Personifications in Classical Art

Engravings portraying allegorical figures, representing virtues such as eloquence and strength, adorned with symbols and surrounded by classical themes.

Amsterdam, Delorme, Jean Louis, Paris, Picart, Bernard, Title page for: Aristotle, La rhetorique, 1698, Eloquence, The female personification of Eloquence, crowned and holding a caduceus (symbol of eloquence and reason). She is accompanied by two putti. Above her on a drapery the title in French., print, engraving, title page, prints, engravings, height 140 mm, width 83 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings, engraving (drukprocedé), Publication (Event), Publicatie, publisher

Amsterdam, Delorme, Jean Louis, Paris, Picart, Bernard, Title page for: Aristotle, La rhetorique, 1698, Eloquence, The female personification of Eloquence, crowned and holding a caduceus (symbol of eloquence and reason). She is accompanied by two putti. Above her on a drapery the title in French., print, engraving, title page, prints, engravings, height 140 mm, width 83 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings, engraving (drukprocedé), Publication (Event), Publicatie, publisher

Dialectica, Johann Sadeler (I), After Maerten de Vos, After Cornelis Cort, After Frans Floris (I), 1560 - 1600 print The personification of the dialectics is on a chair. She adds her arguments with her fingers. An eel is turned around her arm. On her head a magpie, two frogs on the floor. In addition to dialectics, a pile of books by important thinkers. In the background a philosopher under a tree. The print has a Latin caption about dialectics and is part of a seven -part series about the seven free arts. print maker: unknownafter drawing by: Antwerp paper engraving 'Dialectica' (~ trivium); 'Dialettica' (Ripa). book. wandering scholar. tailless amphibians: frog. eels: eel. song-birds: magpie

Kracht (Fortitudo), anonymous, after Jacob Matham, after Hendrick Goltzius, 1601 - 1652 print A female figure with a column over her shoulder as the personification of strength (Fortitudo). Amsterdam paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Johanna von Pfirt.

Judge, Johann Georg.

Lucretia, Giovanni Andrea Sirani, 1620 - 1670 print Lucretia sitting with a bare chest and on her lap the dagger with which she stuck herself. Assignment in the end margin. Italy paper etching (story of) Lucretia

Diana holding fruit in her left hand standing within a niche ca. 1531-76 Giulio Bonasone Italian. Diana holding fruit in her left hand standing within a niche 392830

Woman as a personification of Hoop (Spes) with bread standing in Nis, Marcantonio Raimondi, After Rafaël, 1510 - 1527 print paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Sibille of Samos, Philips Galle, After Anthonie Blocklandt, 1575 print Sibille from Samos is on a rock. A book is open next to her. The print has a Latin caption and is part of a ten -part series about the Sibillen. print maker: Antwerpafter design by: Low CountriesAntwerppublisher: Antwerp paper engraving Samian Sibyl

Prudentia, Jozua Breckerveld, after Jacob Matham, after Hendrick Goltzius, 1658 drawing paper. ink pen Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

Sibille van Delphi; S Delphica; Twelve sibilles. Sibille Van Delphi

Urania. Dated: probably 1592. Dimensions: plate: 24.7 x 16.8 cm (9 3/4 x 6 5/8 in.) sheet: 25.8 x 18 cm (10 3/16 x 7 1/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.

IJdelheid; Superbia.Female Personification of vanity. In a niche there is a woman with a mirror in her hand. In addition to the niche two emblems; One with a peacock, the other with a horse. Under the show two Latin lines.

Passe, Crispijn van de (I), Utrecht, Magdalena van de, Sibyls, Sibylla Hellespontiaca., Hellespontic Sibyl, verso lower left - stamped, The Hellespontic Sibyl is seated at a table. In her right hand she holds a fruit and in her left hand a bunch of flowers. She looks up to heaven where Mary appears with the Christ child. In the margin a caption in Latin. Print from a series with sibyls., print, prints, height 263 mm, width 192 mm, Northern Netherlands, 1600 - 1638-01-22, print maker, printmaker, 1615 - 1615, paper, engraving, engraving (printing process), Work conception, 1564 - 1637, after a design by, Publication (Event), Publication, publisher

Mother with children, Pieter Holsteyn (II), c. 1640 - c. 1670 print A woman with a bare chest with a child at a cradle in which a sleeping baby, as a personification of love (caritas). Amsterdam paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Judit with the head of Holofernes in one, the sword in the other hand. In the background the scene in which she browsing the army leader in his tent, while her service stands on hold.

Christine, Queen of Sweden.

