Religious Engravings

A collection of engravings depicting biblical scenes, including the Agony in the Garden and martyrdom themes, showcasing intricate line work and dramatic expressions.

Louis XIV (king of France), Poussin, Nicolas, France, Gantrel, Étienne, Religiosissimo Viro Patri Francisco, Miracle of Saint Francis Xavier, recto - handwritten, print, prints, verso - stamped, 39, height 464 mm, width 344 mm, 1646 - 1706-11-01, print maker, printmaker, 1656 - 1706, paper, papier, engraving, engraving (printing process), etching, French, 1594-06 - 1665-11-19, after, after painting by, 1638-09-05 - 1715-09-01, granter of privilege

The Agony in the Garden. Dated: c. 1480. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Agony in the Garden. Artist: Caspar Strauss (German, Augsburg 1595-1633 Augsburg). Dimensions: sheet: 9 1/2 x 7 1/4 in. (24.2 x 18.4 cm). Date: 1600-1633. Museum: Metropolitan Museum of Art, New York, USA.

Allegorical Frontispice with portrait of Willem III; Coming king Willem in Holland. Allegorical frontispiece with portrait of stadholder-king Willem III. The Dutch virgin with personnifications of unity, architecture, painting and fame.

Rome, Lafreri, Antonio, Orlandi, Giovanni, Vatican City, Michelangelo, Italy, Prophet Jeremiah, verso - stamped, Part of the vault painting by Michelangelo in the Sistine Chapel with the prophet Jeremiah. In the middle below a cartouche., print, prints, height 294 mm, width 226 mm, print maker, printmaker, 1602 - 1602, paper, papier, engraving, engraving (printing process), etching, Italian, 1475-03-06 - 1564-02-18, after a painting by, Publication (Event), Publication, publisher, uitgever, 1512 - 1577

Martyrdom of Saint Sebastian. Etching attributed to C. Schut.

The Intercession of the Virgin, kneeling on a cloud at right before Christ, standing at left holding the cross. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Egbert Van Panderen (Flemish, Haarlem 1590-1637 Antwerp). Dimensions: Sheet (Trimmed): 17 7/16 × 11 15/16 in. (44.3 × 30.4 cm). Publisher: Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Date: ca. 1610-37. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Enden, Martinus van den, Rubens, Peter Paul, Bolswert, Schelte Adamsz., Christ in the Garden of Olives, verso lower left - stamped, Christ kneels in the Garden of Olives and sees the suffering that still awaits him because of the dissolute life of mankind. Below the image is a quotation from Matthew 26., print, prent, prints, prenten, height 280 mm, width 186 mm, Work conception, Southern Netherlands, 1586 - 1659-12-12, after print by, 1596 - 1709, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, print maker, printmaker, Publication (Event), Publication, publisher

Engraver: Claude Mellan, French, 1598-1688, After: Nicolas Poussin, French, 1594-1665, The Title Page of the Biblia Sacra of1642, Engraving, sheet: 41.5 × 26.5 cm (16 5/16 × 10 7/16in.), Made in France, French, 17thcentury, Works on Paper -Prints

Louis XIV (king of France), Poussin, Nicolas, France, Gantrel, Étienne, Religiosissimo Viro Patri Francisco, Miracle of Saint Francis Xavier, recto - handwritten, print, prints, verso - stamped, 39, height 464 mm, width 344 mm, 1646 - 1706-11-01, print maker, printmaker, 1656 - 1706, paper, papier, engraving, engraving (printing process), etching, French, 1594-06 - 1665-11-19, after, after painting by, 1638-09-05 - 1715-09-01, granter of privilege

St. Francis Dyer Assisi, after Rubens (Dutuit 15 page 116) St. Francis Dyer Assisi, after Rubens (Dutuit 15 pp. 116). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Liefde (Caritas), Jacob Matham, after Hendrick Goltzius, 1593 print Personification of love, with two children on their arm, standing in niche. Haarlem paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Armand-Jean du Plessis Hertog van Richelieu presents a book to Maria with Kind, Anonymous, Claude Mellan, After c. 1646 print paper engraving historical persons

