Ornate Decorative Panels

Engravings of intricate ornamental designs including coats of arms and grotesque decorations, featuring elaborate scrolling and mythical figures.

February Children at school - not always behaving as they ought Date: 1523

Rolling work through and at the bottom of a Fruitenguirle, Anonymous, After Cornelis Bos, 1550 print At the left end of the upper garland is a woman, a man on the right end. They both hold on to the rolling work with one hand. Leaf from series of 6 blades with grotesque flat decorations with rolling, candelabers, saters, fruitenguirles, birds and fantasy bows. Netherlands (possibly) paper engraving ornament ~ festoon, garland. scrollwork, strapwork ~ ornament. ornament ~ grotesque

Woodcut by Hans Springinklee depicting the coat of arms of Jacob de Bannissis with three lion heads, created around 1515.

Coat of Arms of Johann Stabius. Wolf Traut (German, c. 1486-1520). Woodcut;

Nicoletto da Modena, Ornament Panel with Orpheus and the Judgment of Paris, c 1507 Ornament Panel with Orpheus and the Judgment of Paris

Mercury with a trumpet in every hand; Gods and Goddesses. At the bottom is a Latin text. From series of 16 partly numbered sheets with flat decorations of gods and goddesses in a picture frame of grotesken with fantastic beings, animals, garlands and mascarons.

Copper engraving print 'Spade King' by an anonymous artist, late 15th century, depicting a playing card king with spade suit details and ornamental elements.

Accounting, 1528 - 1583 print The arithmetic with an hourglass in hand. At the bottom left and at the bottom of the right, an old man rain leans a volute. From series of 6 magazines. France (possibly) paper engraving

February Children at school - not always behaving as they ought Date: 1523

Netherlands, Mary of Champagne () on horseback with a knight, Margaret of Hainaut on horseback, verso center right - stamped, Margaret, Countess of Holland, on horseback with whip in hand. To her right a man in armor on horseback. Center below a coat of arms., print, book illustration, prints, height 136 mm, width 127 mm, print maker, printmaker, 1517 - 1517, first quarter 16th century, second quarter 16th century, paper, woodcut

Soldier whores and children; They rent und Buben ..

Title page with double cartouche, Anonymous, After Jacob Floris, 1556 print On the left is a woman on the right a man. Leaf belongs to 15 sheets with title page from a series of 24 sheets with cartouches with quotes from classic writers in a frame of rolling work with grotesks, figures, animals, garlands and mascarons. Woodcuts. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Antwerp paper

Zicht; Visvs; Quinque Sensuum.A woman looks at himself in a mirror, next to her is a peacock.

SaintSebastian. Artist: Daniel Hopfer the Elder, German, 1470-1536

September The harvest season Date: 1523

The stairs of life. Staircase structure full of people and animals. At the front right is a baby in a bed, right is a grayish with his legs dangling over an open grave. A 'aging staircase' starts with the baby, which counts of cradle to grave ten stairs, ten life phases. At every age a beast can be seen that that phase is typed: the boy of ten has a jumpy bokje with him, the forties is noble and wise like a lion, the fifties smart as a fox and the eighty year old is sitting on a slow donkey. On the 'young' side of the stairs is a tree full in leaf, with birds and musical instruments. On the 'old' side hang glasses and stools in a bare tree. Printed of two blocks on two sheets, attached to each other.

Rhetoric; Retoriqve; The sciences, proposed by women. The rhetorica with a palm branch and a writing table, standing under a bow of leaves with two horns of plenty in front of a building. From series of 6 sheets.

Garibald II., Duke of Bayern.

Coat of Arms of Albrecht Dürer 1523 Albrecht Dürer German. Coat of Arms of Albrecht Dürer 396910

Fragment of a binding stamped and embossed in unknown material, representing the Mystical Hunt of the Unicorn who takes refuge in the lap of the Virgin, 15th century. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

The coat of arms of the P�mer family Hans Sebald Beham (1500-1550). Formerly attributed to Albrecht D�rer (1471-1528) The coat of arms of the P�mer family. Bartsch App 53. Engraving.

