Religious Mural Paintings

Baroque and Renaissance mural paintings depicting religious scenes, emphasizing emotional expressions and intricate details.

Healing the blind at birth by Carracci, Annibale (1560-1609) Museu Nacional d'Art de Catalunya, Barcelona 1604-1607 Fresco 302x252,7 Italy, Bolognese School Baroque Bible Painting

Healing the Man Born Blind. Date/Period: 1605 - before March 1606. Mural painting. Fresco transferred to canvas. Height: 3,015 mm (118.70 in); Width: 2,527 mm (99.48 in). Author: Annibale Carracci.

Gerolamo da Santacroce / Adoration

LA NATIVIDAD - HACIA 1500 - O/T - 78x44 - NP 2834 - RENACIMIENTO ESPAÑOL. Author: OSONA EL JOVEN RODRIGO-FRANCISCO DE. Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN.

Healing the blind at birth by Carracci, Annibale (1560-1609) Museu Nacional d'Art de Catalunya, Barcelona 1604-1607 Fresco 302x252,7 Italy, Bolognese School Baroque Bible Painting

Adoration of the Shepherds. Dating: 1550 - 1599. Place: Nederlanden. Measurements: h 205 cm × w 142 cm × t 4.5 cm; d 12 cm. Museum: Rijksmuseum, Amsterdam.

Morrison Triptych. Date/Period: 1500 - 1510. Painting. Oil on wood panels. Height: 1,108 mm (43.62 in); Width: 372 mm (14.64 in). Author: Meister des Morrison Triptychons.

BODA DE CATALINA DE MEDICIS CON ENRIQUE II DE FRANCIA EN 1533. Author: GIORGIO VASARI (1511-1574). Location: PALACIO VECCHIO INTERIOR. Florenz. ITALIA.

Barbarigo Altarpiece (Pala Barbarigo), by Giovanni Bellini, 1488, 15th Century, canvas, 205 x 334 cm

Benvenuto di Giovanni, The Agony in the Garden, probably 1491 The Agony in the Garden

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Pieter Coecke van Aelst / 'Annunciation, Adoration of the Magi, Adoration of Angels and Shepherds', Middle 16th century, Flemish School, Oil on panel, 81 cm x 127 cm, P02703. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

CARPACCIO, Vittore (1455-1525). Two Venetian Ladies. ca. 1510. Venetian school. Renaissance art. Oil on wood. ITALY. VENETO. Venice. Museo Correr.

Dream of St Joseph, by Luini Bernardino, 1516 - 1521, 16th Century, fresco transferred to canvas. Italy, Lombardy, Milan, Brera Art Gallery. Detail. Angel fresco from San Giuseppe in Santa Maria della Pace chapel, Milan. The Dream of St Joseph wings dress green.

Fabriano (Italia; Marche, provincia di Ancona), Oratorio della Carità. Filippo Bellini, Deposizione, olio su tela

Città della Pieve (Italy, Umbria, province of Perugia), Oratory of Santa Maria dei Bianchi, Perugino, Adoration of the Magi, fresco dimensions 700x650 cm, dating 1504. Detail

KULMBACH, Hans SŸss von (1480-1522). Adoration of the Kings. 1511. Renaissance art. Oil on wood. GERMANY. BERLIN. Berlin. Nationalgalerie (National Gallery).

Città della Pieve (Italy, Umbria, province of Perugia), Oratory of Santa Maria dei Bianchi, Perugino, Adoration of the Magi, fresco dimensions 700x650 cm, dating 1504. Detail

Virgin and Child with Saints Jerome and Dominic, by Filippino Lippi, circa 1485, National Gallery, London, England, UK, GB, Europe

Cafaggiolo Altarpiece, Baldovinetti, Alesso, 1454.

Koerbecke, Johann / Birth of Christ

Let the little children come to me" (Matthew 19:11-15; Mark 10:13-16; Luke 18:16). Winghe, Joos van (1544-1603), painter

Allegory of Certaldo by Vasari, Giorgio (1511-1574) / Palazzo Vecchio, Florence / 1563-1565 / Italy, Florentine School / Oil on wood / Mythology, Allegory and Literature / 250x250 / Mannerism

Small Triptych of St. John the Baptist. Date/Period: 1485 - 1490. Painting. Oil on wood. Height: 795 mm (31.29 in); Width: 1,122 mm (44.17 in). Author: Hans Memling.

