Ornate Architectural Designs

Detailed etchings of fireplaces, fountains, and altars in Baroque and Rococo styles, showcasing elaborate decorations, figures, and classical motifs.

Decoration on the Herengracht near the Warmoesgracht, 1816, anonymous, 1816, Decoration with the theme Commerce. Trophy with a Mercury staff, horns of plenty, tridents and garlands. On the pedestal 'Commerce. Founded on the Herengracht near the Warmoesgracht. Part of a series of 14 (of 16) drawings for the decorations prepared on the visit of the Prince and Princess of Orange to Amsterdam on September 19, 1816., draughtsman: anonymous, Netherlands, 1816, paper, pen, brush, h 231 mm × w 170 mm

Fireplace with vase on column, Anonymous, After Jean Dominique Etienne Canu, in or after 1778 print Design for a fireplace or stove with a vase on a column, underneath a medallion with a men's portrait and profil surrounded by ranks and weapons. paper etching hearth and stove. vase ~ ornament. column, pillar ~ architecture

Design for a Mirror 1800-1900 Anonymous, Italian, 19th century Italian. Design for a Mirror 390425

Fontein with Lions, Jean Dominique Etienne Canu, 1778 - 1782 print Front view and map of an ornamented fountain with lions. The fountain is in the form of a facade of a building with a rectangular tablet and a triangular pediment. Paris paper etching ornamental fountain. beasts of prey, predatory animals: lion

Design for a Monumental Altar, Plate h from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' Printed ca. 1750-56 Johann Michael Leüchte Ornament print with a design for an altar in a late Baroque style, with a large architectural reliquary on the altar table crowned by a crucifix and flanked by the figure of Mozes and a priest (Levi) from the Old Testament. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Monumental Altar, Plate h from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Johann Michael Leüchte (German, active Augsburg, died 1759). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Design for a chimney with Apollo that has defeated Python, Anonymous, After Gerrit de Grendel, 1709 - 1762 Design for a chimney with a performance by Apollo with arrows and arched on the Python dragon he conquered. The mantelpiece is decorated with rocaille vertotten. after design by: Middelburgpublisher: Augsburg paper engraving chimney. Apollo shoots Python, the dragon. rocaille ornament

Decoration on the Herengracht near the Warmoesgracht, 1816, anonymous, 1816, Decoration with the theme Commerce. Trophy with a Mercury staff, horns of plenty, tridents and garlands. On the pedestal 'Commerce. Founded on the Herengracht near the Warmoesgracht. Part of a series of 14 (of 16) drawings for the decorations prepared on the visit of the Prince and Princess of Orange to Amsterdam on September 19, 1816., draughtsman: anonymous, Netherlands, 1816, paper, pen, brush, h 231 mm × w 170 mm

Two underbods, c. 1866 - c. 1900 print. drawing On the chimney plate there is a clock with a horizontal putto on either side, at the top is a crowned shield between two putti. On the right, a part of a sub -seal is drawn with a putto at the top that a garland holds. At the bottom right it is stated: N ° 12.a. Liège (possibly) paper. pencil drawing

Drawing (Italy); pen and black ink with graphite support: off-white laid paper

Design for the Obelisk of St. Dominic, Piazza San Domenico Maggiore, Naples. Date/Period: Ca. 1737. Drawing. Pen and brown ink, brush and brown wash, black chalk on cream laid paper. Height: 802 mm (31.57 in); Width: 308 mm (12.12 in). Author: DOMENICO ANTONIO VACCARO.

Design for a Candelabra. Artist: Anonymous, French, 19th century. Dimensions: sheet: 10 3/4 x 6 1/8 in. (27.3 x 15.6 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for Table, Plate 3 from 'Six Tables Grecques & Pendules', Etching on paper, Two girls and two curved ledges support a kind of entablature, upon which a bowl and two vases stand. Framing lines., France, ca. 1780, Print, Print

Draft for a lantern and a chair, Carl von Hasenauer -, draft

Hoffmann Emil (1845-1901), cathedral in Cefalu (1894): baptismal basin. Pencil on paper, 32.5 x 24.7 cm (including scan edges) Hoffmann Emil (1845-1901): Kathedrale, Cefalu

Design for a Compote Dish 19th century Anonymous, French, 19th century French. Design for a Compote Dish 362063

Two composite columns with basement, capital and main frame, Anonymous, After Giovanni Battista Montano, 1636 print With a variant for the main frame. At the bottom are two lines of text. From the first edition. after design by: Italy (possibly)publisher: Rome paper engraving

