Religious and Classical Themes

Drawings and engravings reflecting religious imagery and classical motifs, featuring figures and narratives from history and mythology.

Ten Heaven Reaching of Maria, 1739 - 1782 copper (metal) engraving

Ten Heaven Reaching of Maria, 1739 - 1782 copper (metal) engraving

Feder in brown drawing by Giovanni Battista di Jacopo di Guasparre depicting the Rosso Mariae proclamation, with black pen traces, brown lavated areas, white highlights, and black chalk squaring on brown paper, circa 1531-1532.

'Grotesque (left side). Reverse: Designs of the Decor of a Door and a Support for Firewood'. France, 1692-1699. Dimensions: 40,4x21,3 cm. Museum: State Hermitage, St. Petersburg. Author: Gilles-Marie Oppenort.

Photo production of the Fresco Attila by Rafaël in the Camere di Raffaello, Anonymous, After Rafaël, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print drawing, sketch Camere di Raffaello (Palazzo Vaticano). Vatican Stanza d'Eliodoro. Vatican museums. Vatican CITY

Design for Three Consoles Decorated with Foliage and Volutes and a Console with a Satyr Head Surmounted by Three Human Figures, Garland and Foliage 1609-60 Attributed to Agostino (Stanzani) Mitelli Italian. Design for Three Consoles Decorated with Foliage and Volutes and a Console with a Satyr Head Surmounted by Three Human Figures, Garland and Foliage 344020

Robert Smirke, 1752-1845, British, Study for a Relief with Romanesque Figures, undated. Pen and gray ink, brown ink and graphite on medium, slightly textured, cream, wove paper, mounted on, thick, smooth, peach, wove paper.

Candlestick René Boyvin French. Candlestick. Dessins d'aiguieres, etc., no. 7. René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers). Engraving. Prints

Study for 'Zodiac', Francis Augustus Lathrop, American, 1849 - 1909, Charcoal, brush and wash, graphite on paper, Sketch of figures in loose garments within a wheel., USA, ca. 1894, figures, Drawing, Drawing

Drawing, Studies with figure of Apollo from Raphel's School of Athens; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); After Raphael (Italian, 1483 - 1520); France; red chalk on paper

Saint Antoninus Kneeling before the Crucifix in Orsanmichele, Florence. Artist: Bernardino Poccetti (Italian, San Marino di Valdelsa 1548-1612 Florence). Dimensions: 6-7/8 x 10-15/16 in. (17.4 x 27.8 cm). Date: 1600-1605.Walter Vitzthum in 1955 identified this drawing as a study for one of the lunette-shaped frescoes representing scenes from the life of the Dominican archbishop of Florence, Saint Antoninus, painted by Poccetti ca. 1602-1604 in the cloister of Saint Antoninus of the Dominican priory of Saint Mark in Florence. In both the drawing and the fresco Poccetti gives an accurate view of the interior of Orsanmichele with a side view of Andrea Orcagna's tabernacle in the background. There are other studies related to this composition in the Uffizi and in Berlin (see Hamilton 1980, pp. 74-77). The old and certainly correct attribution to Poccetti is due to the collector who annotated his drawings with the artist's name, first in Greek and then in Italian. James Byam Shaw, in disc

Nuremberg. Bas relief on the facade of the weigh house with the date of 1497 ; verso: general sketch of tower. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

TRASCORO - MARTIRIO DE SANTA EULALIA - 1518-1520 - PLAFON EN MARMOL - RENACIMIENTO ESPAÑOL. Author: BARTOLOME ORDOÑEZ (1480-1520). Location: CATEDRAL-INTERIOR. Barcelona. SPAIN.

Isiac Ceremony, by Unknown, 62 - 79, 1st Century, painted stucco. Italy, Campania, Naples, National Archaeological Museum, from Herculaneum. Whole artwork. Men Isiac ceremony priestess birds.

Design for a ceiling with two supporting figures, Augustine Terwesten (I), 1659 - 1711, draughtsman: Augustinus Terwesten (I), 1659 - 1711, paper, pen, brush, h 253 mm × w 395 mm

Photo production of the Fresco Parnassus by Rafaël in the Stanza della Segnatura, Vatican City, Anonymous, After Rafaël, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting Raffaello rooms (Vatican Palace). Signature room

Panel with the personification of the power.

Lazio Viterbo Tarquinia Palazzo Vitelleschi8. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the high

Allegory of the battle at Waterloo, 1815. Draughtsman: anonymous. Dating: 1815 - 1820. Place: Netherlands. Measurements: h 255 mm × w 329 mm. Museum: Rijksmuseum, Amsterdam.