Colantonio (1440-1470). Italian painter. Descent from the Cross, ca. 1455-1460. National Museum of Capodimonte. Naples. Italy.

Triptych from the Uffizi Gallery, with the Ascension, the Adoration of the Magi and the Circumcision, 1463-1464, by Andrea Mantegna (1431-1506).empera on wood, 86x161,5 cm.

The Crucifixion; Dreux Budé Master, possibly André d'Ypres, French, active by 1425/26, died 1450; France, Europe; before 1450; Oil on panel; Unframed: 48.6 x 71.1 cm (19 1/8 x 28 in.), Framed: 58.1 x 81.3 x 7.9 cm (22 7/8 x 32 x 3 1/8 in.)

Der Tod Mariae; Außenflügel des Wurzacher Altars (rechts unten) / The death of Mary; The Wings of the Wurzach Altar, right panel. Date/Period: 1437. Painting. Oil on fir wood. Height: 150 cm (59 in); Width: 140 cm (55.1 in). Author: HANS MULTSCHER.

Vicente Macip / 'The Visitation'. 1540 - 1545. Oil on panel. Museum: Museo del Prado, Madrid, España.

Fire in the Borgo, from the 'Stanza dell'Incendio' (Hall of Fire) - ca. 1514/17 - 495x728 cm - fresco. Author: RAFAEL SANZIO O RAFAEL DE URBINO (1483-1520). Location: MUSEOS VATICANOS-ESTANCIA DEL INCENDIO. VATICANO. AENEAS. ANCHISES. ASCANIUS. PAPA LEON IV. LEON IV PAPA. Creusa.

deatail from the 'The Garden of Earthly Delights' triptych painted by the Early Netherlandish master Hieronymus Bosch. Created: 1503ñ1504

Anonymous / 'Saint Anthony of Padua', 17th century, Spanish School, Canvas, 180 cm x 136 cm, P03273. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Mystical marriage of Saint Catherine of Alexandria, 1501, by Filippino Lippi (1457 ca- 1504), oil on panel. Basilica of San Domenico, Bologna.

Saint John the Baptist, Annunciation, Crucifixion and Saint Catherine of Alexandria. Date/Period: Ca. 1400. Painting. Tempera, stucco reliefs and gold leaf on wood. Height: 625 mm (24.60 in); Width: 1,095 mm (43.11 in). Author: FRANCESC COMES.

Jaume Serra / Altarpiece of the Virgin, 1367-1381, Tempera, gold leaf and metal plate on wood, From the monastery of Santa María de Sigena. Museum: Museu Nacional d'Art de Catalunya, Barcelona.

Pieta', the lunette from the Roverella altarpiece, 1470-1474, by Cosme' Tura (1430-ca 1495), tempera on wood, 133x263 cm.

SANTIAGO PREDICANDO - RETABLO- PANEL DE MADERA -1513-1518- 140x120 cm- PINTURA RENACENTISTA. Author: PAOLO SAN LEOCADIO (1445-1520). Location: IGLESIA ARCIPRESTAL. Villarreal. Castellón. SPAIN. Apóstol Santiago el Mayor.

Triptych with the Epiphany. Date/Period: Ca. 1540. Painting. Oil on wood. Author: 'The Master of 1518' Jan van Dornicke.

Flight into Egypt, detail from the right panel of the Champmol Altar, 1393-1399, by Melchior Broederlam (ca 1355-ca 1411), tempera on wood, 167x125 cm.