Catharina van Alexandria, Agostino Carracci, c. 1581 print The Martelares Catharina of Alexandria with a palm branch and a wheel. Italy paper engraving the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

Flora, Joachim von Sandrart (I), After Titian, 1616 - 1688 print paper etching / letterpress printing (story of) Flora

Passe, Crispijn van de (I), Utrecht, Magdalena van de, Sibyls, Sibylla Hellespontiaca., Hellespontic Sibyl, verso lower left - stamped, The Hellespontic Sibyl is seated at a table. In her right hand she holds a fruit and in her left hand a bunch of flowers. She looks up to heaven where Mary appears with the Christ child. In the margin a caption in Latin. Print from a series with sibyls., print, prints, height 263 mm, width 192 mm, Northern Netherlands, 1600 - 1638-01-22, print maker, printmaker, 1615 - 1615, paper, engraving, engraving (printing process), Work conception, 1564 - 1637, after a design by, Publication (Event), Publication, publisher

Three Goddesses: Three Goddesses, c. 1595. Jan Saenredam (Dutch, 1565-1607), after Hendrick Goltzius (Dutch, 1558-1617). Engraving; Goltzius popularized a style of engraving with mesmerizing patterns of curving, tapering, and crisscrossing lines; it was especially appreciated in the late 1500s. Designed for his pupil Saenredam to engrave, these prints depict the three goddesses from the tale of The Judgment of Paris, in which each claimed the golden apple awarded to the most beautiful. Jupiter deferred judgment to Paris, a mortal esteemed for his fair-mindedness. Juno and Athena tried to bribe Paris with an empire and skill in war, but Venus made him an offer he could not resist: Helen, the worlds most beautiful woman. The presentation of the deities in separate prints suggests that viewers may also play Pariss role and decide themselves which goddess the artists made most beautiful.

Italy, Titian, Carracci, Ludovico, Agostino, Brizio, Francesco, Maria Magdalena, verso - stamped, Maria Magdalena in a landscape. In the background on the right is an ointment jar., print, prints, height 231 mm, width 182 mm, Italian, 1574 - 1623, print maker, printmaker, 1584 - 1623, paper, engraving, engraving (printing process), 1557 - 1602-03-22, Work conception, 1555 - 1619-11-13, after a design by, 1488 - 1576-08-27

The Libyan sibyl. Engraving by M. de Passe after C. de Passe I.

A series of nine muses. Four lines of Latin by Franco Estius in margin below print, Terpsichore The Nine Muses (series title), print maker: Hendrick Goltzius, (mentioned on object), Hendrick Goltzius, Franco Estius, (mentioned on object), Haarlem, 1592, paper, engraving, h 250 mm × w 168 mm

Antwerp, Huys, Frans, Sibyls, Sibylla Tyburtina, Nomina Albunea, Tiburtine Sibyl, The Tiburtine Sibyl sitting with a violin and bow under a tree. In the background on the left a ruin. This print is part of an album., print, picture, album sheet, prints, pictures, height 195 mm, width 123 mm, 1522 - 1562, print maker, printmaker, 1546 - 1562, paper, papier, engraving, engraving (printing process)

Terpsichore; The nine muses. The seated Terpsichore, the muse of the singing and dance, plays the lute. On the right side of her feet are a winch and a book. Under the show two two-year verses in Latin.

Compassion, from the Virtues Made 1552 Germany. Engraving in black on ivory laid paper . Heinrich Aldegrever

Farmers express honor to Ceres, Jan Saenredam, After Hendrick Goltzius, 1596 print Ceres, goddess of agriculture, worshiped by three farmers. Her head is adorned with a crown of corners, in her hands she wears a sickle and the horn of abundance. In the background a landscape with working farmers. paper engraving (story of) Ceres (Demeter). farmers

Power (Fortitudo), Jan Saenredam, After Hendrick Goltzius, 1593 print Standing woman next to a column, in a niche, as a personification of power. Northern Netherlands paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Juno, Jan Saenredam, Cornelius Schonaeus, Claes Jansz. Visscher (II), 1575 - 1607

Clio, Hendrick Goltzius, 1592 print With four lines of text in Latin. Numbered in the bottom left: 4. paper engraving Clio (one of the Muses); 'Clio' (Ripa)

Venus from The Gods Who Preside Over the Planets. Artist: Master I.B. (German, active 1525-1530). Dimensions: sheet: 3 1/4 x 1 15/16 in. (8.3 x 5 cm). Date: 1529. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Willem III, Prince of Orange. Portrait of Willem III in a Circle of Lauwerbladen. There is a number of allegorical objects around. In the foreground a winged fame is blowing on a trumpet. Four lines of Dutch text in the underwear.