Umbria Terni Terni S. Maria del Monumento3. Hutzel, Max 1960-1990 Exterior views: poorly preserved 14th-century church and cloister. Interior views include a romanesque chapel of the previous church. Most views are of the 15th-century frescoes: the Legend of the Golden Apple from the life of St. Clare, St. Leonard, St. Valentine, St. Anastasia, St. Jerome and the Madonna and Child. Object Notes: Hutzel photo campaign date: October 5, 1982. Hutzel developed two prints for 14 of his 18 negatives; hence, there are almost twice as many prints as there are negatives. The prints have been renumbered, but the original numbers that correspond to those in Hutzel's notes are found on those prints with the date 1982 penciled in on the bottom. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up

Bliżej Kultury Billy, Nicolo (FL.1689 1747)

Artist: Hendrick Goltzius, Dutch, 1558-1617, Burial of Christ (The Entombment), from The Passion, #11 in a series of 12engravings, Engraving, 20.3 × 13.4 cm (8 × 5 1/4in.), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

The Annunciation ca. 1700-1750 Attributed Pedro Duque Cornejo For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 10.. The Annunciation 336472

Paul Troger, The Rest on the Flight into Egypt, 1721 The Rest on the Flight into Egypt

Painting with the cross reduction. .

Italy, Carracci, Annibale, Aquila, Pietro, Coronation of Saint Stephen, verso - stamped, Saint Stephen is kneeling and looking up. Above him float figures who place a laurel wreath on his head. The representation is set in an oval. Below the representation is a frame with text in Italian., print, prent, prints, prenten, height 190 mm, width 128 mm, Italian, 1650 - 1692-11, print maker, printmaker, 1660 - 1692, paper, papier, etching, etsen, Work conception, after a design by, 1560-11-03 - 1609-07-15

Love (Caritas), Jacob Matham, Franco Estius, 1593.

Antwerp, Enden, Martinus van den, Rubens, Peter Paul, Bolswert, Schelte Adamsz., Annunciation, verso lower left - stamped, print, prints, Perillvstri sodalitati Partheniae ... officii causâ DCQ, recto lower - engraved, height 462 mm, width 341 mm, Southern Netherlands, 1586 - 1659-12-12, print maker, printmaker, 1596 - 1659, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Virgin on the Crescent with Scepter and Starry Crown 1516 Albrecht Dürer German. Virgin on the Crescent with Scepter and Starry Crown 391230

The Agony in the Garden, from The Passion of Christ ca. 1623 Ludovicus Siceram. The Agony in the Garden, from The Passion of Christ 387679

Antwerp, Schut, Cornelis (I), Eynhoudts, Remoldus, Assumption of Mary, verso - stamped, print, prints, height 482 mm, width 344 mm, 1613 - 1680, print maker, printmaker, 1626 - 1680, paper, papier, etching, etchings, Work conception, South Netherlandish, 1597-05-13 - 1655-04-29

Lazio Latina Sezze S. Lucia8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, Vision of Sainted Benedictine Monk; Francesco Saverio Mergolo (Italian, 1746-1786); Southern Italy; brush and brown ink with gray wash; verso: pen and brown ink with black chalk on off-white laid paper ; 33.4 x 24 cm (13 1/8 x 9 7/16 in.)

Engraving depicting the skeleton of a primate. The illustration is set within an ornate frame.

The Resurrection, #12 from the series of 12 - The Passion ofChrist. Artist: Unknown After: Hendrick Goltzius, Dutch, 1558-1617 After: Lucas van Leyden, Netherlandish, 1494-1533

The Virgin and Child with Chaplets Appearing to Saint Dominic and Saint Catherine of Siena. Artist: Pietro Mera ("Il Fiammingo") (Italian, Brussels 1570-documented 1639 Florence and Venice). Dimensions: 8-11/16 x 6 in. (22.1 x 15.3 cm). Date: 1570-1639. Museum: Metropolitan Museum of Art, New York, USA.

