Ornate Print Design Elements

Illustrations featuring decorative cartouches and title pages, showcasing intricate engravings with floral motifs, heraldic symbols, and historical themes.

Print, Engraving on paper, France and England, before 1902, Print

Cartouches with ranks, 1697 print Three cartouches with the series title surrounded by Acanthus vranks and fruit. At the top an eagle and a crown. paper engraving ornament ~ cartouche. tendrils ~ ornament

Print, Title Page from "Second Licre Contenant Differens Desseins de Pendules Inventés par G. M. Oppenort Architecte du Roi et Gravés par Huquier"; Designed by Gilles-Marie Oppenord (French, 1672-1742); Etched by Gabriel Huquier (French, 1695-1772); France; etching on paper; 41.4 × 27.5 cm (16 5/16 × 10 13/16 in.); 1959-85-7

Therese Natalie, Princess of Braunschweig-Wolfenbüttel.

Print, Title page; Print Maker: Jean Bérain the Elder (French, 1640-1711); Published by Hugues Brisville (French, active ca. 1663); France; engraving on laid paper

Title print with attributes of the arts, Simon Guillain (II), 1646 print print maker: Romeafter drawing by: Romeprinter: Romepublisher: RomeRomeItaly paper etching tools, implements of painter

Print, Engraving on paper, France and England, before 1902, Print

Achthoek with Personifications Painting and Music, Michel Dorigny, After Simon Vouet, 1640 print Achthoek with book title flanked by squatted personifications of painting and music. Above that a coat of arms of Chancellor Séguier and Putti blindly on trumpet. A cloth with four -line Latin text hangs on the bottom. France paper. paper etching regular polygon: octagon. 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). 'Musica', symbolic representations, allegories and emblems ~ music; 'Musica'(Ripa)

Schole Christi, Gillis van Breen, after Karel van Mander (I), 1599 print In a medallion surrounded by different ornament work, Christ is depicted as a man of Smarten. With his left hand, he points to a tablet with the words: sacht-mothers and ood-mother. Next to him symbols that refer to birth and life, such as the Bethlehem stable. The edge of the medallion refers to a Matth Bible. 11:29. Above and below the medallion two Dutch poems by Karel van Mander, the lower one is drawn with his motto: one is noodich. Under the show a verse in Latin by Cornelius Schonaeus. Haarlem paper engraving whole figure, sitting or standing of the Man of Sorrows

Frontispiece, from "Gloriosissimae" 17th century Jacques Callot French. Frontispiece, from "Gloriosissimae". Jacques Callot (French, Nancy 1592-1635 Nancy). 17th century. Etching; third state of three (Lieure). Prints

Three personifications with arms of Philip II; Title page for: Carlos Coloma, Las Guerras de los Estados Baxos, 1625. A woman in harness, possibly Minerva, sits with the crowned weapon of Philip II above the title in Cartouche. Two personifications with scales (possible justice) and flags flank the cartouche. A crowned coat of arms on the underside.

Antwerp, Plantin, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Doetechum, Johannes of Lucas van, Exercitatio alphabetica nova et utilissim, Cartouche with two dogs at the top on the scroll, Sheet XXXIII. From a series of 21 numbered cartouches with calligraphy in a frame of scroll and fittings with grotesques, garlands and mascarons., print, ornament print, prints, ornament prints, height 215 mm, width 283 mm, print maker, printmaker, 1569 - 1569, third quarter 16th century, paper, etching, etchings, Northern Netherlands, 1541 - 1583-03-29, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1514 - 1589-07-01, publisher

ORIGEN Y PRINCIPIO DE LA LENGUA CASTELLANA O ROMANCE. Author: BERNARDO JOSE DE ALDRETE (1565-1641).

Title print with cartouche with a putto, two panel heads and a skull of a ram; Cartouches; Raccolta di Varii Cappricii. .

