Religious Art Scenes

Renaissance and medieval altarpieces depicting biblical scenes with rich colors and emotional expressions, showcasing various artists' interpretations.

Gossaert, Jan (ca. 1478-1532) National Gallery, London Painting 177x161,3 Bible The Adoration of the Magi

Altarpiece of St Stephen by Jaume Serra. C. 1385. Monastery of St. Maria de Gualter. The dispote with the jews. Detail of jews. National Art Museum of Catalonia. Barcelona. Spain.

Descent from cross by Master of Delft, Tempera and oil on wood, circa 1510, active 16th century, Great Britain, London, National Gallery, 102, 2x49, 3

A panel of an altarpiece of the VirginEmbrace in the Golden Gate by Master Retascón. Dated 15th Century

Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, 1493-1501, Master of the Legend of Saint Lucy, Netherlandish (South Netherlands), Netherlandish (South Netherlands), active c. 1475 - 1505, 39 1/4 x 31 1/4 in. (99.7 x 79.38 cm) (panel, central exterior)34 5/8 x 26 3/8 in. (87.95 x 66.99 cm) (panel, central interior)39 1/4 x 15 5/8 in. (99.7 x 39.69 cm) (panel, right wing exterior)34 1/2 x 11 in. (87.63 x 27.94 cm) (panel, right wing interior)39 1/2 x 15 5/8 in. (100.33 x 39.69 cm) (panel, left wing exterior)34 1/2 x 11 in. (87.63 x 27.94 cm) (panel, left wing interior), Oil on panel, Netherlands, 15th-16th century, Triptychs (hinged three-paneled works) such as this were often placed on or behind the altars of medieval churches and private chapels. The central panel of this triptych shows people mourning the death of Jesus. The city in the background is Bruges, where the artist worked. Saint John the Baptist and Saint Catherine of Alexandria are pictured on the

ENTIERRO DE SAN MARTIN - SIGLO XIV. Author: SIMONE MARTINI (1280-1344). Location: BASILICA DE SAN FRANCISCO. ASSISI. ITALIA. SAINT MARTIN OF TOURS.

Healing of the Paralytic at Capernaum (one of a set of 12 scenes from The Life of Christ). Culture: Flemish, Leuven. Dimensions: Overall: 26 × 19 3/8 in. (66 × 49.2 cm);Framed (confirmed): 22 7/8 × 17 3/4 × 3/8 in. (58.1 × 45.1 × 0.9 cm). Maker: Jan Rombouts (Flemish, ca. 1475-1535). Date: ca. 1525-30. Museum: Metropolitan Museum of Art, New York, USA.

The Adoration of the Shepherds, by Lorenzo di Credi (1459-1537), oil on canvas, 224x196 cm.

Gossaert, Jan (ca. 1478-1532) National Gallery, London Painting 177x161,3 Bible The Adoration of the Magi

Pietà. Artist: Giovanni di Lorenzo Larciani (Master of the Kress Landscapes), Italian, 1484-1527

Unterlinden Museum. Passion of Christ. Crown of Thorns. Detail. Oil on wood panel. Martin Schongauer. Late 15 th century. Colmar. France. Colmar. France.

The Pool of Bethesda, by Jacopo del Sellaio (1441-1493). Detail.

Joachim and Anna at the Golden Gate, scene from Stories of the life of Mary, 1485, by the Master of the Stories of Mary in Aachen (active 15th century), oil on panel.

The Uffizi Triptych. Circumcision, by Mantegna Andrea, 1464 - 1470, 15th Century, tempera on panel. Italy, Tuscany, Florence, Uffizi Gallery. Whole artwork. The Circumcision parents Holy Family Madonna St Joseph Jesus Christ Simeon priest temple column decoration.

Camera Degli Sposi: The Court, Andrea Mantegna, (1431-1506 Italian), Fresco, Palazzo Ducale, Mantua, Italy

Virgin with Angles Playing Musical Instroneents oak wood. (Netherlands; about 1490; aquired 1936 Gemaldegalerie )

LA FUENTE DE LA GRACIA Y TRIUNFO DE LA IGLESIA SOBRE LA SINAGOGA - DETALLE - 1430 - O/T - NP 1511 - GOTICO FLAMENCO - CONJUNTO 6987. Author: JAN VAN EYCK (1385-1441). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Filippino Lippi (1459-1504). Italian painter. High Renaissance. Florentine school. Adoration of the Christ Child, c. 1480. Tempera on copperplate. The State Hermitage Museum. Saint Petersburg. Russia.