Kandelaber, below state a vase between fish tails; Iacobus Androuetius du Cerceau Inventor Ante Annos Non Paucos Conscripsit (...). Equilateral copy to the print of Jacques Androuet Ducerceau. Leaf from series with architectural fantasies and grotesken with fabber designs, garlands, candelabers and mascarons.

Architecture Artist's working dates 1538-1583 France. Engraving on paper . Étienne Delaune

To annunciatie. I am

Saint Cecilia. Vita et matyrium S. et gloriosae...Rome, ca. 1590 ca. 1590, about 1591 Bernardino Passeri Italian. Saint Cecilia. Vita et matyrium S. et gloriosae...Rome, ca. 1590 354869

Queen Anna picks the French Haan, 1706, 1706 print Cartoon in which the English queen Anna is sitting on her throne picking the French Haan, French officers caught on either side. Above the throne the solar eclipse of 12 May 1706. With three small scenes of the French defeats and Louis XIV, the Madame on the throne together with Madame. Verses in Dutch and French in the record. Cartoon on the situation in the year 1706 in the Spanish Succession War. Part of a series of 25 cartoons on the French and allies from the year 1706. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires. plucked fowl. solar eclipse

Mercury with constellations Virgin and Gemini in an architectural frame, monogrammist Andl, after Hans Burgkmir (I), 1483 - 1581 print The God Mercury as personification of the planet Mercury with different attributes. He blows on a Baziun and holds a winged staff with two hoses (Caduceus). On his head he wears a winged helmet and behind him is a rooster. The constellations Virgin and Gemini, at his feet on the right, are the planet children. He is on a pedestal in an architectural frame decorated with ornaments. In the Frisian at the bottom there is a star in a medallion, which is flanked by playing putti. The print is printed with multiple logs. paper Mercury and his children ('Planetenkinder') ~ Gemini and Virgo

Illustration at Canto XII of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Ornamental decorative frame with a surface with eight Italian verses at the top. At the bottom of a performance at Canto XII from Tasso's 'Gerusalemme Liberata'. On the right the kneeling Clorinda is baptized by a man standing next to his horse. In the foreground the dead body of Clorinda, surrounded by soldiers. The Christian fighters attack Jerusalem in the background. Italy paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. ornaments ~ art. ornament ~ cartouche. battle Jerusalem

Woman and man with torch; Qua non nocet. A man ignites a torch on the fire of a burning fireplace. A seated woman with a book looks. On the table behind her is a lute. In the four corners of vignettes with images of an old man (below) and a nobleman and woman (above). Under the print in letterpress fresh rules in Latin and French, above the title of the emblem.

Wszyscy Święci w MNK unknown

Portrait of the doctor Charles Delorme. Oval bust portrait of Charles Deveorme, Baby physician of the Koningen Hendrik IV and Louis XIII of France. To the oval with the image a hexagonal star and around it a snake that bites in its own tail. This is fully held by the branches of two trees. At the top left a rooster, at the top right an eagle, at the bottom right of a dragon and at the bottom left of a dog. With Latin and Greek texts in banderoles, as peripherals and as a caption.

Jakob Kusten Rachel / Esau embraces Jakob, Anonymous, After Hans Janssen, 1615 - 1651 print Two prints on one leaf in ornament frame. Jakob on the left that kisses Rachel and hugs. Rachel's sheep drink from a well (Gen. 29-10). On the right Esau who hugs Jacob. Lea and Rachel are in the background with their children and the soldiers of Esau (Gen. 33-4). In the margins caption in Dutch. Fifth and sixth print (E and F) from a series of six with scenes from Jakob's life. Amsterdam paper engraving Jacob kisses Rachel and is moved to tears. Jacob and Esau are reconciled (Genesis 33)

Bliżej Kultury Kravogl, Johann Nepomuk (1803 1873), Litographic Plant: Kravogl Johann

Bombario Actionist en de Geest van Esopus Bombario the shareholder, and the ghost of Aesop. Buysen, Pieter van. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Personificatie van de Goede Hoop / Personificatie van de Stabiliteit; Bonae Spei / Subducensis Rationibus; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above the personification of the good hope: a woman with scales and cornucopia. She looks out over the sea. Under the female personification of stability. She holds a grain half in the water. The concern of King Charles IX of France.

