Ornate Architectural Engravings

Detailed engravings depicting architectural elements and religious scenes, highlighting intricate designs and historical significance from various eras.

Paris, Tavernier, Melchior, France, Barbet, Jean, Bosse, Abraham, Livre d' Architecture et d' Autels, Onderboezem, schacht dekoreerd met Narcissus, Sheet 16 from second edition of series., print, ornamental print, prints, ornamental prints, height 206 mm, width 135 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1638 - 1643, second quarter 17th century, paper, papier, etching, etchings, Work conception, 1605 - 1654, after a design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Underbousa, shaft decorated with sacrificial scene; Livre d 'Architecture et d' Bels.

Frontispiece, from Des Miracles et Graces de Notre-Dame de Bon-Secours-Les-Nancy (Miracles and Graces of Notre-Dame-de-Bon-Secours, Nancy) 1630 Jacques Callot French. Frontispiece, from Des Miracles et Graces de Notre-Dame de Bon-Secours-Les-Nancy (Miracles and Graces of Notre-Dame-de-Bon-Secours, Nancy). Des Miracles et Graces de Notre-Dame de Bon-Secours-Les-Nancy. Jacques Callot (French, Nancy 1592-1635 Nancy). 1630. Etching. Prints

Haarlem, Wijngaardranken, chamber of rhetoric De, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Coat of arms of the Haarlem chamber of rhetoric De Wijngaertrancken, verso lower left - stamped, Coat of arms of the Haarlem chamber of rhetoric De Wijngaertrancken. Construction with two floors. On the top floor in the centre the personification of Rhetoric, seated on a throne. On either side of her the personifications of Faith (left) and Hope (right). Next to them the coats of arms of Haarlem and Holland. Above her on a canopic jar the personification of Love. On the bottom floor the personifications of Wisdom and Temperance. In the centre the Christ Child. At the bottom on a stretched lambskin a rebus (Through the sweetness of the grapes we gather music and games)., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 290 mm, width 184 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1550 - 1550, paper, papier, etching, etchings, 1498

. The grave monument is under a triumphal arch with double corintean columns. Leaf 3 from series from title page and 5 sheets, third edition.

Paris, Tavernier, Melchior, France, Barbet, Jean, Bosse, Abraham, Livre d' Architecture et d' Autels, Onderboezem, schacht dekoreerd met Narcissus, Sheet 16 from second edition of series., print, ornamental print, prints, ornamental prints, height 206 mm, width 135 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1638 - 1643, second quarter 17th century, paper, papier, etching, etchings, Work conception, 1605 - 1654, after a design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Christ appears to Petrus at the gate of Rome, Pietro Sante Bartoli, after Giovanni Lanfranco, 1665 print A painting with Christ that appears to Peter at the gate of Rome, in an ornamental frame with putti and naked boys. Peter asks Christ "Quo Vadis, Domine". Christ answers the question with "EO Romam Ierum Crucifigi" (I go to Rome to be crucified again). Around the list of images of naked figures and personifications. Print is part of an album. paper etching Peter tries to leave Rome unnoticed: at the gate he meets Christ, who usually carries the cross ('Domine, quo vadis'). piece of sculpture, reproduction of a piece of sculpture. cupids: 'amores', 'amoretti', 'putti'

Twee vrouwen naast urn; Divers Ornemens, Trophées et Panneaux.The women are sitting next to a smoldering urn that stands on a mask. Leaf 4 from series of 12.

Vulcanus at work, 1551 - 1580 print At the bottom is a Latin text. From a later version of a series of sheets with flat decorations of gods and goddesses in a frame of grotesque with fantastic creatures, animals, garlands and mascarons. The original page number 16 has been replaced by 19. France (possibly) paper engraving (story of) Vulcan (Hephaestus)