Erepoort at the Zanddijkse Poort, 1751, Caspar Jacobsz. Philips, after Pieter Beuckels, 1751 print Double folded leaf. Numbered at the top right: 1. De Erpoort placed at the Zanddijkse Poort. Part of the illustrations of the festive inauguration of Stadholder William IV as Markgraaf van Veere on 1 June 1751. print maker: Amsterdamafter design by: Veere paper etching triumphal arch Veere

Panelen puts Rookvat, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print A wall with panels, decorated with tendrils and a smoking vessel at the top. Print number 145. Paris paper etching / engraving panelling. smoking pot as symbol of 'Vanitas'

Design for a Five Branched Candlestick Supported by Putti. Artist: Anonymous, British, late 19th to early 20th century. Dimensions: sheet: 10 x 3 5/8 in. (25.4 x 9.2 cm)sheet: 15 1/4 x 11 in. (38.7 x 27.9 cm). Date: late 19th-mid-20th century. Museum: Metropolitan Museum of Art, New York, USA.

Schmalz Otto (1861-1906), hereditary burial of the Gustav Selve family in Altena (1890-1890): View of the north. Ink on paper, 73.2 x 51.2 cm (including scan edges) Schmalz Otto (1861-1906): Erbbegräbnis der Familie Gustav Selve, Altena

Design for a door with consoles for various porcelain

Praalgraf van Willem I, Prince of Oranje-Nassau, Jacobus Buys, After Hendrick de Keyser (I), c. 1734 - c. 1801 drawing Design for a print. paper. ink pen / brush grave-building, monumental tomb. historical persons New church. Delft

Pedestment with chain balls and guns, Unknown, Jean -François Daumont, After Jean Charles Delafosse, 1745 - 1755 print A pedestal with a smoke vase, garland and a medallion with women's portrait and profil, above it three upright cannon trays and chain balls. Paris paper etching / engraving pedestal of a piece of sculpture (perhaps in the form of a herm). firearms: cannon

Kandelaar puts Guirlands, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print An ornamented candlestick with garlands. Print number 336. Paris paper etching / engraving Chandelier, a candlestick. ornament ~ Festoon, Garland

Ortwein August (1836-1900), ovens and fireplaces (without a year): View. Ink, pencil on transparent, 31.9 x 24.1 cm (including scan edges)

Design for a secretary, Carl Wilhelm Marckwort, 1822 Two volutes in the upper cupboard, made in 1821 by Joseph Oberfranke. Voor- and side view, with one underneath one in two map and a size distribution. Berlin paper. ink pen / brush

Drawing, Design for a Monument; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, graphite on off-white laid paper; Image: 26.9 x 20 cm (10 9/16 x 7 7/8 in.)

Koch Friedrich (1828-1922), travel studies from Italy 1851-53 (November 21, 1852): Orvieto: Auxiliary Basin in the cathedral (perspective view). Pencil on paper, 42.2 x 37.9 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Italien 1851-53

Twee Vetstukken puts Guirlands, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print Two pedestals decorated with garlands and leaf motifs, below with medallion and lion's head. Print number 225. Paris paper etching / engraving pedestal of a piece of sculpture (perhaps in the form of a herm). ornament ~ festoon, garland. ornament ~ medallion. lion's head ~ ornament

Drawing, Elevation of a Monument to Francis I, Emperor of Austria; Italy; pen and black ink, brush and gray wash on off-white wove paper

Gueridon puts Leeuwenkop, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print A gueridone with three -armed candlestick, garlands and a lion's head. Print number 322. Paris paper etching / engraving table. chandelier, candelabrum. ornament ~ festoon, garland. lion's head ~ ornament

Unknown architect, cast iron Kandelaber. Monthly competition February 1877 (02.1877): View. Pencil watercolor on the box, 44.7 x 24.5 cm (including scan edges) N.N. : Gusseiserner Kandelaber. Monatskonkurrenz Februar 1877

Unknown architect, falling over Vionville. Monthly competition in August 1871 (08.1871): floor plan, ancestry front view; Scale bar. Pencil watercolor on the box, 58 x 44.3 cm (including scan edges) N.N. : Gefallenendenkmal bei Vionville. Monatskonkurrenz August 1871

Unknown architect, a fallen monument in Liegnitz. Monthly competition February 1872 (02.1872): site plan, upright side view; 2 scale strips. Ink and pencil on cardboard, 47.3 x 32.5 cm (including scan edges) N.N. : Gefallenendenkmal, Liegnitz. Monatskonkurrenz Februar 1872