Prudentia. Artist: Hendrick Goltzius. Artist: Jacob Matham. Draughtsman: Jozua Breckerveld. Dating: 1658. Measurements: h 306 mm × w 173 mm. Museum: Rijksmuseum, Amsterdam.

Design for Pulpit, Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1670, Print, Print

Karl I. Robert, King of Hungary.

Experience; Experientia; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A woman of older age; In her left hand she has a leaf, right she keeps a stick in hand. Under the show two lines text in Latin. The print is part of an album.

Woman with chalice and scepter; The small figures. A classic figure with a scepter in the right hand, the left hand loving a chalice.

Clio, 1592 print A series of nine muses. Four lines of Latin from Franco Estius in margin under print. paper engraving Clio (one of the Muses); 'Clio' (Ripa)

Diane de Poitiers, shown as the goddess Diana. Diane de Poitiers, the mistress of the French king Henrik II, depicted as Diana the goddess of hunting. She holds a spear in her hand, next to her a hunting dog runs. A verse in Latin in the bottom margin.

Woman playing the game of cup and ball, billeboquet or bilboquet, 17th century. Lithograph after a painting by Jacques Courtin from Henry Rene Allemagne's Sports and Games of Skill (Sports et Jeux d'Adresse), Librairie Hachette, Paris, 1903.

Herderin, Jan van den Hoecke, 1621 - 1651 print Shepherdin with a shepherd's staff, halfway to the left. unknown paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. shepherd's crook

The personification of the virtue Prudence holding in one hand a mirror into which she is looking and in the other a snake. In the background a landscape, Prudence Prudencia (title on object) The Virtues (series title), print maker: Cornelis Massijs, (mentioned on object), Cornelis Massijs, Antwerp, c. 1543 - c. 1544, paper, engraving, h 92 mm × w 61 mm

Statue in Versailles Gardens. Asia female personification, crowned with a floral wreath, a censer in hand. To her feet a turban. A caption in French in the margin.

A copper engraving and etching by Hendrick Goltzius titled 'Diligence,' representing the personification of industriousness through allegorical figures and detailed composition, created in 1615.

Copper engraving by Hendrick Goltzius from around 1592 depicting Terpsichore, the muse of dance, showing figure, musical instruments, and composition.

Proserpine Changing Aesculapius into an Owl. Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); Enea Vico (Italian, Parma 1523-1567 Ferrara). Published in: Venice. Date: 1548.In Mariette Album, folio 69. Museum: Metropolitan Museum of Art, New York, USA.

Power, Crispijn van de Passe (I), 1600 print The female personification of strength (Fortitudo), one of the four cardinal virtues, with a helmet. She holds a broken column on her shoulder. Print from a series with theological virtues. Cologne paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Erato; The nine muses. The seated erato, the muse of the lyricie and love poetry, holds a globe and a passer in her hands. There is a book and a measuring status to her feet. Under the show two two-year verses in Latin.

Woman in a garden behind a table with flowers. .

Hoop, Jan Saenredam, after Hendrick Goltzius, 1601 print The female personification of hope, one of the three divine virtues, with an anchor under her legs. Putti flying above her head with a laurel wreath and flowers. paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

A series of nine muses. Four lines of Latin by Franco Estius in margin below print, Clio The nine muses (series title), print maker: Hendrick Goltzius, (mentioned on object), Hendrick Goltzius, Franco Estius, (mentioned on object), Haarlem, 1592, paper, engraving, h 250 mm × w 168 mm

Verbond, Philips Galle, c. 1585 - C. 1590 print Standing woman who corded together with an instrument from the rope shop (twine). Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving alliance, league, union, foedus. twining

Ceres, goddess of agriculture, as the embodiment of the abundance of the earth She is adorned with a crown of ears of corn and holds the horn of plenty in her arm and a sickle in her hand Next to her is her daughter Proserpina The corners of the frame show two dragons and agricultural products, Ceres and Proserpina Jam fastidita quereu iam glande remota percipe frugifere munera garta Dee , print maker: Jan Frederik Christiaan Reckleben, (mentioned on object), Jan Saenredam, Hendrick Goltzius, print maker: Amsterdam, Haarlem, 1841, paper, engraving, h 290 mm × w 218 mm

Bust of a woman with bare breasts. .

Gondi, Paule Marguerite Francoise de.