Allegorical Presentation on the occasion of the marriage of William Sterling and Johanna Maria van Rijckevorsel, Jan Punt, 1744 print Allegorical performance made on the occasion of the marriage of William Sterling and Johanna Maria van Rijckevorsel, married in Rotterdam on August 19, 1744. The wedding god Hymen is at the temple of Juno and receives the couple and their entourage: peace, cheerfulness and abundance. In the foreground is the trade god Mercury, surrounded by packages on which the initials of the couple. The show is surrounded by a cartouche with wine cracks and at the bottom of the coats of the couple. Amsterdam paper etching / engraving (story of) Hymen(aeus). Juno Iuga, Juno Pronuba, protectress of marriage. couple of lovers. (story of) Mercury (Hermes). armorial bearing, heraldry

The self-sacrifice of pastor Hambroeck on Formosa, 1661; Anthonius Hambroek. The self-sacrifice of pastor Hambroeck on Formosa. After the request to submit the Chinese surrender to the Dutch commanders from Fort Zeelandia on Formosa, Hambroeck says goodbye to his daughters and returns to Chinese pirate coxinga, 24 May 1661. In October 1661 he killed by the Chinese . Central representation in which his daughters begged not to leave, surrounded by four smaller scenes and the Vignette of the VOC.

Papal court, Vatican City, Michelangelo, Rome, Alberti, Cherubino, Vault of the Sistine Chapel, Sibyl of Delphi, verso - stamped, Part of the vault painting by Michelangelo in the Sistine Chapel with sibyls, prophets and nude figures (ignudi). The Sibyl of Delphi is seated in the center., print, prent, prints, height 430 mm, width 285 mm, 1553 - 1615, print maker, printmaker, 1628 - 1628, paper, papier, engraving, engraving (printing process), Italian, 1475-03-06 - 1564-02-18, after a painting by, granter of privilege

Design of a tombstone: Tombeaux de Guilliaume III Roy de la Grande Bretagne. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Cardinal PortoRero and the Battle of Malplaquet, 1709; Don Louis Emanuel von Portocarero (...). Cardinal PortoRero and the Battle of Malplaquet, 1709. A representation of the battle between the Allies and the French on September 11, 1709 put in an architectural frame with various allegorical figures. Centrally, the lying Cardinal PortoCarrero (which is seen as the altitude of the war) looks at the front right, death paints a portrait of the Cardinal who dies 3 days after the battle on September 14, 1709.

King on a throne under a canopy with other figures, Abraham Bosse, 1637 print Paris paper etching / engraving king. canopy, baldachin

Fireplace with timepiece; Nouveau Livre des Chemines (...). A fireplace with rocaille ornaments, a rocaille fireplace, right, garlands, leaf motifs and timepiece bottom right and overhead. On the left is a rocaille furniture and a rocaille hangs on the right.

Cabinet with combat scene on panel, anonymous, After Jean Lepaut, c. 1680 - c. 1700 print To the left of the panel is Minerva, Hercules on the right. print maker: Netherlandsafter design by: France (possibly)publisher: Amsterdam paper etching

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Alcoves a la Romaine, Alkoof, recto - handwritten in pen and brown ink, Alkoof with a group standing in front of a bed flanked by two terms and two doors with medallions with portraits of emperors above. Possibly the story of Titus and Berenice. Numbered 6 at the bottom right., print, prent, ornamentprent, prints, prenten, ornamentprenten, 32, detto, height 150 mm, width 215 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1656 - 1657, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Josef I., Roman-German Kaiser.

Graftombe. A graftombe consisting of three layers. Under a representation of a sacrificial ritual. Then two putti next to an empty cartouche. On top of a horizontal figure and a representation of Maria with child that is flanked on either side by a putto.

WEJWFWWATERBAk, Franrance Ertings, After Jean Lepautre, c. 1677 - c. 1692 print The holy water bin is supported by three putti and six cherubs. The back plate is formed by an oval medallion, held by two angels, with Christ on the cross. Antwerp paper etching

Fürstenberg, Ferdinand Freiherr.

