Religious Art Representations

Diverse biblical scenes and figures depicted through various artistic styles, including Mannerism and engravings, focusing on events like the Annunciation and Crucifixion.

The Annunciation by El Greco, Dominico (1541-1614) Thyssen-Bornemisza Collections ca 1596-1600 Oil on canvas 114x67 Spain Mannerism Bible Painting

The Annunciation by El Greco, Dominico (1541-1614) Thyssen-Bornemisza Collections ca 1596-1600 Oil on canvas 114x67 Spain Mannerism Bible Painting

Antwerp, Jode, Gerard de, Thesaurus sacrarum historiarum veteris testamenti, Creation of light, verso - stamped, The first day of creation: God the Father hovers above the earth with outstretched arms and He separates the light from the darkness and day from night. On the left is the sun and on the right the moon. Above God the Father the tetragram. At the bottom a reference to the Bible text in Latin., print, prent, prints, height 190 mm, width 260 mm, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Crucifixion, historic steel engraving from 1860

The Annunciation. The archangel Gabriel appearing to the Virgin Mary, telling her she will bear Jesus Christ. 'Bible' Luke 1. 30. Copperplate engraving c1808

FOTOGRAFIA BLANCO Y NEGRO AÑOS 60.

Virgin Mother of God was physically crowned as Queen of Heaven after her Assumption. Colored Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853

ENGLAND AND AMERICA

Frontispiece Design for the New Testament, Philip Tidemann, c. 1700 drawing An angel shows the chained church images of the martyrs of Christ and the twelve apostles Framework: Paper. ink. Graphite (Mineral). chalk pen / pen / brush / brush

Biblical History, The Last Judgement, Historical steel engraving from 1860

Saul consults Samuel after the Witch of Endor summons him from the dead, Demons crowd in the background, Historical, digitally restored reproduction from an 18th or 19th century original.

Luke 24. Resurrection of Jesus. Colored engraving.

Watercolor and feather drawing by Pietro Antonio Novelli depicting Saint Michael fighting Satan, with Saint Benedict and Saint Scholastica, executed with rounded upper edges.

The Ascension of Our Lord Jesus Christ. Colored Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853

Historical photo (ca 1880) of the Assumption of the Virgin Mary, painting by Titian, Italy, Historical, digitally restored reproduction of an original 19th century original, exact original date unknown, Europe

Resurrection, Pieter Nolpe, 1623 - 1653 print The resurrection of Christ. Soldiers sleeping around the tomb. At the bottom of the performance four verse rules in Dutch. Amsterdam paper etching / engraving / letterpress printing Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Ekman, Robert Wilhelm, work, Christ blessing two kneeling persons, marker engraving, drawing, 33.5 cm x 25.5 cm

Resurrection C.1510-15 Matthias Grunewald (1470 /80 -1528 German) Oil on wood panel Musee d'Unterlinden, Colmar, France

Detail of dome fresco by Johann Michael Rottmayr, Karlskirche, 1716-1736, Vienna, Austria, Europe, Dramatic depiction of God and Jesus in Baroque art with intense light, Europe

The Virgin and Child with Saint Sebastian, Saint Roch and Saint Geminianus. Lithograph by F. Hanfstaengl, 1835, after A. Allegri, il Correggio.

The Trinity, the Throne of Grace, woodcut by Albrecht Duerer, historical, digital improved reproduction of an old woodcut

Antwerp, Galle, Cornelis (II), unknown, Christ with two angels, verso - stamped, Christ standing wearing a wide cloak. He crosses his hands. On either side angels with crossed arms. Under a cartouche with a Latin text., print, prints, height 230 mm, width 133 mm, Southern Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1638 - 1650, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Holy Trinity, Anonymous, 1831 - c. 1877 print In the middle of numbered: 26. Wissembourg paper Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as dove

Engraving by Gustave Doré from Dante Alighieri's Divine Comedy; A hundred singing angels appear carrying Beatrice

Ascension. unknown c. 1535-1550 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Germany, Bavaria, Munich, Residenzmuseum. Christ, holding banner & surrounded by radiant light, ascends into heaven while kneeling apostles look up into sky with raised arms (Mark 16:14-19) Detail view; borders not shown. No French & Co. stock sheet in archive, no stock number Related Works: Panels in set, 0239272, 0239326-0239327; compositionally similar tapestries: GCPA 0239273, 0239274, 0184355, 0242486