Heinrich, Count in the Ardennes, Duke of Bavaria.

Drawing, Project for the Door of a Tabernacle; Italy; graphite, pen and ink, brush and watercolor, sepia on paper

Title page for: SESTE part of the tragic or Klaechlijcke historian, 1613. Drapery with the title of the book, surrounded by eight oval shows with scenes from the book.

Terence (195-159 BC). Playwright during the Roman Republic. Portrait. Engraving in an edition of his works of 1518. Library University of Barcelona. Spain.

City arm of Basel.

Etching by Albrecht Altdorfer from circa 1520-1525 depicting a jug with a dragon motif, showing detailed ornamentation, figure, and metalwork on the surface.

Storm, Johann.

Gold conveyor and death. A golden hand is startled by death that has appeared at his table and fills his pot with gold coins. The Bible reference Luc hangs on the wall. 12. The scene is caught in a graceful table with pilasters on either side. Different coins are shown outside the list.

Christkind plays string instruments, Hieronymus Wierix, 1563 - Before 1619 print The Christ child plays different string instruments on hearts in the clouds. In the margin a six -line caption, in two columns, in Latin. Antwerp paper engraving Christ-child (with attributes). string instruments (plucked)

Frontispice voor 'Combat à la barrière', met wapenschild en de gratiën.Coat of arms of the Chevreuse duchess, held by the three gratients and Cupid. Below a cartouche with french-beamed text. This print is part of a series of illustrations for a book about the festivities (O.A. a tournament) in the Ducal Palace in Nancy on February 14, 1627.

Glass pane with scene from the history of miltiades, with bust of rombout, 1627; Three allegorical glass windows in the house of Abraham Daatselaar, in memory of captivity, flight and exile of Hugo de Groot, 1619-1622. Glass pane with scene from the history of Miltiades, awarded a bust of Rombout Fighter, 1627. Miltiades will be imprisoned after years of loyal service. On either side Pallas and Mercury, further decorated with tendrils, weapons and putti. Under the central scene a verse of 6 lines. Part of a series of three allegorical glass windows in memory of the captivity, flight and exile of Hugo de Groot, 1619-1622. In 1627 manufactured for the house of Abraham Daatselaar, the merchant in Gorcum that Hugo de Groot has helped flee.

PORTADA - NORTE DE LA CONTRATACION DE LAS INDIAS OCCIDENTALES - 1671 - REYES CATOLICOS - CARLOS II -COLON - HERNAN CORTES. Author: VEITIA JOSE DE. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN. HERNAN CORTES. MARIANA DE AUSTRIA. CRISTOBAL COLON (1451/1506). ISABEL LA CATOLICA (1451-1504) ISABEL I DE CASTILL. FERNANDO EL CATOLICO (1452-1516) FERNANDO II ARAGO. FERNANDO II DE ARAGON (1452/1516) REY CATOLICO.

Florimi, Matteo, Siena, Ferretti, Bernardino, Schiaminossi, Raffaello, Italy, Il sacrato collegio apostolico, Christ, Mary and the Twelve Apostles, Title print with two figures with banderoles, verso - stamped, Title print with a cartouche with the title and a coat of arms in the middle, flanked by two figures with banderoles. Above the cartouche a cherub, a cross and the Holy Spirit as a dove., print, engraving, title print, prints, engravings, height 507 mm, width 375 mm, Italian, 1572 - 1622, print maker, printmaker, 1606 - 1607, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Dialectiek, 1528 - 1583 print The dialectic with a Hermesstaf and a bunch of keys between two smoking vases. From series of 6 magazines. France (possibly) paper engraving mirror

Lipsius, Justus Stecher: Dürr, Johann (1600) Dating: 1632/1700Factive genesis: Jena

Cornelis Galle I, Frontispiece for Cornelio Cornelii a Lapide, Commentary on the Acts of the Apostles..., 1627, engraving on paper.

