Ornate Ironwork Designs

Engravings featuring elaborate iron grills and architectural elements, adorned with floral and scroll motifs, exemplifying craftsmanship.

French crown, Paris, Chéreau, widow François (II), Canu, Jean Dominique Etienne, 4e Cahier Suite De Cheminées De Différentes Formes dans le Goût Antique, Mantelpiece with torch and quiver, verso - stamped, An ornamented mantelpiece with garlands at the top and a trophy with torch and quiver., print, ornamental print, title print, prints, ornament prints, height 282 mm, width 194 mm, French, 1768 - 1843, print maker, printmaker, 1778 - 1782, paper, etching, Work conception, after own design of, Publication (Event), Publication, publisher, grantor of privilege

Designs for Three Ironwork Grills, Jean Lamour, French, 1698-1771, Engraving on heavy cream laid paper, Grillwork heavily ornamented with foliage and scrolls., France, ca. 1763-67, metalwork, Print, Print

Book, L'oeuvre (Works)

Print, Ceiling Design; Designed by Jean Lemoyne (French, 1638 - 1715); Published by Gaspard Duchange; France; etching on laid paper

Panels with swimming putti and eagle, Carl Albert von Lespilliez, after François de Cuvilliés (Sr.), 1745 print Two vertical panels filled with arabesks. Left with oriental figures and swimming puti in the middle. Right with dolphins, fountains, putti and in the middle a putto on an eagle. Germany paper etching ornament ~ arabesque. swimming (sport). cupids: 'amores', 'amoretti', 'putti'. dolphin ~ ornament. predatory birds: eagle

Twee arabesken met muziekinstrumenten en klok; Ontwerpen van arabesken; Cahies d Arabesques.Two vertical arabic designs. Links are various musical instruments and sheet music surrounded by leaf motifs. In the right design a round clock worn by a cariatide. At the top of a bell surrounded by fruit and flower rinks.

Toiletmeubel. .

Architecture fantasy with four birds at the top; Leviores et ut videtur Extemporaneeae Picturae Quas Grotteweschas Vulgo Vocant (...). Flat decoration with archtecture fantasy and grotesken. A bow of leaf refrences, supported by two sfinxic figures, lying on a construction that is worn by four hermen. Decorated with windows and squares in a border. From series of 20 sheets.

Print, Elevation of an Interior with Chair under a Baldachin; Designed by Johann Michael Hoppenhaupt II (German, 1709-ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper tipped into cream laid paper; Sheet: 40.6 x 64.1 cm (16 in. x 25 1/4 in.) Platemark: 40.6 x 58.8 cm (16 in. x 23 1/8 in.)

Design for a Frieze, Graphite, pen and ink on paper, Horizontal rectangle showing a row of satyr masks, from whose mouths flows streams of water in shell basins supported by acanthus leaves. Below the masks, a Romanesque arcade hung with festoons. On three sides, a band of floral ornament., Italy, 18th century, ornament, Drawing, Drawing

French crown, Paris, Chéreau, widow François (II), Canu, Jean Dominique Etienne, 4e Cahier Suite De Cheminées De Différentes Formes dans le Goût Antique, Mantelpiece with torch and quiver, verso - stamped, An ornamented mantelpiece with garlands at the top and a trophy with torch and quiver., print, ornamental print, title print, prints, ornament prints, height 282 mm, width 194 mm, French, 1768 - 1843, print maker, printmaker, 1778 - 1782, paper, etching, Work conception, after own design of, Publication (Event), Publication, publisher, grantor of privilege

Print, Page from Emblemata nobilitate et vulgo scitu digna (Noble Ornament); Designed by Johann Theodor de Bry (German, 1561 - 1623); Netherlands; engraving on white laid paper; Platemark: 14.1 x 9.6 cm (5 9/16 x 3 3/4 in.) Sheet: 14.9 x 10.4 cm (5 7/8 x 4 1/8 in.)

Design for an Altar 17th century Anonymous, Flemish, 17th century Flemish. Design for an Altar. Anonymous, Flemish, 17th century. 17th century. Pen and brown ink with gray-brown wash

Parallel of historical ornament, Roman , Architectural decorations & ornaments, Capitals Columns, Vases. Louis Prang & Company Collection

Design for a Mirror with Alternative Suggestions, Graphite, pen and ink, brush and watercolor on paper, Design for a horizontal rectangular frame. At top center, an eagle with a garland in its mouth. Scrolling acanthus leaves. A vase at upper left and another bird at upper right., Italy, ca. 1810, furniture, Drawing, Drawing

Night. Phillip Otto Runge; German, 1777-1810. Date: 1803-1805. Dimensions: 689 x 463 mm (image); 709 x 483 mm (plate); 762 x 580 mm (sheet). Etching and engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Decorative frame; Oves, Perles, Ornements De Moulures. Decorative moldings with acanthus leaves, floral motifs and an egg list. Right above pl. 3 numbered.