Saint Francis Receiving the Stigmata 1590-1620 After Camillo Procaccini. Saint Francis Receiving the Stigmata. After Camillo Procaccini (Italian, Bologna 1555-1629 Milan). 1590-1620. Engraving. Justus Sadeler (Netherlandish, Antwerp ca. 1572/83-ca. 1620 Leiden). Prints

Pendentief met Justitia, Louis de Châtillon (attributed to), after Domenichino, 1649 - 1734 print Rome paper etching Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. cupids: 'amores', 'amoretti', 'putti'. architectural detail

Who beats the piggy bank to shards has lost his tensions, he knows it; Proverbs to Karel van Mander. Two boys are about to hit their money box with a hammer. A poor old man who leans on a stick indicates them that they might be able to stay even better. Otherwise it will prove them as him. The man makes a talk gesture with three vast fingers.

Billy, Nocolo (I), Maratti, Carlo, Italy, Bartoli, Pietro Sante, Saint Anthony of Padua, Saint Anthony of Padua with angels., print, prints, height 255 mm, width 193 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1625-05-15 - 1713-12-15, after a design by, Publication (Event), Publication, publisher

Portrait of a prince, possibly Charles VI, Emperor of the Holy Roman Empire, Johann Georg Wolffgang, after Andreas Wolf, after Frans van Stampart, 1711 - 1744 print print maker: Augsburgafter drawing by: Münchenafter painting by: Vienna paper engraving / etching historical persons. attributes of Jupiter: eagle. attributes of Jupiter: thunderbolt. orb (symbol of sovereignty; sphere with cross on top). sceptre, staff (symbol of sovereignty)

Vatican City, Paul V, Italy, Raphael, Rome, Villamena, Francesco, Mary with Child and Elizabeth, Catherine and John the Baptist, verso - stamped, Mary hands over the Christ Child to Elizabeth. On the right John the Baptist and on the left Saint Catherine of Alexandria. Dedication and three lines of Latin text in bottom margin., print, prints, height 426 mm, width 296 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), etching, plate tone, 1483-04-07 - 1520-04-07, after, after painting by, 1552 - 1621, granter of privilege

Apotheosis of Jean Racine, Henri Marais, After Pierre Prud'hon, 1801 print Paris paper etching / engraving Historical Persons. 'Genio' (ripe). Melpomene (One of the Muses); 'Melpomene' (ripe). Immortality, Imperishableness; 'immortalità' (ripe)

Panthée 1647 Gilles Rousselet French. Panthée 390929

Umbria Terni Orvieto S. Francesco1. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Virgin seated on a cloud 1580-84 Federico Barocci Italian Although Federico Barocci produced only four prints, they were of great importance to the history of printmaking. Following the example of Parmigianino, a number of Italian artists from the 1530s used etching often with engraving to produce their prints. Barocci's example alerted artists throughout Europe to the potential of etching, which would become the dominant medium in the next century. Barocci's etchings were an important model for later printmakers such as Jacques Bellange (1575-1616) and Rembrandt van Rijn (1606-1669). In this print, Barocci demonstrated how an image full of spontaneity, tenderness, and luminosity (qualities very much in harmony with the Baroque aesthetic) could be conveyed through minimal means. The variety of etched marks show the artist striving for the best way to convey the pictorial qualities he desired. The print was copied by Agostino (Italian, 1557-1602) and Annibale Carracci (1560-1609)an

Gertrud by Altenberg.