Cartouche with inscription in frame of rolling work with birds, chickens and flowers, 1673 - 1709 print paper engraving ornament ~ cartouche. owls. ornamental birds: parrot. fowl (cock, hen, chicken, etc.). flowers ~ ornament

Coat of arms in an oval; Coats of arms. At the top is a lion, the coat of arms below is empty. From series of 20 sheets.

Jollivet business card, trader in paper and stationery in Paris. In an oval Maria with child surrounded by the weapons of Louis XIV, Marie Adelheid van Savoye and their son Lodewijk. Including a comprehensive description of products that are for sale at Jollivet.

Trade card for Henry Hardy, Printer 19th century Anonymous, British, 19th century This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as tradesmen’s cards,” tradesmen’s bills,” or shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.. Trade card for Henry Hardy, Printer. Anonymous, British, 19th century. 19th century. Engraving

Title print with text, allegorical figures, coat of arms, ornaments and putti; Title print of part 2 of Austriacae Gentis Imaginum; Portraits of members of the Austrian home; Austriacae Gentis Imaginum. .

Karoline, Archduchess of Austria.

Parijs, Daumont, Jean-François, Delafosse, Jean Charles, Canu, Jean Dominique Etienne, Troisiéme Livre De Trophées, Altar with balls, Paris, verso - stamped, An altar with chain balls attached to columns, in the middle the series title., print, ornament print, title print, prints, ornament prints, height 385 mm, width 235 mm, French, 1768 - 1843, print maker, printmaker, 1771 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, French - 1775, publisher

Cartouche with Saterskop and Women's Mask, 1590 Rectangular rolling cartouche of a map about the wanderings of Abraham. In the middle of a women's mask. On the horns of the Saterskop in the middle of his ribbons bound with bunches of fruit. The print is part of an album. Antwerp paper engraving Rectangular rolling cartouche of a map about the wanderings of Abraham. In the middle of a women's mask. On the horns of the Saterskop in the middle of his ribbons bound with bunches of fruit. The print is part of an album. Antwerp paper engraving

Some one-full fruits and strikers: title page; Somige one-full fruits and strikers. Cartouche of rollerwork with two swans at the top. Oval shield in the middle at which the text of the title. Copy of series with the same title, published by Michiel Le Blon. Title page from series of 14 sheets with examples for engraved decorative edges of cups in the form of triangles consisting of tendencies, Schweifwerk, garlands with putti, animals, birds and masks.

Coat of arms with two griffins and a winged helmet, Louis Demeuse, 1700 - 1776 print paper engraving armorial bearing, heraldry. griffin (lion/eagle); 'Griffo' (Ripa)

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 1). Artist: After Georges Reverdy (French, active Lyon, 1529-57); After Jacob Floris (1524-1581). Dimensions: Sheet: 7 7/8 × 10 5/16 in. (20 × 26.2 cm)Plate: 5 1/8 × 11 13/16 in. (13 × 30 cm)Overall: 8 1/4 × 10 5/8 in. (21 × 27 cm). Publisher: Carlo Losi (Italian, 1757- after 1805). Date: 1773.Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point. Museum: Metropolitan Museum of Art, New York, USA.

Jan Smit's address card, manufacturer of room hearing, Adolf van der Laan, 1734 print Jan Smit's address card, manufacturer of room hearing. In the foreground, Minerva sees the wallpaper rolled out by three putti in front of her feet. Behind this, the manufacturer shows a wallpaper to a number of customers. The whole is caught in an architectural frame that is decorated from above with putti, flowers, fruits, pagegomes and a monogram. Under a heading of nine lines. paper etching wall-paper. (story of) Minerva (Pallas, Athena). cupids: 'amores', 'amoretti', 'putti'

Memorial Print for Willem IV in Delft, 1752; TO NACIDITY, from Zyne Blugte Highness Willem Karel Hendrik Friso (...). Print in memory of Stadhouder Willem IV. On either side of a text with a description of the censure are two columns with weapent trophies with two representations of the parade bed with the body of the prince, numbered no. 1 and no. 2. At the top also a small portrait. At the bottom of four rows the funeral procession in Delft on 4 February 1752.