Ornament with Leeuwenkop, Bernard Picart, 1727 print Amsterdam paper etching / engraving lion's head ~ ornament

Three Strauts, Daniël Marot (I), 1712 print Leaf 3 from series of 6 sheets with gates and handrails in wrought iron. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching staircase

Railing, sheet 3 from the episode "Latest Locksmith work in 1776". .

Design for a Ceiling n.d. Jean Berain French Design for the decoration of a ceiling with a variation for the right side. Both sides of the design are in the style of the late Baroque and include decorative details such as putti, shells, palmettes, leaves, ribbons and garlands.. Design for a Ceiling. Jean Berain (French, Saint-Mihiel 1640-1711 Paris). n.d.. Pen and brown ink with brush and gray wash

French crown, Paris, Neufforge, Jean François de, Cinquième Volume, Recueil élémentaire d'architecture, 51e Cayer Modéles pour various compartments for use des Plafonds, Voutes et Parquets, Compartimens pour des Plafonds, Ceilings with garlands, floral motifs and medallions, verso - stamped, A ceiling with garlands and rosettes in the corners. Below that a ceiling with rosettes, putti with garlands and in the corners oval medallions with two portraits. Print number 303., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 361 mm, width 223 mm, 1714 - 1791-12-19, print maker, prentmaker, 1763 - 1763, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Panels with summer and bacchus, anonymous, after Jean Berain (Le Vieux), after 1650 - c. 1761 print In the middle of the left panel, summer is under a canopy, on the right panel, Bacchus is a symbol for autumn. print maker: Germany (possibly)after design by: France (possibly)publisher: Germany (possibly) paper etching

Frame with flowers and wreaths; 17th Cahier the Cartels and Trophées de l'oeuvre de Ranson. A rectangular frame with flowers, leaf motifs and three wreaths at the top.

Drawing, Design for a Pier Glass with Alternative Suggestions; Italy; graphite, pen and ink, brush and watercolor on paper

Three small motifs and a large motif of leaf drinks with flowers; Alderhande Examples of broken silver-fashion work (...). There is a drummer in the large motif. From series of 6 sheets with examples of ornaments for silversmiths.

Design for Ceiling 18th century Workshop of Leonardo Marini Italian. Design for Ceiling 365469

Design for a ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 1/2 x 8 5/16 in. (26.7 x 21.1 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Karta tytułowa bez napisu. Menzel, Adolph (1815-1905), graphic artist

Detail of the curtain of scenes from the Favart room.

Frame with flowers and wreaths, Pierre Gabriel Berthault, after Pierre Ranson, 1778 print A rectangular frame with flowers, leaf motifs and three wreaths on the top. Paris paper etching ornament ~ medallion. flowers ~ ornament. garland, wreath

Cartouche with Cherubin and Fantasy Head, Agostino Mitelli, 1636 print A cartouche with a cherub and a fantasy head in the edge. The print is part of an album. print maker: Bolognapublisher: RomeBolognaItaly paper etching ornament ~ cartouche. cherubs, i.e. children's heads with wings

Au Choix Design for a Ceiling n.d. Anonymous, Italian, first half of the 18th century Italian Design for a ceiling in which several variations are presented. Three options are presented for the central decoration, all with flower vases, which can be combined with one of four different options for a decorative frame.. Au Choix Design for a Ceiling 367139

Eugene Shellady, Cast Iron Gate, 1937 Cast Iron Gate

Wall panel with cartouche flanked by nymphs; Livre de Diverses Grotesques, Peintes Dans Le Cabinet de la Reine Régte, Au Palais Royal. In the middle of the cartouche is a list of a ruin, below lie a river god and river godin next to a vase.

Muurindeling Met Korintische Pilasters, Jean Mark (I), 1629 - 1703 print print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Wall Design. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797). Dimensions: 13 9/16 x 10 11/16 in. (34.4 x 27.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Otto Karl, portal. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. II) (25.03.1900): View. Print on paper, 33.2 x 25.6 cm (including scan edges)

Firebuck. .

