Ornate Baroque Designs

Intricately detailed prints featuring classical motifs, including figures, floral decorations, and elaborate architectural elements typical of the Baroque style.

Candlestick with psyche and amor, jean lepautre, c. 1657 - c. 1661 print A mask is depicted under the candlestick. Page 6 from series of 6 magazines, first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Apollo on a throne. Apollo is flanked by two tritons trapped in rolling. Leaf from series of 6.

Candlestick with psyche and amor, jean lepautre, c. 1657 - c. 1661 print A mask is depicted under the candlestick. Page 6 from series of 6 magazines, first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Rollerwork with a fruit in the middle; Groteske flat decorations with rollerwork. Above the fruit growing, a female herma raises, there is a man whose legs stabbing through the roller. Leaf from series of 6 sheets with grotesque flat decorations with rollerwork, candelabra, saters, fruitsGuirlands, birds and fantasy stations.

Sheet from the set, 'Ornemens de Peaneaux pour... Lambris', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1660, Print, Print

Kronos in a niche with a child under his arm, 1556 print Kronos keeps one of his children under his arm. At the bottom are a sater and a woman with a child at a pot hanging above the fire. Leaf M from series of 12 magazines, numbered A-M with flat decorations of grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes. Netherlands (possibly) paper etching Saturn devouring his children

Fragment of Kandelaber made up of leaf raft and putto with palm branch and stick weapon on top of breast kuras with vase on a scale; Ornament panels ..

Lazio Viterbo Bagnaia Villa Lante87. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Flat decoration with grotesken; Newes Gradesca Büchlein. In the middle is a man in Oriental clothing backwards on a donkey. Leaf 1 from series with grotesque flat decorations with lobe ornaments.

Lazio Viterbo Bagnaia Villa Lante67. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tronende vrouw en twee musicerende figuren bij een vaas; Grotesken; Groteschgen Werk vor Mahler Goldschmidte Stucato.The upper print contains a throne woman in the middle with a ray wreath from stars and a staff with a radiant eye. She is flanked by two women with a palm branch and a flame on their forehead. Left and right a smoke vessel. The lower print contains a winch and flute playing figure on either side of a vase and a frame with grotesken.

Monogram in Cartouche of Rocaille Ornament with a waterfall at the bottom, Gerrit Visscher, After Jacques de la Joue (II), 1690 - 1710 print Monogram in cartouche of rocaille ornament with a waterfall at the bottom. In the upper corners of monograms. In the middle of a monogram flanked by shell pourthers. Amsterdam paper etching / engraving letter combinations such as letterword, anagram, letter square, monogram, etc.. rocaille ornament

Lazio Viterbo Bagnaia Villa Lante41. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Etching by Augustin Hirschvogel depicting an ornamental strip featuring a fantastic winged animal, created in 1543, showing decorative motifs, animal figure, and detailed composition.

Lazio Viterbo Bagnaia Villa Lante56. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

An ornament with a cartouche of palm branches, below a rocaille motif. Crowned with a vase of flowers and surrounded by leaf and flower motifs, Ornament with vase, cartouches and palm branches Sixty Different Sorts of Ornaments (...) (series title), print maker: Henry Fletcher, print maker: Jean La Rocque, Gaetano Brunetti, (mentioned on object), London, 1736 - 1737, paper, etching, h 173 mm - w 113 mm

Ornament Panel Inscribed Victoria Augusta, c. 1507. Nicoletto da Modena (Italian). Engraving;

Print, Plate 29, from Grotteßco: in diverßche manieren; Designed by Hans Vredeman de Vries (Dutch, 1527 - ca. 1606); Published by Gerard de Jode (Flemish, 1509 - 1591); Etched by Jan van Doetechum the Elder (Netherlands), Lucas van Doetechum (Dutch, after 1584); France; etching on laid paper

Ornament with candelabar with goats as a crowning upper -winged woman with horns of abundance and myth animals and satyrs, 1500 - 1520 print Italy paper Niello (technique) fabulous animals ~ hoofed animals: winged horse. ornament ~ hybrid animals

Candelabra Grotesque with Heads of Dolphins and Dragons in the Center. Artist: Lambrecht Hopfer (German, active ca. 1525-50). Dimensions: sheet: 12 13/16 x 4 7/16 in. (32.6 x 11.2 cm)image: 12 5/8 x 3 7/8 in. (32 x 9.9 cm). Date: ca. 1525-50. Museum: Metropolitan Museum of Art, New York, USA.

