Religious Art Prints

A series of historical prints depicting significant biblical scenes such as the crucifixion and baptisms, characterized by detailed engravings and a somber atmosphere.

Kruisiging Van Christus, Monogrammist La, Lucantonio degli Uberti (Possibly), 1500 - 1599 print Christ on the cross, with angels on either side who take care of his blood in Kelken. Maria and John the Baptist are left and right of the cross. At the foot of the cross, Mary Magdalena and the Saints Francis and Hieronymus kneel. At the top left of the sun, the moon at the top right. Italy paper crucified Christ with Mary, John, and Mary Magdalene. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone. founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. sun and moon in the sky at either side of the cross of Christ. angel(s) catching Christ's blood in cup(s)

Deposition of Christ, from The Large Passion Made 1496-1497 Germany. Woodcut in black on cream laid paper . Albrecht Dürer

Master i.e., The Baptism of Christ, 1580-1500, engraving on laid paper.

Veronica shows the Sudarium to Mary and John; The little passion. Veronica shows the Sudarium, the sweat cloth with the impression of the face of Christ, to Mary and John. Print is part of a book.

De Kruisiging, Anonymous, 1507 - 1508 print Christ on the cross, with a crucified man right and left. Maria, Johannes and Maria Magdalena at the foot, behind it a large group of soldiers and bystanders. print maker: Francepublisher: Paris paper crucified Christ with Mary, John, and Mary Magdalene

Clergy and believers on three levels, Anonymous, Jörg Breu (I), 1490 - 1536 print Print is part of an album. paper letterpress printing hierarchy of jurisdiction ~ Roman Catholic church

Kruisiging Van Christus, Monogrammist La, Lucantonio degli Uberti (Possibly), 1500 - 1599 print Christ on the cross, with angels on either side who take care of his blood in Kelken. Maria and John the Baptist are left and right of the cross. At the foot of the cross, Mary Magdalena and the Saints Francis and Hieronymus kneel. At the top left of the sun, the moon at the top right. Italy paper crucified Christ with Mary, John, and Mary Magdalene. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone. founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. sun and moon in the sky at either side of the cross of Christ. angel(s) catching Christ's blood in cup(s)

Christ awakens the sleeping disciples; The little passion. From series of 66 prints. Proof, no text on verso.

Woodcut and type print by Lucas Cranach the Elder titled 'The Crucifixion,' created in 1509, depicting Jesus on the cross during the Passion.

Woodcut by Hans Wechtlin, early 16th century, depicting the Baptism of Christ, showing figures, river setting, and religious iconography in German printmaking.

A woodcut by Albrecht Dürer from 1498-1499 depicting the civilization of Christ, illustrating figures, composition, and early German printmaking techniques.

Abbot and death as a bishop; Dance dance. An abbot is withdrawn by death to his robe. Death has shown mockingly like a bishop with a miter and a staff. The text ProVer is in the margin above the print. V.

Christ collapses for the first time during the crossing, Jan Christoffel Jegher, after Antoine Sallaert, 1649 print Surrounded by soldiers, Christ collapses for the first time under the weight of the cross. Antwerp paper letterpress printing first fall ~ Christ carrying the cross

The proclamation and birth of Christ, Jacob Cornelisz van Oostsanen, 1520 print Printed from two blocks. Ornamental frame around representation with left Archangel Gabriël, the Holy Spirit and kneeling Mary, Right Mary and Joseph and the newborn Christ child. paper He was conceived of the Holy Spirit born of the Virgin Mary '~ Articles of Faith

This circa 1530-1540 woodcut by an anonymous artist shows the Pouring of the Holy Spirit on the apostles.

Resurrection of Christ. Christ rises from its sealed grave. He is surrounded by cherubs and angels. At his feet the devil and death. Two soldiers guard the grave. The other guards are sleeping. With various elements from the show are letters. The print is part of an album.

Commissioning; The Great Passion. The body of Christ is considered by five women (including Maria) and a young man (John the Evangelist) near his grave. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

Resurrection of Christ, 1629 print Christ floats in hand at the entrance of his grave with a victory banner. The three Maria's are at the entrance of the grave and see an angel sitting on the stone slid away. A few soldiers are shocked and a few sleep on the floor. The print is part of an album. paper letterpress printing Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. Christ floating above or near the tomb. angel(s) addressing the holy women ~ Resurrection of Christ

Baptism in Jordan. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Wechtlin I.