Wilkinson Tracing, Two designs for inlaid decoration, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Cartouche with rollerwork that goes down in Hermen; Cartouches in a picture frame of roller and fittings with grotesken, garlands and mascarons; Cartouche. Rollerwork leaves at the bottom left in a male, bottom right in a female Herme. Both blowing clouds from a horn that is a spur of their nose. Copy of leaf XV (RP-P-1977-146) from series with the title Exercitatio Alphabetics Nova et utilissima ... shaded background. One of 6 sheets from a series of 8

Jacoby Max, mirror frame. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. II) (09.02.1902): View. Print on paper, 33.6 x 24.5 cm (including scan edges)

Print, Design for a Frame; France; etching on laid paper

Design for a buckle, anonymous, 1500 - 1600 print Design for a buckle, decorated with leaf vines and two cobblestones. Germany paper engraving buckle

Nuremberg, Weigel, Johann Christoph, Guérard, Nicolas, Unterschiedliche Stücke vom Büchsenmachen, Parts of firearms, Thumb plates, verso - stamped, Ornamented thumb plates of firearms. With German description., print, ornamental print, prints, ornamental prints, height 188 mm, width 267 mm, print maker, printmaker, 1690 - 1725, paper, papier, etching, etchings, Work conception, French, 1648 - 1719, after a design by, Publication (Event), Publication, German, 1661-07-15 - 1726, publisher

Eight balustrades, Anonymous, 1700 - 1799 print Eight balustrades with leaf motifs. Print number 43. France paper etching balcony. balustrade

Map of garden with four compartments; Allées and Lawon Pour Les Theraße Sablux; Nouveux Livre De Greteres. The garden is divided into four compartments with parterres. ONSAGE COPY TO PRENT OF SERIES NOUVEUX LIVRE The floorres published by Daniel Marot. Sheet from Series Garden designs with floorres, fountains and pavilions with trellis.

Capitals and frieze in the Great St. Martin Church, Cologne, Germnay. Capitale und Fries in St. Martin, Koln. Chromolithograph by Kleinertz from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Design for the decoration of a ceiling 1830-97 Jules-Edmond-Charles Lachaise French. Design for the decoration of a ceiling 384954

Designs for Ceiling 19th century Charles Monblond French. Designs for Ceiling 343190

Various pencil sketches by Franz Alt in his 1855-1867 sketchbook showing landscapes, buildings, and figures.

Nîmes, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 9/16 × 13 11/16 inches (26.8 × 34.8 cm)

Wrought iron fence with floral motifs; Designs for fences.The Print Belongs to a Series of Four Prints.

Pilaster decoration (upper game), from the Loggie Di Rafaele Nel Vaticano series (pl. 1); Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Woodcut by Sebald Beham, first half of the 16th century, showing a coat of arms with cross, decorative mask, and heraldic symbols.

Diverses Pieces de Serruriers, page 16 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm)Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663.Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is in the shape of a rectangle that consists of 4 separate sections. The first section is of a design for a balustrade, which is ornamented with various geometric shapes and fleurs-de-lis. The second section is illustrated with coiling acanthus leaves. The third section is decorated with a design for a slanted balustrade. The fourth section is decorated with a single acanthus leaf in the shape of a sidew

Lazio Viterbo Bagnaia Villa Lante69. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche2. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wall with Central Mirror, Console Table, and Tapestries, Nouveaux desseins de Lambris (New Wainscoting Designs), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Design for interior in Rococo style with wainscoting. At center, a large framed mirror with a console table below. Surrounding the mirror are two figural tapestries, each depicting different scenes and with alternative stucco framing. At left, a scene with a winged angel, male figure, and a dolphin. At right, a man and woman collect water from a well. Scale at lower right., Munich, Germany, 18th century, albums (bound) & books, Bound print, Bound print

Wilkinson Tracing, Four designs for horizontal bands of inlaid decoration, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Sebastian Simonet, Iron Gate, c 1936 Iron Gate

Book illustration; Book illustrations. Cartouche with a vase at the top where smoke comes out and at the bottom of a cherub.

Rectangular Cartouche Between two round cartouches, Anonymous, After Jacques Androuet, 1520 - 1584 print Upstairs and below the round cartouches hang narrow rectangular cartouches. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi after the decoration of the gallery of François 1er by Giovanni Battista Rosso. The series is also known under the title Petits Cartouches de Fontainebleau. France (possibly) paper etching

Two pois stables, one with sil'sus on his donkey; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Two poast stables. The Piestal Left is decorated with two putti with a fruit garden land. The Piestal State turns, among others, Silenus on his donkey. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Two panels with arabesque; Quatrième Cahier des Arabesques. Two panels with arabesque. On the right a flowerpot from which leaf raft with medallion with figures. On the left a winged figure above which two cartouches and leaf drinks.

Motif for an Iron Balcony 19th century Anonymous, French, 19th century French. Motif for an Iron Balcony 355332

Louvre (Façade sur le Quai); Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; about 1868; Heliogravure; Sheet: 45 x 31.5 cm (17 11,16 x 12 3,8 in.)