Arabesk met vaas en halffiguren; 9me Cahier; Nouvelle Collection D'Arabesques.Arabesken with a vase with saters, squirrels, a tablet with figures, two feminine semi-detached figures with wings and a sphinx.

Print, Ornamental Candelabrum; Daniel Hopfer (German, 1470 - 1536); Germany; etching on white laid paper, lined

On the left and right a candelabrum with leafy vines. In the center a candelabrum with grotesques. Lower left and lower right is a prancing horse, Three tessellated decorations on a leaf, print maker: Lambert Hopfer, (mentioned on object), Lambert Hopfer, (mentioned on object), publisher: David Funck, Germany, (possibly), 1520 - 1530, paper, etching, h 229 mm × w 153 mm

Augsburg, Kilian, Lucas, Germany, Newes Gradesca Büchlein, Plane decoration with grotesques, verso lower left - stamped, A crowned woman stands in the middle flanked by two satyrs. Together they support a shell in which a figure sits. Sheet 4 from a series with grotesque plane decorations with lobe ornaments., print, ornament print, prints, ornament prints, height 190 mm, width 142 mm, Work conception, German, 1579 - 1637, after a design by, 1607 - 1607, first quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Umbria Terni Amelia Palazzo Petrignani06. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante00. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Urania in Rolwerk Omiljaging; Negen muss.

Two Kandelabers, Agostino Mitelli, in or after 1648 print Leaf with two performances of Kandelabers. On the left a candle slick with helmets, shields, a lion and an eagle. On the right a candelabria with a lion's head, a harness and a griffin. The left performance is above the right show. Together they form one Kandelaber. print maker: Italyafter drawing by: Italypublisher: Rome paper etching ornament ~ candlestick

Leopold II, Margrave of Austria from 1075. Date: c 1055-1096

Lazio Viterbo Bagnaia Villa Lante70. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Amelia Palazzo Petrignani0. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Throne wife and two music -making figures at a vase, Lorenz Beger (Possible), After Paul Decker (I), 1687 - 1725 print In the middle, the upper print contains a throne woman with a jet wreath from stars and a staff with a radiant eye. She is flanked by two women with a palm branch and a flame on their foreheads. Left and right a smoking vessel. The lower print contains a winch and whistling figure on either side of a vase and a frame with grotesken. print maker: Germanyafter drawing by: Neurenberg (possibly)publisher: Neurenberg paper etching ornament ~ grotesque. trees: palm-tree (+ leaf). lyre, cithara, psaltery

Flat decoration: frame of rollerwork and shell-shaped structure; Flat decorations and grave monuments / Father's Niewe Inventien (...). A man, clamped in a shell-shaped construction, wears a rollerwork frame on his shoulders. A shell is full of children at this frame. The shell is supported by two women that are in the middle of the rollerwork. On either side of their feet there is a sater with a woman on his lap. Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Ceiling puts from Kunsten; Sculpture / Order / Practice.Fragments of Ceiling in Stockholm.

Plate 25, from Grotteßco: in diverßche manieren, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Lucas van Doetechum, Dutch, after 1584, Gerard de Jode, Flemish, 1509 - 1591, Etching on laid paper, Grotesque panel. In center, a man with a tower rising from his head holds a horn of plenty in one hand and feater-topped sword in the other., France, 1564, ornament, Print, Print

