Ornate Decorative Designs

Intricate prints showcasing ornamental designs including trophies, fire-boks, and decorative furniture elements featuring natural motifs.

Design for a painting, Putti around a medallion, draughtsman: Dionys van Nijmegen, 1715 - 1798, paper, brush, h 376 mm × w 246 mm

Arabesken with birds; 7th Cahier; Nouvelle Collection d'Arabesques. A vase with spikes and arabes such that birds are sitting. At the bottom Arabesken, insects and a mask.

Fire Bock with Helmet and Schilden, Berthault, Jean Charles Delafosse, 1771 print An ornamented firebok with a helmet, shields, weapons and garlands. Paris paper etching / engraving andiron, fire-dog. helmet. protective weapons: shield

Herdersattribute, Jean François Janinet, after Jean Charles Delafosse, 1772 - 1779 print A trophy with whistles, a drum, a bagpipe, a tambourine, a triangle, a basket with flowers, shepherd's hats and bars. Paris paper trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Two Designs for an Overmantel Glass (Verso: Partial Floor plan). Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 22 3/4 x 14 5/8 in. (57.8 x 37.1 cm). Date: 1743-96. Museum: Metropolitan Museum of Art, New York, USA.

Design for a painting, Putti around a medallion, draughtsman: Dionys van Nijmegen, 1715 - 1798, paper, brush, h 376 mm × w 246 mm

Corinthian capital (front elevation and section), engraving from Il Vignola Illustrato, by Giambattista Spampani and Carlo Antonini, printed by Marco Pagliarini, 1770, Rome.

Design for Curtains 1841-84 Charles Hindley and Sons British. Design for Curtains 367328

Can in rococo style, draughtsman: anonymous, J.S. Hildt, Augsburg, c. 1743, paper, pen, brush, h 188 mm × w 150 mm

Putti around a medallion, Dionys van Nijmegen, 1715 - 1798 drawing Design for a painting. paper. pencil brush

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Trophy of Ottoman weapons, verso - stamped, A console with a trophy consisting of captured Ottoman weapons and attributes, such as a shield with a crescent moon, a turban, quivers and a scimitar. The print is part of an album., print, album leaf, prints, height 184 mm, width 180 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, client

Design for a Chandelier. Artist: Anonymous, French, 19th century. Dimensions: sheet: 14 x 9 5/8 in. (35.5 x 24.5 cm) cut into "I" shape. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Man on Swing, Anonymous, After Jean Baptiste Pillement, 1776 print In a landscape a man sits under a shelter on a swing, a staircase under him. Augsburg paper etching sitting figure. swing

Design for a Chandelier. Artist: Anonymous, French, 19th century. Dimensions: sheet: 12 13/16 x 8 1/16 in. (32.5 x 20.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Galla mulier, in or before 1558 A married woman from France, seen on the back. Print from album 'Diversarum Gentium Nostrae Aetatis Habitus'. Venice paper engraving A married woman from France, seen on the back. Print from album 'Diversarum Gentium Nostrae Aetatis Habitus'. Venice paper engraving

Design for a candlestick, Anonymous, 1834 Signed on the back of engraved invoice paper from Bertrand-Paraud (RP-T-2019-349 (V)). draughtsman: ParisFrance paper. graphite (mineral)

Print, Design for a Vase; Designed by Eurimond-Alexandre Petitot (Parma, 1727-1801); Print Maker: Benigno Bossi (Parma, 1727-ca. 1793); France; etching on laid paper

Print, Vase (Plate 12 of a Series); Designed by Enea Vico (Italian, 1523-1567); Italy; black ink on paper

Traphek and fencing with garlands and medallion, anonymous, after Caillouet, after François Boucher, 1737 - 1806 print A wrought iron stair gate with floral motifs and garlands and a wrought iron fence with leaf and floral motifs, a vase, garlands and a medallion. after drawing by: ParisAugsburg paper etching welding (industrial process). stairwell. fence, wall, paling. ornament ~ festoon, garland. ornament ~ medallion

Design for a Firescreen. Artist: Attributed to Gillows (British, 19th century). Dimensions: sheet: 7 x 4 1/2 in. (17.8 x 11.4 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Burners uses the ship bridge in the Scheldt, 1585, 1650 - 1699 print Two examples of the burners used to inflate the ship bridge built by the Duke of Parma in the Scheldt before Antwerp in the night of 4 to 5 April 1585. In the caption De Legenda A-i in Latin. Rome paper etching pontoon bridge Antwerp. Scales

Ornamental Motif, Graphite, pen and ink, brush and wash on paper, Baluster form with a socket on top, hung with swag and calix., Italy, 1825-1830, metalwork, Drawing, Drawing

Silver Ornament for Scroll. Dated: c. 1936. Dimensions: overall: 29.2 x 22.9 cm (11 1/2 x 9 in.) Original IAD Object: 14" high. Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Aaron Fastovsky.

