Religious Figures in Engravings

Engravings showcasing various religious figures, including saints and apostles, depicted in detailed, narrative compositions with symbolic attributes.

Crossing of Christ with Veronica, 1660 print Left possible Simon van Cyrene, who wants to take over the cross of Christ. Veronica gives him a canvas to erase the sweat from his face. This print is part of an album. paper etching Christ meets Veronica, who has a cloth to wipe Christ's face

Copper engraving and etching by Pieter de Bailliu depicting Christ, the Virgin, twelve apostles, Paul, and Joseph, created between 1650 and 1684, showing multiple religious figures in a narrative composition.

A copper engraving by Adriaen Collaert depicting the seven gifts of the Holy Spirit as female personifications and niche figures, created between 1580 and 1652.

Copper engraving by Theodorus van Merlen depicting Saint Oda and Saint Clara, showing two religious figures with robes and symbolic attributes, created between 1625 and 1672.

Copper engraving and etching by Michel Natalis depicting Saint Bernard of Clairvaux and Saint Augustine, showing two religious figures with robes and symbolic attributes, executed between 1625 and 1668.

Copper engraving by Crispin van de Passe from 1589 depicting Mary sitting with the child Jesus in an arched setting, showing figures, gestures, and religious context.

Crossing of Christ with Veronica, 1660 print Left possible Simon van Cyrene, who wants to take over the cross of Christ. Veronica gives him a canvas to erase the sweat from his face. This print is part of an album. paper etching Christ meets Veronica, who has a cloth to wipe Christ's face

A woodcut by Lucas Cranach the Younger depicting Martin Luther with a book and adoring the cross of Christ, created in the 16th-17th century. The work emphasizes religious devotion, figure composition, and gesture.

Here man, Adriaen Collaert, c. 1580 - c. 1590 print Ecce Homo. Part of the press series about the passion of Christ: Passio et Resurrectio D.N. Esu Christi. Edita et Excusa Ab Ad. Collaert. In Prentalbum with two series of 34 and 24 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving Christ alone (also called 'Ecce Homo')

Copper engraving by Gilles Rousselet from 1627-1686 depicting Mary with the Christ child and a bird. The print shows Baroque detail, fine linework, and religious iconography.

ECCE GOMO; Passio et Resurrectio D.n. Iesu Christi. Edita et Excusa ab Ad. Collaert. Ecce gay. Part of the print series about the passion of Christ: Passio et Resurrectio D.n. Iesu Christi. Edita et Excusa ab Ad. Collaert. In PrentalBum with two series of 34 and 24 engravings respectively with scenes from the life and breast story of Christ.

Copper engraving and etching by François de Poilly the Elder from 1640-1693 depicting Mary holding the Christ child, showing their facial expressions, drapery, posture, and devotional symbolism.

A copper engraving print by Nicolas Bazin created between 1653 and 1710 depicting Holy Maria, showing facial features, attire, and religious composition.

Stanislaus von Krakow, saint.

Lithography by Johann Nepomuk Strixner from 1831 depicting Saints Christina and Gudula, showing their figures, poses, and attributes in a religious setting.

A 17th-century copper engraving depicting a saint as an allegorical figure by an unknown engraver.

Copper engraving and etching by François de Poilly the Elder from 1640-1693 depicting the Visitation of Mary, showing religious figures and biblical scene.

Copper engraving by Adriaen Collaert depicting the seven gifts of the Holy Spirit with symbolic figures, gestures, and attributes, produced between 1580 and 1600.

Niche with the Holy Francis and the Holy Dominicus; Scenes from the Venetian life; Habiti d'Huomeni e Donne Venetiane Con La Processione della Ser.ma Signoria et Altri Particoli Cioè Trionfi Feste et Cerimony Publiche Della Nobilissima Città di Venetia. A niche with left and right the Holy Francis and the Holy Dominicus. In the middle of Christ with angels. A line of Latin text in undermarge. The print is part of an album.

Copper engraving and etching by Abraham Blooteling, 1656-1690, depicting Maria with the child and St. Katharina in a religious portrait showing figures, clothing, gestures, and setting.

Two angels lead a woman for Mary in heaven, Franciscus Andreas Durlet (attributed to), 1844 print paper etching (ascent into) heaven. the Virgin Mary. angels

Copper engraving by Gilles Rousselet from 1627-1686 depicting St. Anna teaching Maria to read, showing figures, gestures, drapery, and interior setting.