Portrait of Count Johan Maurits with the three outeriques in the prints of the accident in Franeker, 1665. Sheet on which are printed the three ornamental plates with the ups belonging to the prints of the accident of Count Johan Maurits at the bridge in Franeker, 6 January 1665. A portrait of the count was stuck in the middle. Ornamental cartouches with texts in Dutch and Latin numbered I-III.

unknown artist, (Richard Hayes), Ornamental Ticket for Society of Painters, 1690. Etching on medium, slightly textured, beige laid paper.

Copper engraving print by Jost Amman from 1585 showing an allegorical representation, depicting figures, symbolic elements, and composition.

Medallion with Dying Nude Figures Supported by a Lion on aPedestal. Artist: Gregoire Huret, French, 1606-1670

Design for a Cartouche with Large and Small Compartments, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, In the upper compartment, a young woman on a swing., Germany, 1745, figures, Print, Print

Cartouche with a text from the Bible book Jakobus, 1555 print Cartouche with a text from Jak. 3:13 In Latin. Rectangular ornament with a women's mask in the middle and in the middle of a men's mask. Left and right faces of Putti. This print is part of an album. paper engraving / etching ornament ~ cartouche. mask, mascaron ~ ornament

Antwerp, Plantijn, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Doetechum, Johannes or Lucas van, Exercitatio alphabetica nova et utillisima, Cartouche with calligraphy, top left and top right a man with a banner, Sheet XXIIII. Cartouche with the text Yo Salomon Rey de Jerusalem. On the scroll at the top two goats are standing on their hind legs and two snails are sitting. From a series of 21 numbered cartouches with calligraphy in a frame of scroll and decorative work with grotesques, garlands and mascarons., print, ornament print, prints, ornament prints, height 216 mm, width 286 mm, print maker, printmaker, 1569 - 1569, third quarter 16th century, paper, engraving, engraving (printing process), Northern Netherlands, 1541 - 1583-03-29, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1514 - 1589-07-01, publisher

Cartouche with Title: Nouvelles inventions de Cartouches 17th century Anonymous, 17th century. Cartouche with Title: Nouvelles inventions de Cartouches 377603

Amsterdam, Picart, Bernard, Memorial for Guillaume de Lamoignon, recto lower right - handwritten, A memorial for Guillaume de Lamoignon with his coat of arms in the middle. On top of the memorial sit two mourning putti with extinguished torches., print, engraving, ornamental print, prints, engravings, verso - stamped, 25., height 121 mm, width 137 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1718 - 1718, first quarter 18th century, paper, papier, etching, etchings, engraving (printing process)

Calendar page October, Andreas Reinhard (i), After Great, 1686 - 1752 print paper etching the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'

Print, Title Page; Designed by François-Thomas Mondon (French, ca. 1709 - 1755); Print Maker: Antoine Aveline (French, 1691 - 1743); Published by Étienne Charpentier (French, 1704 - 1793); France; etching on laid paper

Quote: FORTITVDINIS ABSQVE IVSTITIA NVLLVS EST VSUS.... in cartouche. Top left and right are small mascarons. Below, mascarons in the form of a satyr head with a beard hang. Shaded background. From series of title page and 12 sheets of cartouches with quotes from classical writers in a frame of scrollwork with grotesques, mascarons and garlands, Cartouche with a quote from Plato Variarum protractionum (...) (series title), print maker: Frans Huys, Hans Vredeman de Vries, publisher: Gerard de Jode, Netherlands, (possibly), 1555, paper, etching, h 179 mm × w 132 mm

Title page for emblemata saecularia, 1596. Title page of the album Amicorum "Emblemata Saecularia ..." published by Johan Theodoor and Johan Israel de Bry in 1596. From the title, only emblemata saecularia is legible; The rest of the text field is cut out of the context, for which a blank piece of paper has been stuck in place. At the bottom in the middle lies the sleeping Adam. A tree (his family tree) with two thick branches rises behind his back; There are 8 empty round medallions in the branches. The medallion at the top contains two interlocking hands, a heart and a crown (symbol of loyal friendship). Adam is flanked by a man (left) and a woman (right) and two empty oval medallions.