Ornament with candelaber on which male and female satyr sitting above base with two lion-like creatures with horns and two putti on fudge animals with bird cups.

Sigismund I the Old (1467 1548), King of Poland, Grand Duke of IIthuania. Dudrak, Andrzej Jan (1835 1873)

The man is struck by a love arrow from Amor. Surrounding the scene is an ornamental border with Bacchus, drinking men and a man vomiting. In the lower margin a two-line caption in Latin and a two-line caption in German with a warning exclamation from Amor's victim, Amor hits a man with his arrow Love scenes (series title), print maker: Elias Baeck, publisher: Albrecht Schmidt, (mentioned on object), Augsburg, c. 1690 - c. 1755, paper, etching, h 87 mm - w 122 mm

Lombardy Milano Milan S. Ambrogio2. Hutzel, Max 1960-1990 Medieval: Founded 386-389 by S. Ambrogio, bishop at the time of emperor Teodosio. Remodelled 789, 859, 1098-1128, 1196. Decoration of basilica drastically altered over centuries, until 1858 when restored to original aspect. Restoration lasted until 1890. Exterior views of architecture and architectural sculpture, some of which contains re-used Roman fragments and architectural elements. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Aldegrever, Heinrich, Germany, Plane decoration with grotesques, verso bottom center - handwritten, Plane decoration with a weapon trophy in a vase at the bottom. Two horns emerge from the foot of the vase, ending in the upper bodies of a satyr and a fiddle-playing woman. They each carry a female figure on their heads, who in turn has a child on her head. In the middle is the head of a satyr., print, engraving, ornament print, prints, engravings, 23, height 68 mm, width 50 mm, German, 1502 - 1561, print maker, printmaker, 1550 - 1550, third quarter 16th century, paper, engraving (printing process), Work conception, after own design by

Heart-shaped cartouche with series title surrounded by Putti; Seven deadly sins; VII PECCATORVM CAPITALIVM Imagins Elegantissime (...). Series title and a five-line Bible quote from EZ. 18 in Latin, in a cartouche surrounded by putti with the attributes of the seven deadly sins. Under the show a framework with a caption in Latin.

Small square cartouche in a rolling frame; Ceilings and cartouches in a picture frame with grotesken, garlands and mascarons; Small cart shower to example in Fontainebleau. The cartouche is ceased by a woman with the crescent lake on her head. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi to the decoration of François gallery by Giovanni Battista Rosso. The series is also known under the title Petits cartouches the Fontainebleau.

First title page, Christoph Jamnitzer, 1573 - 1610 print Cartouche with inscription for a temple on which a dome rests. Leaf from a series of flat decorations with grotesken, cartouches, oval, mascarons, putti and fantastic creatures. The series consists of three title magazines, two text magazines with the assignment and the preface and 60 magazines, spread over three books. Germany (possibly) paper etching

Personification of the province and county of Hainaut Title page for: D'annales de la province and comté d'Hainau, 1648, The personification of the province and county of Hainaut, in the form of a woman, sitting on a lion with a scepter and a city crown on the head. Behind her the arms of Hainaut, Oosterbant, Valenciennes and Brabant. On the left is the patron saint of the city of Bergen, Waldetrudis, and on the right is the count of Hainaut, Vincentius Madelgarius. In the background an architectural frame with busts of various rulers, centrally placed the image of Philip IV of Spain. At the top of the tetragram, Philip IV (king of Spain), Jean de la Barre (mentioned on object), paper, etching, h 310 mm × w 203 mm

Coat of arms of Amsterdam, 1; The Miracle of Amsterdam (copy), 1345. The coat of arms of the city of Amsterdam. Print No. 1 from the series of 16 performances of the Miracle of Amsterdam, to the events on March 15, 1345. Copies to the Bolswert series. Under the show in the album engraved a six-line verse in Latin, below a six-line verse in reference in Dutch.