Drawing, Chair and Three Tripods; Italy; pen and pink ink, brown, ochre, gray wash, traces of red chalk support: white laid paper; 24 x 19.5 cm (9 7/16 x 7 11/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Designs for Oil Lamps, Pen and black ink, brush and wash, graphite on paper, Horizontal rectangle. Designs for a standing and a hanging oil lamp. At left, a Corinthian column, around the shaft of which a laurel bough is wound, rises from a base which is supported by knobs. The column supports the lamp at top, which is shaped like a bossed urn with two spouts laterally. At top right, a lamp with two spouts hangs on two chains from a metal plate which is hanging on a chain. A cover rising from the central part of the lamp hangs on a chain from the bottom of the plate. Both lamps are lighted., Rome, Italy, early 19th century, lighting, Drawing, Drawing

Drawing, Design for a Finial; Italy; pen and ink, brush and wash on paper

Chair, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Above is the chair, seen from the front, the legs and the fore part of the arm being omitted, at right. The seat is upholstered. The back is high oval with straw plaiting supported by the upper part of the back legs. The arms begin above, at the back, and end in the upper part of the front legs which have the shape of two calices, one in the other. Below and at right are two sketches for the curved arms. On the reverse is part of the architectural plan with the letters 'C', 'f, and the caption, written by the artist: 'Loggia e sotto / stalla'. Usual background., Rome, Italy, ca. 1785-1790, furniture, Drawing, Drawing

ITALIES, Jean Charles Delhowes, 1768 - 1771 print An ornamented console with volutes, torches, snakes, a book, the papal tiara, crosses, a key, a scythe and a round medallion with a cart wheel, helmet and shields, a smoking vessel and a man bolts. Print number 34. paper etching / engraving other architectural details (CONSOLE). Italy

Print, Vase (Plate 3 of Series); Designed by Enea Vico (Italian, 1523-1567); Italy; black ink on paper; Platemark: 24 × 18 cm (9 7/16 × 7 1/16 in.)

Construction fragments, pl. I, Tiemen Hooberg, 1843 - 1845 print Roman construction fragments. Leiden paper Zeeland

Parijs, Daumont, Jean-François, Delafosse, Jean Charles, Tardieu, Pierre François, Attributs De Musique, Trophies with musical instruments, Paris, verso - stamped, Two trophies with sheet music and musical instruments such as a xylophone, a tambourine, a horn, violins and a lute., print, engraving, ornamental print, prints, engravings, height 384 mm, width 242 mm, French, 1711-12-24 - 1771-01-15, print maker, printmaker, 1771 - 1775, paper, etching, etchings, engraving (printing process), Work conception, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, French - 1775, publisher

Pillar with floral ..

Old Persian Carving in Brass, Pen and black ink on paperboard, An ovoid-shaped vessel, probably a flask of some sort, with a small opening at the top. The upper portion has bands of carving with figure and animal motifs., USA, 1886, graphic design, Drawing, Drawing

Epitaaf with sarcophagus. Epitaaf with garlands and a sarcophagus at the top.

Tavern Sign: "J. Porter". Dated: c. 1939. Dimensions: overall: 73.2 x 41.5 cm (28 13/16 x 16 5/16 in.) Original IAD Object: 22 3/4" wide; 45 3/4" high. Medium: watercolor, graphite, and gold ink on paper. Museum: National Gallery of Art, Washington DC. Author: Alfred Parys.