Monument in honor of the marriage of Nicolaas de Vicq and Maria Jacoba van Riet, Laurens screen, after Simon Schijnvoet, after Jan Goeree, 1704 print Wedding square with a monument in honor of the marriage of Nicolaas de Vicq and Maria Jacoba van Riet. In the middle, Juno drove as a goddess of marriage. She is flanked by two images of women, one with two children is displayed. Above her a few putti, two of whom are on either side of the wedding couple monogram. For Juno, two Amoretti sacrifice on the altar of love with burning hearts. On the left the wedding couple. In the front two obes schools with an arrow sleeve and an arc, the attributes of Amor on the left, and an obelisk on the right with two burning torches such as love symbols. At the bottom of the marriage date in Roman figures: 1701-09-21. In the middle of a text in burning hearts and a twelve -line text in Dutch about the bridal couple and the print. print maker: Amsterdamafter design by: Northern Netherlandsafter drawing b

On the right side of the table is an open jewelry box, and on the right is a candle bearer with a portrait bust. From series of 6 sheets with designs for mirrors, tables and candle bearers, each sheet with a variant for the right half. Octagonal Mirror Livre de Miroirs Tables Et Gu, print maker: Jean Lepautre, (mentioned on object), Jean Lepautre, (mentioned on object), publisher: Jean Lepautre, Paris, (possibly), c. 1660 - c. 1670, paper, etching, h 224 mm × w 151 mm

The right-hand version of the table has a putto as its leg. From series of 6 sheets. Oval mirror with Apollo and Cyparissus Livre de Miroirs Tables Et Gu, print maker: Jean Lepautre, (mentioned on object), Jean Lepautre, (mentioned on object), publisher: Jean Lepautre, Paris, (possibly), c. 1660 - c. 1670, paper, etching, h 224 mm × w 152 mm

The Church Father Origenes shows an angel holding a portrait medallion. Origen stands on a pedestal where the front depicts his martyrdom., Church Father Origenes, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 276 mm × w 172 mm

Dood van Titus, Louis de Chatillon, after François folded, after Annibale Carracci, 1659 print paper etching / engraving death of Titus Tatius: he is killed during a riot at Lavinium, when celebrating the annual sacrifice

Alcove with Apollo and Leucothea, c. 1662 - c. 1670 print Apollo embraces Leucothea while women watch left and right. At the bottom are four lines of text. From series of 6 magazines. paper etching Apollo, possibly in the guise of an old woman, wooing Leucothea

Louis XIV (king of France), Paris, Mariette, Pierre (I), France, Lepautre, Jean, Angle de Plafons de gallerie, et autres ornemens, Decoration of wall and coving, At the top a cornice and a balustrade can be seen under a cloudy sky. From a series of 6 unnumbered sheets., print, ornamental print, prints, ornamental prints, height 230 mm, width 162 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1657 - 1678, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1603 - 1657, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Lambris a la Romaine, Wall decoration with two images, recto upper right, outside plate edge - handwritten in pen in brown ink, On the left is a statue of Apollo as a hunter., print, ornament print, prints, ornament prints, 52, height 152 mm, width 221 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1661 - 1661, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, 1638-09-05 - 1715-09-01, granter of privilege

La GrandeThèse. Artist: Jacques Callot, French, 1592-1635

Two putti by a vase with flowers, Arnold Houbraken, 1710 - 1719 print Two putti in a garden vase with flowers in a niche. The right putto looks at a wilted rose on the floor. The left putto points to the vase, on which death holds the shoulder of a dancing figure. At the bottom two lines in French, with a comparison of human life with the flowering and the perishing of flowers. Print from a series of 41 symptoms. Amsterdam paper etching / engraving flowers (+ plants used symbolically). garden vase. Vitality and Mortality (opposing concepts). angel(s) represented as child(ren)

Artist: Jean Le, Pautre, French, 1618-1682, Grandes Cheminees a laRomaine, Etching, image: 33.3 × 23.2 cm (13 1/8 × 9 1/8in.), Made in France, French, 17thcentury, Works on Paper -Prints

Glorification of Maria Theresia, 1744, Frans Pilsen, After Philips Karel Marissal, 1744 print Allegory on the inauguration of Archduchess Maria Theresia as Countess of Flanders on 27 April 1744. The provincial layers of the Austrian Netherlands kneel before the queen standing under a throne sky and who is honored by an angel, in the air the fame. Ghent paper etching / engraving installation of a ruler - BB - female ruler Flanders