The Astrologer Artist Unknown (Italian) Fresco Palazzo della Ragione, Padua, Italy

Allegories of the Quarters of Santo Spirito and Santa Croce by Vasari, Giorgio (1511-1574) / Palazzo Vecchio, Florence / 1563-1565 / Italy, Florentine School / Oil on wood / Mythology, Allegory and Literature / 540x540 / Mannerism

Monterubbiano Polyptych, by Alemanno Pietro, 15th Century, tempera, cm 146 x 33

Christ and the Adulteress ca. 1545-50 Lucas Cranach the Younger and Workshop German This small picture illustrates the biblical passage in which a woman accused of adulteryan offense punishable by death in Mosaic lawis brought before Christ. He responds to her accusers with the words written across the top of the painting: "He that is without sin among you, let him first cast a stone at her" (John 8:7). Among the many variants of the subject that were made in Cranach’s workshop, this panel is unusual because it most likely formed a pair with Christ Blessing the Children, displayed to the left.. Christ and the Adulteress 436034

The Agony in the Garden c.1465 Giovanni Bellini (ca.1430-1516 Italian) Oil On Wood Panel National Gallery, London, England

Descent of the Holy Ghost, by Alessandro Filipepi Botticelli, 1500-1510, Birmingham Museum & Art Gallery, England

The Calumny of Apelles, an allegorical painting by the Italian painter Sandro Botticelli, Apelles was one of the most important painters of ancient Greece and the whole antique, historical, digitally restored reproduction from a 19th century original.

Portable Triptych Icon: The Resurrection and Anastasis, 1600s. Byzantium, Russia, Moscow, Byzantine period, 17th century. Painted wood panel within enameled brass frame; unframed: 6.5 x 6 x 0.2 cm (2 9/16 x 2 3/8 x 1/16 in.); closed: 7.3 x 6.9 x 3.4 cm (2 7/8 x 2 11/16 x 1 5/16 in.); open and extended: 7 x 19.1 cm (2 3/4 x 7 1/2 in.).

Pietro Perugino (1446/1450Ð1523), born Pietro Vannucci. Italian Renaissance painter of the Umbrian school. High Renaissance. The Virgin appearing to St. Bernard. Altarpiece for the church of Santa Maria Maddalena dei Pazzi in Florence. c. 1490-1494. Oil on Wood. Alte Pinakothek. Munich. Germany.

Painting titled 'Joseph with Jacob in Egypt' by Jacopo Carucci (1494-1557) an Italian Mannerist painter and portraitist from the Florentine School. Dated 16th Century

Juan de Borgona (1470-1536). High Renaissance painter born in the Duchy of Burgundy. The Adoration of the Kings, 1520. Museum of the University of Salamanca, Escuelas Menores. Spain.

Cristóvío de Figueiredo / 'Ecce Homo', Oil on panel. Museum: Centro de Arte Moderna, LISBOA, PORTUGAL. Author: Cristovao de Figueiredo.

Bernat Martorell / 'Martirio de Santa Eulalia', Proveniente de la catedral de Vic, siglo XV, 132,3 x 11,2 cm., Museu Episcopal de Vic.

St Jerome in the desert, painting by Joachim Patinir, France, Paris, Musee du Louvre

The Judgement of St Laurence' (detail), mid 15th century. Artist: Fra Angelico

Paolo Veronese, Madonna with child

The Annunciation, 1489-1490, by Sandro Botticelli (1445-1510), tempera on wood, 150x156 cm.

The Agony in the Garden by Bellini, Giovanni (1430-1516)/ National Gallery, London/ ca 1465/ Italy, Venetian School/ Tempera on panel/ Renaissance/ 81,3x127/ Bible

'The Flagellation', 1500-1505, Oil on panel, 48 cm x 35 cm, P01925. Author: ALEJO FERNANDEZ ALEMAN (1475-1545). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

fine arts, Isenbrant, Adriaen, (circa 1490 - 1551), painting, ""the flight to Egypt"", hall of arts, Hamburg,

Spain, Galicia, Santiago de Compostela. Cathedral of Santiago. Mondragon Chapel or Chapel of Piety. Built between 1521 and 1526 by Jacome Garcia. Terracotta sculptural relief depicting the Lamentation over Dead of Christ, by Miguel Perrin (1498-1552) in 1526.