Triptych of Jan Florain', Detail, 1479. Artist: Hans Memling. Hans Memling was the leading artist in Bruges. His work is strongly influenced by Rogier van der Weyden.

Adoration of the Magi. Jan van Scorel; Netherlandish, 1495-1562. Date: 1515-1525. Dimensions: 44.4 cm × 55.2 cm (17 1/2 × 21 3/4 in.). Oil on panel. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

Madonna and Child with Saints in the Enclosed Garden. Dated: c. 1440/1460. Dimensions: painted surface: 119.8 x 148.5 cm (47 3/16 x 58 7/16 in.) overall (panel): 122.2 x 151.2 cm (48 1/8 x 59 1/2 in.) framed: 138.7 x 166.7 x 9.5 cm (54 5/8 x 65 5/8 x 3 3/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Follower of Robert Campin.

Giovanni di Paolo (1403-1482). Italian painter. St. Catherine before the Pope at Avignon. c. 1460-1463. Copyists. Thyssen Museu. Madrid. Spain.

Italy - Marches Region - Tolentino (Macerata province) - Basilica of Saint Nicholas. Cappellone by Master of Tolentino (anonymous painter, 14th century). Life of St. Nicholas: the slaughter of the innocents, fresco

Ulrich Apt (Augsburg (), ca. 1460-Augsburg, 1532). The Lamentation (ca. 1510). Oil on panel. 44.2 x 35.6 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC), Barcelona, SPAIN. Author: Ulrich Apt.

fine arts, Strigel, Bernhard (circa 1460 - 1528), painting, Adoration of the Magi, panel of an altar, oil on wood, 75 x 63 cm, circa 1500, Memmingen municipal museum,

'Flowering of Joseph's Rod'. Italy, First third of the 16th century. Dimensions: 108x90 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown artist of the Lombardian School, first third 16th century.

Epiphany, Fernando Gallego or his workshop, 1495, oil on panel, Diocesan Museum of Salamanca, Old Cathedral, Salamanca, autonomous community of Castile and Leon, Spain.

Miniature from the Emerson-White Hours. Master of the Houghton Miniatures (Flemish, active about 1476 - 1480)

Drer / Adoration of the Kings / 1504

Virgin Mary with Jesus Chtrist as child by Andrea Mantegna, tempera on panel, 1456-1459, 1431-1506, Italy, Verona, San Zeno, 480x450

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Artist: Girolamo di Benvenuto, Italian, Siena, 1470-1524, TheNativity, ca.1510, Egg tempera on panel, 59.7 × 45.4 × 4.4 cm (23 1/2 × 17 7/8 × 1 3/4in.), Made in Siena, Italy, Italian,Siena, 16thcentury, Paintings

The Dispute of Saint Catherine of Alexandria, by Jan Provoost, 1520-1525, Boijmans van Beuningen Museum, Rotterdam, Netherlands, Europe

The Deposition, Detail 3 1438-1445 Fra Angelico (ca.1395-1455 Italian) Fresco Museo di San Marco, Florence, Italy

The Prodigal Son. Miniature by Mongrammiste de Brunswick. 16th century. The Brunswick Monogrammist was an anonymous Netherlandish painter, active in the mid-to-late 16th century. He (or she) painted religious scenes but also several scenes of secular merriment, including brothel and tavern scene

The Crucifixion, by Andrea Mantegna, oil on wood panel, detail, 1431-1506, France, Paris, Musee du Louvre

Simone Martini / Annunciation

The Annunciation by Sandro Boticelli, tempera/wood panel, 1495, 1444-1510, Russia, Moscow, Pushkin Museum of Fine Arts

Allegory of Good Government, by Lorenzetti Ambrogio, 1338 - 1340, 14th Century, fresco. Italy: Tuscany: Siena: Palazzo Pubblico: Sala della Pace. Detail. Justice Sapientia/Wisdom/Knowledge blue yellow red throne balance/scales/scale angels