Antwerp, Maes, Joseph, Church of Our Lady, Fonts Baptismaux, XVIth century, Copper baptismal font in the Church of Our Lady in Diest, Belgium, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, FONTS BAPTISMAUX and, recto - printed, FONTS BAPTISMAUX. - PL. 1., JJvY, height 289 mm, width 159 mm, photographer, 1882 - 1887, paper, collotype, photolithography, Belgian, 1838 - 1908, clichémaker, Work conception

Fountain with antique vase, 1781 print Design for a niche containing a pedestal with water stream with an antique vase with two rams heads on top. paper etching / engraving ornamental fountain

Sir Robert Smirke the younger, 1781-1867, British, Sketch of a Monument in the Basilica of Saint Anthony of Padua, 1802-1804. Brown wash and graphite on moderatly thick, moderately textured, beige, wove paper.

Design for the decoration of an altar, draughtsman: anonymous, Italy, c. 1590 - c. 1610, paper, pen, brush, h 422 mm × w 247 mm

Speer Rudolf (1849-1893), fountain with Kaiser-Wilhelm monument in Lippstadt. Monthly competition November 1889 (11.1889): floor plan, perspective view. Light pressure on paper, 43.4 x 30.1 cm (including scan edges) Speer Rudolf (1849-1893): Brunnen mit Kaiser-Wilhelm-Denkmal, Lippstadt. Monatskonkurrenz November 1889

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 42e Cahier, Consoles, Console avec son profil, Console with leaf motifs, verso - stamped, Side and front view of a console with leaf motifs. Below an architectural fragment with garlands. Print number 250., print, ornamental print, prints, ornamental prints, height 331 mm, width 203 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 21e Cahier, Chimneys, Cheminée à la Moderne, Chimney with tendrils, verso - stamped, An ornamented mantelpiece with tendrils and floral motifs. Print number 122., print, ornamental print, prints, ornamental prints, height 325 mm, width 203 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Shkapik-stolik pod samovar.. Illustrations, Architectural drawings. 1879. General Research Division. Architecture , Russia, Decoration and ornament, Architectural , Russia

Burial monument of Johannes Christiaan Schotel, Hendrikus Pennock, 1839 print Architectural image of the monument in the Grote Kerk in Dordrecht. The grave is on a pedestal and is decorated with an egg list, volutes and a grave turn. Painted painter attributes, nautical instruments, bay branches and a knighthood. The whole is placed under a pointed arch and is flanked by two columns. paper grave, tomb. palette. knighthood order Large or Our Lady Church

The plan of the retable is like the half of an octagon. At the front is a representation of the ascension of the Virgin, in presence of the Apostles. On top are two angels. In front of the oblique sides is a statue of a saint. Projecting columns frame the sides. The front has a triangular pediment upon the sides of which angels sit. Above them is a circle with the Dove of the Holy Spirit. The upper part forming a circular pediment with garlands and two angels above. Angels sit upon the lower ends of the supports near the wall. The mensa stands at the front, with the tabernacle in front of the central panel of the zone with the pedestals. In the oblique ones are escutcheons. Laterally are round pedestals, disposed similarly to -1369, either of them with a group consisting of a standing female figure and two sitting angels. Usual background. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Building for the fireworks on the Hofvijver in honor of the coronation of Emperor Frans I Stefan, 1746, Jan Caspar Philips, Jan Caspar Philips, After Franciscus Schluymer, 1746 - 1747 print The structure (temple of colossus) for the fireworks set off on January 19, 1746 at the Hofvijver in The Hague on behalf of the German minister and envoy Baron van Reischach on the occasion of the coronation of Frans I Stefan as Emperor on October 4-6 October 1745. paper etching / engraving coronation of a ruler. public festivities (+ illumination, fire-works ~ festive activities). bonfire, fire-works (+ illumination, fire-works ~ festive activities) Hofvijver

Drawing (Italy)

Console Table, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a console table supported by two columns with lion feet. A frieze with two birds and rinceaux., Italy, ca. 1790, furniture, Drawing, Drawing

Parts of the theater of Marcellus in Rome, Giovanni Battista Piranesi, c. 1756 - c. 1757 print Schematically displayed details of the second floor of the Marcellus theater in Rome. Title in the middle. Numbered in the top left: Tom. Iv. Numbered at the top right: XXXVI. Under a explanatory list of letters, printed from another plate. Rome paper etching theatre (building). base (~ column, pillar) Theater van Marcellus

Drawing, Design for the Silver Mount for a Glass Fruit Bowl; Designed by Joseph Anton Seethaler II (German, 1799-1868); Germany; pen and black ink, brush and gray wash on paper; 48.7 x 32.4 cm (19 3/16 x 12 3/4 in.)