Allegory of Avarice, or Fraud Dirck Volckertsz Coornhert Netherlandish Published by Hieronymus Cock Netherlandish 16th century

Berthold, Duke of Bavaria.

Jacques Callot (1592-1635). "Frontispiece" gloriosissimae "(Lieure 509, Meaume 90). Etch. 1st half of the 17th century. Museum of Fine Arts in the city of Paris, Petit Palais. 99591-23 Etching, engraving

Allegorical representation with truth and lie, 1624 print To the left of the title is a half -naked woman with a book, crown and palm branch in hand, she personifies the unambiguous truth (Veritas Univoca). On the other side is a woman with a mask and chameleon, as a personification of the ambiguous lie (Mendacium Aequivocum). At the top a crowned coat of arms between a lion and a unicorn. At the bottom a cartouche with one hand this takes a fishnet out of the water, with the motto piscatoris rete habet ranas. paper engraving Truth; 'TRAPE (RIPA). Light; 'Lie' (Ripa)

Rosvitha Presenting the Comedies to the Emperor Otto I. illustration from the Opera Hrosvita, 1501. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 10 3/4 x 7 13/16 in. (27.3 x 19.8 cm)image: 8 1/2 x 5 3/4 in. (21.6 x 14.6 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Master bg, Arms of Rohrbach and Holzhausen, c 1480 1490 Arms of Rohrbach and Holzhausen

Albrecht Dürer, Detail 14, 1515-1517, woodcut on paper.

Albrecht Dürer, Coat of Arms of Lorenz Staiber, probably 1520 1521 Coat of Arms of Lorenz Staiber

Astrology Artist's working dates 1538-1583 France. Engraving on paper . Étienne Delaune

Northern Netherlands, Persijn, Reinier van, Destruction of Vronen, 1297, Destruction of the village of Vronen near Alkmaar, according to Muller in 1303, in reality in 1297. In the middle of the representation a cross for a battle and the destruction of the city, below that a clock and the seal of Vronen. Above the cross the Faam with two trumpets. At the bottom a cartouche with inscriptions in Latin with the year 1280 and a six-line verse in Dutch., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 200 mm, width 161 mm, Noord-Nederlands, 1614 - 1668-11-23, print maker, prentmaker, 1625 - 1668, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, paper, papier, engraving, graveren (drukprocedé)

Title page for the book 'Coustumes Generales du Duche de Lorraine', Jacques Callot, 1631 print French text and coat of arms in a cartouche in the form of a cross, placed on a pedestal. Personifications on either side: on the left the justice, on the right the peace. Print Maker: NancyPublisher: Épinal paper etching / engraving title-page. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues Lorraine

King David, plate five from The Nine Worthies 1594 Flanders. Engraving in black on cream laid paper . Nicolaes de Bruyn

The Prophet Habakkuk, from Prophets and Sibyls. Artist: Francesco Rosselli (Florence 1448-1508/27 Venice ()); After Baccio Baldini (Italian, Florence 1436-1487). Dimensions: Sheet: 11 9/16 × 8 3/16 in. (29.3 × 20.8 cm)Plate: 7 × 4 3/16 in. (17.8 × 10.6 cm). Series/Portfolio: Prophets and Sibyls. Date: 1480-90.This print is part of a series comprised of twenty-four Prophets and twelve Sibyls, modeled after the series of the same subject by Baccio Baldini (TIB 2403.052-.089). Rosselli's engravings are executed in the Broad Manner and Italianate in style, whereas Baldini's are in the Fine Manner and mostly Germanic in style. Rosselli's prints vary from faithful ciopies of Baldini's prints to loose adapations. This print is copied from Baccio Baldini's Prophet Habakkuk (TIB 2403.070). Museum: Metropolitan Museum of Art, New York, USA.