Design for an Earring, Pen and black ink, brush and gray watercolor on paper, Jewelry design for an earring. Above an ovoid with diamonds around the middle. In the center a knot of lambrequins (decorative drapery) and ribbons with a disk in the middle. Hanging, three pavilions without base. Bevelled corners., probably Naples, South Italy, Italy, mid- 19th century, jewelry, Drawing, Drawing

Design by Virgil Solis. Édouard Baldus (French, born Germany, 1813 - 1889)

Fontein, c. 1543 - c. 1553 Page 17 Recto, loose -set page from an album consisting of a band with two sheets, a bract and seventeen separately set up sheets. parchment (animal material). ink pen / brush ornamental fountain

Can with a double ear, consisting of a hose that attaches itself into the edge; Vases and jugs, decorated with figurative representations, grotesken, mascarons and garlands. The snake is around the can be curled up. The abdomen of the can be decorated with garlands to which a helmet hangs. Horizontal shaded background. Series of 12 magazines.

Nuremberg, Fürst, Paul, Gerhard, Christoph, Germany, Böckler, Georg Andreas, Architectura Curiosa Nova, Round basin on a large tripod, In the basin are two horses and the pedestal of a second, smaller basin. Page 67 from part III of a series of 226 leaves, divided over four books, each with its own title page., print, ornament print, prints, ornament prints, height 260 mm, width 171 mm, Work conception, after a design by, 1664 - 1664, third quarter 17th century, paper, etching, etchings, Publication (Event), Publication, publisher, printer, German, 1605 - 1666

Design for Mechanical Furniture: Half-Round Writing Table, Pen and black ink, brush and watercolor on paper, A half-round table, elevation and two plans showing fitting for writing implements., Germany, ca. 1805, furniture, Drawing, Drawing

Creamer. Dated: 1936. Dimensions: overall: 28 x 22.9 cm (11 x 9 in.) Original IAD Object: 3 1/4" High 3 3/4" Wide. Medium: watercolor, graphite, pen and ink, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Joseph Sudek.

Round incense burner, 1667 print On the body is a cartouche with a Roman sacrificial scene. At the bottom right: 16, this magazine originally belonged to the first series of the vases, number 16 (). Leaf 37 from series of 25 magazines, numbered: II (formerly 26), 27-50. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engraving

Design for a candlestick (No. 13), Abraham Meertens, 1767 - 1823 drawing paper. pencil brush sconce, wall lamp

Flip. Dated: c. 1940. Dimensions: overall: 29 x 22.9 cm (11 7/16 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Roberta Spicer.

Nuremberg, Fürst, Paul, Gerhard, Christoph, Germany, Böckler, Georg Andreas, Architectura Curiosa Nova, Hexagonal basin, The basin stands on a pedestal and is decorated with lion heads. The water flows into the basin through eight pipes. Page 9 from part III of a series consisting of 226 leaves, divided over four books, each with its own title page., print, ornament print, prints, ornament prints, height 265 mm, width 178 mm, Work conception, after a design by, 1664 - 1664, third quarter 17th century, paper, etching, etchings, print maker, printmaker, printer, Publication (Event), Publication, German, 1605 - 1666, publisher

Athena type on panathenaic vases , Antiquities, Vases, Goddesses, Athena Greek deity. Nicholas Catsimpoolas Collection

Drawing, Design for a pendant; Italy; 1940-86-939

Dorothy Gernon, Bonnet, 1935 1942 Bonnet

Sailboat within a cartouche, after a bas-relief on the Fontaine des Quatre-Saisons (Paris) possibly mid to late 18th century Anonymous, French, 18th century. Sailboat within a cartouche, after a bas-relief on the Fontaine des Quatre-Saisons (Paris). Anonymous, French, 18th century (). possibly mid to late 18th century. Etching. Prints

Roman Candelbum decorated with leaves. Leaf 7 Recto from a sketchbook with 43 sheets.

Marble Trireem on a pedestal, Giovanni Battista Piranesi, 1778 print A marble trireem (warship from antiquity) on an ornamental pedestal. Around different views and sections of the Trireem. Captions for the various performances. Assignment above performance. Rome paper etching piece of sculpture, reproduction of a piece of sculpture. military vehicles (+ naval force)

Print

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. Ground plan of a fortress ('Clermont' = Clermont-Ferrand). Above, as on a canvas, a mathematical figure. In the top right of the grade 124 (= the number of the page in the book that the illustration is placed).