Church father Origenes, Jan Luyken, after Jan Goeree, 1698 print The church father Origenes shows an angel a portrait medallion. Origenes is on a pedestal where torture death has been portrayed on the front. Print in the middle of it marked: II. Share p. 254. Amsterdam paper etching / engraving prison, jail. instruments of torture, execution or punishment

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Peddler, 1651 Peddler

Triumphpoort Founded in the Kipdorp near the Sint-Jacobskerk, 1685, 1685 print Triumphpoort founded by joint effort of the residents of the Kipdorp street at the Sint-Jacobskerk in Antwerp. Part of the illustrations of the decorations founded in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585. Southern Netherlands paper etching triumphal arch Sint-Jacobskerk

Amsterdam, Hilten, Jan van, Janssonius, Johannes, Netherlands, France, Barbet, Jean, Lower breasts, Lower breast, shaft decorated with Venus and Cupid, print, ornament print, prints, ornament prints, height 209 mm, width 145 mm, Work conception, French, 1605 - 1654, after a design by, 1642 - 1642, second quarter 17th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, Dutch, 1588 - 1664, publisher, uitgever, Publicatie

Allegorical title page with throning Astraea, Cornelis Galle (I), after Peter Paul Rubens, in Or Before 1617 print Throne Astraea with caduceus and bowl in her hands. On either side of her the constellations lion and scales. On the left the personification of good governance, with city crown and snake. On the right a woman with five breasts and a horn of abundance. A man and a devil are chained to and a base. Proef pressure for a title page of a book about virtues and vices. Southern Netherlands paper engraving (story of) Dike (Astraea), goddess of Righteousness and Justice. allegory, personification of good government

Ornamental Panel ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. Ornamental Panel. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Judgment of Solomo, Cornelis Brouwer, Cornelis Ploos van Amstel, After Lucas van Leyden, After Nicolaes de Bruyn, 1795 - 1821 print King Solomon sits on his throne and felt his judgment. He instructs the baby to share in two to determine who the child's mother is. On the right a man pulls his sword. Before the throne the two women who both claim the child's motherhood. Amsterdam paper etching the judgement of Solomon (1 Kings 3:16-28)

Five putti wear the papal weapon, Pietro Sante Bartoli, 1665 print Five putti wear the papal weapon. Below: two portraits of popes, numbered 2 and 8. Print is part of an album. paper etching painting (including book-illumination, miniature-painting). insignia of the pope, e.g. tiara. pope. historical persons. coat of arms (symbol of sovereignty). cupids: 'amores', 'amoretti', 'putti'

Title page: Lambris a la romaine; Lambris a la romaine. The title is at the bottom of the pedestal of an image of Victoria.

. Chimney attempt with Minerva with painting attributes. Leaf 17 from second edition of series. The numbering of the prints only partially corresponds to that of the first edition.

Cabinet with two doors; Les Cabinets. The doors are decorated with vases in octagonal panels. At the top is an emperor bustled by two women.

Stedenmaagd van Haarlem legt de eed af; Handvesten der stad Haerlem; Titelpagina voor: S.n., Handvesten, privilegien, octroyen, vry- en gerechtigheden, aan de stad Haerlem, 1751.The Haarlem city lag is kneeling for a woman's man and turns the oath. She is wearing the armor of Minerva and supports a shield on which the city of Haarlem. In the air, a trumpet blowing angel flies that loves a laurel wreath above the head of the city. Around the performances arc-shaped ornamental list, decorated with medals with portraits of historical figures.

A Scene of Judgment ca. 1730 Johann Melchior Füssli Swiss. A Scene of Judgment 345075

Jupiter appears in a golden rain to Danaë, Anonymous, Jean Lepautre, 1628 - 1717 print paper etching Jupiter wooing Danae; she is usually lying in bed receiving a shower of gold

Ecce Homo, from Passion of Christ. Jan Sadeler, the Elder (Flemish, 1550-1600); after Marcus Gheeraerts, the Elder (Flemish, c. 1520-c. 1590). Date: 1570-1600. Dimensions: 162 × 112 mm (plate); 175 × 125 mm (sheet). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Two naked women sitting on pedestal. Between the women is a dolphin, the pedestal is supported by two sphinxes. Leaf 7 from second edition.