Woodcut by Lucas Cranach the Younger, created in 1563, depicting August, Duke of Saxony, with heraldic symbols and decorative elements.

Creation of Eva, 1580 - 1588 print God drops Adam in a deep sleep while he removes his rib and creates Eva. In the edge of the frame, a Bible quote from Gen. In Latin. The print is part of an album. paper engraving creation of Eve

Antwerp, Jode, Gerard de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia duodecim prophetarum per Johannem Snellincx. 4 . fol :, Twaalf propheten, Cartouche met rolwerk, Title in cartouche met rolwerk. Title print for a series of prints about the twelve prophets. Print is part of an album., print, prent, titelprent, albumblad, prints, prenten, height 99 mm, width 154 mm, print maker, printmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Portret van Jan I van Holland, anonymous, in or before 1646 print Portrait of Jan I van Holland in an oval accompaniment surrounded by ornaments, fruits and weapons. At the bottom a tablet with the data from his government period as a count. paper historical persons (portraits and scenes from the life)

Title print with cartouche for a series with horse breeds, Egbert van Panderen, after Antonio Tempesta, c. 1590 - 1637 print Text in Latin in Cartouche, decorated with two horses and wind instruments. Title print for a series of thirty with horse breeds. Amsterdam paper engraving ornament ~ cartouche (+ ornament enlivened by animal forms). horn, trumpet, cornet, trombone, tuba

. Portrait of desiderius erasmus, theologian, writer and philosopher. He is in his study deduction at a writing table. The portrait is flanked by the personnifications of wisdom, which overcomes the stupidity, and caution, which envisages.

Address Map of Jan Smit, manufacturer of room hangings, Adolf van der Laan, 1734

Gundemar, King of the Westgoten.

Portrait of Count Johan Maurits with the three upperers at the prints of the accident in Franeker, 1665, 1665 print Leaf on which are printed the three ornamental plates with the upper writing that belong to the prints of the accident of Count Johan Maurits at the Bridge in Franeker, January 6, 1665. In the middle a portrait of the count is stuck. Ornamental cartouches with texts in Dutch and Latin numbered I-III. Northern Netherlands paper etching / engraving historical persons. nobility and patriciate; chivalry, knighthood Franeker

Desseins a Plusieurs Usages Inventés par M. B. Toro (Title Page). Designer: Jean Bernard Toro (French, Dijon 1672-1731 Toulon). Dimensions: Plate: 5 7/8 × 9 15/16 in. (14.9 × 25.2 cm)Sheet: 15 5/8 × 10 7/8 in. (39.7 × 27.7 cm). Etcher: Honoré Blanc (French, 18th century). Date: 1718 or after. Museum: Metropolitan Museum of Art, New York, USA.

Joseph Lubrano, Printed Textile of George Washington, c 1939 Printed Textile of George Washington

Title print with two male Cararians, Pietro Sante Bartoli, After Giulio Romano, 1645 - 1700 print Title print with two male Cararians that wear a cornice. In the middle of a coat of arms with a lion. Central a text box with text in Latin. print maker: Italyafter design by: Italypublisher: Rome paper etching / engraving caryatids ~ architecture. beasts of prey, predatory animals: lion

Portrait of Desiderius Erasmus in an allegorical frame, Bernard Picart, 1718 print Portrait of Desiderius Erasmus, theologian, writer and philosopher. He is in his study at a writing table. The portrait is flanked by the personifications of wisdom, which overcomes stupidity, and caution, who overcomes the envy. Amsterdam paper etching / engraving scholar in his study. writing tools. Truth; 'Verití' (Ripa). wisdom, 'Sapientia' ~ one of the seven gifts of the soul

Memorial to Orlando Bridgeman from Teddington Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 11 inches (38.1 × 27.9 cm), architectural subject, church, memorial, England, Greater London, London, Teddington, Teddington Parish Church, United Kingdom