The parterres have cut corners. Sheet from series of designs for gardens with parterres, Plan of garden with two rectangular parterres Nouveux liure de parterres (series title), Daniël Marot (I), print maker: anonymous, publisher: anonymous, after 1703 - before 1800, paper, etching, h 289 mm × w 194 mm

Fences with floral motifs; Gates; 59e Cahier.Drie wrought iron fences with floral motifs. Print number 353.

Morning (Der Morgen) Philipp Otto Runge (German, 1777-1810). Morning (Der Morgen), 1803-1805. Etching on wove paper, Sheet: 28 1/4 x 19 in. (71.8 x 48.3 cm). These etchings are part of a rare first edition of Philipp Otto Runges Times of Day, a set of four large prints (Morning, Day, Evening, and Night) filled with elaborate floral decorations and angelic children meant to symbolize the eternal cycle of nature. For Runge, human life was part of this cycle, and the natural world was an expression of the divine. Runge intended to use these designs for a monumental series of painted murals, but only one painting was ever completed. Landmarks of German Romanticism, a movement that emphasized emotion and the mysticism of nature, the etchings were appreciated by the movements leading figures, including the philosopher Johann Wolfgang von Goethe, who displayed a set of Times of Day in his music room and described the works as “enough to drive one mad, beautiful and crazy at the same time.”

Three designs for wall panels by Jean Marot, created between 1875 and 1890. The designs showcase decoration and ornamentation in an architectural style. Published in Paris by Rapilly, these engravings reflect the artistic trends of the period

Mascaron en bladranken, Bernard Picart (workshop of), 1683 - 1733 print Amsterdam paper etching / letterpress printing foliage, tendrils, branches ~ ornament. mask, mascaron ~ ornament

Bliżej Kultury unknown

Quast Ferdinand von (1807-1877), S. Demetrios in Saloniki/Thessaloniki (without Dat.): Coal: Views of a pillar with Christ monogram, according to Charles Texier and Richard P. Pullan, XXIII. Pencil on transparent, 35.4 x 28.9 cm (including scan edges) Quast Ferdinand von (1807-1877): S. Demetrios, Thessaloniki

Bliżej Kultury unknown

At the bottom is a frieze with a winged sealant in the middle in an oval; Iacobus Androuetius du Cerceau Inventor Ante Annos Non Paucos Conscripsit (...). Equilateral copy to the print of Jacques Androuet Ducerceau, derived from a flat decoration of Enea Vico. Leaf from series with architectural fantasies and grotesken with fabber designs, garlands, candelabers and mascarons.

Print, Friezes, Panels and Ornam; After Michel? Pourchet (1805); Printed by Gottfried Engelmann (1788 - 1839); Published by Desflorennes; France; lithograph support: white wove paper; 36.3 x 27 cm (14 5/16 x 10 5/8 in.) Platemark/repeat: 23.2 x 20 cm (9 1/8 x 7 7/8 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Frisian with coat of arms, flanked by two lions and victory symbols

Banknote motif: ornamental number 1 against a panel of lathe work elements, adjoining a band of mosaic style ornament, its ends adorned with leaves, flowers, grapes and ribbons. Artist: Associated with Cyrus Durand (American, 1787-1868). Dimensions: sheet: 6 7/16 x 3 11/16 in. (16.3 x 9.3 cm). Printer: Printed by A. B. & C. Durand & Company (American, active 1824-27); Printed by Durand, Perkins, and Company (New York). Date: ca. 1824-42. Museum: Metropolitan Museum of Art, New York, USA.

Decorated Cartel with Poetry Motifs, Pierre Gabriel Berthault, French, ca. 1748 - ca. 1819, Jacques Chéreau, French, 1688-1776, Engraving on paper, Decorated Cartel with Poetry Motifs., France, mid- 18th century, Print, Print

Print (France)

Thiersch Friedrich von (1852-1921), sketches on architectural jewelry (without date): Plan content N.N. detected. Tusche watercolor on the box, 14.3 x 11.4 cm (including scan edges) Thiersch Friedrich von (1852-1921): Skizzen zu architektonischem Schmuckwerk

bekend, Augsburg, Engelbrecht, Martin, Birckenfeld, Johann Samuel, Ontwerpen voor hekken, Swrought-iron hek met floralemotiefen, unknown, verso - handwritten, The print belongs to a series of four prints., print, ornamental print, prints, ornamental prints, verso - stamped, 1st, 27-10-80, height 302 mm, width 206 mm, print maker, printmaker, 1719 - 1749, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, German, 1684-09-16 - 1756-01-18, publisher, uitgever van privilege

Print (France)

Flower basket in the middle of leaf vines with a bird, 1690 - 1710 print Amsterdam paper etching / engraving foliage, tendrils, branches ~ ornament. container made of plant material other than wood: basket. flowers

Schick Carl, Zierspiegel (1883): View. Ink on cardboard, 54.4 x 36.9 cm (including scan edges)

Domenico Beccafumi, part of the fries around the presentation of the history of Moses, detail of the floor in the cathedral of Siena. .

