Ornate Metalwork Designs

Intricate etchings of ornamental metalwork, featuring lavish designs for architectural elements like friezes and balconies in a classic, decorative style.

Three small motifs and a large motif of leaf vines with flowers, c. 1690 - c. 1700 print There is a drummer in the big motive. From series of 6 sheets with examples of ornaments for silversmiths. Amsterdam paper engraving ornament derived from plant forms

Diverses Pieces d'Ouvrages de Serrurerie, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Ten elements, each with a caption. Scale in six pieds., Germany, 1745, metalwork, Print, Print

Designs for the Decoration of Firearms. Culture: French, Versailles. Designer: Workshop of Nicolas Noël Boutet (French, Versailles and Paris, 1761-1833). Dimensions: 1 7/8 x 6 1/8 in. (4.8 x 15.6 cm). Date: ca. 1797-1805. Museum: Metropolitan Museum of Art, New York, USA.

On one frieze, décored with three square velds with mascarons, sitting four groomed saters; Iacobus androuetius du Cerceau Inventor Antos Non Paucos Conscribe (...). Copy to the picture of Jacques Andruka Ducerceau, gearing to one level decoration of ENEA Vico. Sheet from series with architectural vantasies and grotesken with fable eve, Guirllands, Kandelabers and Mascarons.

Designs of curling vegetal shapes; also a horizontal border. Prints. 1696. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Arabesques

Three balconies, c. 1866 - c. 1900 print Balconies in the style of Louis XIV. At the top left it is stated: Motifs de Décoration, at the top right: Sculpture, bottom right: 12 D. Liège (possibly) paper

Ornament print with striker with rolling work, and in the middle an angel's head, master P.R.K., 1617 print paper engraving frequently used ornamental compositions

Three small motifs and a large motif of leaf vines with flowers, c. 1690 - c. 1700 print There is a drummer in the big motive. From series of 6 sheets with examples of ornaments for silversmiths. Amsterdam paper engraving ornament derived from plant forms

Ceiling and frieze; Ceiling. At the top a quarter of a square ceiling with a putto in the corner, at the bottom of a Frisian with a putto kneeling on the right. Top left is listed: Motifs de Décoration, top right: Peinture et sculpture, bottom right: n ° 12. J. 71.

Eight balustrades. Eight balustrades with leaf motifs. Print number 43.

Design after an Antique Painting; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 9.9 x 6.3 cm (3 7,8 x 2 1,2 in.)

Print, Panel of a Wrought Iron Railing; Pierre Guillebaud; France; engraving on off white laid paper; 23.6 x 14.0 cm (9 5/16 x 5 1/2 in. )

New Designs for Ornamenting and Embellishing Coaches and Carriews. Bottom of the side of the body of a carriage with details and a variant of the right half.

Rand ornament with Cherubijn, 1618 print From series of title page and 11 magazines. paper engraving

Fries met een palmet tussen bladranken.The leaf raft runs out at either side in the middle in a fish head. Shaded background.

Sheet of border segments: vertical floral ornament, horizontal frieze, four corners 1490-1500 Francesco Rosselli Italian. Sheet of border segments: vertical floral ornament, horizontal frieze, four corners 356741

Ceiling with empty center piece; Ceilings. Ceiling with empty middle piece with curved corners. The center piece is surrounded by an ornamental edge and medallions with allegorical figures in the corners. Copy to print out series with ceilings designed and published by Daniel Marot.

Panel filling with burning lamp. Design for a print.

Wall panel with two sphinxes under octagonal table; Livre de Diverses Grotesques, Peintes Dans Le Cabinet de la Reine Régte, Au Palais Royal. A landscape is depicted in the list.

Print (France)

Two hangers with sundial; Monilium bulllarum inauriumque ... icons. No 10 from series of 10 sheets with ornament designs for front of hangers, Antwerp 1581. W. 20

Rozetten ceiling, Berthault, Jacques-François Chéreau, After Jean Charles Delafosse, 1771 print On the left an ornamented rectangular ceiling with putti, shell motifs and three round medallions with figures. Two rosettes on the right. Paris paper etching / engraving (decorated) ceiling. rosette ~ ornament

Ornamental fence with floral motifs, anonymous, after Johann Samuel Birckenfeld, c. 1750 print Possibly a balcony fence. Numbered in the middle of 64. Augsburg paper etching forging (industrial process) (+ product ~ crafts, industries, agriculture). fence, wall, paling. floral interlace ~ ornament. balcony

Map of garden with grass parterres fenced by plants, Anonymous, Daniël Marot (I), After 1703 - Before 1800 print Opposite copy to print from series Nouveux Livre de Parterres published by Daniel Marot. Leaf from series of garden designs with parterres, fountains and pavilions with slat. paper etching lay-out of garden

Copper engraving by Sebald Beham depicting a cross filling with a palmette design, showing decorative motifs, symmetry, and ornamental composition.