H. Nicolaas Van Myra. In his hands a book with three golden balls and the bishop's staff. In the background a ship on a turbulent sea, which was calmed by the H. Nicolaas. This print is part of an album.

An etching from 1704 depicting the Madonna of San Brizio, showing the religious figure in a devotional scene.

Copper engraving by Nicolaas Ryckmans depicting Christ with an apostle, showing biblical figures in traditional attire and gestures from early 17th century religious art.

Copper engraving by Schelte Adamsz. Bolswert depicting the Holy Family resting during the flight to Egypt, created between 1604 and 1659, showing devotional figures and landscape in 17th-century Flemish printmaking.

Copper engraving and etching by Jean Baptiste Corneille created between 1680 and 1742 depicting Ignatius of Loyola.

Louis XVI flying to the heavens, surrounded by cherubim

Etching by Annibale Carracci depicting the Holy Family with Mary and the child in the sky, created between 1580 and 1609.

Copper engraving and etching by Cornelis Galle the Younger depicting Jesus as the Savior of the world, dated 1627-1678.

Lithograph by Johann Nepomuk Strixner depicting Saint Helena, emphasizing religious symbols and traditional attire, created in 1829.

Copper engraving by Robert Nanteuil from 1653 titled 'Behold the Man', depicting Christ presented to the public, showing figure, attire, gesture, and 17th-century religious composition.

Copper engraving by Jaspar de Isaac depicting the Trinity, created between 1603 and 1654.

17th-century copper engraving and etching by Jeremias Falck depicting St. Rochus with detailed figure, attire, and composition.

Copper engraving by Schelte Adamsz. Bolswert showing Saint Teresa requesting Bernardino de Mendoza, created between 1630 and 1659, depicting two religious figures and their interaction.

Copper engraving by Claude Mellan from 1636-1653 depicting Saint Bruno in a cave, showing the saint in prayer within a rocky landscape, highlighting religious and architectural details.

Hans Springinklees 1781 woodcut depicts John Stabius portrayed as Holy Coloman, showing detailed religious iconography and early modern European woodcut techniques.

Copper engraving by Adriaen Collaert illustrating the life of St. Teresa of Avila, created in 1613. The print emphasizes her spiritual practices, prayer, and mystical visions.

Copper engraving by Cornelis Galle the Elder depicting the life of St. Teresa of Avila, created in 1613. The print shows her religious devotion, prayer, and mystical experiences.

Copper engraving by Cornelis Bloemaert depicting the vision of Saint Ignatius, created between 1622 and 1630.

An etching by Wenzel Hollar depicting Saints Barbara and Catherine, created between 1627 and 1677, showing the saints with traditional attire and symbolic attributes.

Copper engraving by Hieronymus Wierix depicting devotional prayer images, created between 1573 and 1619, illustrating 16th- and early 17th-century European religious art and Christian devotion.

Bas-relief on the altar for the Holy Jacobus The several in the Cathedral of Pistoia, representing the Saint Jacobus de Meersen; Autel d'Argent de Pistoia - Bas-Relief de Ciglio, 1353; Orfékererie ..

The tomb of Primate Baranowski; The tomb of Jan Grot from Ruda Dybowska; Döbler, Georg (1788-1845), printing house of the or Downner (Poznan); 1843 (1843-00-00-1843-00-00);

Bas-relief on the altar for Saint James the superior in the cathedral of Pistoia, representing Saint Jacobus the Multiple, Franz Kellerhoven, After Varni, c. 1859 - in or before 1864 print Paris paper altar. sculpture (+ relief ~ sculpture). the apostle James the Great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword

Copper engraving by Cornelis Visscher depicting Saint Lidwina the Dulderin, created in 1650, showing the saint in religious attire with symbolic attributes.

A copper engraving by Elias Hainzelmann from 1655-1693 depicting Jesus Christ and the Virgin Mary, showing figures, posture, and symbolic elements.

Anthonis van Dyck engraved 'Savior of the World' between 1620 and 1668, depicting Jesus Christ as the savior with religious symbols in copper engraving format.

Copper engraving by Lucas Kilian from 1623 illustrating scenes from a Christian sanctuary, showing Christ and the apostles with gestures and attire.

Copper engraving and etching by Gilles Rousselet created between 1620 and 1686 depicting Saint Bruno of Cologne, showing religious attire and symbolic elements.