French Crown, Paris, Neufforge, Jean François de, Supplement to the Architectural Recueil élémentaire d'Architecture, XXXIe Cahier du Supplement, Exemple de Catafalque ou Mausôlée, Catafalque with Obelisk and Smokers, verso - stamped, Front view and plan of a catafalque with two smokers and an obelisk under a canopy with a statue of a veiled figure. Print number CLXXXIV., print, ornamental print, prints, ornamental prints, height 362 mm, width 227 mm, 1714 - 1791-12-19, print maker, printmaker, 1772 - 1780, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Top of a frame, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) Paris tracing paper. graphite (mineral)

Poort, Decoration for the Zee-Compertoir, 1795, Noah van der Meer (II) (Possible), 1795 print Gate with ships crown and banners, allegorical decoration established for the Zee-Compertoir (Prinsenhof) in Amsterdam. From the booklet with images of the decorations founded in the city at the celebration of the installation of the representatives and the Alliance closed between the French and the Batavian Republic, June 19, 1795. The print includes a loose sheet with an explanation. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities) Amsterdam. Prinsenhof

Drawing, Project for a Bell Tower; Designed by Filippo Barigioni (Italian, 1690 - 1753); Italy; graphite on off-white laid paper

Design for a Fountain, Pen and ink, brush and sepia, watercolor on paper, An aedicule with the papal arms of Clement XI in the pediment. Trophies on either side. Below, water flows from a row of stars., Italy, 1762, architecture, Drawing, Drawing

Fireplace with medallion and vases, 1778 - 1782 print An ornamented fireplace with garlands and three vases. At the top is a medallion with women's portrait and Profil and Garlandes. Paris paper etching open hearth, fire-place. ornament ~ medallion. vase ~ ornament

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 357962

One of four urns for the monument at the National Feast Celebrating the Peace of December 17, 1799, Bartholomeus Ziesenis, 1799, Design for a monument at the National Feast Celebrating the Peace of December 17, 1799., draughtsman: Bartholomeus Ziesenis, 1799, paper, pen, brush, h 451 mm × w 293 mm

Etching by Wenzel Hollar featuring a cenotaph with a coat of arms and additional figures, created between 1627 and 1677, emphasizing heraldic and commemorative details.

Brahma Unidentified ca. 1800 These eighteen drawings depict sculptural piers in the Pudu Mandapa (New Pillared Hall), a temple festival hall built around 1630 as an addition to the Minakshi-Sundareshvara temple complex at Madurai. The hall was constructed at the behest of the Nayaka ruler Tirumala Nayak (r. 1623-59), whose reign marked a high point in temple and courtly patronage at the southern city of Madurai. The interior gallery is adorned with 124 elaborately sculpted piers, capitals and lintels decorated with narrative reliefs of the Brahmanical gods and local legends devoted to their worship. These meticulously executed ink drawings are on English laid paper watermarked J. Whatman and with the firms trademark fleur-de-lis and the year 1798. View more. Brahma. Unidentified artist, Indian. India, Madurai, Tamil Nadu. ca. 1800. Ink and wash on J. Whatman paper watermarked 1798. Paintings

Stürtz Edgar (1840-1904), table card for the Schinkelfest March 13, 1867. Monthly competition December 1866 () (03.1867): View. Ink on paper, 10.9 x 7.6 cm (including scan edges)

Used, chass. You ... Onz. .

Drawing, Elevation of a Catafalque for a General; Designed by Mauro Antonio Tesi (Italian, 1730 - 1766); Italy; graphite, pen and ink on paper

Grave monument from Antoni van Leeuwenhoek, which is located in the old church in Delft.

