. Culture: French. Dimensions: 108 × 61 7/8 in. (274.3 × 157.2 cm). Date: first quarter 18th century. Museum: Metropolitan Museum of Art, New York, USA.

BACULO DE MONDOÑEDO - SIGLO XIII. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPANIEN.

Baluster with Panel designed for the Schlesinger and Mayer Store (now Carson, Pirie, Scott and Company), 1899-1904. George Grant Elmslie (American, 1871-1952). Cast iron; overall: 88.9 x 23.4 cm (35 x 9 3/16 in.).

Resurrection, relief on a silver altar, Parish Church of St. Gallus, Bregenz, Vorarlberg, Austria, Europe

Porta del Paradiso by Lorenzo Ghiberti, Baptistery San Giovanni, Florence, Italy, Europe

Scenic - Panel, The Bronzes; France; block-printed paper; Overall (1978-162-1-4): 276.9 x 189.9 cm (9 ft. 1 in. x 6 ft. 2 3/4 in.) Overall (1978-162-1-1): 276.9 x 150.5 cm (9 ft. 1 in. x 59 1/4 in.) Overall (1978-162-1-2): 276.9 x 191.1 cm (9 ft. 1 in. x 6 ft. 3 1/4 in.) Overall (1978-162-1-3): 276.9 x 231.1 cm (9 ft. 1 in. x 7 ft. 7 in.)

Russia. St Petersburg. Hermitage Museum. Raphael's Loggia. (Editorial Usage Only)

Wall Decoration with a Cartouche and Garland (recto); Ruled Lines in Red Chalk (verso) 17th century Anonymous, Italian, 17th century Italian. Wall Decoration with a Cartouche and Garland (recto); Ruled Lines in Red Chalk (verso) 340368

Blazon of black cloth with application depicting bag carrier, blazon coat of arms information form wool cotton linen jute silk gold silver metal, textile sheet woven embroided appliqué Blazon of black sheet with application and (gold and silver) embroidery on black sheet. Centrally shield above which cherubkopje On the shield bag carrier to the left walking. In the corners letters S V (sakkendragers union) and year 16 34. Laurel wreath around shield embroided over the corners divided: S V 16 34 heraldry Bag carrier guild guild port Rotterdam

Overdoor, Block-printed, Vertical rectangle, with portion of a lyre, ribbons and volutes, printed in cane color, with shading in warm red-orange and highlights in white., France, 1825-30, Wallcoverings, Overdoor

A Seraph,1862. Sir Edward Burne-Jones (d.1898). A Seraph was an angel believed to be of the highest ranks, and in certain cases have six sets of wings. Design for St Michael and All Angels Church, Lyndhurst, New Forest

Joan Carles Panyó /Cardboard of Saints Juliana and Semproniana, 1779. Author: JOAN CARLES PANYÓ I FIGARÓ.

Hermitage Museum. Glass Room Art Work Saint Petersburg. Russia.

Border, Block-printed on paper, Large-scale acanthus leaf and pineapple motifs, printed in front of row of leaves, with beaded top band., France, 1815-35, Wallcoverings, Border

Decorative paneling from the Palace of Westminster ca. 1845-59 Designed by Augustus Welby Northmore Pugin These decorative oak panels exemplify the designs of A.W.N Pugin, who was the leading exponent of the Gothic Revival style in England. Pugins work is central to the transformation in British design that began in the mid-nineteenth century. He admired what he saw as the honesty and purity of medieval art, and deplored the meaningless repetition of historical motifs. Pugin coined the phrase “Brumagen Gothic,” referring to “those inexhaustible mines of bad taste, Birmingham.” The carved oak panels for the Palace of Westminster were made for both the House of Lords and House of Commons and are just one component of a larger, Pugin-designed interior program, including brasswork (grill panels, large doors, candelabra and other light fixtures, hardware, and gallery railings), stained glass, tiles, and furniture. These panels are executed in Pugins interpretation of the Gothic Revival an

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Panel, oak, carved, France, ca. 1730, Decorative Arts, Panel

Arthur-Joseph Guéniot (1866-1951). Pendant decorated with an angel, inside the Saint-François d'Assise church (Recto); Decor (back). Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Fire, from the series The Four Elements, c. 1888-89, Frederick G. Smith; Artist: Formerly attributed to Dante Gabriel Rossetti; Artist: Formerly attributed to Frederic James Shields, English, 1833 - 1911, 70 5/8 x 24 7/8 in. (179.39 x 63.18 cm), Pen and ink, brush and wash over graphite, England, 19th century

Jacques Pelletier du Mans (1517-1582). "Arithmetic". Book, 1554. Museum of Fine Arts of the City of Paris, Petit Palais. Arithmetic, book, mathematics, print work, binding, science trafficking, 16th 16th 16th 16th 16th 16th century

Sheet with two borders with rinceau motif late 18th-mid-19th century Anonymous. Sheet with two borders with rinceau motif. Anonymous , Italian, late 18th-mid 19th century. late 18th-mid-19th century. Relief print (wood or metal). Prints

Roman mosaic. Fighting roosters. 1st century. National Archaeological Museum. Naples. Italy.