The Virgin and Child on the Crescent. Dated: 1523. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

Ornamental design with Christ on the horseshoe. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 359 mm × w 184 mm. Museum: Rijksmuseum, Amsterdam.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), flight to Egypt. (A. de Vesme 11; Dutuit 159) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Lunet with caritas and a female personification with phaces, Giovanni Cesare Testa, After Pietro Testa, 1635 - 1660 print print maker: Romeafter drawing by: Italy paper etching Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Roman personifications of abstract concepts

The Presentation in the Temple, c. 1770. François Boucher (French, 1703-1770). Pen and brown ink, brush and brown wash, and black chalk, heightened with white paint, framing lines in brown ink; sheet: 32.3 x 20 cm (12 11/16 x 7 7/8 in.); framed: 66 x 50.9 x 6.4 cm (26 x 20 1/16 x 2 1/2 in.).

Pieta under the Cross of Golgatha. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 10 7/8 x 7 3/16 in. (27.6 x 18.3 cm). Date: 1547. Museum: Metropolitan Museum of Art, New York, USA.

Dyck, Anthony van, Antwerp, Pontius, Paulus, Mary with the Christ Child, verso lower left - stamped, Mary looks up to heaven. The Christ Child stands on her lap. With an empty margin., print, prints, height 277 mm, width 223 mm, South Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, papier, engraving, engraving (printing process), Flemish, Netherlands, 1599-03-22 - 1641-12-09

Drawing by an anonymous artist around 1600 depicting Maria with the Christ child and John the Baptist as a boy, surrounded by angelic figures, executed in gray-brown ink on brownish paper with white highlights.

Flight into Egypt. Reni, Guido, 1575-1642. 1612 - 1691. Loli, Lorenzo, 1612-1691. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Three old women together. The woman on the left raises a glass while clasping a decanter to herself. Behind her, a woman scoops some into the other's napkin. In the foreground spingerei, Three Old Women, print maker: Jonas Suyderhoef, (mentioned on object), after: Adriaen van Ostade, (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), print maker: Haarlem, publisher: Amsterdam, publisher: Amsterdam, c. 1623 - 1686, paper, engraving, h 301 mm × w 221 mm

Venice, Bertelli, Orazio, Italy, Veronese, Paolo, Carracci, Agostino, Mary Protecting Members of a Confraternity, verso - stamped, Mary stands with outstretched arms. Two cherubs lift her cloak. Two clerics kneel before Mary. Italian text in bottom margin., print, prints, height 299 mm, width 216 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1582 - 1582, paper, papier, engraving, engraving (printing process), 1528 - 1588-04-19, after, after painting by, Publication (Event), Publication, publisher, uitgever

Copper engraving by Schelte Adamsz. Bolswert depicting The Lanzenstich, showing a scene of a lance attack with mounted figures and combat, created between 1604 and 1659.

Charity. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.

Print made by John Simon, 1675-1755, French, Virgin and Child, undated. Mezzotint on moderately thck, moderately textured, beige, laid paper.

This late 15th-century copper engraving by Israhel van Meckenem shows the adjoining of kings, depicting figures, posture, gesture, and ceremonial composition.

Saint Gilbert Visits the Sick Artist's working dates 1707-1800 Italy. Brush and red-brown wash, heightened with white gouache, over black chalk, on tan laid paper . Giovanni Battista Pittoni, the younger

Simson and Delila; Large series of women's listen. Delila clips hair from the sleeping Samson. In the background Simson that is captured by the Philistines.

A feather drawing by Piero Buonaccorsi, also known as Perino del Vaga, depicting a sacred conversation on blue-gray paper with laved and white heightening, emphasizing figures and religious composition.

Vatican City, Clement VIII, Italy, Barocci, Federico, Villamena, Francesco, Franciscus receiving the stigmata, verso - stamped, Saint Francis of Assisi beholds his vision and receives the wounds of the cross (stigmata). On the left a Franciscan with a book. Dedication and Latin text in bottom margin., print, prints, height 523 mm, width 356 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1597 - 1597, paper, engraving, engraving (printing process), plate tone, Work conception, 1528 - 1612-09-30, after a design by, 1536 - 1605, granter of privilege

Ecce Gay, draughtsman: Jacob Lois, 1638 - 1643, paper, pen, brush, h 247 mm × w 169 mm

An Allegory of the Triumph over Heresy, with St. Domenic to the Fore. Artist: Abraham van Diepenbeeck (Flemish, 's Hertogenbosch 1596-1675 Antwerp). Dimensions: 11 1/2 x 7 11/16 in. (29.2 x 19.6 cm). Date: 1650-60. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM VAN DIEPENBEECK.