Abruzzo, L'Aquila, L'Aquila, S. Pietro di Coppito, Italy, 20th century, photo, photography, Europe

Scupture by N. Young. 1868. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Peru

Kaulbach, Wilhelm von, Jager, Andries, Goethe und die Muse, Photo reproduction of Goethe und die Muse by Wilhelm von Kaulbach, verso - printed, This photo is part of an album., photograph, foto, carte-de-visite, reproduction, album page, photos, A. Jager, Water 110, Amsterdam, height 105 mm, width 60 mm, 1825 - 1905, photographer, 1865 - 1890, photographic paper, photo paper, cardboard, albumen print, Work conception, German, 1805-10-15 - 1874-04-07

This 1702 etching by Romeyn de Hooghe depicts an allegorical representation of the political situation in 1702, illustrating diplomatic tensions and European politics in the early 18th century.

Andreas Flinch (1813-1872); Jean Ribault (1520-), Frise, 1813 - 1872

Happiness and prosperity in France during the reign of Louis XV and Marie Antoinette.. Cochin, Charles-Nicolas, II (1715-1790), draughtsman, cartoonist

Bliżej Kultury unknown

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia44. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ink sketch by Rudolf Weyr depicting a frieze with mythological characters and ornamental motifs.

Lie and hypocrisy is for fake patriots what virtue is to Republicans (IT)

Angels keeping watch over Romans. Ernest Barrias (French, 1841 - 1905)

Salt paper photograph showing the Amor statue and Saint Sebastian in the background at the Louvre, Paris, produced around 1860 in stereo format, depicting classical sculptures.

Resting countrymen, Cornelis Kruseman, 1840 drawing paper. pencil brush family group, especially parents with their child(ren). (traveller) resting in the open air

'Resurrection of Christ. Jonah Disgorged by a Great Fish'. France, Mid-1540s. Dimensions: 36x16 cm. Museum: State Hermitage, St. Petersburg. Author: Léonard Thiry.

Lazio Viterbo Bolsena Palazzo del Drago01. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, Project for a Painted Ceiling; Italy; black chalk, pen and ink, brush and watercolor, bistre on paper

Umbria Terni Amelia Palazzo Comunale9. Hutzel, Max 1960-1990 Medieval: Architectural sculpture: sarcophagus, capitals. Post-medieval: Architecture & architectural sculpture. Piazza del Municipio (Piazza Matteotti) with view of Palazzo Comunale; portal; coats of arms & insignia. Interior views of frescoes, friezes, 16th & 17th century paintings in Salons I & II Antiquities: Architecture & architectural sculpture, 1st century B.C.-1st century A.D. Remains & fragments of former Roman palace & of sepulchres, capitals, statues, gravestones, sarcophagi, sacrificial altar. Object Notes: The Palazzo Comunale stands on the site of a Roman palace of the pre-Christian era. The Antiquities fragments & remains are displayed in the courtyard of the Palazzo and in the grotto-like rooms of the former Roman palace. Hutzel photo campaign date: September 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this proj

Alinari, Fratelli, No. 11414. PISA, Fresco The Death of Abel by Piero di Puccio in the Campo Santo in Pisa, PISA - Camposanto. La morte di Abele. (Pietro di Puccio da Orvieto)., photograph, photo, photos, height 190 mm, width 245 mm, Italian, photographer, 1850 - 1890, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print, Publication (Event), Publication, publisher

Louis XV (king of France), Huquier, Gabriel, Meissonnier, Juste Aurèle, Laureolli, Oeuvre de Juste Aurele Meissonnier, Panneaux d'ornements rocaille, sept planches, Apollo on his sun chariot, in a frame of volutes and rocailles, This print is part of an album., print, prent, albumblad, ornamentprent, prints, prenten, height 119 mm, width 206 mm, print maker, prentmaker, 1738 - 1749, paper, papier, etching, etsen, Work conception, 1693 - 1750-07-31, naar ontwerp van, etchings, Publication (Event), Publication, French, 1695 - 1772-06-11, publisher, 1710-02-15 - 1774-05-10, granter of privilege

Drawing by Francesco Bartolozzi depicting two figures of Victory between two angels holding a saying band, executed in red chalk.

A drawing by an anonymous artist using pen and watercolor depicting a subject design with mythological figures, created at the end of the 17th century.

