Religious Figures in Prints

Engravings and woodcuts featuring saints, sketched in intricate detail, displaying symbolic elements and traditional attire from the Renaissance and Baroque periods.

Germany, Nuremberg, Dürer, Albrecht, Springinklee, Hans, Saint Dorothea, on loose sheet with print - stamped, full-length, a rose branch in her hand. Next to her stands a child, offering her a basket of roses., print, prints, verso lower right - stamped, height 239 mm, width 152 mm, German - 1540, print maker, printmaker, 1519 - 1520, first quarter 16th century, paper, woodcut, German, 1471-05-24 - 1528-04-05

Saint John. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Germany, Nuremberg, Dürer, Albrecht, Springinklee, Hans, Saint Dorothea, on loose sheet with print - stamped, full-length, a rose branch in her hand. Next to her stands a child, offering her a basket of roses., print, prints, verso lower right - stamped, height 239 mm, width 152 mm, German - 1540, print maker, printmaker, 1519 - 1520, first quarter 16th century, paper, woodcut, German, 1471-05-24 - 1528-04-05

Brussels, Sallaert, Antoine, The four evangelists, John the evangelist, verso lower left - stamped, John the evangelist sits writing his gospel. The eagle assists him by holding the inkwell for him., print, engraving, prints, engravings, height 142 mm, width 113 mm, South Netherlands, 1585 - 1650, print maker, printmaker, 1590 - 1650, paper, papier, houtsnede

A brown ink drawing by Sébastien Le Clerc depicting a lady from Metz, gray lavated, glued on a leaf with a pierced decorative flower strip, dated between 1650 and 1664.

Artist: Albrecht Dürer, German, 1471-1528, Saint Christopher FacingLeft, Engraving, 11.7 × 7.4 cm (4 5/8 × 2 15/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

School of Albrecht Dürer (German, active early 16th century). St. Christopher, ca. 1510-1520. Woodcut from two blocks. Third state.

Graaf and Death, Hans Holbein (II), 1538 print A count flee away from death that mockingly holds up a coat of arms. There is a bat on the floor. In the margin above the print is the text Psal. XLVIII. paper other sovereign (with TITLE). dance of Death; Death together with one or more human beings

Image of Joris and De Draak, Lucas Cranach (I), 1509 - 1549 print Wittenberg paper the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

Montmorency, Henri Comte de Damville, Duke of.

Deutsch, Niklaus Manuel, Five wise and five foolish virgins, Foolish virgin with extinguished oil lamp in landscape, verso bottom center - stamped, Foolish virgin standing barefoot, part of her bare thigh visible beneath her clothing. She stands facing left, holding her oil lamp in her outstretched hand., print, engraving, prints, engravings, height 185 mm, width 104 mm, Swiss, 1484 - 1530-04-28, print maker, printmaker, 1518 - 1518, first quarter 16th century, paper, woodcut

The Archangel Michael Weighing a Soul 1506 Lucas Cranach the Elder German. The Archangel Michael Weighing a Soul 623823

Saint C�cile (Bartsch 177) Marc Antoine Raimondi (1480-vers1534). Saint C�cile (Bartsch 177). Fight, chisel. 16th century.

Augsburg, Hertel, Johann Georg (I), Haid, Johann Gottfried, Thelott, Temperaments, Melancholicus, Melancolique, Personification of the melancholic temperament, verso - stamped, surrounded by a rocaille frame. In a ruined landscape stands a man with a book and a money bag. His mouth is covered, on his head sits a bird. Publisher's number 40., print, engraving, ornamental print, prints, ornamental prints, height 297 mm, width 192 mm, German, 1711 - 1775-04-22, print maker, printmaker, 1745 - 1745, paper, etching, etchings, engraving (printing process), Work conception, 1710 - 1776-09-05, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Wszyscy Święci w MNK unknown

Copper engraving by Meister E.S. titled 'Matthias,' created in the second third of the 15th century, depicting Saint Matthias.

Embracing couple, no. 6, Heinrich Aldegrever, after Hans Schäufelein, 1538 print Dancing couple. Man, seen on the back, is embraced by a woman. He has one hand on her side, in the other he has his cap. Sixth print from a series of twelve, free to a print by Hans Schäufelein. paper engraving one pair dancing; man and woman dancing as a couple. dancing at wedding feast. (lovers) embracing each other, 'symplegma'

Northern Netherlands, Ploos, Johannes, Farmer, verso - stamped, Farmer with a basket on her arm. The scene is surrounded by farmers. They work in the field and in the meadow. At the top the artist's name in mirror image., print, prints, height 91 mm, width 56 mm, print maker, printmaker, 1704 - 1704, paper, papier, etching, etchings

Mercury, plate six from The Seven Planets with the Zodiacs Artist's working dates 1520-1550 Germany. Engraving in black on ivory wove paper . Hans Sebald Beham

The Visitation. Dated: c. 1513. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Albrecht Altdorfer.