Wenceslaus Hollar after Sir Anthony van Dyck, Margaret Lemon, 1646 Margaret Lemon

Paris, Errard, Charles II, France, Tournier, Georges, Collection of various antique vases, Title page: Collection of various antique vases, Seated woman in front of a garden wall. The woman's arm rests on an oval medallion, on which are three Swedish crowns and the monogram of Christina of Sweden., print, engraving, ornamental print, title page, prints, engravings, ornamental prints, height 329 mm, width 227 mm, French, print maker, printmaker, 1650 - 1650, third quarter 17th century, paper, engraving (printing process), Work conception, 1607 - 1689-05-25, after a design by, Publication (Event), Publication, publisher

Athena, from Cabinet Reynst; Variarum imaginum a celeberrimis artificibus pictarum Caelaturae (Cabinet Reynst Engravings of various images painted by famous artists) Made 1645-1655 Holland. Engraving in black on cream laid paper . Cornelis Visscher, the Elder

Terpsichore, Hendrick Goltzius, 1592

At the blackberry. / 22. (title registered (letter)) | Cree of Paris. (Title of all)

Eleonore, Infantin by Portugal.

Bartolozzi, Francesco, inventor: according to Giovanni B. Cipriani, work, Medea with children, (1000 - 2000), dot engraving, graphics, image 27.3x22.4, leaf 35x25.2 (cut)

Old Italian Masters: St. Agnes, 1888-1892. Timothy Cole (American, 1852-1931). Wood engraving;

Personification of charity, Arnold Houbraken, 1710 - 1719 print A female figure as a personification of charity, with a passer in her right hand and in her left hand a necklace and coins of which some fall down. In the background, a man gives an alms to a kneeling figure. Print from a series of 41 symptoms. Amsterdam paper etching / engraving Generosity, Liberality; 'Generosità', 'Liberalità' (Ripa) (+ partially clothed). 'Elemosina' (Ripa). giving alms or other charity, e.g.: handing out food

Europe, Reinier van Persijn, 1660 print The female personification of Europe, with a horn of abundance. With her foot she leans on a turtle. On a banner the title in Latin. At the bottom in a cartouche an impression in Latin. Print Maker: GoudaPublisher: Leiden paper engraving Europe represented allegorically; 'Europa' (Ripa)

Hendrik Goltzius (1561-1641). "The nine muses: Erato. Seventh number of a sequence of 9 pieces. (Hollstein 154; Bartsch 152)". Chisel. 1592. Museum of Fine Arts of the City of Paris, Petit Palais. 123048-10 Chisel, 16th 16th XVI 16th 16th 16 Center

Allegory on painting. A woman and a child with a statue and a painting palette.

Bolswert, Schelte Adamsz., Rubens, Peter Paul, Southern Netherlands, Sancta Barbara virgo et martyr, H. Barbara, print, prints, height 387 mm, width 247 mm, 1586 - 1659-12-12, print maker, printmaker, 1596 - 1659, paper, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Apollonia, much.

A chalk sketch by Francesco Mazzola showing a young woman on the left next to a pillow, drawn between 1537 and 1540, with white highlights for form and depth.

Mary sits with bare breast and Christ Child on lap by a tree, Joseph leans by her right shoulder on the tree stump. Below the scene a two-line Latin text, Rest on the Flight into Egypt, print maker: Jacob de Gheyn (II), (mentioned on object), Cornelis Cornelisz. van Haarlem, (mentioned on object), Heyman Jacobi, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1589 and/or 1596 - 1652, paper, engraving, h 265 mm × w 205 mm

Astronomy. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Cornelis Jacobsz Drebbel after Hendrik Goltzius.

Man pays a woman, Anonymous, After Bernard Picart, 1705 - 1783 print A man touches a woman and puts coins on her lap. She wears a dress that leaves her breasts uncovered and pushes his hand away. paper etching lovers; courting, flirting. whore, prostitute

Panthée. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 13 3/8 x 8 5/16 in. (34 x 21.1 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous watercolor and feather study of an angel on clouds in front of architectural elements, executed on blue paper.

Taste, Nicolaes Jansz. Clock, after Hendrick Goltzius, 1596 print The female personification of taste. She is half naked and wears some fruit and vegetables in her left hand. With her right hand she holds an apple against her mouth. Taste is accompanied by a monkey that is chained to a fruit basket. The print has a Latin caption. The print is part of a series about the five senses. Haarlem paper engraving taste, tasting (one of the five senses) - AA - female human figure

SEPTEMBER Henri Bonnart (1642-1711). September. Engraving.