Baptism of Christ, Anonymous, Hans Wechtlin (I), 1490 - 1526 print paper baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Amsterdam, Pietersz., Doen, Cornelisz. van Oostsanen, Jacob, The little Passion, Lamentation, Cornelisz van Oostsanen, Maria, Maria Magdalena, Johannes and others mourn the dead Christ. Print is part of a book., print, book illustration, prints, height 113 mm, width 79 mm, height 141 mm, width 101 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1523 - 1523, paper, woodcut, Publication (Event), Publication, publisher

Christ on the Mount of Olives, Martin Schongauer, c. 1470 - 1491 print Christ prays kneeling at a rock. In the foreground three of his disciples, sleeping. In the background, armed men arrive. This print is part of a series of twelve prints with scenes from the suffering story. Germany paper engraving Christ's prayer in the Garden of Gethsemane during the night

Christ and the Samaritan woman at the Put, 1629 print On his journey to Galilee, Christ rests with the Jakobsbron in Sichar. A Samaritan woman comes to remove water from the pit and Christ asks her for drinking. The apostles wonder why Christ speaks with the woman. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug

Hans Schäufelin's 1513 woodcut 'The Last Judgement' depicts Christ, angels, and the division of the saved and damned, emphasizing gestures and expressive figures.

Resurrection of Christ, 1629 print Christ rises from his sealed grave. He is surrounded by cherubies and angels. At his feet the devil and death. Two soldiers guarded the grave. The other guards are sleeping. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers (+ angel(s))

Master ES, The Adoration of the Magi, c 1460 1465 The Adoration of the Magi

Domenico Campagnola, Lamentation of Christ, 1517 Lamentation of Christ

Christ Teaches the Disciples the Parable of the Good Shepherd. 1511 - 1515. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Ascension, 1523 Ascension of Christ. The apostles (Peter Seen on the back) and Mary stay behind the mountain and see Christ rise to heaven. Print is part of a book. Amsterdam paper Ascension of Christ. The apostles (Peter Seen on the back) and Mary stay behind the mountain and see Christ rise to heaven. Print is part of a book. Amsterdam paper

The holy family with three hare. Maria sit with the Christ child on a bench in a fenced garden. Joseph is behind her, with his hat in hand. Angels hold a crown above Maria's head. Three hares are on the ground for the family.

The imprisonment; The passion. Christ is betrayed by Judas with a kiss. Soldiers are ready to carry him behind Christ. This print is part of a series of twelve prints with scenes from the suffering story.

The Adoration of the Lamb, from The Apocalypse, Latin Edition, 1511 1511 Albrecht Dürer German. The Adoration of the Lamb, from The Apocalypse, Latin Edition, 1511 387457

Anna in three with Jozef and Joachim. Anna takes the Christ child in her arms of Maria's lap while watching Joseph and Joachim. In heaven the pigeon floats as a symbol of the Holy Spirit surrounded by angelenkopjes.

Christ on the Cross With Two Angels 1480-1490 Netherlands. Engraving in black on off-white laid paper . Anton Gerbel

Woodcut by Albrecht Dürer from around 1498 depicting Christ on the cross, part of the Big Passion series, showing the crucifixion scene.

Christ on the Mount of Olives, from The Large Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Date: ca. 1497-99. Museum: Metropolitan Museum of Art, New York, USA.

The Lamentation for Christ n.d. Albrecht Dürer German. The Lamentation for Christ 387728

Cardinal and death; Dance dance. Cardinal sitting with documents in his hand, possibly indulgence, which he gives a kneeling man for him. Death is next to the cardinal and has grabbed his cardinal hat. Left on the handrail of the chair or throne is an hourglass and grape vines in the background. In the margin above the print is the text Isaie V.

ECCE GOMO; Passio Verbeticae Quae Redeptio Christ (...). From series of 14 ovals with grotesken in which scenes are depicted by the passion. Shaded background.

Christ as an example of virtue, Hendrick Goltzius, 1578 print A woman is behind an easel and paints the Christ child in a heart according to the example that Christ holds her up. Around the show a frame with various virtues of Christ combined with allegorical elements. In the margin at the bottom two lines of Latin. This print is part of a series of six allegorical scenes from the life of Christ. print maker: Haarlempublisher: Antwerp paper engraving symbols and prefigurations of Christ. Bible (+ Christ bearded)

AanBidding Van Het Lam, ehonestimus Grow Frankfurt, Afterbreaks Aftbreak, 1502 print The lamb is surrounded by the worshiping 144,000 in white robes with flat branches, as well as angels and apocalyptic animals. paper adoration of the Lamb on Mount Sion by the 144-thousand ~ Apocalypse

Christ heals the blood -flowing woman, anonymous, anonymous, 1536 print paper healing of a woman with an issue of blood: she kneels before Christ after having touched his robe (Matthew 9:20-22; Mark 5:25-34; Luke 8:43-48)

Paid of Christ; Passio Verbeticae Quae Redeptio Christ (...). Paid Christ. The grave is closed at the bottom. From series of 14 ovals with grotesken in which scenes are depicted by the passion. Shaded background.

