Religious and Historical Scenes

Classic religious artworks portraying significant biblical events, characterized by dramatic expressions and intricate details.

Painting in the Chiesa Parrochiale, Montesano, Apulia, Italy, Europe

'San Juan Bautista señalando al Mesías', c. 1723, Oil on canvas, 194 x 244 cm, P06943. Author: PAOLO MATTEIS (1662-1728). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Adoration of the Kings / Eusebio da...

'Massacre of the Innocents'. Italy, Middle of the 1620s. Dimensions: 45,5x64,5 cm. Museum: State Hermitage, St. Petersburg. Author: Luigi Amidani.

The Deposition from the Cross by Pietro da Rimini, c. 1330-40, (1309-1333), Paris, Musee du Louvre

Deposition, 1554, by Moretto da Brescia (1498-1554), oil on canvas, 240x189 cm.

VERONESE, Paolo Caliari, called Paolo (1528-1588). Supper in the House of Simon. 1560. Detail. Mary Magdalene washing the feet of Jesus Christ. Renaissance art. Cinquecento. Oil on canvas. ITALY. PIEDMONT. Turin. Galleria Sabauda (Sabauda Gallery).

Ecce Homo, 1607, by Ludovico Cigoli (1559-1613), oil on canvas, 175x135 cm.

Pieta, 1494, by Niccolo da Foligno (ca 1420-1502).

Jordi Arenas / "La multiplicación de los panes y los peces" (The multiplication of bread and fish) (detail), 1960, Fresco painting, chapel of the sacrament, church of Santa Anna de Mataró. Author: JORDI ARENAS I CLAVELL.

National art gallery: saint rock end the angel by palma il giovane, 1400, ferrara, italy

Painting in the Chiesa Parrochiale, Montesano, Apulia, Italy, Europe

Copy of Hugo van der Goes (1440-1482). Piety, 1480-1490. Farnese Collection. National Museum of Capodimonte. Naples. Italy.

The Supper at Emmaus, c. 1720. Giovanni Battista Piazzetta (Italian, 1682-1754). Oil on canvas; framed: 133.4 x 167 x 9.5 cm (52 1/2 x 65 3/4 x 3 3/4 in.); unframed: 108 x 140.6 cm (42 1/2 x 55 3/8 in.).

The Car of Love, or Love's Wayfaring. Date/Period: 19th century. Drawing. Pastel, brush drawing and charcoal pastel, brush drawing and charcoal. Height: 3,391 mm (11.12 ft); Width: 2,112 mm (83.14 in). Author: Edward Burne-Jones.

Cornelia, Mother of the Gracchi by Peyron, Jean-Francois-Pierre (1744-1814)/ National Gallery, London/ 1781/ France/ Oil on canvas/ Classicism/ 54,5x84,5/ Mythology, Allegory and Literature

The Annunciation. Date/Period: Between ca. 1495 and ca. 1498. Painting. Height: 450 mm (17.71 in); Width: 130 mm (5.11 in). Author: SANDRO BOTTICELLI.

San Giobbe altarpiece, by Giovanni Bellini, circa 1487, Galleria dell'Accademia, Venice, Italy, Europe

Anonymous / 'Martyrdom of Saint Acathius'. 1540 - 1545. Oil on panel. Museum: Museo del Prado, Madrid, España.

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

fine arts, Holbein, Hans the Elder (1465 - 1524), panel, ""Graue Passion"",

Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany), 1739. Giovanni Battista Tiepolo (Italian, 1696-1770). Oil on canvas; framed: 67.5 x 45.5 x 6 cm (26 9/16 x 17 15/16 x 2 3/8 in.); unframed: 51.7 x 31.7 cm (20 3/8 x 12 1/2 in.).

Alessandro Magnasco; Italian; Genoa 1667-1749 Genoa; Ecce Homo; ca.1710; Oil on canvas.

The Flagellation; (reverse) The Madonna of Mercy ca. 1540 Girolamo Romanino Italian Romanino painted this expressive depiction of the flagellation of Christ as a processional banner for a confraternity, or lay religious group, in Brescia, a city not far from Milan. Contemporary German prints, which circulated widely in northern Italy, inspired its dramatically compressed composition and the vehemence of the brutish executioners. Caravaggio, the groundbreaking artist of the next generation, spent his formative years in the region and almost certainly knew and admired this painting. On its reverse, Romanino painted the Madonna of Mercy surrounded by kneeling members, now unfortunately somewhat damaged. For an image of the reverse visit metmuseum.org.. The Flagellation; (reverse) The Madonna of Mercy. Girolamo Romanino (Italian, Brescia 1484/87-1560 Brescia). ca. 1540. Distemper and oil() on canvas. Paintings

The Garden of Gethsemane / Agony in the Garden. Date/Period: Ca. 1518. Painting. Oil on panel. Height: 54 cm (21.2 in); Width: 32 cm (12.5 in). Author: Lucas Cranach the Elder.