Augsburg, Nilson, Johann Esaias, Scenes from Gottscheds Deutsche Schaubühne, Elisie, verso - stamped, The shepherdess Elisie and King Dion stand before a rocaille throne in a forest landscape. They are surrounded by men and women. On the left, the shepherd Daphnis, who is in love with Elisie, stands next to an older man with a walking stick. In the bottom margin, two two-line French and German texts. Publisher number XV., print, ornamental print, prints, ornamental prints, height 290 mm, width 194 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Monument for General Pichegru, 1795, Jacobus Wijsman, After Daniël Kerkhoff, 1795 print Allegorical monument for the French General Pichegru. Central a statue of freedom, at the top of Putti with a portrait of Pichegru. On both sides of cartouches with episodes from the raid of the French in 1795: crossing the Waal and interpreting Utrecht and Amsterdam. Northern Netherlands paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure) Waal. Amsterdam. Utrecht

Scene from ancient history: at the foot of a statue of Hercules () a pile of bodies, in the background soldiers drink a victory drink. Design for a book illustration., Double-heartedness, draughtsman: Jan Goeree, 1680 - 1731, paper, pen, brush, h 153 mm × w 97 mm

Bacchus with cup wine in hand in ornamental frame, Gerrit Visscher, 1690 - 1710 print Amsterdam paper engraving / etching ornaments ~ art. (story of) Bacchus (Dionysus), Liber

Charlot, Claude, Anthoine, Poirel, Dominique, Deruet, Leclerc, Sébastien (I), Monuments and festivities during the entry of Charles IV into Nancy, 1641, Fountain with woman, A fountain with a standing woman with crosses on her clothes. To her left stands a putto with a bow and quiver from which water flows. To her right stands a swan with an open beak from which water flows. Above the woman a shell motif and a wreath., print, ornament print, book illustration, prints, ornament prints, height 262 mm, width 183 mm, French, 1637-09-26 - 1714-10-25, print maker, printmaker, 1664 - 1664, second quarter 17th century, paper, etching, etchings, Work conception, 1588 - 1660-10-20, after a design by, Publication (Event), Publicatie, publisher

Allegorical representation with the bust of Louis XV of France, Antoine Jean Duclos, after Hubert François Gravelot, 1766 print Apollo and the personification of the sciences hold a crown above the bust of Louis XV of France. In the foreground seven putti with attributes that refer to the sciences. In the background are bookcases. paper etching / engraving Abstract Ideas and Concepts (+ abstract concept represented by female figure). education, science and learning. specific aspects, allegorical aspects of Apollo; Apollo as patron. cupids: 'amores', 'amoretti', 'putti'. bookshelves

Statue of James The multiple in a niche; S.Jaco Hispaniarum Apostolo et Patrono.Statue of the apostle and patron saint of Spain, James the multiple on a base in a niche. Behind his head of the scallop shell and in his hand a pilgrimage staff with balebase bottle. Above the niche a cartouche with its name, flanked by two putti. Under the niche a ninegene text in Latin.

Man kneeling for a throne in a large room; Habere Regnum Case Est Virtus Dare. A man kneels, under the watchful eye of a crowd of people, for two figures that stand for a throne. The performance is caught in an ornamental frame with plant and animal motifs. Left and right are two crowned allegorical figures in the company of an eagle (left) and stork (right).

Achilles kills Hector, Franz Ertinger, After Peter Paul Rubens, 1679 print Achilles, with his armor forged by Vulcanus, dead Hector with his spear and with the help of Pallas Athens. In the foreground two fighting roosters. Antwerp paper etching Achilles kills Hector

Chimneys in the Italian Manner. Jean Le Pautre; French, 1618-1682. Date: 1669-1670. Dimensions: 215 × 149 mm (plate); 224 × 155 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Holy Ark of the Covenant; From Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

Bacchus with cup of wine in hand in ornamental frame, print maker: Gerrit Visscher, (mentioned on object), Amsterdam, 1690 - 1710, paper, engraving, etching, h 166 mm × w 124 mm