Italy, Barlacchi, Tommaso, Vico, Enea, Plane decorations with architectural fantasies and grotesques, At the top is a semicircular plane decoration with two tritons, The tails of the tritons end in volutes of leaf tendrils with a flower. Reverse copy after an anonymous print from the series Leviores et ut videtur extemporaneae picturae quas grotteschas vulgo vocant..., print, ornamental print, prints, ornamental prints, height 240 mm, width 137 mm, Italian, 1523 - 1567, print maker, printmaker, 1533 - 1567, second quarter 16th century, third quarter 16th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after a print by, Publication (Event), Publication, publisher

Ceiling with mythological representations, Anonymous, After Nicolas Pineau, 1725 - 1735 print Design for a ceiling with an edge of arabesks and on the left in the corners of cartouches with mythological representations. paper etching (decorated) ceiling. Classical Mythology and Ancient History

Print, Design for Garden Parterres with Scroll Motifs and Boxwood Arbor, in "Nouveaux Livre de Parterres," in Oeuvres Du Sr. D. Marot..., The Hague: Chez Pierre Husson, c.1702; Designed by Daniel Marot (French, active in the Netherlands and England, 1661-1752); France; etching and engraving on cream laid paper; Sheet: 33.8 x 22.5 cm (13 5/16 x 8 7/8 in.) Platemark: 27.4 x 18.4 cm (10 13/16 x 7 1/4 in.)

Three designs for silver fittings with saters and seed beads; Silver fittings. The designs are decorated with Saters, half-detached women, seed beads and horns of plenty.

Drawing, Entablature; Italy; pen and ink, brush and watercolor on paper

Two Upright Panels, Livre de Paneaux à divers usages (Book of Panels for Various Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Two designs for upright wall panels in Rococo style. Left panel: at upper center, two putti figures fight or play beneath drapery. Right panel: within cartouche at upper center, a scene with three putti figures playing in a landscape, one riding the shoulders of another. Above them, a beaming sun flanked by dolphins., Munich, Germany, 1738 and 1745, albums (bound) & books, Bound print, Bound print

Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from 'Twelve cartouches' (Recueil de douze cartouches) ca. 1640-45 François Collignon French. Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from 'Twelve cartouches' (Recueil de douze cartouches) 397484

Print, Bifurcated Grotesque Ornament Panel Designs; Designed by Claude Gillot (French, 1673 - 1722); Print Maker: Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Tailpiece, Homer Wayland Colby, American, 1874-1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A symmetrical design composed of a central panel of decoration flanked by lighted candles and cusped openings. Interlacing bands below., USA, ca. 1910, graphic design, Drawing, Drawing

Three heads of Beds, Daniël Marot (I), 1712 print From series of 6 magazines. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching

Plate in Nouveaux livres de peintures de salles et descaliers (New Books on Paintings for Rooms and Stairs), Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on white laid paper, Painted ceiling in trompe loeil, depicting two figures on clouds in the sky, surrounded by putti. This section is flanked by two sections that are decorated with roundels between two cartouches depicting putti., Netherlands, ca. 1700, architecture, Print, Print

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 28 (recto) 1601 Cesare Vecellio Italian Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice.From top to bottom, and left to right:Design composed of 4 horizontal registers that form a corner. Top register is decorated with a pattern of 2 composite male figures with foliage forming their lower half that hold onto either side of an urn; in the center of this register is a warrior figure inside of 5-sided shape formed by vines. Second register is decorated with a curving vine interspersed throughout it are birds, dogs, and composite human creatures. Third register is decorated with a curving vine among which are dogs, birds, and snakes. Fourth register is decorated with a pattern of triangular motifs ornamented with a central floral motif.. Corona delle Nobili et Virtuose Donne: Libro I-IV, page 28 (recto) 661825

Wilkinson Tracing, Printed design for inlaid decoration for Mrs Barron's Mahogany Commode, 1816-20. Ink on laid paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Frisian with two children and a cherub.fries with a cherub between two volutes. On either side thereof a leaf rank where a child is over.