Six Medallions with Biblical Scenes (recto); Seven Medallions with Inscriptions (verso) Artist's working dates 1690-1731 Holland. Pen and black ink, with brush and brown wash (recto), and pen and brown ink (verso), on ivory laid paper . Gysbert Booncamp

Hubert François Gravelot, A Plinth Surmounted by the Arms of the King of France A Plinth Surmounted by the Arms of the King of France

Portrait of Charles VII, King of France, Jost Amman, 1598 print Nuremberg paper etching historical persons. ruler, sovereign. scrollwork, strapwork ~ ornament

Tomb monument for Johannes van den Bergh and his wife Joanna van Teylingen in Leiden.epitaaf with Vanitas Symbols Such as Torches and a Skull, On Either Side of A Stone With Inscription is a Mourning Child With Coat or Arms.

Berbie Do Uset, Pierre Claude.

Title print with a monument with title, flanked by fame and father's time; Construction works from antiquity; I Vestigi Dell'Antichità di Roma Raccolti et Ritratti in Perspettiva da Stefano du Perac Parisino. Print is part of an album.

Title Page. Dated: 1665. Dimensions: overall: 14.6 x 14.5 cm (5 3/4 x 5 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Georg Andreas Wolfgang.

The Hague, Wouw, Hillebrant Jacobsz. van (I), Delft, Delff, Willem Jacobsz., Title page for: History of the Dutch and their neighbours' wars and histories, until the 19th century M.VI.XII., The Hague 1614, Allegory of the history of the Netherlands, On a pedestal with title sits a personification of the Southern Netherlands, Belgica, seated between symbols of trade, arts and sciences. On either side are two obelisks. Below a base with two figures symbolizing war and a dove with an olive branch as a symbol of peace., print, engraving, title page, prints, engravings, height 323 mm, width 197 mm, 1580-09-15 - 1638-04-11, print maker, printmaker, 1614 - 1614, paper, engraving (printing process), Publication (Event), Publication, publisher

Portrait of anatomist Giovanni Battista Morgagni, print maker: Giovanni Volpato, (mentioned on object), Pietro Antonio Danieletti, (mentioned on object), Italy, 1763, paper, engraving, etching, h 330 mm - w 213 mm

Liuva II, King of the Westgoten.

Portrait van Johann Welser Met Ornamenale Rand, Alexander Mair, 1584 print paper engraving historical persons. ornament ~ cartouche. scrollwork, strapwork ~ ornament. armorial bearing, heraldry

Daniel Lysons, 1762-1834, British, Memorial to Thomas Gilmoore and Mrs. Elizabeth Gilmoore from Twickenham Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

A collection of flowers in ornamental arrangement with garland, urn and cherubs. Etching by J. Edwards, c.1790, after himself.

La operina di Ludouico Vicentino, da imparare di scriuere littera cancellarescha. Arrighi, Ludovico degli, Woodblock, 1522-1523

Cartouche surrounded by Moresken, two birds and two snails at the top; Cartouches in a picture frame of roller and fitting work with grotesken, moresken, garlands, mascarons and trophies. In the cartouche, a text written with pen (Come on s'Papperceut de / la grossesse de Thamar ...). Leaf A from series of 16 sheets, literate A-Q. Shaded or dotted background.

Allegorian portrait in honor of Prince Maurits, 1612. Leaf with a portrait of Maurits in Medallion, on both sides two solicitious figures of history and science; lower different Dutch verses and spells, between which a shield of the Republic with the weapons of the United provinces; Below its own weapon in the orange tree with spell and dating 1612. On the left and right side and down medallions in which his victories from 1588 to 1607 are shown in the small.

Print, Title Page ; Designed by Thomas Laine; Print Maker: J.J. Balechor (1716 - 1764); Published by Claude Niquet (French, active ca. 1769 - after 1831), Dubois (French, active ca. 1769); France; etching and engraving on laid paper; Sheet: 43.3 x 27.2 cm (17 1/16 x 10 11/16 in.)