Schwenke Friedrich (born 1840), marble fireplace. Monthly competition in August 1868 (08.1868): floor plan 2 levels, tearing front view; Scale bar. Pencil on cardboard, 47.1 x 33.4 cm (including scan edges)

Elevation of an altar in a private chapel, Pen and brown ink, brush and brown wash, Vertical rectangle. Above the altar ledge stand four candlesticks, a crucifix, Mary and St. John. Above is the frame for a picture. A trophy of the arms of teh Passion is in the panel above it. The wall is divided into a dad and panels. Written below, at right: 'Capellata privata,' in the upper left corner: '98.' Reverse: Sketches for the decoration of a dado., Italy, n.d., architecture, Drawing, Drawing

Sculpted parts, Johann Thomas Hauer, 1781 print Seven designs for sculpted parts such as pedestals for vases and balustrades. Paris paper etching / engraving sculpture

Drawing, Design for a door frame; Carlo Marchionni (Italian, 1702-1786); Italy; graphite, black crayon, brush and black wash on laid paper; 40.7 x 23.1 cm (16 in. x 9 1/8 in.)

Twee Fonteinen, Augustin Hay, Jacques-François Chéreau, After Jean Charles Delafosse, 1771 print On the left a fountain with putti, buccaniums, a shell motif, semi -figures and a vase. On the right a fountain with dolphins, mermaids, swans, columns, a pediment and a crowned woman. Paris paper etching / engraving ornamental fountain

Rhenius Wilhelm, clock housing (fireplace clock). Monthly competition November 1870 (11,1870): floor plan, ancestry front view, side view; 1: 4. Pencil watercolor on the box, 42 x 29.4 cm (including scan edges) Rhenius Wilhelm : Uhrgehäuse (Kamin-Stutzuhr). Monatskonkurrenz November 1870

Fountain Surmounted by Three Nymphs Edme Bouchardon French. Fountain Surmounted by Three Nymphs 336343

Design for One Half of the Apsidal Space Enclosing an Organ 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for One Half of the Apsidal Space Enclosing an Organ 340337

A pencil sketch by Emerich Alexius Swoboda depicting a monument with two figures, showing posture, spatial arrangement, and compositional detail.

Elevation and Plan for a Public Fountain, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Germany, 1745, sculpture, Print, Print

Fireplace with chandelier; 70. Theil Cheminées Avec Leurs Trupeaux & c. An ornamented fireplace with a four-armed chandelier and two helmets. At the top a figure with a helmet, a laurel wreath, shields, flags and tendrils.

Weapons and Insignia by Karel V, no. 34; Funeral procession of Emperor Charles V, 1558. Tabernacle with the weapons and Insignia of Karel V. At the bottom of the date 1558. Part of the printer of the funeral procession of Emperor Charles V on December 29, 1558 in Brussels.

Deur puts Guirlands, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print A door with panels and garlands. Print number 133. Paris paper etching / engraving Through. Ornament ~ Festoon, Garland

Stove with vase and goat heads, Anonymous, After François Boucher, 1737 - 1806 print A stove with a vase, two goat heads and a garland. Augsburg paper etching / engraving heating stove. vase ~ ornament. he-goat, billy-goat. ornament ~ festoon, garland

Cornice of mantle with plan; Couronnement du Manteau de la Cheminée. Cornice with a still life of fruit in a medallion at the top. Top left state: Motifs de Decoration, top right: Sculpture, bottom right: n ° 21 C.

Michelangelo Buonarroti (1475-1564), S. Lorenzo, Medici Kapelle in Florence (without Dat.): Tomb by Giuliano di Medici. Photo on cardboard, 45.7 x 33 cm (including scan edges) Michelangelo Buonarroti (1475-1564): S. Lorenzo, Medici Kapelle, Florenz

Paris, unknown, Delafosse, Jean Charles, Littret de Montigny, Claude Antoine, IInd Volume De l'Oeuvre de J. Ch. Delafosse, U Tombeau Antique, Tomb with torches and vase, verso - stamped, A tomb with a bucranium, torches and a vase on a pedestal., print, ornamental print, prints, ornamental prints, height 314 mm, width 218 mm, 1735 - 1775, print maker, printmaker, 1771 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, publisher, uitgever, Publicatie

Grave monument from Duco Martena Vna Burmania and his wife, Andries van Calfsbeek, After Albert Martin, 1875 print To the left and right of the burial, two semi -figures are with their hands in front of the face. In addition, two family weapons of the Burmania and Juckema family. Three putti hold a canopy with underneath, left and right, rows of coats of arms. At the bottom of an edge decorated with bones, skulls, sickles, grain and torches. Under the image the names and death dates of the deceased. print maker: Netherlandsafter design by: Leeuwarden paper niche-tomb, wall-tomb. cupids: 'amores', 'amoretti', 'putti'. armorial bearing, heraldry IJsbrechtum

Design for Table Supports by Androuet du Cerceau. Édouard Baldus (French, born Germany, 1813 - 1889)