German 16th Century after Martin Schongauer, Christ and His Disciples II Christ and His Disciples II

The Holy Family with Two Angels in a Vaulted Hall ca. 1503 Albrecht Dürer German. The Holy Family with Two Angels in a Vaulted Hall 388015

Christ on the Cross. Dated: 1521. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Copper engraving 'The Birth of Christ' by Meister E.S., created in the second third of the 15th century, depicting the Nativity scene with Christ, Mary, and Joseph.

The Mocking of Christ, pl. 6 from the series Passio, Mors, et Resurrectio, Dn. Nostri Iesu Christi (The Passion, Death, and Resurrection ofChrist). Engraver: Adriaen Collaert, Flemish, 1560-1618 After: Stradanus (Jan van der Straet), Flemish, 1523-1605 Publisher: Philip Galle, Flemish, 1537-1612

Annunciation. The angel Gabriel announces Maria to become pregnant. Maria is kneeling at a desk, on which a sloping book is located.

Léonard Gaultier, Les Festes du mois de November (November All Saints), 1603 Les Festes du mois de November (November: All Saints)

The Ascension, from The Little Passion ca. 1510 Albrecht Dürer German. The Ascension, from The Little Passion 387434

Weeping Women During the Cross Charging, Jan Christoffel Jegher, After Antoine Sallaert, 1649 print Antwerp paper letterpress printing Christ bewailed by women of Jerusalem; sometimes he consoles them

Monk and death; Dance dance. A monk flight away from the death that holds him to his piping. On the left on the ground is an hourglass. The text is Psal in the margin above the print. Cvi.

Longinus puts his lance into the side of the Dead Christ on the cross; The Prodigijs in Christi Morte; Vitae Passionis et Mortis Jesu Christ ..

Maria's death bed. Maria's death bed. She is surrounded by the apostles. Around an ornamental border with flowers and four medallions in the corners. In the medallions pictured: Caritas, Fides, Fortituto and Spes. At the top of the middle of the Holy Spirit as a pigeon.

De Circulatory, Master of the Amsterdam Cabinet, 1488 - 1492 print Priest travels the Christ child in the temple, in the background the Ark of the Association under a canopy. Germany paper drypoint / pen circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Circumcision, from The Fall and Salvation of Mankind Through the Life and Passion of Christ Albrecht Altdorfer German. Circumcision, from The Fall and Salvation of Mankind Through the Life and Passion of Christ 429628

Jesus Christ Crucifixion unknown, Dürer, Albrecht (1471 1528)

A early 16th-century copper engraving by monogrammist SW depicting the capture of Christ, showing figures, gestures, and composition.

The crossbearing; The passion. Christ walks with the cross on the shoulder by a city gate, surrounded by soldiers with spears. In addition to him, a woman kneels with a cloth (Veronica). This print is part of a series of twelve prints with scenes from the suffering story.

The Angel with the Key to the Bottomless Pit ca. 1498 Albrecht Dürer German. The Angel with the Key to the Bottomless Pit 367565

Johannes de Evangelist, Anonymous, Anton von Woensam, 1527 print paper the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

Entry in Jerusalem. Christ drives a donkey towards the city gate of Jerusalem. There is a crowd of people waiting for him. With various elements from the show are letters. The print is part of an album.

Christ on the Cross with Angels. Dated: c. 1490. Medium: woodcut on vellum. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Circumcision, from The Fall and Salvation of Mankind Through the Life and Passion of Christ. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 3 1/8 × 2 3/16 in. (7.9 × 5.5 cm). Series/Portfolio: The Fall and Salvation of Mankind Through the Life and Passion of Christ. Museum: Metropolitan Museum of Art, New York, USA.

Christ praying in the court of Gethsemane; Passio Verbeticae Quae Redeptio Christ (...). Christ praying and down Judas and soldiers. Shaded background. From series of 14 ovals with grotesken in which scenes are depicted by the passion.