Amsterdam, Schenk, Pieter (I), Netherlands, France, Lepautre, Jean, Les Cabinets, Title page: Les Cabinets, Cabinet with variant for the right half. In the middle an oval medallion with Perseus and Andromeda, at the bottom Neptune in his chariot with two seahorses with putti on the left and right., print, engraving, ornament print, title page, prints, engravings, ornament prints, height 210 mm, width 145 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1680 - 1700, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1660-12-26 - 1711, publisher

Minerva embraces the bust of Laurens Jansz. Coster, Adolf van der Laan, after F. Jelgersma, 1740 print Minerva embraces a bust of the Haarlem printer Laurens Jansz. Coster that is acclaimed by a trumpet -blazing angel. On the left is a pillow with weapon. Through the bow -shaped view, decorated on the left and right with medallions, the interior of a printing company. Under the show a four -line caption in Latin. Haarlem paper etching piece of sculpture, reproduction of a piece of sculpture. (story of) Minerva (Pallas, Athena)

Antwerp, Moretus, Balthasar (II), Rubens, Peter Paul, Galle, Cornelis (II), Title page for: Frederik van Marselaer, Legatus, Antwerp: 1666, Minerva and Mercurius shake hands, verso - stamped, Minerva and Mercurius stand on pedestals and shake hands. Between them is a stone slab with the title of the book. On the slab is a bust of a woman with a city crown, symbolizing Good Governance. Below the plate a cartouche with playing putti., print, engraving, title page, prints, height 320 mm, width 210 mm, South Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1666 - 1666, paper, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, Belgian, 1615 - 1674, publisher

Allegorical figure on throne; Description of the Netherlands, first part; Title page for: Lodovico Guicciardini, Beschryvingh der Lower countries, 1662. A woman with globe sitting on a throne surrounded by men of different origins. Two kneaded men with a book and map are in hand in front of her.

In a round tent a putto bubble is blowing ('homo bulla' - 'Man is a bubble' - stands on the edge of the niche in which he sits), flanked by an emperor and a farm labourer. Above the putto a representation of the Last Judgment. Above left a cartouche with round representation of the Fall of Sin, above right a cartouche with round representation of the Crucifixion. In the foreground are two corpses (the emperor and the farmer, according to the broken crown at the far left front and the battered shovel at the right front). On the left in the foreground also a vase with flowers, on the right a vase from which smoke rises and a broken hourglass. Equipped with explanatory texts referring to death (which makes no distinction between the positions) and the transience of human life. With Latin caption in the form of four quatrains, Allegory of death and the transience of life., print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (men

Allegorical performance with Justitia, Mercury and Minerva for the aldermen room, Hendrik Post, 1741 print Minerva sits on a throne in front of the room of the aldermen. She looks up at Mercury, next to whom Justitia stands on a pedestal. A putto in the foreground holds a ship model. In the foreground are packages and barrels with the brands of VOC and WIC and a few certificates. There are books on a table with the names of the aldermen on the back. Amsterdam paper etching / engraving specific aspects, allegorical aspects of Minerva; Minerva as patroness. Justitia (justice) as Roman personification. specific aspects, allegorical aspects of Mercury; Mercury as patron. magistracy, judges

Wszyscy Święci w MNK Gebel, Andrzej (Fl. 1701 1750)

Maria adores the Christ child. Maria adores the lying Christ child. Joseph is behind her. There are two shepherds at a gate. The show was caught in an architectural ornament list. At the bottom of a presentation of a battle.

ALLARY OF THE TREATY OF WAS MASSMASTER, geRULN THE LAIRSEY, 1674 print Allegory on the Peace of Westminster, closed on February 19, 1674 between the Republic and England, which ended the Third English War. In a departure illuminated by Candles, the oath is taken on the peace treaty. In the clouds, the Peace connects with the Spanish weapon the portraits of Charles II and Willem III, blowing and right blowing with trumpets. paper etching signing of peace treaty, concluding the peace. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