Groundhausen, Kuno Friedrich von.

The mermaid looks into a mirror. The mermaid is also depicted twice on the shield., Coat of arms crowned with a mermaid, Michiel le Blon, (attributed to), print maker: anonymous, publisher: anonymous, c. 1600 - c. 1699, paper, engraving, h 80 mm × w 64 mm

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Elizabeth Summers from Stratford Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Le Nozze degli Dei: Frontispiece. Dated: 1637. Medium: etching on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Portrait with the children of Mr. Neccair. The girl with a doll and the boy with a dog, The children of Mr. Neccair., print maker: Theodorus de Roode, (mentioned on object), after: Theodorus de Roode, (mentioned on object), publisher: Mattheus Roelofswaert, (mentioned on object), print maker: Netherlands, publisher: Delft, 1789 - 1800, paper, etching, h 173 mm × w 140 mm

The king of Pruyssen, on horseback. Portrait of the king of Prussia on horseback. Under the show a two-legged fresh. In a picture frame with flowers, tendrils and two putti. Numbered at the top right: 68.

Mirror list with terms, anonymous, after Daniël Marot (I), in or after 1703 print A mirror list with garlands and terms that keep draperies high. The series title is in the mirror. On the right a vial. paper etching mirror

Smeyers, Henr., Brussels, Mommaert, Johannes, unknown, Franckaert, Jacques (II), Zuidelijke Nederlanden, Galle, Cornelis (I), Pompa funebris optimi potentissimiq. principis Alberti pii, Funeral of Archduke Albrecht, 1622, Title page for the print series of the funeral of the Archduke Albrecht, Southern Netherlands, Title page for the print series of the funeral of Archduke Albrecht of Austria, died 13 August 1621, buried in Brussels on 12 March 1622. Tomb in a wall with skeletons bearing the arms of the Archduke and the portrait of Albrecht held by the Vigilance and another personification., print, news print, prints, Frederik Muller Historieplaten, height 265 mm, width 382 mm, 1576 - 1650-03-29, print maker, printmaker, 1623 - 1623, first quarter 17th century, paper, etching, engraving, engraving (printing process), Work conception, 1583 - 1651, after a design by, granter of privilege, printer, approval granted by

Netherlands, Schol, A. (II), Thirteen decorations at the Alliance Festival in Amsterdam in 1795, Illumination in the Beurs Straat, In Amsterdam 1795, Decoration in the Beurssteeg, 1795, verso - stamped, Decoration in the Beurssteeg in Amsterdam, seen from the Rokin, at the Alliance Festival on 19 June 1795. Established by a Meeting of Deputies of the Batavian Clubs, Civic Districts and Patriotic Societies in Amsterdam. Part of a series of thirteen plates., print, prints, Frederik Muller Historical plates, height 272 mm, width 183 mm, Dutch, print maker, printmaker, 1795 - 1795, paper, etching, hand colouring

Escutcheon with a Lion Attacking a Cheetah. Jacques Bailly (French, 1634 - 1679)

Design of a Sepulcher Monument for a Prelate, Black crayon, brush and ink on paper, Two winged skulls open the sides of a tent-like cloth which is hanging upon a winged coat-of-arms with a prelates head. A bust portrait of a man wearing an order upon his breast. The inscription beginning with DOM is intended to fill the lower part of the cloth., Italy, 1790-1800, architecture, Drawing, Drawing

Coeffure à la belle group and 1778.; Almanacon: Women's hairstyle with ship in oval. Women's bust to the left, in oval; Including a plaque, on which the name of the hairstyle: 'coeffure à la Belle Poule'. An elegant model of a ship is processed in the hair. La Belle Poule was the name of a French frigate that defeated an English ship on 17 June 1778, with which the French mixes in the American War of Independence. As a reminder of this memorable fact, the Coiffure à la Belle Poule. The print is part of an almanac, 1778.