Relief from Selinus, Perseus slaying the gorgon , Antiquities, Bas-reliefs, Monsters, Gorgons Greek mythology, Perseus Greek mythological character, Medusa Gorgon. Nicholas Catsimpoolas Collection

Photo production of a detail of the fresco Ezekël by Michelangelo in the Sixtine Chapel, Anonymous, After Michelangelo, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting. wall-covering. the book of Ezekiel Sixtine Chapel (Vatican)

Ceiling Vault Decoration, Camera da Letto, Sala di Cornelia di Palazzo Cavina, Faenza, Felice Giani, Italian, 1758-1823, Pen and ink on laid paper, Decoration for vaulted ceiling. Fret band and frame subdivided into nine panels. Lower rows: quadrangular panels decorated with flying genii; central panel shows seated woman and putto. Top row: triangular panels decorated with wreaths and masks. Inscribed in ink, above drawing: Camera da letto. In right corner, sketch in octagonal panel; Cornelia sitting in room with two standing figures. Inscribed above, in ink: corneglia madre dei/ grachi. Verso: sketch with variation of decoration. Below, one more framing frieze with rinceaux. Central panel, second row: Venus with putto holding looking-glass. Bottom row: panels decorated with dancing women and children beside candelabrum., Italy, 1816, architecture, interiors, Drawing, Drawing

Allegorical Portrait of Louis XIV (top part), François de Poilly (I), After Charles Le Brun, 1663 print These by Charles-Maurice le Tellier dedicated to Louis XIV. Portrait of Louis XIV in Lauwerkrans, held by the winged father Time, supported on the globe. Left and right a column on which the story of Lodewijk XIV (left) and possibly that of Alexander the Great Right. France paper engraving historical persons. Invidia (Envy) as Roman personification. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). Father Time, man with wings and scythe. caduceus (staff with two snakes, attribute of Mercury)

Design for a Stage Set at the Opéra, Paris: Interior with Coiffered Ceiling 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris: Interior with Coiffered Ceiling. Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). 1830-90. Graphite. Drawings

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Banner study, by Leonardo da Vinci (1452-1519), drawing 212E.

Starting of Columbus from Palos. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

The Goddess Diana Leaning on an Outcropping, Francesco Brizzi, Italian, 1574 - 1623, Pen and bistre on paper, The Goddess Diana wears a crown with her insignia of a half moon and is depicted in outdoor setting with her spear loosely leaning against her right arm. Trees and bushes fill the upper left side of the drawing and there is a line across the middle of the background to her right, possibly indicating a horizon line over water., Bologna, Italy, early 17th century, classicism, Drawing, Drawing

Photor production of drawing by F. Barrias: Virgilius scene from the Bucolica, three half-naked men in landscape.

This artwork by Bernhard Rode from 1795 depicts the biblical figures Saul and David, executed using pen and brushes in yellow-brown tones.

Print (France)

Album n � 4; Stained glass project for the Prince of Talleyrand; Three medalons in a rectangle: Education of the Virgin, Vases and Bouquets Gsell-Laurent workshop. Album n � 4; Stained glass project for the Prince of Talleyrand; Three medallions in a rectangle: Education of the Virgin, Vases and Bouquets. Pencil, white gouache.

Esther for Ahasverus (in box with 43 drawings), Louis Fabritius Dubourg, 1703 - 1775 drawing paper. ink pen / brush Esther touches the tip of the sceptre

Original watercolor drawing used as frontispiece of 'The Seven Voyages and Adventures of Sinbad the Sailor' , Sailors, Snakes, Elephants, Sindbad, the Sailor Legendary character. George Cruikshank (1792-1878). Prints and Drawings

Albrecht Dürer, Detail M, S, L, 1515-1517, woodcut on paper.

Ornamental Design after the Antique; Bands of Acanthus Rinceaux, Figurated Palmettes, and Shell Cartouches 15th-16th century Anonymous, Italian, 15th to 16th century Italian. Ornamental Design after the Antique; Bands of Acanthus Rinceaux, Figurated Palmettes, and Shell Cartouches 363177

Three photo productions of prints and a drawing of architectural elements, c. 1875 - c. 1900 photograph Left (188) a print of elements of the Corinthian and composite column order, Central (190) A drawing of a female figure with a scepter between two Atlants, on the right (189) a print of elements of the Corinthian column order. Europe cardboard. photographic support albumen print Corinthian order ~ architecture. composite order ~ architecture. atlantes ~ architecture Europe

Design for a Platter with Battling Tritons and Sea Nymphs. Artist: Erasmus Hornick (Netherlandish, Antwerp ca. 1520-1583 Prague). Dimensions: 11 7/8 x 16 5/16 in. (30.2 x 41.5 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

These about theology of Antoine Talon (right -handed), Claude Mellan (Attributed to), after Claude Mellan, 1648 print paper engraving Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Sculpted Plinth in the Villa Medici, Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), undated, Black chalk and white gouache on medium, moderately textured, blue laid paper, Sheet: 7 1/2 x 9 5/8 inches (19.1 x 24.4 cm), architectural subject, Grand Tour, mermaids, mythological figures, plinth, putti, Europe, Italy, Lazio, Pincian Hill, Roma, Rome, Villa Medici

Bas-relief in Marble by Luca della Robbia on Garden Wall.