Ada Gravin van Holland plays on Harp during captivity on Texel in 1203, Johannes Christiaan Bendorp, 1776 - 1824 print print maker: Netherlandspublisher: Rotterdam paper etching harp

Angelica Kauffmann RA, 1741-1807, Swiss, active in Britain (1766-81), Bust of a Young Woman with Flowers in Her Hair. Etching.

Umbria Perugia Spoleto S. Maria Assunta, Cathedral4. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wo

Saint Barbara. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Lucas Vorsterman I (Flemish, Zaltbommel 1595-1675 Antwerp). Dimensions: Sheet (Trimmed): 12 7/8 × 8 13/16 in. (32.7 × 22.4 cm). Date: ca. 1615-75. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Johanna Kertten, Jacob Houbraken, 1716 - 1718 print Amsterdam paper engraving

The Virgin and Child Crowned by Two Angels above a Landscape (landscape trimmed out) ca. 1504 Albrecht Dürer German. The Virgin and Child Crowned by Two Angels above a Landscape (landscape trimmed out) 388379

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)17. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Tiburtin Sibille, Philips Galle, After Anthonie Blocklandt, 1575 print The Tiburtine Sibille is on a rock. She has a book. The print has a Latin caption and is part of a ten -part series about the Sibillen. print maker: Antwerpafter design by: Low CountriesAntwerppublisher: Antwerp paper engraving sibyls (with NAME)

Copper engraving 'The Fifth of the Clever Virgins' by Monogrammist AG, late 15th century, depicting a biblical clever virgin with lamp and surrounding figures.

Martin Schonguer (around 1450-1495). The wise virgins: third wise virgin (Barsch 79). Engraving (chisel), 1480-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 76855-14 Acking, art medieval, Christianity, woman, engraving with chisel, Christian iconography, religious iconography, light lamp, Middle Ages, New Testament, biblical character, wise virgin, XVEME XVE XV 15th 15th 15th century, engraving

Woodcut by Lucas Hugensz. van Leyden from around 1530 depicting the Sibyl Erythraea or Babylonica, showing a female prophetic figure with symbolic elements.

The personification of the Beginning stands in a desolate landscape with plumes of smoke In her hand she holds two burning globes A flame is also burning on her head Together the flames symbolize the Holy Trinity Above a three-line text in Latin and below a three-line text in German, The Beginning Principium Der Anfang Zinnebeelden , print maker: Jeremias Wachsmuth, (mentioned on object), intermediary draughtsman: Gottfried Eichler (II), (mentioned on object), publisher: Johann Georg Hertel (I), (mentioned on object), Augsburg, c. 1758 - c. 1760, paper, etching, h 194 mm × w 127 mm

Female Winged Allegorical Figure Holding a Sphere. Artist: Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua); After circle of Giulio Romano (Italian, Rome 1499-1546 Mantua). Dimensions: sheet: 9 5/8 x 5 1/2 in. (24.5 x 14 cm) within platemark. Date: 1558/1559. Museum: Metropolitan Museum of Art, New York, USA. Author: Giorgio Ghisi. After circle of Giulio Romano.

Moicing company. A man and two women make music in a park. The man plays a flute while one of the women hits and sings on a tambourine. A sculpture in the background.

Title print with Minerva and De Zeven Free Arts, Pierre Lombard, 1623 - 1681 print paper engraving (story of) Minerva (Pallas, Athena)

Sobieska, Maria Klementine.

Print made by John Blackmore, active 1740-1780, Sigismonda, between 1769 and 1771. Mezzotint on medium, slightly textured, cream laid paper.

Wenceslaus Hollar, Mulier Primaria Antuerpiensis, in Ornatu Domestico Mulier Primaria Antuerpiensis, in Ornatu Domestico

Portrait of Hadriaan Beverland Drawing a Statue of Venus, Isaac Beckett, after Simon Dubois, 1686 print paper historical persons. draughtsman studying classical remains - CC - out of doors

Cairo lady, Egypt, Africa. Old 19th century engraved illustration, Le Tour du Monde 1863

Brogi, Giacomo, 2119 Pisa, Photo reproduction of painting H. Agnes by Andrea del Sarto, Pisa Cathedral, photograph, photo, photos, Pisa. Interno del Duomo, S. Agnese - Andrea del Sarto, height mm, width mm, 1822-04-06 - 1881-11-29, photographer, 1860 - 1881, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print, Publication (Event), Publication, publisher

Lucrèce 1647 Gilles Rousselet French. Lucrèce 391455

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