The Last Supper, by Jaume Ferrer the Elder (active ca 1400-1433), panel. Detail.

Painting titled 'A Warrior adoring the infant Christ and the Virgin' by Vincenzo Catena (1470-1531) an Italian painter of the Renaissance Venetian School. Dated 16th Century

MARTIRIO DE SAN BARTOLOME - S XVII - O/L - 13x18 - BARROCO ESPAÑOL. Author: JUSEPE DE RIBERA. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN. SAN BARTOLOME APOSTOL / NATAEL / NATANAEL.

Presentation in the Temple, 1454-1455, by Andrea Mantegna (1431-1506), tempera on canvas, 67x86 cm.

Fresco titled 'Healing of a blind youth' by Annibale Carracci (1560-1609) Italian Baroque painter. Dated 17th Century

The Trinity, c. 1460. Laurent Girardin (French, 1478). Oil on wood; framed: 134.5 x 114.5 x 8 cm (52 15/16 x 45 1/16 x 3 1/8 in.); unframed: 114 x 94.5 cm (44 7/8 x 37 3/16 in.).

ARTE RENACIMIENTO. BELGICA. ATRIBUIDO A LAMBERT LOMBARD (1506-1566). "ESCENAS DE LA PASION Y RESURRECCION DE CRISTO" (1541). De izqda. a dcha. "LA FLAGELACION, CRISTO ANTE PILATOS, CORONACION DE ESPINAS, CAMINO AL CALVARIO Y LOS DOS LADRONES CONDUCIDOS AL CALVARIO. Museo de Bellas Artes de HOUSTON. Estado de Texas. Estados Unidos.

Saint Sebastian Cured by Irene. Date/Period: Ca. 1497. Painting. Oil on panel oil on panel. Height: 813.31 mm (32.02 in); Width: 548.39 mm (21.59 in). Author: JOSSE LIEFERINXE.

Noli me tangere, Christ Appears to Mary Magdalene. Dating: 1610 - 1690. Measurements: h 200 cm × w 177.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Peter Paul Rubens (workshop of).

Detail of one of the many frescoes in the Palazzo Vecchio in Florence, Tuscany, Italy, Europe

MARTIRIO DE SAN BARTOLOME-1629-. Author: JOSE DE RIBERA. Location: PALACIO PITTI-GALERIA PALATINA. Florenz. ITALIA. SAN BARTOLOME APOSTOL / NATAEL / NATANAEL.

PINTURA - 1987 - LA CONSTRUCCION - 200X282 - OLEO/LIENZO. Author: PEREZ VILLALTA, GUILLERMO. Location: PRIVATE COLLECTION, MADRID, SPAIN.

The Judgment of Virginia by Theodor van Thulden, painting, 1606-1669

Ludovico Carracci (Attribution) / 'Saint Francis and Two Angels', Late 16th century - Early 17th century, Italian School, Canvas, 24 cm x 19 cm, P00538. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Titian / Rest on the Flight into Egypt

Pietá. Date/Period: 1801/1900. 264 x 296 mm. Author: Pierre Bonnaud.

The Crucifixion. Carlo Crivelli; Italian, 1430/35-1495. Date: 1482-1492. Dimensions: 75 × 55.2 cm (29 1/2 × 21 3/4 in.); image (arched): 74 × 55.2 cm (29 1/8 × 21 3/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, USA.

Ludovico Carracci / 'The Agony in the Garden', 1590-1600, Italian School, Oil on canvas, 48 cm x 45 cm x 2 cm, P00074. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JESUS.

Christ on the Cross reverse. Dated: c. 1380/1390. Dimensions: painted surface: 30 × 18.6 cm (11 13/16 × 7 5/16 in.) overall: 30 × 18.6 × 0.8 cm (11 13/16 × 7 5/16 × 5/16 in.) framed: 52.7 x 34.3 x 7.9 cm (20 3/4 x 13 1/2 x 3 1/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA DI BARTOLO.

The conversion of Hermogenes the sorcerer. Chromolithograph by Storch and Kramer after C. Mariannecci after A. Mantegna.