Tekst: Got (...), Virgil, 1524 - 1562 print paper engraving

Design for a Carved Mirror Frame Surmounting a Mantle (Trumeau) 1742 Domenico Silvestro Giannotti Italian. Design for a Carved Mirror Frame Surmounting a Mantle (Trumeau) 343239

Novae Florum icones. Title in oval, faced in cartouche with rollerwork and flowers. From series of 12 sheets.

Slow, Benedikt Winkler, After Jacques de la Joue (II), 1750 - 1762 print A rocaille cartouche with trees, flowers, waterfalls and winged putti heads. The serial title in the cartouche. Publishing number 6. Augsburg paper etching spring, 'Ver'; 'Primavera' (Ripa). ornament ~ cartouche

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Daniel and Anne Wait from Acton Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Regni Poloniae, Magni Ducatus Lituanae; Glassbach, Christian Benjamin (1724-1779), PFAU, Theodor Philipp Von (1725-1794); 1770-1772 (1770-00-00-1772-00-00);

Memorial to Joseph Biscoe and his wife Elizabeth, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm), architectural subject, church, memorial, England, Greater London, London, United Kingdom

Two putti with a globe, 1594 print Medallion with two putto that holds a globe. On the globe, God is depicted the Father. With an edge in Latin. The print is part of an album. paper engraving angel(s) represented as child(ren). globe. God the Father represented as human being, usually with crown or tiara or sceptre and/or globe

Castle, Bernardo.

. Title page with the middle A cartouche at the corners decorated with the attributes of the four evangelists. There are two putti above the cartouche, each in hand holding a palm branch. Together they keep a laurel wreath above a heart surrounded by a radius of water, from which three corners come. Left in a cartouche that same heart, suspended by a sun and lack of water and to the right that heart with fruitless branches and with at the bottom of bag fairs. Down pecking two birds from a heart in the form of a narroller hood.

On the birthdayh of mine renowned father, 1748 drawing Wish letter with described cartouche within a decorative framework with small hunting scene and performances of birds. Handwritten message in calligraphy (birthday wish) by Jan Antoni Tnierens to his father Paulus Rauwerhoff. paper. ink pen / pen hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). birds

Title page: livre de satyres, et grotesses (...); Livre de Satyres, et grotesses (...); Saters and Grotesken. Title page of series with Saters and Grotesken. Title in cartouche in oval flat, flanked by cherub. From series of 9 sheets.

Nehalennia altars. Leaf with overview of altars with Nehalennia, numbered 10-18. Coming from: Olivier de Wree, historiae commitum Flandriae Libri Prodromiduo, Lucas van den Kerchove, Bruges 1650. Second State in which the page and number are deleted at the top right.

Netherlands, Fifteen decorations at the Alliance Festival in Amsterdam in 1795, Dead or Free, Meeting of Deputies of the Batavian Clubs, Some Civic Districts and Patriotic Societies, Decoration in the Beurssteeg, 1795, verso - stamped, seen from the Dam, 1795. Erected by a Meeting of Deputies of the Batavian Clubs, Civic Districts and Patriotic Societies in Amsterdam at the Alliance Festival on 19 June 1795. On the two chassinettes allegories of the Alliance and of Freedom, each with a four-line verse., print, prints, engravings, Frederik Muller Historieplaten, height 543 mm, width 390 mm, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, hand colouring

Shell-shaped cartouche with a border of fish and sea snakes. In the cartouche French text with series title and maker's names. At bottom, the coat of arms of G. Tronson. Title print for the first of five series with various species of fish and other sea creatures, Shell-shaped cartouche with sea creatures Fish and other sea creatures - saltwater first series (series title) Diverses Especes de Poissons de mer (series title on object), print maker: Albert Flamen, (mentioned on object), Albert Flamen, (mentioned on object), publisher: Jacques van Merlen, (mentioned on object), Paris, 1664, paper, etching, h 102 mm × w 172 mm

Cartouche with vegetables; C Livre de Legumes; Oeuvre de Juste Aurele Meissonnier. A Rocaille cartouche with the serene title surrounded by leaves and vegetables. Print number 13.

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