Leiden, Geelkercken, Nicolaes van, Northern Netherlands, Allegorical portrait in honor of Prince Maurits, 1612, center, Sheet with at the top a portrait of Maurits in a medallion, on either side two symbolic figures of History and Science; lower various Dutch verses and sayings, between which a shield of the Republic with the arms of the united provinces; below that his own coat of arms in the Orange tree with saying and dating 1612. On the left and right sides and at the bottom medallions in which his victories from 1588 to 1607 are depicted in miniature., print, propaganda print, prints, Frederik Muller Historieplaten, Tot, LEYDEN, by, Nicolaes van Geilkerkck sculp, bottom center, TOT LOF ZYNDER PRINSLYCKE EER, DIENS DEUGHD FAMA DOET BLYCKE ZEER, height 471 mm, width 316 mm, Noord-Nederlands, 1595 - 1657, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Judgment of Paris in frame of Rolwerk, Pieter van der Heyden, After Jacob Floris, 1566 print The judgment of Paris in a frame of rolling work with female Hermen, Mascarons, Putti and Garlandes. Leaf from series consisting of a title page and 15 of the 16 magazines with cartouches with biblical and mythological representations in a frame of rolling and grotesken. Netherlands (possibly) paper engraving the Judgement of Paris (without Mercury)

The Weapon of Death, Wenceslaus Hollar, After Abraham van Diepenbeeck, After Hans Holbein (II), 1651 print A man and a woman stand on a pedestal on either side of the weapon of death. First print from a series of 30 death prints; With a frame with Heraclitus and Democritus. paper etching dance of Death; Death together with one or more human beings. (story of) Heraclitus, the philosopher. (story of) Democritus, the philosopher. coat of arms (symbol of sovereignty)

Woodcut and type print by Albrecht Dürer from 1502 depicting philosophical allegories related to Conrad Celtis' four books, showing figures and symbols.

Liechtenstein-Castelcorno, Jacob Ernst Graf von.

VIÑETA. Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN.

Letter a.letter a against a background with angels a ballroom holding.

Philipp IV., King of Spain.

Woman with a headscarf and a beaded guide for a construction of rolling, c. 1500 - c. 1554 print Above the woman, a satar squat the ends of two horns of abundance in his mouth. Shaded background. One of 4 sheets. Germany (possibly) paper engraving

Ornamental Panel with Mars, Horses, Slaves. Nicoletto da Modena; Italian, active c. 1500-c. 1520. Date: 1502-1512. Dimensions: 264 x 128 mm (image/plate); 265 x 133 mm (sheet). Engraving on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Amsterdam, King, Wilhelmus, Engelbrecht, Martin, Northern Netherlands, Sassen, Joost van, Kralingen, J. van, Bombario Actionist and the Spirit of Aesop, Philis Cache-Beauté et Garcon d'Amour Grotesque, Scarmousina Carnevalla and Roasted Hanius Ringsteek-Ridderus, Fraulein Lutzelhupsch Iuncker Pompatz von Schweinfurth, Two Dwarfs for the Month of February, 1720, Two Dwarfs for the Month of February (Sprokkelmaand). Masked couple at a carnival party. In the caption verses in German, French and Dutch. Print within a decorative frame printed from a separate plate with heads of Chinese dwarfs and masks. Part of part III (a series of the twelve months) in the second Dutch bound edition of 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel, partly copied after an older German example., print, caricature, books, Frederik Muller Historieplaten, height 165 mm, width 110 mm, height 265 mm, width 175 mm, print maker, printmaker, 17

Albrecht Dürer (1471-1528) "The coat of arms of Dürer copied by the Blon". Engraving. Museum of Fine Arts of the City of Paris, Petit Palais. 76380-5 Wing, painter coat of arms, coat of arms, ecusson, emblem, German engraver, engraving

The triumphal arch for Emperor Maximilian, capital of the right corner column, woodcut by Albrecht Duerer, historical, digital improved reproduction of an old woodcut

Decorative panel filling from the Vatican Loggies. Draughtsman: Giovanni Martini (follower of). Dating: 1510 - 1600. Measurements: h 142 mm × w 41 mm. Museum: Rijksmuseum, Amsterdam.