An angel, having sounded the trumpet to announce the Day of Judgment, tears down the Sun, which definitely means the End of the World as we know it ! Date: circa 1750

The Last Judgement Gustave Dore (1865-1866 French) Wood engraving

Resurrection, fresco by Niccolo di Pietro Gerini, Sacristy in Basilica di Santa Croce Basilica of the Holy Cross - famous Franciscan church in Florence, Italy Resurrection, fresco by Niccolo di Pietro Gerini, Sacristy in Basilica di Santa Croce Basilica of the Holy Cross - famous Franciscan church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20146326

Ascension of Jesus. Jesus ascends into heaven. New Testament. Antique bible illustration by Gustave Dore (1832-1883)

Painting titled 'The Annunciation, Virgin and Child with Angels, Resurrection, from the Isenheim Altar' by Matthias Grünewald (1470-1528) German Renaissance painter of religious works. Dated 16th Century

FLORENCE The Uffizi Gallery painting The Coronation of the Virgin Mary by Beato AngeIIco Summer, Giorgio (Georg) (1834 1914)

religion biblical scenes Moses and the burning bush engraving 19th century prophet vision appearance Lord God bible,

Le Triomphe de la religion. Published 1802 Cartoon shows Pope Pius VII, Cardinal Caprara, and other members of the clergy seeking to receive the spirit of light from the beneficial rays emanating from a dove at top centre, parting the dark clouds of ignorance and intolerance; at top right, Jesus sits holding a crown of roses and extending palm fronds to the Virgin Mary, with a nun at her side; on the left, women revolutionaries are struck by bolts of lightning issuing from a shield held by an archangel; at bottom left, a fiery pit claims other revolutionaries, while on the right, a group of new believers prays.

Annunciation, historic steel engraving from 1860

Greco, DomŽnikos Theotokpoulos, called El (1541-1614). The Assumption. 1607 - 1613. Kwown as 'The Virgin of the Immaculate Conception'. View of Toledo in bottom margin. Mannerism art. Oil on canvas. SPAIN. CASTILE-LA MANCHA. Toledo. Holy Cross Museum.

CREACION DE LA LUZ. Grabado de 1889. Álbum de Historia Sagrada (La Santa Biblia en imágenes). Dibujo de Julio Schnorr de Carolsfeld.

Biblical Story, The guardian angel Angel of the Children, Historical steel engraving from 1860

The Resurrection - Jesus Christ rising from the dead

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)36. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

The Assumption of the Virgin Mary. Engraving.

The Immaculate Conception by El Greco, Dominico (1541-1614) Thyssen-Bornemisza Collections ca. 1608-1614 Oil on canvas 108x82 Spain Mannerism Bible Painting

Greco, DomŽnikos Theotokpoulos, called El (1541-1614). The Annunciation. 1604. Mannerism art. Oil on canvas. SPAIN. CASTILE-LA MANCHA. Toledo. Holy Cross Museum.

Moses at the burning Bush.. Exodus. Engraving by Julius Schnorr Von Carolsfeld (1794-1872).

Resurrection of Jesus, detail, Baroque dome of Karlskirche, Vienna, Austria, Europe

'The Assumption of the Virgin', c1613. Artist: El Greco

A picture of the judge in the city in the town hall of Graz from 1478, Austria, digitally restored reproduction of an original from the 19th century, exact original date not known, Europe

Old Testament. Jacob. Patriarch and prophet. Jacob's Dream. Genesis. Chapter XXVIII. Engraving by Gustave Dore. 19th century. Colored.

God creating light. Old Testament: Genesis. From Gustave Dore's illustrated 'Bible', 1866. Wood engraving

Job's Sacrifice, circle of John Linnell, 1792-1882, British, after William Blake, 1757-1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm), altar, fire, gesturing, kneeling, men, Old Testament, praying, religious and mythological subject, sacrifice, women

The Resurrection 1605-1610 El Greco (1541-1614/Greek) Oil on canvas Prado Museum, Madrid

Resurrection of Jesus Christ, Nikolai Petrovich Lomtev, Oil on canvas, 1858, 1816-1859, Russia, Moscow, State Tretyakov Gallery, 45, 6x37, 8