Spring stones with leaf motifs, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print Two keystones with leaf motifs. Print number 258. Paris paper etching / engraving keystone ~ architecture. foliage ~ ornament

Design for a Bed in the Roman Style, Richard de Lalonde, French, active 1780-96, Pen and black ink, brush and wash, yellow-green watercolor on white laid paper, Daybed, hangings suspended from a domed canopy which is decorated with clusters of feathers. Fringed hangings are caught into bows. Frame of bed in Louis XIV style. Scale below., France, 1780, furniture, Drawing, Drawing

Lantaarn, Henri Charles Guérard, 1876 print Honfleur paper etching lantern

Schenkkan with Sater Child, 1657 print print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engraving

Console Met Fackel, Anonymous, Jean Baptists (Le Vieux), 1770 - 1780 print Console on which a burning torch lies. paper other architectural details (CONSOLE). torch

Armchair. Dated: 1935/1942. Dimensions: overall: 29 x 23 cm (11 7/16 x 9 1/16 in.) Original IAD Object: 37 3/8 x 22 x 17 inches deep.. Medium: watercolor, colored pencil and graphite on paperbaord. Museum: National Gallery of Art, Washington DC. Author: Rolland Livingstone.

Tripod from a bas-relief in the Farnesina 1, biga or chariot with battling warriors from a bas-relief in the Capitoline Museum 2, and antico rosso repertory chair in the Vatican Museum 3. Copperplate engraving by Domenico Pronti from his own New Collection Representing Religious, Civil and Military Costumes of the Ancient Egyptians, Etruscans, Greeks and Romans, Nuova Raccolta Rappresentante I Costumi Religiosi Civili e Militari, Rome, 1805.

Gunst, Philip van, Table of the Showbread, verso bottom center - stamped, Table of the Showbread (Lechem), part of the altar in the tabernacle., print, prints, height 290 mm, width 195 mm, Dutch, print maker, printmaker, 1685 - 1725, paper, etching, etchings

Gravestone of Father Christian Schaffgen, died 1721, from cloisters in Aschaffenburg. The priest kneels with a chalice collecting blood spurting from the lamb of god. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 18th Century," Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithograph by Joh. Klipphahn and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher.

Lavalley, the cemetery of the Saints-Innocents, copy according to the statements of Bernier. (Dummy title). Carnavalet museum, history of Paris.

Stone Fountain. Dated: 1939. Dimensions: overall: 35.5 x 26.7 cm (14 x 10 1/2 in.) Original IAD Object: 70" high. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Raymond E. Noble.

Louis XV (King of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre of Juste Aurele Meissonnier, Garden drawing made for the first dowager queen of Spain in 1735, Richly decorated garden sleigh, This print is part of an album., print, album sheet, ornamental print, prints, height 182 mm, width 254 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, 1693 - 1750-07-31, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, 1710-02-15 - 1774-05-10, verlener van privilege

Night Cap. Dated: 1935/1942. Dimensions: overall: 30.6 x 23 cm (12 1/16 x 9 1/16 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Percival Jenner.

ACenser. Artist: Martin Schongauer, German, ca. 1440/50-1491

Design for a Window Opening, John La Farge, American, 1835-1910, Graphite and brown watercolor on paper, A single arched opening, with roundels in the spandrels and classical capitols, in the manner of the architecture of the Libreria Vecchia, in Venice, by J. Sansovino., USA, 1890-1900, architecture, interiors, Drawing, Drawing

Sacerdotesse à la Grecque. Benigno Bossi (Italy, Arcisate di Como, 1727-1792). Italy, 1771. Prints; etchings. Etching

Bonnet. Dated: 1935/1942. Dimensions: overall: 28.5 x 23.2 cm (11 1/4 x 9 1/8 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Dorothy Gernon.

Vase. Dated: c. 1937. Dimensions: overall: 30.5 x 25.8 cm (12 x 10 3/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Lillian Causey.

Sailing ship at sea at the rising or setting sun, Lodewijk Schelfhout, 1921 print paper drypoint sailing-ship, sailing-boat. sun as celestial body

Designs for Gas? Lights for a Church. Architect: Designed by Richardson Slade & Co. (British). Dimensions: sheet: 12 3/16 x 6 1/2 in. (31 x 16.5 cm). Date: ca. 1880. Museum: Metropolitan Museum of Art, New York, USA.

Design for Vase. Artist: After Jacques François Joseph Saly (French, Valenciennes 1717-1776 Paris). Dimensions: 6 5/16 x 4 1/16 in. (16 x 10.3 cm). Date: mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Satire op een ballonvalard; Strawberry air, see the dwarf of the savannas, the unusual pride, he wanted to know winds, if we talk about him in, the moon, the moon, the moon. .