Portière of fame. Le Brun, Charles (French, 1619-1690) (author of design) painter Yvart, Baudouin (French, bef. 1611-d. 1690) (cartoon creator) painter c. 1662-1683 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Les Affairs Culturelles: Ile de France coll., France; on loan to the Château de Vaux le Vicomte. France, Seine-et-Marne, Melun, Château de Vaux le Vicomte. Cartouche with arms of Colbert flanked by 2 female allegorical figures (=Victory & Fame) holding mantle; 2 cherubim hold crown at top; bird (L) & lion (R) at bottom; scene enclosed by egg-&-dart frame (BRD) laurel & oak leaf garland, tied ribbons in corners; (UPR & LWR BRD) centered by tied ribbons This tapestry was woven at the Maincy manufactory, before that manufactory was moved to Gobelins. Fénaille, Gobelins 2 (1903-1923), 1-8 Bremer-David, French tapestries & textiles (1997), 2-9, pl. 1.4 Colbert 1619-1683 (1983), 44, ill. Göbel, Wandteppiche II:1 (1928), 120-21 Related

Imperial court, Augsburg, Leopold, Joseph Friedrich, Bichel, Aegidius, Allerhand Inventiones von Frantzösischem Laub-Werkh, Medallion with Diana and nymph, verso - stamped, An oval medallion surrounded by acanthus scrolls and fruit. In the medallion a landscape with Diana and a dancing nymph next to a bust of Bacchus on a pedestal., print, engraving, ornament print, prints, engravings, ornament prints, height 347 mm, width 231 mm, print maker, engraving maker, 1697 - 1697, paper, papier, engraving (printing process), Work conception, 1696 - 1735, after a design by, Publication (Event), Publication, 1668 - 1726, publisher, granter of privilege

Ornament met twee saters.At the foot of Kandelabé with leaf refinters two saters. They blow on Hoorn, which contains two fantasy with hat.

Half niche with fountain in the form of a vase; Flat decorations and grave monuments / Father's Niewe Inventien (...). In a domed half niche is a fountain in the form of a vase. On the vase a man, flanked by two hermes pouring water into a child's jug that is sitting at their feet. Around the fountain figures with jugs and jugs. Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Pendant (pendeloque) with march; Hangers. Niches, decorated with volutes of roller and fitting work, mascarons, animals and grotesken .. One of 9 sheets, from a series of 12. On six sheets, a figure is in the niche. Three pearls hang on each pendant.

Jacques Callot, The Virgin at the Column (La Vierge à la colonne), 1608 1611 The Virgin at the Column (La Vierge à la colonne)

Italy, Leviores et ut videtur extemporaneae picturae quas grotteschas vulgo vocant, Architectural fantasy, an arch decorated with diamonds supported by four herms, verso lower left - stamped, Under the arch stands on a dais a man who extends both arms to the garland hanging above him. From a series of 20 sheets., print, ornament print, prints, ornament prints, height 187 mm, width 125 mm, print maker, printmaker, 1530 - 1540, second quarter 16th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Grotesken met Neptunus en Minerva; Neues Groteschgen-Werk.Three pilasters with grotesken and various mythical figures and scenes.

Ornament with winged bucks as a crowning and two horses on either side of two-headed eagle on armor.

Letter D.letter D against a background with braid and a winged figure.

Aldegrever, Heinrich, Germany, Candelabrum with foliate scrolls and four children, verso bottom center - handwritten, Surface decoration with a candelabrum with foliate scrolls on which a child stands, seen from the back. Three children are seated at the foot of the candelabrum., print, emboss, ornamental print, prints, 29, height 145 mm, width 41 mm, German, 1502 - 1561, print maker, printmaker, 1532 - 1532, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo63. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Design by Aldegräver. Édouard Baldus (French, born Germany, 1813 - 1889)

Flat decoration with two children. Flat decoration with the legs of a squatted Sater, on every knee is a child. The right child has a snake in his hand. A cartouche in the middle and above a lion's head

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Various inventories and delineations of Giovanni Giardini da Forlì, Various church objects, Reliquary with putti with flowers, verso - stamped, Numbered top left: no. 13., print, ornamental print, prints, ornamental prints, height 298 mm, width 150 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception, 1646 - 1722" Italy

Print, Strapwork Grotesque with Mythological Scene; Engraved by Pieter van der Heyden; After Jacob Floris the Elder (Flemish, 1524 - 1581); Netherlands; engraving on laid paper; 13.5 × 10.3 cm (5 5/16 × 4 1/16 in.)