Etching by Odoardo Fialetti showing decorative friezes with grotesque ornamentation, created between 1620 and 1638.

Frames for Mirrors. Artist: Nicolaes de Bruyn (Netherlandish, Antwerp 1571-1656 Rotterdam). Dimensions: 11 3/8 x 14 3/16 x 1/8 in. (28.9 x 36 x 0.3 cm). Published in: Amsterdam. Publisher: Published by Assuerus van Londerseel (1572-1635). Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA.

Détails du plafond de la salle des gardes-suisses, au palais de Fontainebleau. Emblêmes de dessins d'Henry IV; du même palais.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Flora, Ceres, Flora and Diana in Ornamental Picture Frames ..

Eisenlohr & Weigle, picture frames from the Uffizi in Florence (1880): View. Ink on cardboard, 21.2 x 32.1 cm (including scan edges)

Print (France)

Ornament with a vase in the middle flanked by sphinxen ..

Ceiling with rosette; XIII CAHIER DE L'OEUVRE DE LA LONDE N CUFLESS THE DIVERSES FORMES. A rectangular ornamented ceiling with an edge of acanthus leaves, shell motifs and floral motifs. In the middle a rosette. On the right in the corners of women's heads with flower vases on the head surrounded by braid.

Four detailed designs for a decorative fence with rocailles, anonymous, after Johann Samuel Birckenfeld, c. 1750 print Under an ornament with bird heads. Numbered in the middle of 64. Augsburg paper etching forging (industrial process) (+ product ~ crafts, industries, agriculture). fence, wall, paling. rocaille ornament. other ornament derived from animal forms

Bound Print, Porte, dans le grand Appartement des Tuilleries; Designed by François Chauveau (1613 - 1676); France; etching on laid paper

Schulz Bruno (1865-1932), S. Clemente in Rome (1899-1899): 3 views of the choir barriers. Ink, pencil on paper, 50 x 33.4 cm (including scan edges) Schulz Bruno (1865-1932): S. Clemente, Rom

Drawing, Strapwork Design; France & Italy; graphite, pen and ink, brush and watercolor on paper

Fruits frame, Gottlieb Friedrich Riedel, 1778 - 1779 print A frame with two pilasters, ornaments, flower motifs and garlands around various types of fruit. Publishing number 4. Augsburg paper etching ornaments ~ art (+ framing decorations). fruits

Panels with flowers, Jacques Juillet, After Pierre Ranson, 1777 - 1779 print Two vertical panels with flower vines and bouquets. Rouen paper etching panelling. bunch of flowers ~ ornament

Boetticher Carl (1806-1889), »Tectonics of the Hellenen« (table band, 2nd edition Berlin 1874): Tafel 39. Steel engraving on paper, 43.7 x 29.8 cm (including scan edges)

Drawing, Strapwork Design; France & Italy; graphite, pen and ink, brush and watercolor on paper

Two ovals between leaf vines, anonymous, after master PC, c. 1672 - c. 1676 print The ovals are filled with leaf vines. From series of 6 magazines. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engraving

Frisian with a vase with leaf vines, Heinrich Aldegrever, 1529 print Frisian with a vase from which leaf vines come. Left and right of the vase is a small flower. Germany paper engraving vase ~ ornament. foliage, tendrils, branches ~ ornament

Vignette with trophies, hermen and leaf vines, Bernard Picart (workshop or), After Bernard Picart, 1725 print A armor surrounded by ornaments of leaf ranks, candelabers and Hermen. Two putti blow the praise. Amsterdam paper etching / engraving ornaments ~ art. foliage, tendrils, branches ~ ornament. mask, mascaron ~ ornament. trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament

Print, Designs for the Border of the Biblical Chronology for the King , 2nd Plate, pl. 36 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Etched by Gabriel Huquier (French, 1695-1772); France; etching on off-white laid paper; 32.3 x 15 cm (12 11/16 x 5 7/8 in.)