A Clair-obscur woodcut by Giuseppe Nicola Vicentino (Rossigliani) from 1527-1529 depicting the adjoining of kings, using three plates with detailed figures and regal motifs.

Barocci, Federico, France, Farjat, Benoît, Michelina da Pesaro looking up at the sky, verso - stamped, print, prints, height 455 mm, width 284 mm, 1646, print maker, printmaker, 1656 - 1720, paper, papier, engraving, engraving (printing process), etching, Work conception, Italian, 1528 - 1612-09-30

Dead Christ Lamented by an Angel. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Jacopo Ligozzi (Italian, Verona 1547-1627 Florence). Dimensions: 21.8 x 18.0 cm. Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1614. Museum: Metropolitan Museum of Art, New York, USA.

Madonna and Child. Artist: Anonymous; After Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: 8 3/8 x 6 1/4 in. (21.3 x 15.8 cm). Date: ca. 1512-20. Museum: Metropolitan Museum of Art, New York, USA.

Decorations at the residence of Mr J Verbruggen at 's Lands Geschutgieterij in The Hague on March 8, 1766 on the occasion of the coming of age of Prince William V Painted panel with allegorical representation showing the stadholder William V receives a Bible from Faith Minerva and Faith assist the prince On the right are Truth, Strength, Prudence and Justice In the foreground Mars drives out Envy Numbered at top: III, Decorations by Mr Verbruggen in the Artillery Foundry at The Hague, 1766, print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: J. Verbruggen, (mentioned on object), publisher: Cornelis van Hoogeveen junior, print maker: Amsterdam, publisher: Leiden, 1776, paper, etching, h 188 mm × w 123 mm

Saint Benedict Orders the Destruction of Idols at Montecassino. Artist: Gaspare Serenario (Italian, Palermo 1694-1759 Palermo ()). Dimensions: 8 7/16 x 4 3/4in. (21.4 x 12cm). Date: 1694-1759.This highly finished composition drawing was featured in the Dúrcal sale in 1889 as the work of Domenico Gargiulo, and the artist's nickname 'Spadaro' (for 'Micco Spadaro') was presumably then annotated along the upper border of the sheet. The verso bears an old attribution to Sebastiano Conca (1680-1764). On a visit to the Museum in 1968, Philip Pouncey noted on the mount, "seems close to Sebastiano Conca." Nearly two decades later, Lawrence Turcic pointed out that the drawing appears to be a preparatory study - although with slight variations - for an altarpiece of the same subject by Sebastiano Conca's close Sicilian follower, Gaspare Serenario. This painting (oil on canvas, 454 x 287 cm), was executed by Serenario in Rome in 1739, shipped to Palermo and eventually installed as the main altarpi

Hofmann, Ludwig, Kaulbach, Wilhelm von, Reproduction of a drawing depicting Dorothea nursing a newborn child surrounded by children, photomechanical print, photomechanical impression, reproduction, page, photographs, photographically illustrated books, height 165 mm, width 124 mm, maker, producer, 1880 - 1885, paper, papier, collotype, German, 1805-10-15 - 1874-04-07, intermediary draughtsman, after a drawing by, 1832-11-11 - 1895-09-28

Passion Series after Holbein the Younger, (In theGarden). Artist: Hans Jakob Oeri, Swiss, 1782-1868