Pilaster decoration (view of the whole), from the Logge Di Raffaello (PL.10) cycle; Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Aldegrever, Heinrich, Germany, Ornament with a gentleman holding a parrot in his hand, verso lower left - handwritten, Design for a scabbard. The lower part is decorated with leaf tendrils, above it stands a gentleman with a parrot in his hand., print, ornament print, prints, 33, height 161 mm, width 32 mm, width 19 mm, German, 1502 - 1561, print maker, printmaker, 1512 - 1560, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Neureuther Eugen (1806-1882), final stones for the museum in Leipzig (without date): »Architecture«. Ink, pencil on paper, 50.8 x 33.2 cm (including scan edges) Neureuther Eugen (1806-1882): Schlusssteine für das Museum, Leipzig

Lorenz Froelich (1820-1908), Vignet, 1820 - 1908

Lazio Viterbo Caprarola Palazzo Farnese187. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante01. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print, Grotesque with Dolphins and Winged Lions; Engraved by Master of the Die; Italy; engraving on laid paper; Mat: 45.7 × 35.6 cm (18 × 14 in.)

Design by Hans Sebald Beham; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 7.3 x 12.8 cm (2 7,8 x 5 1,16 in.)

Panel ornament French 19th century View more. Panel ornament. French. 19th century. Gilt bronze. Metalwork-Gilt Bronze

Pair of chutes French early 18th century View more. Pair of chutes. French. early 18th century. Gilt bronze. Metalwork-Gilt Bronze

Lazio Viterbo Caprarola Palazzo Farnese191. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Octagonal cartouche with a quote from Pliny, Anonymous, After Jacob Floris, 1556 print The frame of rolling work is decorated with mascarons and four women's heads. Leaf belongs to 15 sheets with title page from a series of 24 sheets. Woodcuts. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Antwerp paper

Umbria Terni Amelia Palazzo Petrignani07. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Joseph I Made 1701 Germany. Elias Christoph Heissís emblematic portrait of the Holy Roman Emperor Joseph I was originally a book illustration celebrating the rule of the monarchís father, Emperor Leopold. Josephís medallion-size bust appears with regal lions and palms evoking the exotic Eden that he believed would come to fruition during his reign.. Mezzotint on ivory laid paper . Christoph Elias Heiss

Flat decoration: frame of rollerwork and shell-shaped structure; Flat decorations and grave monuments / Father's Niewe Inventien (...). A man, clamped in a shell-shaped construction, wears a rollerwork frame on his shoulders. A shell is full of children at this frame. The shell is supported by two women that are in the middle of the rollerwork. On either side of their feet there is a sater with a woman on his lap. Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Knight's coat of arms. unknown c. 1550-1575 Tapestry Dimensions: H 9'1" x W 8'4" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Bruges Ownership History: French & Co. purchased from Barnet Estate Co. 11/1/1916; sold to Mrs. Peter Cooper Hewitt 3/13/1920. Inscriptions: City mark on lower guard, left Inscriptions: Inscription on banderole in field & in each corner of border: REDDE MICHI / LETICAM Flanked by with acanthus leaf flourishes, motto on banderoles above (BRD) grotesque ornament with masks & griffins within rinceau, roundel in each corner with skull & band with motto The quality of the panel agrees with the Bruges city mark. French & Co. stock sheet in archive, 7084 also lists: 24396

Lazio Viterbo Bagnaia Villa Lante84. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portière or table cover with coat of arms. unknown c. 1550-1600 Tapestry Dimensions: H 7'2" x W 5'11" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscription in banderole: CAPVTES ARTIS OOCERE QVOD FACIAS Arms of Cardinal member of ducal family related to Spanish crown & knights of the Order of the Golden Fleece Table cover or portière; after a Spanish design; borders missing (Cavallo). The "silk textile" in the outer oval is the same found in Holbein's portrait of tne Ambassadors, & dates to c. 1530. The strapwork surrounding the central cartouche is similar to that found in Spanish altar frontals c. 1600 (Maeder). No French & Co. stock sheet in archive, no stock number

Ô Children exercise your pligt, / to the meaningful entertainment by God. The five senses depicted in five medallions, surrounded by tendrils and animals. Under the show a six-perished verse in two columns. Numbered at the top right: No 8.