Copper engraving by the Master of the Berlin Passion, created 1450-1470, showing a female figure incorporated into a decorative ornament.

Landsknecht, anonymous, after Virgilius Solis, 1524 - 1612 print Nuremberg paper engraving / etching the soldier; the soldier's life. ranks in the army

Venetiani: Two men dressed according to the Venetian fashion of approx. 1610-'20. Two men, standing, one from the front and a from behind, dressed according to the Venetian fashion of approx. 1610-'20. Cutting map Europe, Blaeu Exc.

Sebald Beham, Jupiter Jupiter

Copper engraving from the 'S' series by an anonymous Tarocchimeister depicting a servant, created around 1485, showing figure, clothing, posture, and occupation.

German musicians playing on stringed instruments of the violin family from a pocket violin, centre, to a bass viol. Woodcut by Jost Amman (1535-1591).

St. Catherine ca. 1505 Hans Baldung (called Hans Baldung Grien) German. St. Catherine 416632

Hans Holbein the Younger, Letter F Letter F

Copper engraving by Meister des Dutuitschen Ölbergs depicting St. Christophorus with a red spring frame, created between 1450 and 1470.

Persian Sibyl. Dated: early 15th century. Dimensions: sheet: 29.2 x 20.2 cm (11 1/2 x 7 15/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: after Baccio Baldini.

Portrait of Duke Pepijn from Brabant. Leaf from book. Duke Pepijn from Brabant with Banderol without text.

A woman dressed festively, a man in a cape and a masked man who extends his left arm, print maker: workshop of Jacob de Gheyn II, 1595 - 1596

Secundus the silent; Secundus pH ilosophu; Liber chronicarum. A flower celk with a man. He has a book and glasses in his hands. The text identifies him as the Philosopher Secundus, nicknamed the silent. The print is part of an album.

St. Livier, Martyr, November 28th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Feast Days of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. St. Livier, Martyr, November 28th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Feast Days of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Christoffel van Sichem I after Hendrik Goltzius, William of Nassau, Prince of Orange William of Nassau, Prince of Orange

Nuremberg, Solis, Virgil, Wise and Foolish Virgins as European Countries and Provinces, Portugal, Foolish Virgin as Personification of Portugal, verso - handwritten in brown ink, print, prints, verso - stamped, 21.2. - 125., height 80 mm, width 50 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, second quarter 16th century, paper, engraving, engraving (printing process), etching, plate tone

The Martyrdom of Saint Barbara. Dated: c. 1450. Dimensions: plate: 13.8 x 10.4 cm (5 7/16 x 4 1/8 in.) overall: 13.9 x 10.5 cm (5 1/2 x 4 1/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Master E. S.

St. Luke, from The Four Evangelists. Sebald Beham; German, 1500-1550. Date: 1520-1550. Dimensions: 43 x 29 mm (image/plate); 45 x 30 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Bella, Stefano della, Five Deaths, Death with a child on his back, verso - stamped, Death as a skeleton with a child on his back., print, prints, height 180 mm, width 150 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Expression creation

Woodcut and type print by Albrecht Dürer from 1502 illustrating the concept of philosophy, in reference to Conrad Celtis' four books.

Christian II, King of Denmark 1523 Lucas Cranach the Elder German. Christian II, King of Denmark 384173

Grave, Urs, Nuremberg, Solis, Virgilius, Swiss standard bearers, Solot urn, Standard bearer with standard of Solothurn, verso - handwritten in brown ink, print, prints, verso - stamped, 145, height 96 mm, width 65 mm, German, 1514 - 1562-08-01, print maker, 1524 - 1562, paper, engraving, engraving (printing process), etching, plate tone, Work conception, Swiss, 1485 - 1528

Hutten, Ulrich von Publisher: Jobin, Bernhardstecher: Stimmer, Tobias Verlagsort: Strasbourg

Credulity Preparing to Nurse the Mother of Hope fol. 18 verso. Dated: c. 1512/1515. Dimensions: overall: 16.3 x 10.9 cm (6 7/16 x 4 5/16 in.). Medium: pen and brown ink with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: French early 16th century.