Lehmmübner Paul (1855-1916), running fountain in Michelstadt from 1575 (1897): floor plan and view 1:10. Pencil on paper, 82.6 x 60.4 cm (including scan edges) Lehmgrübner Paul (1855-1916): Laufbrunnen von 1575, Michelstadt

Design for a Festival Monument: Base Holds a Small Orchestra; Triumphal Arch Surmounted by a Cartouche-Decorated Pyramid with Figure of Fame, below, a Royal Crown. 18th century Anonymous, Italian, first half of the 18th century Italian. Design for a Festival Monument: Base Holds a Small Orchestra; Triumphal Arch Surmounted by a Cartouche-Decorated Pyramid with Figure of Fame, below, a Royal Crown. 344507

Design for a Monument Flanked by Fountains, Pen and ink, brush and watercolor on paper, Allegorical figures with trophies flank an obelisk with relief sculpture of trophies of warfare surrounding a blank escutcheon surmounted by a royal crown. The base of the monument has been left blank for inscription. Waterfalls at either side; trees in the background., France, 1700, Drawing, Drawing

Drawing, Two Sketches for a Sepulchral Monument; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, graphite on off-white laid paper; 15.6 x 13.3 cm (6 1/8 x 5 1/4 in.)

Speculum Romanae Magnificentiae, Antonio Lafreri, 1512-1577, French, 1546-1590, Line engraving on medium, slightly textured, cream laid paper

Carved Details for Armchair, Richard de Lalonde, French, active 1780-96, Pierre Claude Delagardette, French, 1745 - 1792, Engraving on paper, Europe, France, 18th century, Print, Print

Design for illumination of the West Indian Buitenhuis in Amsterdam, 1788. Design for the illumination of the West Indian country house in Amsterdam. Part of a group of design drawings of the architect Hendrik G. van Raan for illuminations and decorations in Amsterdam on the 40th birthday of Prince Willem v on March 8, 1788.

Memorial to Benjamin Lucas from Brentford Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 12 7/8 × 9 5/8 inches (32.7 × 24.4 cm), architectural subject, church, memorial, Brentford Church, England, Greater London, London, Middlesex, United Kingdom

Vuurbok puts Vazen, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print An ornamented firebok with garlands and two vases, on the right with fire. Print number 312. Paris paper etching / engraving andiron, fire-dog. ornament ~ festoon, garland. vase ~ ornament

N.N.: Grave monument for Wilhelm Stier on the Schöneberg cemetery and plaque for the building academy, Berlin. Competitions April 1857 and April 1858

Monument for Hendrik Danielsz. Hooft, 1794, Anonymous, After Antoni Zürcher, 1794 drawing Allegorical monument for Hendrik Danielsz. Hooft, former mayor of Amsterdam, died on August 31, 1794. Graf needle with portrait and weapon of Amsterdam in a court with two mourning children on the right at a large urn. On an arc the designation 'Eliseum'. In the background, Hooft is transferred by Charon with the boat the river. Northern Netherlands paper. pencil grave-building, monumental tomb. Charon, the ferryman

Table decoration at the Golden Wedding of Burger Gerrit Hooft, 1757; Dezert on the golden wedding of Mr. Mayor Gerard Hooft and Mrs Hester Hinlochen Ao. 1757.table decoration for the banquet on the occasion of the golden wedding or civilmaster or amsterdam gerrit hooft and his wife hester hinloos, on June 28, 1757. Decoration or ornament in cakes in the form of a garden with a temple, journeys and allegorical Figures, made by the Amsterdam Sugar Baker Adriaen Kok. Design Drawing for the Print, Squared. Design for a print.

Albert Memorial in London. A fragment of a hairstyle showed by the pecunts and groups Figuraln "Trade"; Unknown, Thornycroft, Thomas (1815-1885), London Stereoscopic and Photographic Company (London; Photographic Company; 1854-1922); 1872-1876 (1872-00-00-1876-00-00);

Designs for a fireplace, c. 1905 - c. 1906 Page 21 Recto from a sketchbook with 30 sheets. paper. pencil chimney-piece, mantelpiece

Vilnius. St. John's Church - monument of Adam Mickiewicz 1798 - 1898 - according to design by Tadeusz Stryjeński, bust carved by Marceli Guyski.. unknown, photographer

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Edward Crisp from Chiswick Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Drawing, Elevation of a Fountain; Italy; pen and brown ink, brush and gray wash, white heightening on light blue laid paper

of 3