Birago, Giampietrino, Italy, Zoan Andrea, Twelve panels with ornaments, Fragment of candelabrum ornament with playing putti, verso bottom center - stamped, print, ornament print, prints, height 284 mm, width 79 mm, Italian, print maker, printmaker, 1500 - 1505, first quarter 16th century, paper, papier, engraving, engraving (printing process), Work conception

Two weapon trophies, 1567 print The left trophy includes a shield, a kuras, a helmet in the form of a mask and a round shield. In the right trophy hang a helmet, a tunic with breast plates, and a shield. Shaded background. Belongs to series of 14 magazines cartouches with rolling work, grotesken, trophies and Frisians. The title page is missing. Netherlands (possibly) paper engraving

Fragment 15th-16th century Italian. Fragment 216235

June. Giulio Romano (Italian, 1492/99-1546) (designed after) painter Chastelain, Charles (French, 1672-1755) (cartoon creator) painter c. 1710 Tapestry Dimensions: H 3.85 x W 3.25 m Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Paris Ownership History: Marie-Anne de Bourbon, Princesse de Conti coll., Château de Choisy-le-Roi (ca. 1710-1789). Sold at auction, lot 106, n.d.; purchased by L. Lionel Harris & L. Duveen. French & Co. purchased from Lionel Harris, Spanish Art Gallery 9/12/1919; sold to Hudson Forwarding Co. 9/20/1921. French & Co. sold to William Randolph Hearst 1/2/1923. Private coll.; exhibited at the Musée Jacquemart-André (1984). Triple portico decorated with floral garlands & surrounded by grotesques; pastoral landscape set in center of portico; small sheep-shearing scene (L) & fruit-picking scene (R) (UPR BRD) fruit & floral garland centered by coat of arms of the Princess of Conti flanked by cherubim; (LWR BRD) fruit & floral garland center

Three pilasters with grotesques and various mythical figures and scenes, Grotesque with Diana and winged woman figure Neues Groteschgen-Werk (series title), print maker: Johann Adam Delsenbach, (mentioned on object), Paul Decker (I), publisher: Johann Christoph Weigel, Neurenberg, 1700 - 1725, paper, etching, h 222 mm × w 172 mm

Ornamental pilaster and column with winding snake; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. On the right an ornamental pilaster decorated with birds, curls and flowers. At the bottom left a detail of the edge of the pilaster. Above a column with winding snake. Captions to the three performances. Assignment in undermarge.

Piladed decoration with animals; Varii Zophori, Figuris Animalium ornati.bladeaters with flowers, between which from bottom to the top of the following animals can be seen: a prancing horse, a lion, a dog and an eagle. Leaf from series consisting of a title page and nine unnumbered sheets.

Atalanta in a roll work frame, Virgilius Solis, 1524 - 1562 print Nuremberg paper engraving / etching Atalanta and Meleager as lovers. scrollwork, strapwork ~ ornament

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)74. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Umbria Terni Narni S. Giovenale, Cathedral74. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Ornamental Design for Knife Handle with Air, from The Four Elements. Johann Theodor de Bry; German, 1561-1623. Date: 1585-1595. Dimensions: 90 × 22 mm (image/sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Aldegrever, Heinrich, Germany, Plane decoration with leaf tendrils and grotesques, verso bottom center - handwritten, Plane decoration with fish heads from which symmetrically arranged leaf tendrils emerge., print, emboss, ornamental print, prints, 26, height 140 mm, width 44 mm, German, 1502 - 1561, print maker, printmaker, 1552 - 1552, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

The Swing ("L'Escarpolette") Manufactory Oberkampf Manufactory French Designed by Jean-Baptiste Huet I French 1789

The Israelites before the brazen serpent, by Bernard Palissy, vintage engraved illustration. Magasin Pittoresque 1853.