Belief; Beham, Sebald (1500-1550); 16th century (1500-00-00-1600-00-00);

Farmer on the way to the Markt, Hans Sebald Beham, 1520 print Farmer with goose and jugs on their way to the market. A pendant of this picture shows a farmer on his way to the market. He runs in the opposite direction. paper engraving going to the market. farmers

Martinus van Tours; Martinus EP ISCOPU S; Liber chronicarum. A flower celk with a man who gives half of his cloak on a beggar. The text identifies him as Martinus van Tours. The print is part of an album.

Paris, Boutemie, Denis, Twelve months, October, Personification of the month of October. A grotesque figure with wings and bird legs. He wears a hat on his head, a pig mask on his belly and fruit in his hand., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 115 mm, width 66 mm, print maker, prentmaker, 1633 - 1643, paper, papier, etching, etsen, Publication (Event), Publicatie, publisher, uitgever

Melencolia (Melancholy), Hans Sebald Beham, German, 1500-1550, Engraving on laid paper, 1539, print, print

Judith with the Head of Holofernes, 1521 - 1526, Engravings, 2 9/16 x 1 9/16 in. (6.5 x 3.9 cm), Paper / Sheet 2 13/16 x 1 7/8 in. (7.2 x 4.7 cm), Stamped in brown ink, verso A. Freiherr von Lanna (Lugt 2773); in blue ink, verso BS Barthold Suermondt (Lugt 415), Cream laid

Liefde (Caritas), Hans Sebald Beham, 1539 print Winged woman as personification of love (caritas) with two children and a dog paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Woodcut by Hans Schäufelin illustrating a Landsknecht armed with a trained halberd, produced around 1507.

Master of the E Series Tarocchi, Octava Spera (Eighth Sphere), c 1465 Octava Spera (Eighth Sphere)

Sessa, Giovanni Bernardo, Vecellio, Cesare, Krieger, Christoph, Habiti antichi, et moderni di tutto il mondo..., Turco morto, Burial among the Turks, The funeral of a Turk. The coffin is carried by four men. In ornamental border, costume print, books, height 167 mm, width 125 mm, German, print maker, printmaker, 1598 - 1598, fourth quarter 16th century, paper, woodcut, Italian, 1521 - 1601, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Sebald Beham (German, 1500-1550), Jupiter, engraving

Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff. Artist: Niccolò della Casa (French, active Italy, ca. 1543-48); After Baccio Bandinelli (Italian, Gaiole in Chianti 1493-1560 Florence). Dimensions: Sheet: 17 1/8 in. × 12 in. (43.5 × 30.5 cm)Plate: 16 13/16 × 11 9/16 in. (42.7 × 29.4 cm). Date: 1544.Cosimo is presented as an imperial Roman figure, wearing antique armor that bears the ram of Augustus at the waist and on the helmet and the eagle of Camillus on the torso. Also adorning the armor are symbols of contemporary Florence such as Hercules, whose labors are depicted on the leg plates and whose lion pelt forms the standard, and the heraldic lion known as the Marzocco, found at the waist and topping the standard. This conflation of Medici, civic, and imperial imagery cements Cosimo's image as absolute ruler of Florence. Museum: Metropolitan Museum of Art, New York, USA.

Couple with death, monogrammist ac (16th century), after Tobias Stimmer, 1562 print Low Countries paper engraving dance of Death; Death together with one or more human beings

Justice (justitia); Ivsticia; Knowledge and seven virtues. Woman as a personification of justice (Justitia) with attributes sword and scales

Mercury with constellations virgin and twins; Mercvrvs; Seven planets and constellations ..

Empress Adelaide; Liber chronicarum. A flower celk with a woman, turned to the left. The show is part of the family tree of Keizer Hendrik II the Saint in the Liber Chronicarum. The text identifies the person as the woman of Emperor Otto I, Adelaide. The print is part of an album.

Knight Roeland; (Rolandus); Liber chronicarum. A flower celk with a banner carrier. The text identifies the man as Roeland, Paladijns knight at the court of Emperor Charles the Great. The print is part of an album.