Madonna delle Torri by Bramantino (1465-1530) / Pinacoteca Ambrosiana, Milan / ca 1510-1520 / Italy, School of Lombardy / Tempera and oil on wood / Bible / 122x157 / Renaissance

Madrid, 05/27/2024. Presentation at the Prado Museum of Caravaggio's "Ecce Homo". Photo: Ernesto Agudo. Archdc.

Sebastiano del Piombo / 'Jesus descends into Limbo', 1516, Italian School, Oil on canvas, 226 cm x 114 cm, P00346. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JESUS.

Lucas Cranach the Elder (1472-1553). German painter. The Man of Sorrows, c.1520. National Gallery. Prague. Czech Republic.

MULTIPLICACION DE LOS PANES Y PECES.1796/97 146x340 cm. Author: FRANCISCO DE GOYA. Location: IGLESIA DE LA SANTA CUEVA. Cadiz. SPAIN.

Vicente Carducho / 'Martirio del padre Andrés, prior de la Cartuja de Seiz', 1626-1632, Spanish School, Canvas, 336,5 cm x 297 cm, P05459. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Fra Bartolommeo (1472 1517)

SANTOS - SIGLO XVII. Location: CATEDRAL-MUSEO. Toledo. SPAIN.

EL GRECO. DOMENIKOS THEOTOKOPOULOS .1541 - 1614. " EL EXPOLIO ". MUSEO SANTA CRUZ DE TOLEDO.

Marco Pino (1521-1583). Renaissance Italian painter. Baptist degollation, 1564. National Museum of Capodimonte. Naples. Italy.

The Shadow of Death, William Holman Hunt, 1879-1873,

The Crucifixion. Artist: Master of the Berswordt Altar (German, Westphalian, active ca. 1400-35). Dimensions: 23 1/2 x 17 in. (59.7 x 43.2 cm). Date: ca. 1400.These panels were among thirty scenes of an extensive narrative cycle that formed part of a large altarpiece from the Neustädter Marienkirche in Bielefeld, Westphalia. They were created two decades before panel painting underwent a qualitative revolution in the art of Jan van Eyck, Robert Campin and Rogier van der Weyden, who achieved a new sense of realism in their works. The artist, one of the foremost painters of the International Gothic style in northwest Germany, still adhered to the traditional gilded background, although the inclusion of a horizon and some schematic natural motifs indicate an outdoor setting for both scenes. Museum: Metropolitan Museum of Art, New York, USA.

'Trinity (Left Wing of a Diptych)'. Netherlands, 1430s. Dimensions: 34,3x24,5 cm. Museum: State Hermitage, St. Petersburg. Author: ROBERT CAMPIN.

The Martyrdom of Saint Symphorien 1865 Oil on canvas by Jean-Auguste-Dominique Ingres

Adoration of the Shepherds, by Giovanni Battista Moroni (ca 1525-1578), oil on canvas, 95x110 cm.

P.F.Mola, Anbetung der Hirten - -

'Ecstasy of St Francis'. Italy, Early 18th century. Dimensions: 151x112 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown Italian artist, early 18th century.

Pieter Pannemaker I after Bernard van Orley, The Crucifixion, Flemish, active c. 1517-1535, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft

The Miraculous Communion of Saint Catherine of Siena; Domenico Beccafumi, Italian, 1484 - 1551; Italy, Europe; about 1513 - 1515; Oil and gold leaf on panel; Unframed: 28.6 x 41.3cm (11 1/4 x 16 1/4 in.), Framed: 39.05 x 52.07 x 4.76cm (15 3/8 x 20 1/2 x 1 7/8 in.)

Juan de Juanes / 'Ecce Homo', ca. 1570, Spanish School, Oil on panel, 83 cm x 62 cm, P00848. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Vincenzo Foppa (1430-1516). Italian painter. Martyrdom of St. Sebastian, 1490-1500. Oil on wooden panel transferred to canvas. Pinacoteca Castello Sforzesco, Milan, Italy. (On loan, from Civico Templo di San Sebastiano, Milano). Author: Vincenzo Foppa (ca. 1430-1516). Italian painter.

The Creation of Adam, artist unknown, mosaic, Italy, Sicily, Monreale Cathedral, 12-13th century

Decapitation of St James the Great, The stories of Christ, 1841, by Giovanni Chiarini, fresco cycle, nave in the Collegiate church of St Stephen, Vimercate, Lombardy, Italy, 11th-12th century.

Penitent St Jerome, 1620, by Georges de La Tour (1593-1652), oil on canvas, 152x109 cm.

Red Horse (The Second Seal) From Apocalypse: Descent of The Holy Ghost Giusto de Menabuoi (active 1349-ca. 1390 Italian) Baptistry, Padua, Italy

Saint Jerome. Oil painting by an Italian painter.