The Lamentation ca. 1550 Netherlandish Netherlandish This poignant image depicts Christs limp, dead body surrounded by mourners, including his mother, Mary Magdalen with her jar of ointment, and John the Evangelist. Both support and frame are made of metal; a hook at the structures top facilitates display and its size suggests that the object was easily transportable. The pictures dimensions and delicate brushwork invite close viewing and emphasize the nearness required for the devotional aid to achieve its intended impact. Paint losses are scattered across the image, muting its emotional content, while a discolored varnish further obscures finer details like the buildings in the background or the delicate threading of the Mary Magdalens garment.. The Lamentation. Netherlandish. Netherlandish. ca. 1550. Oil on copper alloy. Paintings

The crowning glory of the Jungfrau approx. 1492, The Coronation of the Virgin, painting by Sandro Botticelli March 1, 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historically, digitally restored reproduction of a template, record date not stated

ARTE RENACIMIENTO. HOLANDA. Jan van Scorel (1495-1562). Pintor holandés al que se le atribuye la introducción del arte del Alto renacimiento italiano en los Países Bajos. "Lamentación de Cristo con un donante", 1535. Óleo sobre tabla. Centraal Museum. Utrecht. Países Bajos.

TRIPTICO - SIGLO XV - PINTURA HISPANOFLAMENCA.

Speech by Antonio Giacomini for the war against Pisa in the Sala dei Duecento. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari.

Supper at Emmaus by Pontormo, Oil on canvas, 1525, 1494-1557, Italy, Florence, Galleria degli Uffizi, 230x173

Pietà (The Dead Christ Mourned by Nicodemus and Two Angels). Dated: c. 1500. Dimensions: painted surface: 17.5 x 33.3 cm (6 7/8 x 13 1/8 in.) support: 19 x 34.8 cm (7 1/2 x 13 11/16 in.) framed: 31 x 46.2 x 4 cm (12 3/16 x 18 3/16 x 1 9/16 in.). Medium: oil (and possibly tempera) on panel. Museum: National Gallery of Art, Washington DC. Author: FILIPPINO LIPPI.

Madonna della Pergola, ca 1489, by Giovanni Battista Cima da Conegliano (1459-1517).

Bulgaria, Plovdiv, Icon Museum, icon,

Pintura atribuida a Colijn de Coter (h.1450/1455-1539). Pintor flamenco. La Fuente de Vida (Fons Vitae), 1515-1517. Museo de la Misericordia de Porto (Museu da Misericordia do Porto). Oporto (Porto). Portugal.

Aspasie au milieu des philosophes de la Grèce / Aspasia surrounded by Greek philosophers. Date/Period: 1670s. Painting. Oil on canvas mounted on panel. Height: 100 cm (39.3 in); Width: 200 cm (78.7 in). Author: Michel Corneille the Younger.

The Nativity / Lorenzo Monaco / 1418/22

CUADRO "EL EXPOLIO". AUTOR: DOMENIKOS THEOTHOKOPOULOS, EL GRECO. OLEO SOBRE LIENZO. HACIA 1580. Nº INV.: 1306 (MUSEO DE SANTA CRUZ).

Raphael / 'The Parnassus', 1511, Fresco. Museum: MUSEI VATICANI, ROMA, ITALIA. APOLO (FEBO).

fine arts, D™rer, Albrecht (1471 - 1528), painting, ""Pfeifer und Trommler"", circa 1504, lime wood, 93 cm x 51 cm, Wallraf-Richartz Museum, Cologne, Europe, Germany, Wallraf Richartz, renaissance, Duerer, Durer, ""piper and drummer""

The Seven Sacraments, Rogier van der Weyden, (1440-1445), painting / triptych, (1440-1445), Belgian Art

Jan Provoost, The Lamentation, c. 1490, oil on panel.

Christ Appearing to His Mother ca. 1496 Juan de Flandes Netherlandish According to legend, Jesus appeared to his mother following his resurrection. Trained in Bruges, Juan de Flandes immigrated to Spain to serve at the court of Queen Isabella of Castile. In this painting, he suppressed his own individual style and closely copied a work by Rogier van der Weyden that had been owned by Isabellas father, King Juan II. The spiritual power and artistic status of Rogiers original prompted Isabella to order an exact copy. The queen bequeathed her version to her burial site, the Capilla Real in Granada, where two further companion panels remain to this day.. Christ Appearing to His Mother. Juan de Flandes (Netherlandish, active by 1496-died 1519 Palencia). ca. 1496. Oil on wood. Paintings

Education of Achilles: The Riding Lesson'. Jean Baptiste de Champaigne (1631-1684) French painter.