Nuremberg, Dürer, Albrecht, Saint Veronica, verso - stamped, Saint Veronica with the sweat cloth with the face of Christ on it., print, picture, book illustration, prints, pictures, height 62 mm, width 43 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1503 - 1503, first quarter 16th century, paper, woodcut

Decorated Roman alphabet. Artist: Anonymous, French, 15th century. Dimensions: Sheet: 1 5/16 × 1 7/16 in. (3.4 × 3.6 cm). Date: ca. 1499. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Breton, Richard, Desprez, François, Recueil de la diversité des habits, Series of various costumes, Le Suisse, Man from Switzerland with stick and sword, recto - stamped, print, prints, height 146 mm, width 85 mm, French, print maker, printmaker, 1562 - 1562, paper, papier, woodcut, Publication (Event), Publication, 1524 - 1571, publisher

Vatican City, Raphael, Italy, Veneziano, Agostino, Soldier at a Burning Altar, verso - stamped, A soldier with a bare torso and a helmet on his head, turned to the left with his hand on his hip. Around him on the ground lie weapons, armor and an amphora. On the left a burning fire on an altar., print, prent, prints, prenten, height 247 mm, width 189 mm, Italian, 1490 - 1536, print maker, printmaker, 1531 - 1536, paper, papier, engraving, engraving (printing process), etching, 1483-04-07 - 1520-04-07, after a painting by

Fame blows a trumpet and holds a laurel wreath in her hand. She stands on a globe with a horn of plenty on either side., Title page for: The European magazyn of special matters, in the realm of nature, in the states, and in the sciences occurring, 1754, print maker: Cornelis van Noorde, (mentioned on object), Tako Hajo Jelgersma, (mentioned on object), publisher: Izaak Enschedé, Haarlem, 1754, paper, h 165 mm × w 104 mm

Noble Man with Felt Hat, Bowing. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

Man with two jars and a sailing ship; Medallions with ambiguous peripherals. A man is in the outdoors with a jug with drink in every hand. In the background a river with a sailing ship. The man says he has faith in this freight. Already his boat leaks, his pump is good. In other words: it has a drip, but it is also good. In the peripheral a ambiguous text in Dutch and French: here I want ick tselyl, in Dees two loads I have to have ick, alleeckt mynen boat, my pump is good.

Germany, Schongauer, Martin, The Twelve Apostles, Apostle Simon, The Apostle Simon, full-length, a book in one hand, the other hand resting on a saw. This print is part of a series of twelve portraits of the apostles., print, prent, prints, prenten, height 87 mm, width 46 mm, German, 1430 - 1491-02-02, print maker, prentmaker, 1470 - 1490, third quarter 15th century, fourth quarter 15th century, paper, engraving, engraving (printing process)

Spinning woman. Woman working with a spiderl, a dog on her lap, a cat on the floor. Corners of print are cut off, the print is stuck on a leaf and the missing parts are drawn with brush.

Initial letter V with putti. Artist: Heinrich Vogtherr the Elder (German, born 1490, active 1538-1540). Dimensions: Sheet: 1 7/8 × 1 7/8 in. (4.8 × 4.8 cm). Date: ca. 1538. Museum: Metropolitan Museum of Art, New York, USA.

The Meeting of Joachim and Anne, from The Fall and Redemption of Man. Albrecht Altdorfer; German, c.1480-1538. Date: 1510-1518. Dimensions: 73 x 48 mm (image/block/sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Soldier and His Family. Aldegrever, Heinrich (1502-1555/1561), graphic artist, Claesz. Allaert, graphic artist, Binck, Jacob (ca 1500-1569), draughtsman, cartoonist

Christ Carrying the Cross. Artist Unknown; Bavarian, 15th century. Date: 1460-1465. Dimensions: 100 × 75 mm (plate); 105 × 80 mm (sheet). Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Trophy with various stitch weapons and the protective cap for a horse head. From series, consisting of a title page and 16 sheets.

Mattatias and his wife; Mathathias Habuit GUIQ UE Filios Conjuges; Liber chronicarum. A flower celk with a man and woman. This is a representation from the Liber Chronicarum. The text identifies them as Mattatias and his wife. Mattatias was the son of Johannes and Kleinkind van Simon. The print is part of an album.

Poesia XXVII, an engraving by Andrea Mantegna (1431-1506), created around 1550. The plate mark measures approximately 7 x 3 7/8 inches (17.8 x 9.9 cm), with the paper/sheet size being approximately 7 1/8 x 4 1/8 inches (18.1 x 10.4 cm). The piece is stamped in blue ink on the verso with the mark of WD Wilhelm Eduard Drugulin (2612) and is printed on cream laid paper