Lithograph by Johann Nepomuk Strixner from 1832 depicting Saint Catherine (Hl. Katharina) with traditional attributes in a detailed 19th-century European religious print, emphasizing figure, attire, and composition.

Copper engraving by Antonie Wierix II showing an apostle, created between 1572 and 1585. The print illustrates a biblical figure with robes and traditional attributes.

Copper engraving by Egbert van Panderen depicting the evangelists Matthew and Markus, created between 1595 and 1637.

The beginning, c. 1758 - c. 1760 print The personification of the beginning is in an abandoned landscape with plumes of smoke. She holds two burning globes in her hand. A flame also burns on her head. Together the flames symbolize the Holy Trinity. Above a three -line text in Latin and under a three -line text in German. Augsburg paper etching Beginning; 'Principio' (Ripa) (+ personification). 'In the beginning ...' the ordering of chaos (Genesis 1:1-2)

Copper engraving by Cornelis Galle the Younger II from 1627-1678 depicting Jesus carrying the cross, showing body, posture, and garments.

A copper engraving and etching by Bartholomäus Kilian from the 17th century depicting the Vera icon, showing detailed features and devotional elements.

Copper engraving by an unidentified engraver (17th century) depicting Mary as patron saint of the Carmelite Order, showing figures, religious symbols, and attire in European baroque style.

Engraving by Andreas Geiger from 1821 showing the Holy Family with Mary, Joseph, and the infant Jesus in a devotional scene.

Copper engraving and etching by Désiré Achille Lefèvre from 1818-1864 depicting the rapture of Saint Cecilia in a religious scene.

Jew praying in attire from the 17th century, according to a print. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Copper engraving by Hieronymus Wierix from 1570-1620 showing Mary, the mother of Jesus, with gestures and devotional symbols in a religious composition.

Stephan I. The Holy, King of Hungary.

Copper engraving by Egbert van Panderen depicting the evangelists Luke and John, created between 1595 and 1637.

Copper engraving by Gerard Seghers depicting Saint Francis Xavier, showing the saint in religious attire, gestures of devotion, and angelic presence in 17th-century religious art.

Albrecht Dürers 1519 woodcut depicts the Holy Family, showing Mary, Joseph, and the infant Jesus with detailed chiaroscuro effects from two plates, characteristic of early 16th-century European printmaking.

Woodcut by Lucas Cranach the Elder from the late 15th to 19th century depicting Christ with an apostle, showing their figures, gestures, and attire.

17th-century copper engraving and etching by Melchior Küsel depicting a portrait of Ignatius of Loyola and a historical event, showing figure and composition.

Copper engraving and etching by the Wierix family depicting Mary and the mourning of Christ, created in the 16th-17th century.

Etching by Jean Alix depicting the Savior of the world, showing Christ, surrounding figures, and gestures, created around 1615.

M. Sala (Photographer) (Author of the original work: Samsó, Juan) / 'The Immaculate Conception'. Ca. 1881. Albumen on photographic paper. Museum: Museo del Prado, Madrid, España.

Madonna with Saints, Crayon, pen and ink, brush and wash on paper, The virgin sitting upon a throne in the niche of a wall. The Child sits and extends his left arm to a kneeling monk., Italy, 1815-1823, figures, Drawing, Drawing

Photo production of a painting by Christ who blesses a meal, Anonymous, After Bernhard Plockhorst, c. 1874 - in or before 1884 photomechanical print paper collotype beatitudes and blessings of Christ

Count van Heinrich III Groß von Trockau in de Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print interior of church Bamberg stupid

Jean Aubert's copper engraving around 1741 depicts Saint Yeshannes with architectural fence elements and religious symbolism.

Christ as Salvator Mundi. Engraving by G. Bonafede after Marmocchi after F. Barocci.

Virgin Mary and the Christkind, Theodoor Schaepkens, 1825 - 1883 print paper etching / drypoint Madonna: i.e. Mary with the Christ-child

Copper engraving by Pierre Giffart from 1660-1723 depicting a Pietà inspired by an old icon from Constantinople, showing the Virgin Mary holding the body of Christ.

Photo production of (presumably) an image of Maria Magdalena at the foot of the cross. Part of album with pictures of sights and landscapes in England and of art.