The Annunciation - Detail Filippo Lippi (ca.1406-1469 Italian)

Foligno (Italy, Umbria, province of Perugia), Oratory of the Nunziatella. Perugino, Baptism and the Eternal Adored by two angels, fresco. Detail

Cologne School (ca. 1500). Germany. Altarpiece. Front. Central panel depicting the Calvary. National Museum of Ancient Art. Lisbon, Portugal. Author: Cologne School. 15th-16th centuries.

Vicente Carducho / 'San Bernardo de Claraval visita a Guigo I en la cartuja', 1632, Spanish School, Canvas, 337 cm x 298 cm, P03062. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Presentation. Date/Period: Ca. 1465. Painting. Oil on poplar wood. Height: 69 cm (27.1 in); Width: 86.3 cm (33.9 in). Author: ANDREA MANTEGNA.

The Agony in the Garden by Juan de Flandes (ca. 1465-1519) / Museo del Prado, Madrid / 1514-1519 / The Netherlands / Oil on wood / Bible / 110x84 / Early Netherlandish Art

The Kiss of Judas, 1522-1526. Everhard Rensig (German), or Gerhard Remisch (German). Pot-metal and white glass, silver stain and sanguine; overall: 73.7 x 71.8 cm (29 x 28 1/4 in.).

'The Lamentation'. Italy. Dimensions: 51x38 cm. Museum: State Hermitage, St. Petersburg. Author: Michelangelo Buonarroti (imitator of). Giulio Bonasone (after).

Garcia Fernandes. Portuguese painter (active from 1514 to 1565). The Presentation of the Child in the Temple, 1538. Panel. From the Convent of Santa Joana, Lisbon. National Museum of Ancient Art. Lisbon, Portugal. Author: Garcia Fernandes. Portuguese painter (active 1514-1565).

Rogier van der Weyden / Deposition

Giotto di Bondone Fresco cycle on the life of St. Francis of Assisi

Triptych with the Last Supper and Donors, circle of Jacob Cornelisz van Oostsanen, c. 1525 - c. 1530

Anonymous / 'The Last Supper', 16th century, Spanish School, Panel, 74 cm x 106 cm, P03271. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Lamentation over the Body of Christ. Gerard David; Netherlandish, c. 1460-1523. Date: 1490-1510. Dimensions: 55.1 × 62.8 cm (21 1/2 × 24 1/2 in.). Oil on panel. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

"Noli Me Tangere". Date/Period: Ca. 1484-91. Painting. Tempera on panel tempera on panel. Height: 197.10 mm (7.75 in); Width: 440.44 mm (17.34 in). Author: SANDRO BOTTICELLI.

Christs Descent into Limbo. These three groups from a large Crucifixion altar, reveal how colourful most Gothic sculpture originally was. During a recent restoration, small slivers of glass were found in the old pigment; this would have added to the glittering impression of the whole. Dating of the oak shows that the statues were made c.1515, though their style is earlier c.1450.

The Annunciation, by Guido di Pietro (Piero) known as Beato Angelico, 1438 - 1446, 15th Century, fresco. Italy, Lombardy, Milan, Santa Maria delle Grazie Refectory. Detail. Archangel Gabriel. Renaissance porch arcades.

Saint John on Patmos, Bosch, Hieronymous, 1485.

Miniature, Possibly from a Manuscript. Unknown

Cesare da Sesto (1477-1523). Italian Renaissance painter. Polyptych of Saint Rocco, 1523. Panel with depiction of St. Rocco (140 x 65 cm). Oil on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy.

The Crucifixion with a Carthusian Monk, c. 1460. Workshop of Rogier van der Weyden (Flemish, c. 1399-1464). Oil and gold on wood; image: 37.1 x 27.3 cm (14 5/8 x 10 3/4 in.); framed: 57.5 x 48 x 7 cm (22 5/8 x 18 7/8 x 2 3/4 in.); unframed: 38.4 x 29.2 cm (15 1/8 x 11 1/2 in.).

'The Triumph of Death' (detail), ca. 1562, Oil on panel, P01393. Author: PIETER BRUEGHEL EL VIEJO (1525-1569). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

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