Revelation of St. John: The Adoration of the Lamb, 1511. Albrecht Dürer (German, 1471-1528). Woodcut;

Assumption and Coronation of the Virgin, from The Life of theVirgin. Artist: Albrecht Dürer, German, 1471-1528

John Baptist Jackson after Veronese, The Mystic Marriage of Saint Catherine, 1740 The Mystic Marriage of Saint Catherine

The Man of Sorrows; an image of Christ surrounded by nine vignettes depicting scenes of the Passion by 1575 Engraved by Giorgio Ghisi Italian. The Man of Sorrows; an image of Christ surrounded by nine vignettes depicting scenes of the Passion 367759

Birth of Christ, Jan Christoffel Jegher, after Antoine Sallaert, 1649 print With the Christ child, Mary stands in her arms in the stable with the ox and the donkey. Joseph is praying next to the manger. Two angels hold a large cross above the Christ child. Antwerp paper letterpress printing Mary, Joseph and the new-born Christ (Nativity)

Saint John Before God and the Elders, from The Apocalypse 1511 Albrecht Dürer German. Saint John Before God and the Elders, from The Apocalypse 397056

The Mockings of Christ, Noah, and Elisha, Monogrammist S, after Jacob Cornelisz van Oostsanen, c. 1520 print The mockery of Christ. paper engraving mockings of Christ, who may be blindfolded

Flight to Egypt. Maria moving on a donkey, to the right, the child in her arms. Joseph is walking next to it. An angel runs on the other side. Two angels in a tree reach the child's sino apples. At the left de ruin of a city gate.

Blowing from the first five trumpets, Ieronimus Greff von Frankfurt, After Albrecht Dürer, 1502 print After opening the seventh seal by the Lamb, seven angels appeared, who received from God Bazuinen to blow up. The first angel had hail, fire and blood descended on earth, the second let a burning mountain down the sea, the third had the water poisoned by collapsing a burning star, the fourth let the sun, moon and stars partly darkened And the fifth angel dropped a star in a bottomless pit. An eagle crows the words 'Ve ve'. paper the first of the seven angels sounds the trumpet: hail, fire and blood is cast upon the earth. the second of the seven angels sounds the trumpet: a great burning mountain is cast into the sea. the third of the seven angels sounds the trumpet: a great burning star (Wormwood) poisons the rivers and fountains. the fourth of the seven angels sounds the trumpet: the sun, the moon and the stars are partially darkened. the fifth of the seven angels sounds the trumpe

The Angel shows Saint John the New Jerusalem, from the Apocalypse n.d. Jean Duvet French. The Angel shows Saint John the New Jerusalem, from the Apocalypse 386239

Emperor Maximilian I Knelt for Christ, Albrecht Dürer (School of), 1519 print Emperor Maximilian I kneels for Christ, surrounded by Saint Joris, Maximilian, Barbara, Leopold, Sebastiaan, Andreas and Mary with the Christ child. Within the performance texts on three banderollen: one at the mouth of Maximilian, one by the mouth of Mary and one at the mouth of Christ. Texts in Latin above and below the supply, partly in verse form. Nuremberg paper Madonna (or Mary without Christ-child) as patroness or protectress, e.g. of a confraternity or lay order. the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword. male saints (with NAME). male saints (with NAME). the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk. the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll. the virgin martyr Barbara; possible attributes: book, can

Woodcut by Albrecht Dürer, circa 1496-97, depicting the praise of the chosen ones in heaven, Apocalypse series figure XII, showing angels, figures, and heavenly symbols.

Easter prys. Christ on the Cross, with angels on either side who take care of his blood in Kelken. Left Maria, right Johannes, and below Maria Magdalena in Devotion. Above the sun, at the top right the moon. Completely surrounded by a decorative edge. Under the image a eight-line fresh in two columns. Numbered at the top right: No. 3.

Christ and the woman from Canaan. A Canaanite woman who was followed in Christ first, throws himself before Christ and begs her daughter, who is tied by a demon. His students ask Christ to send the woman away. In the first instance he does not adhere to the woman, but after he is convinced of her faith he heals her daughter and disappears the demon. With various elements from the show are letters. The print is part of an album.

Albrecht Dürer, The Life of the Virgin: The Assumption and Coronation of the Virgin, 1510, woodcut on paper.

Tranking of Christ. Christ Dead body is anointed and wrapped in cloths. Different women, including Maria and Maria Magdalena, graze at his bare. In the background on the right, Christ is being taught the Rot Graf. On the left the guards arrive that the grave will guard. With various elements from the show are letters. The print is part of an album.