Barnstaple, The Beaple Monument, View of the monument to Richard Beaple in St Peter's Church in Barnstaple, photograph, photo, page, photos, photographic illustrated books, height 114 mm, width 83 mm, photographer, 1877 - 1882, photographic paper, photo paper, albumen print

'Details of a Frieze'. France. Dimensions: 7,4x30,3 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Drawing, Project for a Painted Panel; Domenico Torti (Italian, 1830 - 1890); Italy

Braun, Adolphe, Photo reproduction of a drawing by Annibale Caracci, photograph, foto, foto's, height 271 mm, width 482 mm, French, German, 1812 - 1877, photographer, 1880 - 1900, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, carbon print

Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 40, 1200s. China, Southern Song dynasty (1127-1279). Album, ink on paper; sheet: 34.2 x 38.4 cm (13 7/16 x 15 1/8 in.).

Fragments, Les Lois de Lycurgue; Produced by Favre Petitpierre (France); Engraved by Cholet; France; cotton; A. Warp: 63.5 cm (25 in.) Weft: 71 cm (28 in.). (Edges cut.) B. Warp: 59 cm (23 1/4 in.). Weft: 45 cm (17 1/2 in.) (Edges cut.); Bequest of Elinor Merrell; 1995-50-185-a,b

The Slaying ofMedusa. Artist: Unknown

Handkerchief with images from the life of Napoleon, Anonymous, c. 1813 Occasional pocket cloth of écru-colored cotton, printed in red with performances with listings and captions in English and German who mockingly display events around 1812-13 from the life of Napoleon. England cotton (textile). printing ink printing Occasional pocket cloth of écru-colored cotton, printed in red with performances with listings and captions in English and German who mockingly display events around 1812-13 from the life of Napoleon. England cotton (textile). printing ink printing

Female Figure Among Clouds; Resurrection, Study after Panetti, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, black chalk on heavy white wove paper, Left, Resurrection scene in desert landscape with mountains, plain, and few sparse trees. In upper center, Christ with very large halo stands on cloud; six putti surround him and two kneeling angels flank him. Right, the Madonna and Child in an oval., Italy, 1821-22, figures, Drawing, Drawing

Photograph of 'The Three Graces' sculpture by Jean-Jacques Pradier in the Salon de Venus at Versailles, albumin paper colored on the back, circa 1860.

Pencil preliminary and spring drawing of an acanthus console with atlases in architectural detail by Alfred Castelliz on fine paper, showing perspective.

Preliminary architectural drawing by Alfred Castelliz on fine paper, depicting detailed structures using pencil. The work focuses on architectural elements and spatial arrangements in a clear, precise manner.

Bearded Man Filling a Glass. Giorgio Vasari (Italian, 1511 - 1574)

Scenes from the life of Christ, Stories from the New Testament, bas-reliefs by Lorenzo Maitani (before 1275-1330), third pillar, facade of Orvieto cathedral, Umbria, Italy, 13th-14th century.

Vermählung Cupido's mit Psyche. Unknown maker

Lazio Roma Rome S. Maria dell'Orto1. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, reliefs, painting (frescoes) Object Notes: Despite lively Baroque decoration in the interior, the church conserves an early Renaissance structure of three naves. Building began in 1489 by an unknown architect; was finished in 1566 by Guidetti. Curious inscriptions on church stones with humorous statements such as "Universita dei Vermicellari" (various artisan corporations). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Leoni Pompeo (1533-1608), Prado, Madrid. Bas-Relief of Queen Isabella, (without dat.): View of the relief of the wife of Karl V. from Carraramarmor. Photo, 30.1 x 25.1 cm (including scan edges)

Campania Salerno Padula Monastery of S. Lorenzo12. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

Umbria Perugia Pale Parrocchiale. Hutzel, Max 1960-1990 Medieval: Sculpture. Polychromed wooden statue of the Madonna and Child; a work of the Umbrian school from the first half of the 14th century. Post-medieval: Architecture, sculpture, painting. In a side altar is placed a painting of the Madonna and Child with saints, dated to 1584 and signed by Felice Damiani. Object Notes: 2 sets of prints: the earliest set does not have negatives, but the prints in both sets are almost identical. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and mo