Sadeler, Raphael (I), Johann (I), Vos, Maerten de, Venice, Oracvlvm Anachoreticvm, Oraculum Anachoreticum, Hermits, Christ as the Good Shepherd flanked by Pax and Silentium, verso lower left - stamped, A garden with trees. The personifications Peace (Pax) and Silence (Silentium) in the foreground. In the background in the middle of the print the image of Christ as the Good Shepherd, with a lamb on his shoulders. To his left a relief with the sacrifice of Isaac by Abraham. To his right a relief with the beheading of Goliath by David. The text has a Latin caption with the papal coat of arms., print, title print, prints, width 205 mm, height, 166 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1600 - 1600, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, 1560, prentmaker

Philips, Jan Caspar, Amsterdam, Reflections, Cartouche with woman in landscape, verso lower right - stamped, Landscape with a woman in Greek robes, making a wreath of flowers. The image is contained in a cartouche decorated with medallions depicting personifications of the four seasons., print, vignette, prints, height 137 mm, width 114 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1736 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Vierkant bord met allegorische voorstelling; Allegorie van de Hoop en de Afgunst (B. 30).Flat decoration. A square plate hangs on a column. On the board is a medallion with an allegorical performance. For an anvil is a heart that is held by Invidia. Tribulatio hits a hammer. Spes looks up and points to a rain cloud. Tolerantia in landscape. At the bottom of the column there are two putti with bazuinen and a dog. Shaded background.

Juno at the right turning and speaking to the Fates, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno' 1531-76 Giulio Bonasone Italian. Juno at the right turning and speaking to the Fates, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno' 392803

Monument voor Pope Gregory 13, Jakob Frey (1), after Camillo Rusconi, after Sempronius Subissati, 1721 print Germany paper etching / engraving monument, statue

Vaas, Cornelis Danclacks (II), After Jean Lepautre, c. 1696 - c. 1717 print The vase has handles in the form of tritons, under the spout is a putto. print maker: Amsterdamafter own design by: France (possibly)publisher: Amsterdam paper etching

Urn on high pedestal; Gift jug. The urn is decorated with dancing nymphs and is in a church. Title page of the second series with gift jug. From series of 6 sheets.

Bathsheba Bathing, from Women's Wile (Weiberlisten) Hans Burgkmair German. Bathsheba Bathing, from Women's Wile (Weiberlisten) 430606

. Landscape with faith and love with a monument on which the dining of the law with the ten commandments. The show was caught in a cartouche that is decorated with medallions in which Biblical scenes.

Grandes Cheminees a laRomaine. Artist: Jean Le Pautre, French, 1618-1682

Minerva and Mercury reach the hand. Minerva and Mercury are on pedestals and reach the right each other. Between them a stone plate with space for the title of the book. On the plate there is a bust of a woman with a townrwood that symbolizes good governance. Under the plate a cartouche with playing putti.

A woman in labor imploring the aid of Lucina set within a decorative cartouche, from the 'Loves, Rages and Jealousies of Juno' 1531-76 Giulio Bonasone Italian. A woman in labor imploring the aid of Lucina set within a decorative cartouche, from the 'Loves, Rages and Jealousies of Juno' 392835

Two women and young man, Johann Gottfried Haid, after François de Cuvilliés (Sr.), 1745 print Two sitting women and a young man are in a ruin landscape. A horizontal figure on the back looks at the trio. Around the show an ornamented frame. after design by: GermanyParis paper etching / engraving sitting figure. landscape with ruins

Maria de 'Medici, Princess of Tuscany.

Sculpture group with the Amsterdam city virgin, river gods and inaugural text in the Vierschaar of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1719 - 1783 print Sculpture group on the northern wall of the Vierschaar in the town hall on Dam Square in Amsterdam. In the middle the Amsterdam city virgin on a pedestal. On her head the emperor crown and an eagle, in her hands the weapon of the city and a caduceus, two lions at her feet. To her left the weapons of burned pancras (above) and Sybrant Valckenier (below); On the right the weapons of Jacob de Graeff (above) and Pieter Schaep (below). These four Amsterdam regents, all sons or cousins of the sitting mayors of the year 1648, laid the foundation stone of the town hall in the same year. On the pedestal the inaugural text, which refers to the Peace of Munster and the first -life laying. To the left of the pedestal the river god (personification) of the IJ, including a ship's crown, fishnet, anchor and stir.