Print (France)

French crown, Paris, Chéreau, Jacques-François, Lalonde, Richard de, Foin, Augustin, R Cahier de Bordures et de Corniches d'Appartement, Frame with wickerwork, verso - stamped, An ornamented frame with wickerwork and leaf motifs., print, ornament print, prints, ornament prints, height 216 mm, width 342 mm, 1726 - 1759, print maker, printmaker, 1784 - 1785, paper, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, granter of privilege

Amsterdam, Muntinck, Adriaen, Spitsen, Spits with fruit trophies, Reverse copy of an unidentified print., print, ornamental print, prints, ornamental prints, height 71 mm, width 98 mm, Work conception, Northern Netherlands, after a design by, 1611 - 1700, first quarter 17th century, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, papier, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Quast Ferdinand von (1807-1877), gardens (without date): two floor plans (after or through drawings). Ink on paper, 21.6 x 11.1 cm (including scan edges) Quast Ferdinand von (1807-1877): Gartenanlagen

Paris, Langlois, Nicolas, France, Le Nôtre, André, Gardens with parterres, Parterre with broderie motifs for a short garden, recto lower - handwritten in pen in brown ink, The right half is a counter-pressure of the left half. From a series of 12 sheets., print, ornamental print, prints, ornamental prints, A Paris chez N Langlois rüe S. Jaquez; with privilege., recto lower - handwritten in pen and brown ink, Parterre de broderie pour un Jardin court., height 220 mm, width 330 mm, Work conception, 1613 - 1700-09-15, after a design by, 1670 - 1680, third quarter 17th century, derde kwart 17e eeuw, fourth quarter 17th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publicatie, publisher

Design for an Ornamental Colonette, Gertrude M. Clarke, Pencil and yellow and brown watercolors on paper, Vertical rectangle. Design for an ornamental colonette in the Italian Renaissance style, composed of flat shaft with arabesque pattern, and a capital with arabesque pattern and acanthus leaves at the angles., USA, ca. 1896, ornament, Drawing, Drawing

Design for a window and an ornament with leaves. Leaf 5 Recto from an album with 17 sheets.

Facing brick with floral frame, 1877 - 1880 Leaf 24 Recto from a sketchbook with 27 magazines. Amsterdam paper. pencil. ink pen / brush stone tablet in façade. flowers ~ ornament

Print (France)

Etching by Hubertus Quellinus featuring an angelic head with a fruit wreath and acanthus ornamentation including a lyra. Produced around 1668.

Print (France)

Charles Meryon, Couverture du Voyage à la nouvelle Zélande (Cover for the Set of Etchings Entitled A Voyage to New Zealand), 1866 Couverture du Voyage à la nouvelle Zélande (Cover for the Set of Etchings Entitled A Voyage to New Zealand)

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)48. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Two double volutes, 1500 - 1600 print Volutes with leaf vines and flowers, sprouting at the foot of a vase in the middle of the Frisian. Shaded background. One of 11 magazines. paper engraving

Cartouche with a female herme on either side; Cartouches in a picture frame of roller and fittings with grotesken, garlands and mascarons; Cartouche. Both hermen carry a basket full of fruits and tendrils on the head. COPY OF BLANK XIII (RP-P-1977-1450) from the series Exercitatio Alphabetics Nova et utilissima .... shaded background. One of 6 sheets from a series of 8

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche3. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Comb, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for a hair comb. The cresting has the form of a pentagon with a long triangular shape. On top is a star. In the panel are rinceaux springing from a chalice contianing five round diamonds. Nine tines, as in 1938-88-772., Italy, early 19th century, jewelry, Drawing, Drawing

Two vertical ornaments of leaf vines and with monograms, Gerrit Visscher, 1690 - 1710 print Amsterdam paper etching / engraving ornament derived from plant forms. flowers in a vase. letter combinations such as letterword, anagram, letter square, monogram, etc.

Umbria Terni Acquasparta Palazzo Cesi4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Panel filling with resurrected phoenix. Design for a print.

Print, Deux diferents desseins de Comodes; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723-1796); Published by Poilly Family (France); France; etching and engraving on off-white laid paper; Platemark: 36.1 x 23.9 cm (14 3/16 x 9 7/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Pilaster decoration (upper game), from the Loggie Di Rafaele Nel Vaticano series (pl. 13); Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Gate with corner pilcher; Designs for gates and handrails of wrought iron.the Gate Contains a Medallion with a Monogram: Ma (Possibly Marie-Anne, Princess or Conti). Fragment of Leaf 1 from Series or 5 sheets. Second Edition.