The angel shows Jerusalem to St. John. Revelation St. John the Evangelist. The Vision of the Heavenly Jerusalem. New Testament. Antique bible illustration by Gustave Dore (1832-1883)

Illustration for Paradiso, the Divine Comedy by Dante Alighieri Canto, Glory be to the Father, the Son and the Holy Spirit, by Gustave Dore 1832-1883, French artist, Inferno, Hell, Paradise, Angels, Damnation, Historical, digitally restored reproduction from a 19th century original, Record date not stated

The Crucifixion by Hubert van Eyck (1370-1426) Early Netherlandish painter and older brother of Jan van Eyck. Dated 15th Century

CAPILLA DUQUES OSUNA-ALEGORIA INMACULADA - SIGLO XVI. Author: STURMIO HERNANDO. Location: COLEGIATA. Osuna. Seville. SPAIN. INMACULADA CONCEPCION.

SAUL AND THE WITCH OF ENDOR, BY GUSTAVE DORE

Lazio Roma Rome S. Ignazio di Loyola11. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Blessed Mother, historic steel engraving after Raphael from 1860

Greco, DomŽnikos Theotokpoulos, called El (1541-1614). The Coronation of the Virgin. 1590 - 1595. Mannerism art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

El Greco / Baptism of Christ / 1596

Old Missel Roman. Historical illustration. The Transfiguration of Jesus. Moses and Elijah.

The guardian angel of the children, historic steel engraving from 1860

Vignet with the New Testament. Design for a print.

DANTE AND THE EAGLE, BY GUSTAVE DORE

The Ascension of Jesus. Engraving. Holy Bible, 19th century. Author: Lleo Comeleran.

The Death of Korah, Dathan and Abiram. Old Testament. Antique digitally colored Biblical illustration by Gustave Doré (1832-1883)

Dante and Virgil beset by demons on their passage through the eighth circle. Illustration (1861) by Gustave Dore for Dante Inferno, Canto XXI. Wood engraving

Illustration showing Conversion of Saul of Tarsus (St Paul on road to Damascus). After painting by Frederick Shields

Elijah Nourished by an Angel. Engraving after Gustave Dore

This circa 1500 copper engraving by Meister i e depicts the Savior in the desert attended by angels, highlighting figures, gestures, and landscape composition.

Divine Comedy. Epic poem written by Dante Alighieri between 1308 and his death in 1321. Purgatory. Twelfth Canto. Arachne. Athena transformed her into a spider and she will spin forever. Engraving by Gustave Dore. Colored.

Lazio Rieti Rieti S. Ruffo. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, stucco decoration. The church was originally built in 1141, but was completely redesigned in 1746, with a Baroque facade and marble and gilded stucco interior. In a side chapel is the painting the Guardian Angel, attributed to Giovanni Antonio Galli (called lo Spadarino). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Appearance of an angel announcing the birth of Christ. oil painting on canvas, by the Russian painter Alexander Andreyevich Ivanov (1806-1858); .

Scene from the biblical story, Ascension Day, a central event that describes how Jesus ascended physically to heaven after his resurrection and sits at the right hand of God, authentic reproduction of a school wall painting, historical, around 1900

Colored skiolet icon with religious motifs. Jesus' resurrection.

Statue of the Virgin Mary in church Santa Lucia, Gran Canaria, Canaries, Spain, Europe

Balaam's donkey, the Lord opened Balaam's eyes and he could see the angel, fourth book of Moses, chapter 22, verse 31, Bible, Old Testament, numbers, book of laws, story, drawn sword, rider, cow, sun, bushes, blind, miracle, will, historical illustration based on Gustave Doré around 1880

Jeremiah mourning over the destruction of Jerusalem , Fine Art

Juan de Flandes, The Baptism of Christ, Hispano-Flemish, active 1496-1519, c. 1508-1519, oil on panel

New Testament. Matthew. Chapter 26. Jesus praying in the Garden of Gethsemane. An angel appears to comfort him. Engraving. Colored.

Corrado Giaquinto depicted the Madonna seated on clouds surrounded by angels using red chalk, feather, and laved techniques, showing figures and heavenly setting.