Umbria Perugia Foligno Palazzo Trinci9. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vatican City, Sixtus V, Italy, Salimbeni, Ventura, Rome, Guidi, Raphael, Christ and Saint Catherine of Siena, verso - stamped, Saint Catherine of Siena kneels before Christ. Christ places a hand on her shoulder. In the foreground are a lily branch and a book., print, prent, prints, engravings, height 255 mm, width 180 mm, Italian, 1540 - 1615, print maker, printmaker, 1588 - 1588, paper, papier, engraving, engraving (printing process), Work conception, 1568-02 - 1613, after a design by, 1521-12-13 - 1590-08-27, granter of privilege

Hutin, Charles François, Fontaines, Fountains, Fountain with two nymphs and a river god, verso - stamped, Numbered lower right: 3., print, prints, height 227 mm, width 170 mm, French, 1715-07-04 - 1776-07-29, print maker, printmaker, 1764 - 1764, paper, papier, etching, etchings, Work conception, after own design by

Print made by unknown artist, seventeenth century-eighteenth century, Gratitude, undated. Mezzotint on moderately thick, moderately textured, cream, laid paper.

Antwerp, Wijngaerde, Frans van den, Rubens, Peter Paul, Christ Appearing as a Gardener to Mary Magdalene, verso lower left - stamped, Mary Magdalene kneels before Christ in a garden. Her jar of ointment stands between them. Christ holds a spade in his hand. In the background the three Marys in a mountainous landscape. In the margin a four-line caption, in two columns, in Latin., print, prent, prints, prenten, height 301 mm, width 232 mm, Zuid-Nederlands, 1614-07-08 - 1679-03-17, print maker, printmaker, 1636 - 1679, paper, papier, etching, etchings, engraving, graveren (drukprocedé), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publicatie, publisher

Madonna and Child with Angels. Dated: 1595/1610. Dimensions: sheet (cut within platemark): 16.2 x 11.6 cm (6 3/8 x 4 9/16 in.). Medium: etching, engraving, and drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: LODOVICO CARRACCI.

Philippe de Champaigne (1602-1674). "The vision of Dom Jean Le Chartreux", around 1655. Museum of Fine Arts of the City of Paris, Petit Palais. 23652-8 Catholic, drawing, dream, dream, dream, vision

The Montenard Vergne de Tressan, Louis de.

Corregio - The Night. Unknown

Woodcutter: Bartolomeo Coriolano, Italian, ca. 1599-ca. 1676, After: Guido Reni, Italian, Bologna, 1575-1642, ASibyl, 17thcentury, Chiaroscuro woodcut, sheet: 25.56 × 18.73 cm (10 1/16 × 7 3/8in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

The Roma woman named Nuba stands in front of a thick tree in front of a young elegant lady - she reads her hand and/or takes a coin from her. Behind the young woman a lady with a hat on, next to her a little dog. On the right two sitting Roma, one with a baby in his arms. In the six-line Latin caption the young lady is depicted as a gullible wretch, hearing only the future she would like to hear., The fortuneteller, print maker: Andries Jacobsz. Stock, (possibly), Jacob de Gheyn (II), (mentioned on object), publisher: Hendrick Hondius (I), (mentioned on object), print maker: Netherlands, publisher: The Hague, 1606 - 1610 and/or c. 1608 - 1649, paper, engraving, h 311 mm × w 208 mm

The Lamentation of Christ, Gerard ter Borch (I) (possibly), in or after c. 1613 - in or before c. 1615, draughtsman: Gerard ter Borch (I), (possibly), Zwolle, in or after c. 1613 - in or before c. 1615, paper, brush, h 366 mm × w 275 mm

Annunciation Albrecht Dürer (German, 1471-1528). Annunciation, 1509-1511; edition of 1511. Woodcut on laid paper, Sheet: 5 3/16 x 5 in. (13.2 x 12.7 cm). European Art 1509-1511; edition of 1511

St. Charles Borromée. Gérard Edelinck (French, born Flanders, 1640-1707); after Charles Le Brun (French, 1619-1690). Date: 1660-1707. Dimensions: 505 × 375 mm (sheet, trimmed within platemark). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Visitatie, François de Poilly (I), after Charles Le Brun, 1632 - 1693 print France paper engraving Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

A 1690 drawing by Johannes Voorhout depicting the liberation of Peter, executed with pen, brush, wash, and white heightening on brown tinted paper, with minor water damage.