Box in the Form of a Book, 1800s. France, 19th century. Brass with painted (lacquered ) decorations; remains of gilding, especially inside; overall: 9.6 x 6.4 x 1.6 cm (3 3/4 x 2 1/2 x 5/8 in.).

This 1775 colored copper engraving and etching by Giovanni Volpato presents a section of Raphael's Loggias in the Vatican, depicting frescoed surfaces and classical architecture.

Drawing, Panel of Arabesques for the Hôtel de Salm, Paris; Designed by Jean-Guillaume Moitte (French, 1746-1810); France; pen and black ink, brush and gouache, black chalk on toned paper, lined; 43 x 10.1cm (16 15/16 x 4in.) Mat: 55.9 x 40.6 cm (22 x 16 in.) Mount: 46.8 x 13.8 cm (18 7/16 x 5 7/16 in.) Frame: 60.3 x 44.8 x 2.5 cm (23 3/4 in. x 17 5/8 in. x 1 in.)

Rome, Roma, Santa Sabina, wooden door from 432, oldest wood-carved door in Christian art

SILLA ARZOBISPAL DEL CORO ALTO DE LA CATEDRAL DE TOLEDO - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: ALONSO BERRUGUETE (1488-1561). Location: CATEDRAL-CORO ALTO. Toledo. SPAIN.

Chancellerie. Woven at an unknown workshop at the Manufacture Royale des Gobelins; France, presumably Paris. Date: 1718-1721. Dimensions: 117.2 × 246.1 cm (46 1/8 × 96 7/8 in.). Wool and silk, slit and double interlocking tapestry weave. Origin: France. Museum: The Chicago Art Institute, USA. Author: Manufacture Royale des Gobelins.

Mural painting with yellow ornaments on red background, Pompeian house, Campania, Italy, chromolithograph by K Grob from a drawing by Abbate, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume II, plate 17, 1854, Naples.

Carved oak Lous XII dressoir, 1910.Artist: Edwin Foley

François Grudé, sieur de la Croix du Maine. First volume of the MAINE Cross library ... partially golden vellum. Paris, Abel Langelier, 1584. Museum of Fine Arts of the City of Paris, Petit Palais. 79437-29 Book, Book, Velin

Furniture around the turn of the century 1900, Upright secretary with inlays in various woods, with cast, chased, and gilt bronze mounts (1910, 1911), Upright secrétaire inlaid in various woods, with cast, chased, and gilt bronze mounts (1910, 1911) .jpg

Relief with Vine Leaves and Grapes. Georges Hoentschel (France, Montmartre, 1855-1915)Emile Grittel (France, Alsace, 1870-1953). France, 1900. Sculpture. Enameled stoneware

Argentina, Buenos Aires, Downtown, Lavalle Pedestrian Zone, Street Scene, Bronze Door

The Last Judgment, Federico Zuccaro (Possible), After Anonymous, 1552 - 1609 drawing paper. ink pen Last Judgement

Entrance to the Doges Palace in Venice. Jabłczyński, Feliks (1865-1928), graphic artist

Book illustration or more likely a trademark with a coat of arms featuring a lion and a tower set within an arch. Artist: Anonymous, Italian, 16th century. Dimensions: Sheet: 11 13/16 × 17 15/16 in. (30 × 45.5 cm). Date: 16th century.Giustiniano degli Azzi Vitelleschi's article in the Mitteilungen der Gesellschaft für vervielfältigende Kunst (1929, nr .2/3, pp.37-45) describes a collection of woodcuts, including this print (number 4). Vitelleschi believes these prints are trade devices, not intended for book covers, but rather were used as covers to account books. In addition, these emblems were mostly found on the inside of the cover. Museum: Metropolitan Museum of Art, New York, USA.

George Edmund Street, 1824-1881, British, Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, undated. Brown ink, black ink, watercolor and gouache on moderately thick, slightly textured, green wove paper.

Stained glass window: right pane of three part design, John C. Wolf, Brush and watercolor, graphite on illustration board, Design for a stained glass window in shape of Gothic arch, pointed arch, with large area of white daisies on yellow ground, above pink arabesques with red flowers on blue ground., USA, 1890-1900, glasswares, Drawing, Drawing

Adam, 1862. Sir Edward Burne-Jones (d.1898) .

Border, Block-printed on handmade paper, Beneath an edging of strung beads, stylized spade-like leaves alternate with sheaves of wheat. The bottom edging consists of a rod wrapped in a coiled band., France, 1800-1825, Wallcoverings, Border

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