Adoration of the Shepherds, by Allori Angelo (Agnolo) Bronzino, 16th Century, 1535-1540, oil on wood,

Noli Me Tangere, Bugiardini, Giuliano di Piero, 1510.

Caravaggio (Michelangelo Merisi); Italian; Milan or Caravaggio 1571-1610 Porto; Ercole; Denial of Saint Peter; Oil on canvas.

Painting of St John the Baptist, by Andrea del Sarto (1486-1530). Cathedral of Pisa.

The Crucifixion. Taddeo di Bartolo; Italian, 1362/63-1422. Date: 1401-1404. Dimensions: Panel: 37.6 × 72.4 cm (14 3/4 × 28 1/2 in.); Painted Surface: 33 × 68 cm (13 × 26 3/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, USA.

Niccolo di Liberatore (1430-1502). Italian painter. Umbrian school. Saint Nicholas Predella, 1492. Flagellation of Christ.

Roman Charity by Pieter Paul Rubens, oil on canvas, circa 1612, 1577-1640, Russia, St. Petersburg, State Hermitage, 140, 5x180,

Timoleon, a Greek general and statesman from Corinth, sets sail for Sicily, bringing help against Carthaginians and Spartans.

G. David / Adoration of the Kings

Pietro dell Veccia: The Palm Reader, 1650, Palazzo Chiericati, Pinacoteca di Vicenza, a major work by Andrea Palladios, featuring Venetian painting from the Middle Ages to Mannerism, Veneto, Italy, Vicenza, Veneto, Italy, Europe

Study of a Male Nude. Bilińska-Bohdanowiczowa, Anna (1854-1893), female painter

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo52. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Painting of The Baptism of Christ by Piero della Francesca dated 1450

The ceremony of the dead Christ 1495 - 1500, The Lamentation Over the Dead Christ, painting by Sandro Botticelli March 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historical, digitally restored reproduction of a template, Record date not stated

Artist: Biagio dAntonio, Italian, Florence, 1446-1516, The Crucifixion, ca. 1480, Tempera on panel, 55.2 × 38.4 cm (21 3/4 × 15 1/8 in.), Made in Florence, Italy, Italian, Florence, 15th century, Paintings

Jupiter, supreme deity of the Roman religion and Juno, Roman goddess, On The Ida, mural, fresco from historic Pompeii, digitally restored

Turkey, Istanbul, Kariye Museum, Turning water into wine, fresco

The Pieta, Titian, 1530.

A digger from the Italian guard dying, 1847, by Napoleone Mellini (1800-1880), oil on canvas, 134x180 cm. Unification era, Italy, 19th century.

Raphael (1483-1520) Museo del Prado, Madrid Painting 200x145 Bible The Visitation

St Peter Visited by St Paul, fresco by Filippo Lippi (1406-1469). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

The Feast in the House of Simon. El Greco (Domenikos Theotokopoulos); Greek, active in Spain, 1541-1614. Date: 1608-1614. Dimensions: 56 7/16 × 39 1/2 in. (143.3 × 100.4 cm). Oil on canvas. Origin: Spain. Museum: The Chicago Art Institute, USA.

Italy, Apulia, Troia, San Basilio Church, Fresco XI Century

Painting titled 'The Baptism of Christ' by Piero della Francesca, an Italian painter of the Early Renaissance. Dated 15th Century

MONTAGNANA, Jacopo da (1440-/43-1499). Italian painter. MADONNA AND DEAD CHRIST. Tempera on wood. Museum of Fine Arts. Budapest. Hungary.

TRIPTICO DE LOS SANTOS JUANES - 1549 - ESCUELA FLAMENCA - 241 x 377 cm - SAN PEDRO Y SAN PABLO - PUERTAS CERRADAS. Author: Pieter Pourbus. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAINT PAUL THE APOSTLE. APOSTLE PETER.

Foligno (Italy, Umbria, province of Perugia), Oratory of the Nunziatella. Perugino, Baptism and the Eternal Adored by two angels, fresco. Detail

SILLERIA DE SAN BENITO - LAVATORIO. Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPANIEN.

Way to Calvary, 1535, by Marco Palmezzano (ca 1459-1539), tempera on wood.

The christening of the Guanches. 1950s. One of the paintings from the regionalist topic which are in the SalÑn Noble (noble hall) of this neoclassical palace. Encaustic painted mural. Engraving. SPAIN. CANARY ISLANDS. SANTA CRUZ DE TENERIFE. Santa Cruz de Tenerife. Cabildo Insular (Island Government).

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