The Prophet Isaiah. Cherubino Alberti (Italy, Borgo San Sepulcro, 1553-1615)Michelangelo Buonarroti (1475-1564). Italy, 1577. Prints; engravings. Engraving and drypoint

Wilhelm III., Prince of Orania, King of England in allegorical ambience: half figure, half from left; Body something from the right; with Allonhaar; Oberlippenbärtchen; in breast harvest, with lace-neckland, field binders around right shoulder and waist, breast medallion with crowned head (Adolf of Nassau); in oval framing, formed from two branches growing from the stump of an orange tree; in a credited step structure; In the midst of personalized virtues: on both sides, the "Libertas", a upright lance with symbolic governor hat at the top holding upwards, and the "reliant" with an open book; In the foreground, the "Negotiatio", "Politia", "Prudentia", "Victoria" and God Neptune sit as a controller of the seas with their attributes; In the background, behind two side pivoters, numerous people are within an architectural indoor structure; About Wilhelm's portrait, in the heavenly light, a laurel wreath with the seven coats of arms of the United Dutch provinces covered by a two-tilted h

Portrait of William V in an oval of laurel leaves, decorated with the Garter and the motto of the Order of the Garter On left and right an allegorical figure On a pedestal four lines of Dutch text, Portrait of William V, Prince of Orange-Nassau, print maker: anonymous, Low Countries, 1775 - 1849, paper, engraving, etching, h 149 mm × w 130 mm

François Verdier, France Crowned with Victory by Louis XIV, 1690s() France Crowned with Victory by Louis XIV

Two Dessus de-portes and a chimney piece; Nouveaux Livre de Taleaux de Portes, et Cheminée utiles aux peintres and fleeurs.drie panels. Left and right above put putti a flower basket. In the middle of a vase with flowers on a pedestal with four putti.

. With hanging polygonal body and sounding board.

Christ stands with an enlightened person at the bottom of the stairs of a platform. He points to an angel in the doorway of a circular building containing several people. Title page for The Steps of the Mercy of Jesus Christ, 1717, print maker: Michiel Elgersma, (mentioned on object), Jan Wandelaar, (mentioned on object), publisher: Andries van Damme, (mentioned on object), print maker: Amsterdam, Netherlands, publisher: Amsterdam, 1717, paper, etching, h 130 mm × w 81 mm

Glorification of the weapon of Prince Willem IV. Allegory with the glorification of the weapon of Prince Willem IV. The crowned weapon worn by two putti, in the air the alloying eye. Left The female personification of faith kneeling at an altar, right a woman with a harp (harmony) With a lion, eagle and stork. Probably manufactured by the death of the Stadholder on October 22, 1751. Design for a print.

Composite base and capital with details of head frame and fries; Composito; Architettura Con Diversi Ornamenti Cavati Dall 'Antico. Below three lines are text. From first edition.

Amsterdam, Danckerts, Cornelis (I), Nederlanden, Architectura moderna ofte Bouwinge van onsen tyt mr. Hendrick de Keyser en Cornelis Danckerts Amsterdam 1631, pl. XXXIX, Tomb of William I, Prince of Orange, 1623, Tomb or mausoleum of William I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the statue of the seated prince. Top right 'XXXIX'., print, book illustration, prints, Orange portraits, height 335 mm, width 216 mm, print maker, printmaker, 1631 - 1631, paper, engraving, engraving (printing process), Publication (Event), Publication, 1604-06-13 - 1656-04-27, publisher

. In an alcove, Apollo is suspended as a woman, the Nymph leucothea. Amor flies above them and shoots an arrow. On either side of the alcove a niche with women watching. At the bottom are four rules French text.

Escutcheon, No 10 from 'Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti', Stefano della Bella, Italian, 1610-1664, Etching on paper, No. 11 of the same set as -10, 'Raccolta di varii cappriccii,' etc., Italy, 1646, Print, Print

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Garden of Eden, 1651 Garden of Eden

Print, Interior of a Throne Room; Germany; 1988-102-58

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