Chernil'nitsa; Serebrianyia chekannyia veshchi; Chasy.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Anonymous. Two sculptors, a bust, a chisel. Oil on wood. Blue camaïeu. 1735-1745. Paris, Carnavalet museum. 76103-13

Alabaster urn, Etruria still image. 1810. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Couches, Music , To 499, Urns , Etruria, Eating & drinking , To 499

Virgin and Child with the Infant John the Baptist, and Saints Francis of Assisi and Clare 1562-1605 Italy. Brush and brown wash and blue-gray gouache (the latter added by a later hand), over black chalk( ), on tan laid paper, laid down on ivory wove card (3 sections cut from original sheet) . Felice Brusasorci

Emperor Vitellius offers his freedman Asiaticus a naked beauty, and his brother Lucius Vitellius offers a magnificent banquet. Vitellius et Asiaticus son affranchi: celui-ci lui offre une tres-belle femme, et son frere L. Vitellius lui presente une table magnifiquement servie. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Drawing, Stage Design, Egyptian Temple; Designed by Antonio Giuseppe Basoli (Italian, 1774-1843); Italy; pen and sepia ink, brush and wash on paper

Study for Christ, Chancel of St. Bartholomew, New York, Francis Augustus Lathrop, American, 1849 - 1909, Brush and purple watercolor, graphite on brown paper, Sketch for Christ in the painting in the chancel of St. Bartholomew, New York City. Clothed in a wrapper, leaving uncovered the lower part of the left leg, the right part of the breast, the raised arms., USA, ca. 1893, religion, Drawing, Drawing

Italy, Lombardy, Lake Garda, Sirmione, Grotte di Catullo, wall painting.

God Seated on the World 1540-45 Antonio Fantuzzi Italian. God Seated on the World 336752

The Annunciation 16th century Dirck Pietersz. Crabeth Netherlandish. The Annunciation 385067

Print (France)

Lombardy Milano Milan S. Ambrogio1. Hutzel, Max 1960-1990 Medieval: Founded 386-389 by S. Ambrogio, bishop at the time of emperor Teodosio. Remodelled 789, 859, 1098-1128, 1196. Decoration of basilica drastically altered over centuries, until 1858 when restored to original aspect. Restoration lasted until 1890. Exterior views of architecture and architectural sculpture, some of which contains re-used Roman fragments and architectural elements. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Les Martyrs de Chateaubriand, Printed by engraved roller on cotton plain weave,, Five scenes of Christian martyrs in Rome. Scenes of a tiger attacking Eudore and Clicoduee at the center. In ocher (color called bistre in French) on white., Rouen, France, ca. 1840, printed, dyed & painted textiles, Textile, Textile

Brumidi's Alligorical Painting, In the Dome of the U.S. Capitol. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Barche funebri che servivano al rito della sepoltura, 1832 - 1844. This lithograph depicts funeral boats used in burial rituals, featuring elements of social life, customs, and transportation in ancient Egypt. Created by Giuseppe Angelelli, Gaetano Rosellini, and Salvador Cherubini, the images originate from Pisa and focus on antiquities from Nubia and Egypt, showcasing bas-reliefs related to funeral rites and ceremonies. The extent of the work includes two images on one page

Netherlands, Amsterdam, Ratelband, widow Jeronimus, Des menschen op en ondergang, Valt d'eene zoet en d' ander bang, Trap des oudes, verso - stamped, A staircase of old age: a staircase for women. On the steps of the staircase, in the form of a bridge, are women aged 0 to 100. Under the bridge is a representation of the Last Judgement. In the front left a putto and in the front right death. Numbered top right: 4., print, prent, volksprent, prints, prenten, volksprenten, height 305 mm, width 415 mm, Publication (Event), Publication, Dutch, publisher, 1782 - 1793, paper, woodcut, letterpress printing, colours, print maker, printmaker

3560 Camere di Raffaello - Vaticano - Roma, Vatican, Camere di Raffaello, fresco by Raphael: The Battle of Constantine, 3560 Battaglia di Constantino - Camere di Raffaello - Vaticano - Roma, photograph, photo, photos, height 199 mm, width 258 mm, photographer, 1870 - 1880, third quarter 19th century century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Edward Francis Burney, 1760-1848, British, Winged Figure Slaying a Bull, undated. Graphite and watercolor on medium, slightly textured, cream wove paper.

Vignette with drawing students, under a bust of Minerva, Anonymous, 1700 - 1800 drawing paper. oil paint (paint) brush Minerva as patroness. art

A column in the giant of the city; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

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