Design for a Painted Ceiling 1800-1900 Anonymous, Italian, 19th century Italian. Design for a Painted Ceiling 390399

Design for a room decoration with a window and ornaments, Abraham Meertens, 1767 - 1823 drawing paper. deck paint. ink. watercolor (paint) pen / brush (decorated) ceiling

Renaissance L'ornement polychrome, Charpentier, Firmin-Didot (Firm), Racinet, A. (Auguste), 1825-1893, Chromolithograph, between 1869 and 1887

Cartouche surrounded by Grotesken, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1555 - c. 1560 print At the bottom two boys lean over a rolling work. Trophies and garlands with fruit bunches are hanging around the cartouche. At the top left and top right, a bird and an insect fly. Sheet K from series of 16 sheets, literate A-Q. Shaded or dotted background. Netherlands (possibly) paper etching ornament ~ cartouche. ornament ~ grotesque. ornament ~ festoon, garland

Design for a Wall Panel, Pen and ink, brush and sepia, watercolor on paper, Elevation of a wall panel divided into compartments with candelabrum. The upper wall shows a motif centered on a basket of flowers; the dado shows a bow and quiver. The entablature shows a frieze of wreaths., France, ca. 1770, ornament, Drawing, Drawing

Lüdecke Carl Johann Bogislaw (1826-1894), theater in Wroclaw. Reconstruction (05.1867): Decorations of the proscenium with royal lodge and lodge of 1st place 1: 8, scale bar. Ink, ink colored, watercolor on cardboard, 103.1 x 67.7 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Theater, Breslau. Wiederaufbau

Cartouche with a round temple in both upper corners, Nicolaes de Bruyn, after Hans Vredeman de Vries, 1581 - 1635 print At the bottom hangs on both sides, in which a man stands on the left and a woman on the right. Copy of page XXXIIII (Orn Cat I-176.21) from the series of Exercitatio Alphabetica Nova et Utilissima .... Arated background. One of 6 sheets from a series of 8 print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Amsterdam paper etching ornament ~ cartouche

Cartouches with birds and putti, Anonymous, After Hans Vredeman de Vries, 1555 - 1560 print Two cartouches on a leaf. Above: a cartouche surrounded by Moresken. At the top are two birds and two snails. At the bottom are two pots with fruits and branches. Numbered in the middle. Below: a cartouche surrounded by grotesken. On the left and right, the rolling work forms a basket containing flowers. Left and right below is a putto that blows on a Schalmei. In the middle of q numbered. Antwerp paper etching ornament ~ cartouche. birds. Cupids: 'Amores', 'Amoretti', 'Putti'

Print (France)

Plate twelve from Nouveavx Desseins D'Arquebvseries. Culture: French, Paris. Dimensions: 7 1/2 x 9 3/8 in. (19 x 23.8 cm). Engraver: De Lacollombe (French, Paris, active ca. 1702-ca. 1736). Publisher: Published by Gilles Demarteau (French, Liège 1722-1776 Paris). Date: dated 1736.This print is a prime example of French designs for the decoration of firearms in the late rococo style, which set the fashion for luxury arms across Europe at the time. It was created by an enigmatic engraver known only as De Lacollombe and comes from a group that was added to after his death and then published by his better-known pupil Gilles Demarteau (1722-1776) in about 1749. Individual motifs taken from them can be seen on guns made throughout the eighteenth century in France, Germany, the Netherlands, Italy, and Spain. Museum: Metropolitan Museum of Art, New York, USA.

Ornament print with roles filled with flowers and at the bottom two snails, master P.R.K., 1617 print paper engraving frequently used ornamental compositions

Design for a Carved Mirror Frame, Pen and black ink, brush and watercolors, black chalk on off-white laid paper., Drawings of a high looking glass, a low mirror in an escutcheon. Verso: a scale, France, before 1742, furniture, Drawing, Drawing

Design for the decoration of a door with Chinese motifs. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 1/4 x 8 7/16 in. (26.1 x 21.5 cm)image: 6 5/8 x 2 13/16 in. (16.8 x 7.1 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

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