Robert Adam, 1728-1792, British, Headfort House, Ireland: Ceiling of the Front Hall, 1771. Pen and black and brown ink with gray wash on medium, slightly textured, cream laid paper.

Edward L Loper, Iron Cellar Door, c 1936 Iron Cellar Door

Cast Iron Balcony Rail. Dated: c. 1936. Dimensions: overall: 22.9 x 30.5 cm (9 x 12 in.). Medium: pen and ink and watercolor on paper. Museum: National Gallery of Art, Washington DC. Author: Al Curry.

Drawing (Italy); pen and brown ink support: thick off-white laid paper

Museum: Cooper Hewitt, Smithsonian Design Museum.

Hitzig Friedrich (1811-1881), stock exchange in Berlin. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 16, 1866.) (1866-1866): Details. Stitch on paper, 58 x 43.4 cm (including scan edges) Hitzig Friedrich (1811-1881): Börse, Berlin. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 16, 1866)

Design for Ceiling. Artist: Charles Monblond (French, 19th century). Dimensions: 10 3/4 x 13 3/4in. (27.3 x 34.9cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Title page and ten furniture decorations, 1695 print Numbers 1 and 14 to 16. At the top left, the title page with the title in a cartouche is flanked by Putti. Figure number 14 contains three half decorations for the bottom of a mirror, in the form of a fronton. Number 15: Decoration with mask for the bottom of a piece of furniture and three smaller motifs. Number 16: Three half illustrated beams. Blad A from series of 4 sheets. print maker: Neurenbergprint maker: Neurenbergafter design by: Bopfingenpublisher: Neurenberg paper engraving

Bound Print (France)

Console in the form of a volute with a flower pattern, c. 1875 - c. 1900 photograph cardboard. photographic support albumen print flowers ~ ornament. other architectural details. sculpture (+ relief ~ sculpture)

Campania Caserta Marcianise Chiesa dell' Annunziata63. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design of Rinceaux. Artist: Ascribed to Circle of Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua) (). Dimensions: 1 7/8 x 11 1/4in. (4.7 x 28.5cm). Date: 1470-1510. Museum: Metropolitan Museum of Art, New York, USA.

Needlework Altar Cloth, Durham. Artist: Frederick H. Evans (British, London 1853-1943 London). Date: 1911-1912.A bookseller turned photographer, Evans created some of the most famous pictures of architecture in photographic history. Known for his meticulous printing, mounting, and presentation of singular works, Evans approached his subjects holistically, carefully planning and producing a representative collection of images for each site. His last major undertaking of this type, the Durham Cathedral, is a case in point. The platinum photograph of the altar cloth, which Evans printed on a piece of cotton textile to mimic the needlework of the original, is an exquisitely rendered detail from a pictorial program meant to capture every aspect of the cathedral. Museum: Metropolitan Museum of Art, New York, USA.

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 79 (recto) 1601 Cesare Vecellio Italian Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice.From top to bottom, and left to right:Design composed of multiple sections. Decorating the top left corner is a large floral and figural element, which attaches to a rectangular base ornamented with different foliage patterns, one of which includes a figural representation. At the top edge (right of center) is a set of curving vines on top of an ornamented rectangular base. At the lower left corner is an ornamented triangle.. Corona delle Nobili et Virtuose Donne: Libro I-IV, page 79 (recto) 661926

List of tendrils and fucks; R Cahier de Bordures et de Corniches d'apartment (...). An ornamented table with acanthus leaves, tendrils with acorns and leaf motifs.

Drawing from LArt Industriel, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) Paris tracing paper. graphite (mineral)

Kaulbach Friedrich August (1850-1920), Fries in the staircase of the new museum in Berlin (approx. 1900): Continuous children's frieze with the ironic relativization of monumental world history. Photo on paper, 16.1 x 32.3 cm (including scan edges) Kaulbach Friedrich August (1850-1920): Fries im Treppenhaus des Neuen Museums, Berlin

List of leaf motifs, Jean Baptiste Lucien, After Caillouet, 1758 - 1806 print Design for a list of stylized leaves. France paper other architectural details (CORNICE)

Decorative design. .

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