Schut, Cornelis (I), Madonna and Child, verso lower left - stamped, Mary bends over the Christ Child on her lap. The Christ Child holds her hand with both hands., print, prent, prints, height 98 mm, width 70 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etsen

Italy, Zanetti, Anton Maria I, Annunciation, verso - stamped, The angel Gabriel announces to Mary that she will become pregnant. Mary sits at a table and behind her is a bed. The Holy Spirit descends like a dove., print, prints, height 143 mm, width 63 mm, Italian, 1680 - 1757, print maker, printmaker, 1690 - 1757, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, third quarter 18th century, paper, chiaroscuro woodcut

The angel Raphael disappears among the clouds and looks over his shoulder to see Tobias and his family standing at the door of their house with their hands folded. Old Tobit is kneeling down on the floor, The Angel Leaves Tobias and His Family Tobie Et Sa Famille Prosternés Devant L'Ange Qui disparait A Leurs Yeux , print maker: Johannes Pieter de Frey, (mentioned on object), after: Rembrandt van Rijn, (mentioned on object), 1810, paper, etching, h 405 mm × w 290 mm

The Adoration of the Shepherds. Dated: 1606. Dimensions: plate: 10.8 x 132 cm (4 1/4 x 51 15/16 in.) sheet: 11 x 13.2 cm (4 5/16 x 5 3/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Annibale Carracci.

Antwerp, Woons, Cornelis, Sallaert, Antoine, Jegher, Jan Christoffel, Christ on the Cross with Mary and John, verso lower left - stamped, print, book illustration, prints, height 89 mm, width 61 mm, 1618-11-03 - 1667-09-18, print maker, printmaker, 1649 - 1649, paper, woodcut, letterpress printing, Work conception, Southern Netherlands, 1585 - 1650, after a design by, Publication (Event), Publication, publisher

See 33243. Same biblical drawing by Friedrich Philipp Reinhold circa 1810 depicting the question of the largest in the kingdom of heaven, executed with black-gray ink, brown laved technique, and white brush highlights.

Artist: Jacques Stella, French, 1596-1657, St. Philip inprison, Pen and brush, brown ink and brown wash over black chalk, 22 × 16.3 cm (8 11/16 × 6 7/16in.), French, 17thcentury, Works on Paper - Drawings andWatercolors

Bliżej Kultury unknown

The Promenade, c. 1497. Albrecht Dürer (German, 1471-1528). Engraving; image: 19.4 x 12 cm (7 5/8 x 4 3/4 in.).

Visitatite, Jacob Matham, after Paolo Veronese, after Benedetto Caliari, 1601 - 1652 print Maria and Elisabet Refreats each other. Print Maker: Haarlem Publisher: Amsterdam paper engraving Mary and Elisabeth shaking hands

Bologna, Procaccini, Camillo, Rest on the Flight into Egypt, verso - stamped, Mary sits with the Christ child on her lap under a tree. Joseph bends over them. In the background the donkey is grazing., print, prent, prints, prenten, height 258 mm, width 210 mm, Italian, 1555 - 1629, print maker, prentmaker, 1593 - 1593, paper, papier, etching, etchings, plaattoon, Work conception, after own design by

Barbari, Jacopo de', Italy, Adoration of the Magi, Presentation in the Temple, verso lower left - stamped, print, prints, height 227 mm, width 166 mm, 1440 - 1516, print maker, printmaker, 1509 - 1516, first quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Constantia of Rome.

Madonna and Child with Saints Elizabeth and John the Baptist. Annibale Carracci; Italian, 1560-1609. Date: 1606. Dimensions: 125 x 162 mm (image/plate); 135 x 169 mm (sheet). Engraving and etching in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

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