Woman who dries her nets, anonymous, 1550 - 1610 print Interior with a woman sitting by a fire. With her right arm she leans on a table, her left leg rests on a fireplace. With her left hand she holds a net between her legs. Behind her a man with amorous intentions. However, she rejects this because she still has to recover from the night. Under the table a cat with a fish in the mouth. In the sixteenth and seventeenth centuries, one of the meanings of "fishing" is sex. The net is a symbol for the vagina. In the edge of the edge, an ambiguous text in Dutch and French: sweet what is ghy with ou bruyn eyes; Wrint ick have already fought the night, ick has to dried my nets. Southern Netherlands paper engraving cat. relations between the sexes. after the intercourse

Jacques Callot (1592-1635). "The great apostles, the Savior: second issue of a suite of 16 pieces" (Lieure 1298, Meaume 105). Etching. 1631. Museum of Fine Arts of the City of Paris, Petit Palais. 99592-7 Etching, engraving

TROPHONIUS, architect of the Temple of Apollo at Delphi, subsequently had his own oracle at Lebadeia, Boeotia (Greece)

Amsterdam, Sichem, Christoffel van (II), Walking couple, verso middle - stamped, print, book illustration, prints, engravings, verso bottom right - stamped, height 113 mm, width 86 mm, Northern Dutch, 1581 - 1658-07-02, print maker, printmaker, 1581 - 1658, paper, woodcut, letterpress printing, letterpress

Emblem 194, p. 351, Emblemata v. cl. Andreae Alciati: cu, m, imaginibus plerisque restitutis ad mentem auctoris, Alciati, Andrea, 1492-1550, Mignault, Claude, ca. 1536-1606, Pignoria, Lorenzo, 1571-1631, Engraving, 1618, a view of illustration only (without text) on p. 351.

Heilige Bartolomes, Virgil, 1552 print Nuremberg paper the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff

Gothia woman; Ancient habits, modern et worldwide .....

Ptolemaeus III EMETES I; Ptolomeus eueretes; Liber chronicarum. A flower celk in which a king with a rich apple and scepter turned to the right. The performance is part of the succession Egyptian pharaohs in the Liber Chronicarum. The text identifies him as Pharaoh Ptolemae III Eueretes I. The print is part of an album.

Orded noble; Old Habiti, and Modern all of you MOTHER ACCURIZED FROM VERY FIGUREMENTS: DISQUORUM, REENTIUMSMQUAL NOTUY ORBIS. . I am

Wood engraving. Vignette., Engraving and etching, A seated woman raising a chalice with Host in her right hand. The cross leans against her left arm. An anchor lies at left., Europe and USA, 1820-35, Wood engraving. Vignette.

Mercury with constellations virgin and twins; Mercvrvs; Seven planets and constellations ..

Giovanni Calderini; Johannes Andree; Liber chronicarum. A flower celk with a man. The text identifies him as Giovanni (Andrea) Calderini. The print is part of an album.

Frisian with the upper body of a winged man blowing on two trumpets. Shaded background.

Dansende dwerg en luitspelende dwerg; Capricci di varie Figure di Jacopo Callot; Diverse figuren en voorstellingen.Two dwarfs opposite each other; The left (a woman) dances, the judge (a man) plays a lute. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

French early 16th Century, Credulity Preparing to Nurse the Mother of Hope (fol 18 verso), c 1512 1515 Credulity Preparing to Nurse the Mother of Hope fol. 18 verso

The Knight and the Lady 1495-1503 Germany. Engraving printed in black on cream laid paper . Israhel van Meckenem, the younger

Abraham de Bruyn (Flemish, 1540 - 1587), Mercury, 1569, engraving

Equestrian Portrait of the Emperor Maximilian I. Hans Burgkmair the Elder; German, 1473-1531. Date: 1508. Dimensions: 318 × 225 mm (image); 323 × 235 mm (sheet). Woodcut from two blocks in black and gold on vellum. Origin: Germany. Museum: The Chicago Art Institute, USA.

Maximilian I., Roman-German Kaiser Stecher: Hopfer, Daniel (1) Dating: around 1686/1700 publisher: Nuremberg

Depicts 'Bird King' by an anonymous artist, created as a copper engraving print around 1440-1450, showing bird figure and decorative composition.

The Miracle of St. Bernard (copy). Artist: After Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 2 7/16 × 1 15/16 in. (6.2 × 4.9 cm). Date: after 1512. Museum: Metropolitan Museum of Art, New York, USA.

The Knight and the Lady. Dated: c. 1495/1503. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem.

Copper engraving by Meister PW von Köln titled 'Rose King', created around 1500, depicting a crowned figure surrounded by roses in detailed design.

Saint Roche. Dated: 1480 or after. Medium: metalcut. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Cologne Arms.

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