The Mystic Marriage of Saint Catherine. Dated: 1740. Medium: chiaroscuro woodcut in black trial proof. Museum: National Gallery of Art, Washington DC. Author: John Baptist Jackson after Veronese.

Unbelieving Tomas, Anonymous, 1520 - 1530 print Tomas feels two fingers on the wound of Christ. The other apostles watch. Netherlands paper Thomas touching or stretching out his hands to touch the wound in Christ's side, sometimes Christ leading Thomas' hand

The Apostle Jakobus Major and his martyrdom, Allaert Claesz. (attributed to), 1510 - 1530 print Print from series of twelve. Apostle Jakobus with book and staff in frame with flowers. Circle with a performance of Jakobus with blindfold just before decapitation with sword. Loose leaf with handwritten text in black and red. paper engraving the apostle James the Great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword. beheading of James

Book-Plate of Christoph Scheurl 16th century Lucas Cranach the Younger and Workshop German Cristoph Scheurl and His Sons Kneeling Before a Crucifix. The Scheurl coat of arms bellow to the left. (Hollstein). Book-Plate of Christoph Scheurl 625754

Christ on the cross. Christ on the cross. Three Maria's and John on the right. The Centurion that points to a text.

Crucifixion of Christ in a roll work Framing, Virgilius Solis, 1568 print Nuremberg paper engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). scrollwork, strapwork ~ ornament

Adoration of the Kings, Anonymous, 1400 - 1500 print Maria with the naked Christ child on his lap, behind her Joseph, the Os and the donkey. Before her kneels one of the three kings with a gift in his hand, behind him the other two kings are under a thatched roof. Germany paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Albrecht Dürer, The descent of the Holy Spirit (Pentecost) , woodcut engravings, 1510 ,cathedral museum, Mdina, Republic of Malta, Europe.

The last Supper. Christ and twelve disciples around the table. Johannes to Chest Christ.

Meeting with Veronica during the cross -support, Jan Christoffel Jegher, after Antoine Sallaert, 1649 print Christ wears the cross and next to him is Veronica who shows him the canvas on which the print of his face was left. Antwerp paper letterpress printing Christ meets Veronica, who has a cloth to wipe Christ's face

Obviously of Christ, 1560 - 1600 print The inquiry of the deceased Christ. The grave is closed at the bottom. From series of 14 ovals with grotesken in which scenes from the passion are depicted. Shaded background. Netherlands (possibly) paper engraving the mourning over the dead Christ

Christ between the scribes, Master of Delft (attributed to), 1503 print Printed from three blocks. Christ is on an elevation. Scriptures with books in hand around it. Left and right of the performance Architectural ornamentation. Low Countries paper Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Coronation of mary; Coronatio Gloriose Virginis Marie in Celis; Liber chronicarum. The Saint Mary with Nimbus is crowned by God the Father. Above the Holy Spirit in the form of a pigeon. The print is part of an album.

Opening the fifth and sixth seal, Ieronimus Greff von Frankfurt, After Albrecht Dürer, 1502 print Opening the fifth seal: Martyrs attract white robes; Opening the sixth seal: the day of the wrath, the sun turned black, the moon blood red, a large earthquake made mountains and islands move. The stars fell from heaven on the pope, emperor and the common people. paper opening of the sixth seal: a great earthquake, the sun turns black, the moon red as blood, and the stars fall on earth; mankind hiding in caves. opening of the fifth seal: white robes are given to (the souls of) the martyrs under the altar

The Crucifixion. Artist: Master IAM of Zwolle (Netherlandish, active ca. 1470-95). Dimensions: Sheet: 11 3/4 × 8 1/4 in. (29.9 × 21 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Birth of Christ; Maria's life. Maria worshiped the Christ child. Joseph is behind her. Three angels look. In the background left the proclamation of the birth of Christ to the shepherds. This print is part of a series of twelve prints with scenes from the life of Mary.

Crucifixion, Albrecht Dürer, 1511 print Christ on the cross, the Mary's and John the Evangelist on his right side, a rider on his left. Angels catch the blood that flows from the wounds to Christ's hands and feet in cups. Latin text printed on the fresh side. This print is part of the press series 'The Great Passion', consisting of a title print and 11 scenes from the suffering story. Nuremberg paper letterpress printing crucified Christ, with particular persons under the cross

Crucifixion of Jesus Christ unknown

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