Historical photograph (ca 1880) of the Madonna della Scodella, an oil painting by Antonio da Correggio, Italy, Historical, digitally restored reproduction of an original 19th century original, exact original date unknown, Europe

Puck Magazine: A Great Past and a Pitiful Present, Puck Magazine

fine arts, Brugger, Andreas, (1737 - 1812), ""coronation of Saint Mary and founding respectively renewal of monastery"", ceiling painting, 1775 / 1776, former collegiate church, Bad Buchenau, Baden-Wuerttemberg, allegory, mother of god, madonna, god the father, Jesus Christ, Holy Spirit, Trinity, rococo, religious art, religion, christianity, Baden Wuerttemberg, 18th century,

Painting depicting the 'Annunciation' the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. By El Greco

Christ gives keys of heaven to St. Peter. Raphael (Italian, 1483-1520) (designed after) painter May, Stephen de (English, act. 1690-1710) (workshop, attr.) weaver c. 1690-1700 Tapestry Dimensions: H 11'3" x W 7' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: London Ownership History: Made for Earls of Winchilsea & Nottingham, Burley-on-the-Hill, Rutland. Inherited by Major James Hanbury, Burley-on-the-Hill, Rutland. Captain Bertram Currie coll., Dingley Hall, Market Hanborough. Sold at Christie, Manson & Woods (London), 3/26/1953, lot 86. Perez (London), 1953. French & Co. (New York), 1953. Mr. & Mrs. Louis Brugman coll. (New York), 1953, bequeathed to Cathedral of St. John the Divine, New York, 1954 (stolen). Inscriptions: Inscription in upper border banderole around coat of arms: NIL / CONSCIR / SIBI Christ, having just given kneeling Peter key to heaven, stands with flock of lambs; group of apostles surround Peter (John 21:15-17) (L & R BRD) columns with twi

The Annunciation, El Greco, Dominico (1541-1614)

Sacratissimum Cor Iesu is a symbol of the divine love and mercy of Christ in the Catholic Church, Jesus surrounded by angels, heart symbolically represented, historical, authentic, digitally restored reproduction from a 19th century model, record date not stated

Campania Caserta Capua Chiesa dell'Annunziata25. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city,

Most Holy Lord Jesus with Joan Francis Frémyot of Chantal, Jeanne Françoise Frémyot de Chantal (1572-1641), Francis de Sales (1567-1622) and English C...

this Mary Magdalena; unknown, Reni, Guido (1575-1642); after 1820 (1821-00-00-1900-00-00);

Woodcut, Creation and Fall of the Angels, Epiphany, 12, 7, Old Testament, Catholic Picture-Bible

Assumption of the Blessed Virgin by Viktor Mikhaylovich Vasnetsov, Oil on canvas, 1885-1896, 1848-1926, Russia, Moscow, State Tretyakov Gallery, 205x1446

The Angel with the Book. 'Bible' Revelation 10:1-6. Wood engraving c1860

Descent of the Holy Ghost 1760-90 Stefano Mulinari. Descent of the Holy Ghost. Stefano Mulinari (Italian, Florence ca. 1741-90). 1760-90. Etching and aquatint. Prints

Elijah ascending into heaven in a chariot of fire. Old Testament. Antique digitally colored Biblical illustration by Gustave Doré (1832-1883)

The caption for this illustration reads: "And these were in the same country shepherds abiding in the field, keeping watch over their flock by night." The Christian religion celebrates the birth of Jesus Christ, the central figure of the religion, on December 25. The birth is often referred to as "the Nativity" and the three main figures are Jesus, his mother Mary, and Mary's husband Joseph. In this 19th century depiction, an angel is shown telling shepherds to honor Jesus, who is lying in a manger. The shepherds are shown with their sheep and the star of Bethlehem lighting up the sky.

The Ascension of Christ. Lithograph by L. Zöllner, 1833, after C. Küchler and C. Stölzel after A.R. Mengs.

The Risen Christ Surrounded by Saints. Dated: c. 1660. Dimensions: overall: 22.9 x 16.3 cm (9 x 6 7/16 in.). Medium: colored wash with heightening. Museum: National Gallery of Art, Washington DC. Author: JAN BOECKHORST.

Allegory on the Immaculate Conception, Jacopo da Empoli, 1564 - 1612 drawing paper. ink. chalk pen / brush

Calvary, Jesus on the cross fresco in church of St. Clement in Primisweiler, Germany Calvary, Jesus on the cross fresco in church of St. Clement in Primisweiler, Germany Copyright: xZoonar.com/ZvonimirxAtletix 21399850

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