Netherlands, Master of the Delbecq-Schreiber Passion, Master of Delft, Master of the Virgo inter Virgines, The Flagellation of Christ, Printed from three blocks. Christ dressed in a loincloth is being scourged by two men. Two others are looking on. Architectural ornamentation to the left and right of the scene., print, engraving, book illustration, prints, engravings, height 110 mm, width 147 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, papier, woodcut, Southern Netherlands

'The Stage's Glory', 18th century. Artist: Unknown

Coat of arms of the Hellemans family, 1625 print The coat of arms is surrounded by two branches on which four smaller coats of arms hang. From series of 20 magazines. paper engraving

Amsterdam, Egmont, Heirs of the Widow Jacobus van, The almighty overlord granted his image five senses., Happy, who here begin nothing but in the fear of God, verso - stamped, The five senses depicted in five medallions surrounded by tendrils and animals. Below the image a verse in four columns. Numbered center right: No. 80., print, prent, volksprent, prints, prenten, volksprenten, verso - gestempeld, height 410 mm, width 299 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1761 - 1804, paper, papier, houtsnede, letterpress printing, boekdruk, print maker, prentmaker

Facsímil del grabado de"Rosarium celestis curie et patrie triumphantis". Obra de humanista Jakob Locher (1471-1528). Impresa en Nuremberg, 1517.

Bliżej Kultury unknown

unknown, Amsterdam, King, Wilhelmus, Engelbrecht, Martin, Northern Netherlands, Sassen, Joost van, Buysen, Andries van (Sr.), Bombario Actionist and the Spirit of Aesop, Le Chevalier de l'Ordre Metaphisique, The Knight of the Nobility under the Blaaawen Hemel, Holloka Tschimitschko Buttiam Uran, Ragotzische Hussarn Obrister in der Garnison zu Reuheussl, The Dwarf Knight of the Nobility as a Hussar, 1720, The Dwarf Knight of the Nobility as a Hussar. In the caption verses in German, French and Dutch. Numbered right center: 12. Print within a decorative frame printed from a separate plate with flowers. Part of the second Dutch bound edition of 1720 (and related to the Windhandel of that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel, partly copied after an older German example., print, engraving, caricature, books, Frederik Muller Historieplaten, height 169 mm, width 105 mm, height 275 mm, width 175 mm, print maker, printmaker, 1716 - 1720, paper, papier, etchi

Birgitta van Sweden with coat of arms in Rolwerk Fronting, Virgilius Solis, 1524 - 1562 print Nuremberg paper engraving / etching St. Brigit (one of the nine worthiest women)

Historical illustration from the 19th Century, title page of Cirillo Calvaneo by Luca Pulc, 1431 - 1470, an Italian poet

Wszyscy Święci w MNK unknown

Anonymous Bibliothque Nationale de France Book Art Portrait Leonardo da Vinci. From: Giorgio Vasari, The Lives of the Most Excellent Italian Painters, Sculptors, and Architects

Cartoon on the losses of the Spaniards during the Maurits campaign in 1597; Cleaning Alberti Aen The Roman Senaet / About Sijn present miserable Staet. Cartoon on the losses of the Spaniards during the Maurits campaign in 1597. Kardinal Albrecht is on a throne under a canopy. He rejects the reason and lends the ear to a Jesuit (with letter) that is on its left with a capuchin monk (with crucifix). On the left in the river a ship with the names Enschede, Grol, Bredevoort, Lingen, Rheinberg, Oldenzaal etc. continued by Prince Maurits that puts on horseback his army. In the middle of two-way verse: Clachting Alberti etc. Under the show a circulatory 20-arrangy Dutch Rederijkersvers in which the wins of Maurits are sung.

A 1515 woodcut by Albrecht Dürer depicting the lending of Massimiliano Sforza with Milan in 1512, part of the honorary gate of Emperor Maximilian I, showing historical figures and detailed composition.

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