Verdadera imagen del Sr. de la Salud que se venera en Mezuititlán de la Sierra. Estado de Hidalgo True image of Our Lord of Health which is venerated in Mezuititlán de la Sierra. State of Hidlago. Posada, José Guadalupe, 1852-1913. Vanegas Arroyo, Antonio, 1852-1917. text. Prints, Broadsides, Illustrations, Ephemera. 1917. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Politics and culture , Mexico, Christian art and symbolism , Mexico

An etching by Heinrich Friedrich Füger from 1770-1838 depicting The Messiah, showing figures, gestures, drapery, and detailed composition typical of book illustrations of the period.

H. Lucilla Van Rome, Antonio Tempesta, 1565 - 1630 print Pope Stefanus I touches the eyes of H. Lucilla van Rome. According to legend, Lucilla, who was born blind, could see again after she and her father, Tribuun Nemesio, were baptized by H. Valentijn van Rome. Nemesio had asked Pope Stefanus I permission for baptism and obtained. Her later beheading in the background. paper etching martyr(s) (often with palm-branches) - QQ - female martyr

Sculpture by Maria with child by Antonio Rossellino, Anonymous, c. 1852 - in or before 1862 photograph photographic support albumen print sculpture (+ relief ~ sculpture). Madonna: i.e. Mary with the Christ-child

Sculpture of a praying woman by Leopold Borbone, Grillet Jeune, c. 1854 - in or before 1859 photograph This photo is part of a cover with 18 photos on 18 magazines and 14 text magazines. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. one person praying. adult woman

Copper engraving by Coenradus Lauwers depicting a statue of Saint Norbert, created between 1657 and 1660, showing figure, vestments, and sculptural detail.

Copper engraving and etching depicting Saint Joseph meeting figures, created by Bartholomäus Kilian in the 17th century.

Imam, ministre d'une mosquée. Vanmour, Jean-Baptiste, 1671-1737. 1714. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , Turkey

Copper engraving by Michel Lasne created between 1610 and 1667 depicting the Savior of the World, showing religious iconography and 17th-century devotional imagery.

Copper engraving by Schelte Adamsz. Bolswert showing a title leaf with Christ, Maria, and St. Peter, created between 1646 and 1650, depicting religious figures and symbolic elements.

Christ in conversation with Nikodemus; Events from the life of Christ; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The Pharisee Nikodemus comes to Christ at night. Christ speaks with a candlelight with him. There are books and writing utensils on the table. Under the show an explanatory text in Latin and a reference to the Bible text in John 3: 1. This print is part of an album.

Draft by Claudius Lavergne for a glass window of the Church La Sagesse depicting Saint Vinzenz Ferrer, executed in pencil, black chalk, and brush with white highlights, on green paper with varnish, showing figure and composition.

Woodcut by an unidentified monogrammist depicting the Holy Family with Anna and Joachim, 16th century, showing religious figures in detailed composition.

Copper engraving by Cornelis van Caukercken depicting Christ with the apostles, created between 1646 and 1680.

This 1783 etching by Bernhard Rode depicts Paul addressing the altar of the unknown God in Athens, emphasizing the altar, Pauls figure, and surrounding observers.

Jean Pesne produced an etching around 1670 depicting the Holy Family, illustrating 17th-century European religious and devotional art.

Copper engraving print by Charles Le Brun from 1650 to 1690 depicting Saint James the Elder in a religious portrait.

Footoreproductie are going to seelosser door Bartolomé Murillo, Leonida Caldesi, After Bartolomé Esteban Murillo, c. 1853 - In or Before c. 1858 photograph photographic support albumen print head of Christ with crown of thorns

Grafzerk in the church to shete; Gravestone in the church to shete VNA Sijbrands van Osinga (...). The grave belongs to a couple, they are depicted side by side on the grave. He has a sword with him, she has crossed her hands for the chest. At the bottom of two personifications of time.

Copper engraving by Jan Witdoeck depicting Mary wearing a crown holding a child, produced between 1630 and 1650.

Lithograph by Johann Nepomuk Strixner from 1822 depicting Apostles Bartholomew and Simon, showing figures with traditional iconographic symbols.

A colored woodcut by Sebald Beham from the first half of the 16th century depicting Saint Margaretha, illustrating the saint in detailed attire.

. A thick monk, seen from the front, standing in a wreath of fire. Around his neck, a glass, bottle, pipe and other attributes indicate that indicate anything but austere lifestyle. The print is part of a 50-part series with the subject of the misuse of the Catholic clergy.

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