TheDeposition. Artist: Cornelis Engebrechtsz., Netherlandish, 1468-1533

Saints Peter, Martha, Mary Magdalen, and Leonard. Artist: Correggio (Antonio Allegri) (Italian, Correggio, active by 1514-died 1534 Correggio). Dimensions: 87 1/4 x 63 3/4 in. (221.6 x 161.9 cm). Date: ca. 1515.This is an early work by one of the most original geniuses of the Renaissance. Commissioned for a church in Correggio's hometown, it depicts four saints chosen by the patron, Melchiore Fassi: Peter, with his keys; Martha, her dragon; Mary Magdalen, her pot of ointment; and Leonard, with his fetters. Each stands separately, absorbed in his or her own thoughts. In this altarpiece, Correggio explored ideas he admired in the work of Leonardo da Vinci--in particular, the elegantly choreographed poses of the figures softly lit against a dense copse of trees (note the woodpecker). Museum: Metropolitan Museum of Art, New York, USA.

Vatican pinacoteca,Giotto di Bondone and assistants, Stefaneschi triptych(1320),Vatican museum, Vatican city, Rome, Italy.

heraldry coat of arms Germany marriage coat of arms Jakob Deller (+ 20.10.1576) and Maria Deller n_e Kurz (+ 27.9.1570) memorial plaque side wing donated by Hans Jakob Deller 1604 municipal museum Lindau,

Giovanni Francesco da Rimini (1420-1470). Italian Early Renaissance painter. The Charity of St. Nicholas of Bari. The Story of the Dowries. Louvre Museum. Paris. France.

Fair Rosamund and Queen Eleanor. Date/Period: 1861. Painting. Mixed media on paper. Height: 495 mm (19.48 in); Width: 375 mm (14.76 in). Author: Edward Burne-Jones.

Two Wings of a Triptych with Portraits of Donors with Saints Adrian and John the Baptist. Dating: 1530 - 1550. Measurements: support: h 91 cm × w 29 cm; d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Pieter Pourbus (attributed to).

Lombard art. Altarpiece. Milan, Brera Art Gallery. Author: ANONIMO LOMBARDO. Location: PINACOTECA DI BRERA. Milan. ITALIA. SFORZA, LUDOVICO, THE MOOR. VIRGIN MARY. LUDOVICO EL MORO / LUDOVICO IL MORO. ESTE BEATRIZ DE.

Master Of The Legend Of Saint Catherine / 'The Betrothal of the Virgin / Cristo Patiens'. 1470 - 1500. Oil on panel. Museum: Museo del Prado, Madrid, España.

Story of Virginia: Appius Claudius stops Virginia, The Decemvir Condems Virginia to slavery, Virginia is killed by Virginius. By Filippo Lippi (1406-1469). Quattrocento. Early Renaissance. Tempera on panel. Louvre Museum. Paris. France.

Adoration of Christ Child by Sandro Botticelli, Tempera on panel, circa 1500, 1445-1510, United Kingdom, London, National Gallery, 108, 5x74, 9

The Madonna of Humility with the Temptation of Eve by Olivuccio di Ciccarello, circa 1400

Golgotha Hill by Giovanni di Paolo, Tempera on panel, 1426, circa 1403-1482 Baltimore, Walters Art Museum, 40,6x43,5

Patinir, Joachim (1480-1524). The Temptation of Saint Antonio Abad. ca. 1520. Flemish art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Medieval Italian Trento Buoncosiglio Castle. Eagle Tower. Fresco cycle Twelve Month Allegory by the Bohemian painter Wenceslas. XV century.

ca. 1420 Anonymous German artist active in the Middle Rhine area (Active in the Middle Rhine area, ca. 1420). The Descent from the Cross (recto) (ca. 1420). Oil on panel. 62 x 30 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Birth of the Virgin, by Domenico Beccafumi (1486-1551), oil on panel, 225x145 cm.

Juan García de Miranda / 'The Betrothal of the Virgin'. Late XVII - Early XVIII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Master of the Saint Godelieve Legend (Netherlandish, active 1475-1500). Oil on wood. Altarpiece. The Life and Miracles of Saint Godelieve. Godelieve is married to the wealthy landowner Bertolf. Metropolitan Museum of Art. NY. USA.