Octagonal cartouche with a quote from Pliny; Plini./ ne svtor vl = / tra crepi = / dam.; Varii Generis Partitionum ...; Title and 15 sheets of the series: Varii Generis Partitionum. Roller frame is decorated with mascarons and four women's heads. Leaf belongs to 15 sheets with title page from a series of 24 sheets. Woodcuts.

Two Frisians with Arabesken; Vararum protractionum Quas Vulgo Maurusias Vocant (...). In the middle of the upper fries, a medallion with the head of a woman sits at each end a medallion with the head of a man with a wreath. One of 15 sheets from a series of 23 with title page.

Heinrich Aldegrever, Sprig of Ornamental Foliage with Two Masks and Two Dolphins, 1530 Sprig of Ornamental Foliage with Two Masks and Two Dolphins

Silver platter, offered by the Lygordian earth to the Russian emperor Alexander III in 1883. The clipping probably from the Russian magazine Monogramist A. Z.

Greek wall carpet with mythological performance, Anonymous, 1875 - 1930 photomechanical print Florence paper collotype tapestry Florence

Corner decorations in the ceiling of the Great Gallery of Versailles, Johann Martin Preissler, After Jean Baptiste Massé, After Charles Le Brun, 1752 print print maker: Germanypublisher: Paris paper etching / engraving (decorated) ceiling. cupids: 'amores', 'amoretti', 'putti'. 'tropaion', i.e. decorative ornament ~ weapons Versailles

Netherlands, Jode, Gerard de, Vredeman de Vries, Hans, Doetechum, Johannes of Lucas from, Panoplia sev armamentarium, Three vertical trophies with musical instruments, Three vertical trophies with musical instruments: plucked and stringed instruments, flutes, bagpipes, organ, zither and clavichord. From a series consisting of a title page and 16 sheets., print, ornamental print, prints, ornamental prints, ., height 250 mm, width 183 mm, print maker, printmaker, 1572 - 1572, third quarter 16th century, paper, etching, etchings, Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Coat of arms with acanthus in strapwork frame. unknown c. 1550-1600 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. With acanthus leaf mantling (BRD) military trophies including helmets, quivers, shields, hatchets, drums & trumpets The design is of Spanish or Italian origin. No French & Co. stock sheet in archive, no stock number

Lazio Viterbo Bagnaia Villa Lante166. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Zoan Andrea, Ornament Panel with Dragons, Masks, and Instruments of War, c 1505 Ornament Panel with Dragons, Masks, and Instruments of War

Ceiling, from 'Plafonds Modernes', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1650, Print, Print

Francesco di Domenico dit, Il Padovano (around 1500-1571). "Florentin card game. Twelve number in a series of 35 pieces". Black and white wood engraving. 1547. Museum of Fine Arts of the City of Paris, Petit Palais. 123051-14 Card to play, wood engraving, card game, 16th 16th 16th 16th 16th 16 CENTURY, engraving

Colless B., glass window. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. II) (02.05.1901): Views. Pressure on paper, 33.5 x 24.7 cm (including scan edges)

Basilicata Matera Montescaglioso Abbazia di S. Angelo45. Hutzel, Max 1960-1990 Medieval: Architecture (9th, rebuilt 15th), view of neighboring chiesetta S. Stefano, cloisters; architectural sculpture; frescoes depicting the family of Ufredo Machabeo, lord of Montescaglioso Object Notes: Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rignano Flaminio SS. Vincenzo e Anastasio3. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: 16th century architecture and architectural sculpture, including stucco decoration; 16th century wooden crucifix; sculpted marble altars and tombs; frescos; paintings on canvas; stoup (1578) Antiquities: Fragments of architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bedstee, Nicolas Dupin, after just Nathan François Boucher, 1772 - 1779 print An ornamented box bed with striped draperies and a mask. Print number 9. Paris paper etching / engraving built-in bedstead (Dutch: 'bedstee'). mask, mascaron ~ ornament

Drawing (Italy); pen and brown ink with brown wash and traces of black chalk support: off-white laid paper

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