Drawing, Design for earring with diamond and leaf volute; Italy

Andirons. Dated: c. 1953. Dimensions: overall: 29.9 x 22.9 cm (11 3/4 x 9 in.) Original IAD Object: 24" high. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Hans Korsch.

Candlestick. Dated: c. 1937. Dimensions: overall: 28.8 x 22.8 cm (11 5/16 x 9 in.) Original IAD Object: 8" high; 3" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Alfred Walbeck.

Print (France)

Dolphin Candlestick. Dated: c. 1936. Dimensions: overall: 30.3 x 22.7 cm (11 15/16 x 8 15/16 in.). Medium: watercolor, pen and ink, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Tarantino.

Odilon Redon, Tete d'Enfant (Head of a Child), 1899 Tete d'Enfant (Head of a Child)

Mourning representation for the member of a noble family with allegorical figures of Faith andLove. Artist: Christian Fritzsch, German, 1695-1769

Lavalley, the cemetery of the Saints-Innocents, copy according to the statements of Bernier. (Dummy title). Carnavalet museum, history of Paris.

Anonymous, Lorgnettes (main title), 1927. Graphite, ink and gouache on gray card B. Petit Palais, Museum of Fine Arts of the City of Paris.

Design. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 13 1/16 x 9 3/8 in. (33.1 x 23.8 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA.

Roman bireme with two decks of oars found on Trajan's Column 2, and boat with wolf and swan prow from a medal of Augustus 1. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.

Vase with cover. A boat-shaped vase with lid. The vase rests on a base with four feet, turned out and decorated with scroll molding. The handles are in the shape of a sea monster's head with open mouths. The side is painted with figures in a landscape beneath a row of perforated circles. The lid is in the shape of a ship mast with sails, and features a perforated grid pattern.. (Recto, mount) upper right, printed in black ink: "PLATE CLII." Lower center, printed in black ink: "SEVRES. / 300. VAISSEAU ¿ MAT. PAINTED WITH LANDSCAPES AND FIGURES. / Her Majesty the Queen. italicized"

Design for a Chandelier. Artist: Anonymous, French, 19th century. Dimensions: sheet: 6 7/8 x 9 3/4 in. (17.5 x 24.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Silver Centerpiece; Wenzel von Olmütz; Attributions: Israhel van Meckenem (German, ca. 1440 - 1503); Germany; pen and brown ink, brown wash support: white laid paper, cut out and laid down; 41.8 x 24.6 cm (16 7/16 x 9 11/16 in.) Mount: 47.0 x 30.5 Mat: 55.9 x 40.6 cm (22 x 16 in.)

Catalog of objects of art, ancient from the Middle Ages and the Renaissance, depending on the succession Alessandro Castellani and whose sale will take place in Paris Catalog of objects of art, ancient from the Middle Ages and the Renaissance, depending on the succession Alessandro Castellani and whose sale will take place in Paris ". Drouot, 12-16 May 1884. Printing of Art. Museum of Fine Arts of the city of Paris, small palace.

Still Life with Sailboat. Le Corbusier; French, born Switzerland, 1887-1965. Date: 1928. Dimensions: 266 × 213 mm. Metalpoint on ivory wove paper, commercially prepared with a white ground. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Keystone in Arch. Dated: 1939. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Randolph F. Miller.

Bonnet. Dated: c. 1936. Dimensions: overall: 29.3 x 22.9 cm (11 9/16 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Bessie Forman.

Austin L Davison, Foot Scraper, 1937 Foot Scraper

Hungarian helmet at the Ambras collection of Vienna. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Melita Hofmann, Bone and Beadwork, 1935 1942 Bone and Beadwork

Ancient naval monument wth barques and dolphins taken from a medal of Augustus Caesar 1, and another terracotta monument with winged Victory figure, oar, anchor and barque 2. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.

Design for an oil lamp with burners in the form of antique masks, draughtsman: Luigi Valadier, (attributed to), Rome, c. 1765 - c. 1775, paper, pen, brush, h 326 mm × w 188 mm

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. Ground plan for a fortress, fort or reinforcement (pentagon). Below a face on a village on a water ('Kranecou'). In the top left the number 99 (= the number of the page in the book to which the illustration is placed).

Majel G Claflin, Two Wall Doors, c 1937 Two Wall Doors

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