Saint Jerome; Master of the Getty Epistles (French, active about 1520 - about 1549); Paris, France; about 1528-1530; Tempera colors and gold paint on parchment; Leaf: 16.5 × 10.3 cm (6 1,2 × 4 1,16 in.)

The Entombment, c1500, (1911). Artist: Michelangelo Buonarroti

Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins and The Four Last Things, 1505-1510. Detail of the Last Judgement (one of The Four Last Things). Prado Museum. Madrid, Spain.

Saint John the Evangelist on Patmos by Bouts, Dirk, (Workshop) / Museum Boijmans Van Beuningen, Rotterdam/ ca 1465/ The Netherlands/ Oil on wood/ Early Netherlandish Art/ 69,5x65/ Bible

'St. George and the Dragon', c15th century. (1941). Artist: H Granville Fell

DEGOLLACION DE OSIAS DISCIPULO DE SANTIAGO. Author: MAESTRO DE ASTORGA-PINTOR ANONIMO SIGLO XVI. Location: PRIVATE COLLECTION. Barcelona. SPAIN.

The Flight into Egypt. Dated: 1484. Dimensions: overall: 61 x 61 x 13.65 cm (24 x 24 x 5 3/8 in.). Medium: marble, partly gilded. Museum: National Gallery of Art, Washington DC. Author: Benedetto Briosco and Tommaso Cazzaniga.

The Baptism of Christ. Dated: c. 1335. Dimensions: painted surface: 46.3 × 49 cm (18 1/4 × 19 5/16 in.) overall (original panel): 48.8 × 41.2 cm (19 3/16 × 16 1/4 in.) overall (including added strips): 49.6 × 42 cm (19 1/2 × 16 9/16 in.) framed: 56 x 48.6 x 4.6 cm (22 1/16 x 19 1/8 x 1 13/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BARONZIO.

Jan Gossaert, called Mabusse (1478-1532). Netherlander painter. St. Luke drawing the Virgin. On Load from the metropolitan chapter of St. Vitus. National Gallery. Prague. Czech Republic.

Master Of The Zarzoso Triptych / 'The Nativity Triptych'. Ca. 1450. Tempera on panel. Museum: Museo del Prado, Madrid, España.

Miquel Torell (Mestre d'Olot) / Retablo de Santa Cristina de Corçà, siglo XV. Museum: Museu d'Art, Girona. Author: MIQUEL TORRELL.

The Adoration of the Shepherds c1450 Andrea Mantegna (1431-1506 Italian) Tempera on canvas Metropolitan Museum of Art, New York

Fresco of God Jupiter and Pan in front of obelisk and Hadrian's villa with zodiac sign of Capricorn, fresco, 1520

Cupid and Psyche, Palace Green Murals, The King and other Mourners abandon Psyche to the Monster, 1881 By Sir Edward Burne-Jones and Walter Crane A scene from William Morris' 'The Earthly Paradise'., Roman Mythology, Oil Painting, Pre-Raphaelite, Mourning

Built by Ernst Zwirner, fresco on the east wall of the south transept

St Jerome leads the lion into the monastery, 1502, by Vittore Carpaccio (ca 1465-1525 or 1526), oil on canvas, tempera on canvas, 141x211 cm. School of San Giorgio degli Schiavoni, Venice.

The proclamation, The Annunciation 1489, painting by Sandro Botticelli March 1, 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historically, digitally restored reproduction of a template, Record Date Not Stated

Conversion of Saint Peter. 16th Century Fresco. Castle of Naro. Cagli. Marche. Italy

The Judgement of Paris, Lucas Cranach the Elder, circa 1528, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Gonzaga Retainers, Mantegna

The Annunciation, altarpiece from Verdu, 1432-34, by Jaume Ferrer II known as The Younger (active between 1430 and 1460-1470), oil on canvas, 159x93 cm. Detail.

Stefan Lochner (ca.1400/1410-1451). German painter. Saint Mark, Saint Luke and Saint Barbara, ca.1445-1450, Wallraf-Richartz Museum. Cologne. Germany.

Mestre de Canapost / Retablo de la Mare de Déu de Canapost, también conocido como Retablo de la Virgen de la Leche, siglo XV, Óleo sobre tabla. Museum: Museu d'Art, Girona. Author: MAESTRO DE CANAPOST.

The Forest Witch ca.1890 Hermann Vogel (1856-1918 German) Colored woodcut

Lady of Advisers by Lluís Dalmau (active 1428-1461) Spanish painter during the 15th Century

The Crucifixion; Simon Bening (Flemish, about 1483 - 1561); Bruges, Belgium; about 1525 - 1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 x 11.4 cm (6 5,8 x 4 1,2 in.)

John the Baptist admonishes the Pharisees, central panel of a triptych. Dating: 1557. Place: Southern Netherlands. Measurements: h 208.5 cm × w 201.5 cm × d 7.5 cm. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (REJECTED ATTRIBUTION). Jan van Coninxloo (II).

Geometry-Euclid, Astronomy-Ptolemy, Sacred Sciences and Liberal arts, detail of the Triumph of St. Thomas Aquinas, fresco by Andrea di Buonaiuto, Spanish Chapel in Santa Maria Novella Principal Dominican church in Florence, Italy Geometry-Euclid, Astronomy-Ptolemy, Sacred Sciences and Liberal arts, detail of the Triumph of St. Thomas Aquinas, fresco by Andrea di Buonaiuto, Spanish Chapel in Santa Maria Novella Principal Dominican church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20997189

Anonymous Dutch. Jerusalem Triptych, ca.1497-1500. From Church of Our Lady, Gdansk (Poland). Oak wood panels. National Museum. Warsaw. Poland.

'Saint Barbara', 1438, Oil on panel, 101 cm x 47 cm, P01514. Author: ROBERT CAMPIN (1378-1444) MAESTRO DE LA FLEMALLE. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. PATRONA DE LA ARTILLERIA. SANTA BARBARA (273-306) BARBARA DE NICOMEDIA.

Fresco in the Rose Chapel of Santa Maria dei Angeli, Umbria, Italy, Europe

Vicente Carducho / 'El padre Bernardo rezando en la cartuja de Portes', 1632, Spanish School, Canvas, 336,5 cm x 298 cm, P05455. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Saint-Gilles and the Roe, 1500 by Master of Saint-Gilles (active 1490-1510), oil on panel, 61.6 x 46.4 cm.

Jan Mostaert (Haarlem, ca. 1475-1555/56). Wing of a Diptych with the Souls of the Just and a Donor (ca. 1520). Oil on panel. 24 x 16 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

June or Cancer with courtiers dancing to trumpet music cows and milkmaids fresco from Cycle of Months, c. 1400, Buonconsiglio Castle

the judgment of Solomon. 1537. (Lucas Craafter; A. werkastatt;)

'Nicholas, St Lawrence, St Peter Martyr, St Antony the Abbot'. Italy, 1450-1455. Dimensions: 23x62 cm. Museum: State Hermitage, St. Petersburg. Author: BARTOLOMEO CAPORALI.

Calvary, by Jan Provoost, circa 1515, Museum of Fine Arts, Ghent, Belgium, West Flanders, Belgium, Europe

Louis XIV receiving the Papal Legate Cardinal Chigi at Fontainebleau, July 27, 1664, 17th century French tapestry based on a cartoon by Saint Andre, manufacture of Gobelins, 1665-80.

Painting by Pieter Brueghel the Younger titled 'The Procession of the Bride', c1584-1638. From the collection of the Art Museum of Estonia, Tallinn, Estonia.

The Last Supper. Date/Period: Ca. 1469. Folio. Tempera colors, gold paint, gold leaf, and ink on parchment. Height: 108 mm (4.25 in); Width: 79 mm (3.11 in). Author: TADDEO CRIVELLI.

After: Marcello Venusti, Italian, Rome 1515-1579, The HolyFamily, ca.1570, Oil on wood, 53.7 × 40.7 cm (21 1/8 × 16in.), Italian,Rome, 16thcentury, Paintings

Noah s Ark, relief in the church of Saint Martin in Zagreb, Croatia Noah s Ark, relief in the church of Saint Martin in Zagreb, Croatia Copyright: xZoonar.com/ZvonimirxAtletix 20643687

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